His first book shockingly ended with his fiancé Stephanie plummeting off the side of an overpass in Seattle, after having a seizure while driving. He now chronicles this painful episode in his life, with flashbacks to their tenuous romantic relationship, and how her accident and subsequent coma ultimately causes him to unravel emotionally. This pivotal moment, which began with an alarming call in the middle of the night, parallels another gut-wrenching experience from the past when his youngest brother’s life hangs in the balance.            Martinez once again brilliantly examines the complicated connections between family, friends, and loved ones. Feeling estranged from his family in Texas over the years, isolated and alone in Seattle, he turns to writing as a therapeutic tool. The underlying themes of addiction and recovery and their powerful impact on family dynamics also emerge within the narrative, as he struggles with his inner demons. These two traumatic life events actually bring Martinez closer to the family that he has in many ways spend years trying to deny, strengthening their bonds and healing old wounds. When Martinez falls apart completely, he finds his family, his redemption, and a new beginning with the love of his life, who encourages him to write his way out of the pain in order to save his own life.

    Known for roles on the small screen such as "never-nude" Tobias Funke on "Arrested Development "and the role of "David" in "Mr. Show With Bob And David, "as well as a hugely successful stand-up routine full of sharp-tongued rants and rages, Cross has carved out his place in American comedy. Whether deflating the pomposity of religious figures, calling out the pathetic symbiosis of pseudo-celebrity and its leaching fandom, or merely pushing the buttons of the way-too-easily offended P.C. left or the caustic, double-standard of the callous (but funnier) right, Cross has something to say about everyone, including his own ridiculous self. Now, for the first time, Cross is weaving his media mockery, celebrity denunciation, religious commentary and sheer madness into book form, revealing the true story behind his almost existential distaste of Jim Belushi ("The Belush"), disclosing the up-to-now unpublished minutes to a meeting of Fox television network executives, and offering up a brutally grotesque run-in with Bill O'Reilly. And as if this wasn't enough for your laughing pleasure in these troubled times, some of the pieces splinter off with additional material being created online in exclusive video and animated web content created solely for the book-a historical first (presumably)! With a mix of personal essays, satirical fiction posing as truth, advice for rich people, information from America's least favorite Rabbi and a top-ten list of top-ten lists, I DRINK FOR A REASON is as unique as the comedian himself, and cannot be missed.

    Nicknamed "Zippy" for the way she would bolt around the house, this small girl was possessed of big eyes and even bigger ears. In this witty and lovingly told memoir, Kimmel takes readers back to a time when small-town America was caught in the amber of the innocent postwar period—people helped their neighbors, went to church on Sunday, and kept barnyard animals in their backyards.To three-year-old Zippy, it made perfect sense to strike a bargain with her father to keep her baby bottle—never mind that when she did, it was the first time she'd ever spoken. In her nonplussed family, Zippy has the perfect supporting cast: her beautiful yet dour brother, Danny, a seeker of the true faith; her sweetly sensible sister, Lindy, who wins the local beauty pageant; her mother, Delonda, who dispenses wisdom from the corner of the couch; and her father, Bob Jarvis, who never met a bet he didn't like.Whether describing a serious case of chicken love, another episode with the evil Edythe across the street, or the night Zippy's dad borrowed thirty-six coon dogs and a raccoon to prove to the complaining neighbors just how quiet his two dogs were, Kimmel treats readers to a heroine who is wonderfully sweet and shy as she navigates the quirky adult world surrounding Zippy.

    From the immediate aftermath to the possibility of restorative justice twenty years later, Dancing with the Octopus lays bare the social and political forces that act upon us after the experience of serious crime. A vivid, sly and intimate portrait of one family's disintegration, this is a darkly humorous and ground-breaking narrative of reckoning and recovery.

    If you have ever wondered, How am I supposed to survive this? This is How.

    Her sorrow and embarrassment at her outbursts were real, and her attempts to control her anger so earnest that I knew she was trying for me, for herself, and for us. I had to remind myself that I had known that she was intense to the extreme in her experience of life, and that her struggle was my struggle. We would share anger, but we would also share love.No one could ever love Michelle enough. Not her family, not her friends, and certainly not the men (and women) she so easily attracted, like moths to a flame. But when a final-year med student falls for her while she's recovering from a suicide attempt over her latest breakup, they both may be in for more than they bargained for. Hoping to help cure her of her debilitating fears and explosive rage, Anthony marries Michelle in a secret ceremony that alienates him from his family, and ultimately from himself. Initially mesmerized by her seductive smile, her surprising sensuality, and the why behind her wildly unpredictable behavior, the author comes to realize that he will have to sacrifice his career--and more--in order to be with her.This achingly honest and true account of Anthony and Michelle's whirlwind year-and-a-half together provides a window into the emotionally intense world of someone suffering from borderline personality disorder, a condition seen in an estimated 2 percent of the general population and 10 percent of mental health outpatients. It also offers the perspective of those most affected--the sufferer's loved ones, whom despite all the upheaval are still compelled to care. So concludes the author: "I hope that my story will be seen more as a case study in such a relationship than as a cautionary tale."

    He send it to her, and she called to say it had made her laugh for the first time in two years. Ball invited Brochu to her house for backgammon and lemonade. And a close friendship, lovingly revealed here, was begun. Illustrated.

    If it is a story of grief, it is also a story of hope and of the unexpected places where healing can be found. Simon's journey takes him from Edinburgh in the immediate aftermath of the disaster, to Downing Street in London, to Thailand and the island where his brother died, to the scene of an ancient tsunami on the north-west coast of the United States, and to the town where he and his brother's favourite childhood film was made. Along the way there is heartbreak, dengue fever, Greek mythology, and hard physical labour in the tropical heat, but there is also memory, redemption and humour as well.

    As the cancer progressed and was treated, the author experienced behavioral and cognitive symptoms connected to a range of mental disorders, including her professional specialty, schizophrenia. Lipska's family and associates were alarmed by the changes in her behavior, which she failed to acknowledge herself. Gradually, after a course of immunotherapy, Lipska returned to normal functioning, recalled her experience and, through her knowledge of neuroscience, identified the ways in which her brain changed during treatment. Lipska admits her condition was unusual; after recovery she was able to return to her research and resume her athletic training and compete in a triathalon. Most patients with similar brain cancers rarely survive to describe their ordeal. Lipska's memoir, coauthored with journalist McArdle, shows that strength and courage but also a encouraging support network are vital to recovery

    He was Jewish and white; she was Christian and black, but that didn't give them a moment's hesitation. They moved in together, got married, and started the long process of adopting their son, Brooks Robinson Streeter Zervitz, named for Scott's favorite baseball player. Then, out of nowhere, the unthinkable happened. While the couple was sharing a late-night kiss, Scott had a fatal heart attack at the age of 44.Black Widow is a story about coping with the kind of loss that blindsides you, the kind that can leave you with mascara streaked down your face, barefoot and slugging a bottle of gas station saké in front of a bunch of mourners (yep, Streeter has been there). But it's also a celebration -- of faith, love, and the people who show up when we need them most, who pry the saké away from us and who help us laugh and cry our way through this crazy roller-coaster ride called life.

    They are promises. They are the only way to walk from one night to the other."Nina Riggs was just thirty-seven years old when initially diagnosed with breast cancer--one small spot. Within a year, the mother of two sons, ages seven and nine, and married sixteen years to her best friend, received the devastating news that her cancer was terminal.How does one live each day, "unattached to outcome"? How does one approach the moments, big and small, with both love and honesty?Exploring motherhood, marriage, friendship, and memory, even as she wrestles with the legacy of her great-great-great grandfather, Ralph Waldo Emerson, Nina Riggs's breathtaking memoir continues the urgent conversation that Paul Kalanithi began in his gorgeous When Breath Becomes Air. She asks, what makes a meaningful life when one has limited time?Brilliantly written, disarmingly funny, and deeply moving, The Bright Hour is about how to love all the days, even the bad ones, and it's about the way literature, especially Emerson, and Nina's other muse, Montaigne, can be a balm and a form of prayer. It's a book about looking death squarely in the face and saying "this is what will be."Especially poignant in these uncertain times, The Bright Hour urges us to live well and not lose sight of what makes us human: love, art, music, words.

    An accomplished athlete, businesswoman, and mother, author Jennifer Hawkins believes she has everything, until one morning she wakes up to find her husband's lifeless body lying in their bed. Shaken to the core of her being, Jennifer struggles to put her shattered world back together, rebalancing relationships with friends, family, and her own children as she comes to grips with the vacuum created by the loss of her husband.Jennifer teeters on the brink of despair, until she hears a voice--a voice she never thought she would hear again. It is the voice of her husband, who in six simple words tells her of the tragedy that would have occurred had he stayed--how his leaving saved a life, one whose loss would have had ripple effects that were inconceivable.

    Now, in Telling, she takes us on a journey both personal and universal, a tour of the minefield of chance and circumstance that make up a life. Along the way, she offers razor-sharp takes on everything from adolescence in suburban New Jersey ("Yes, I wanted to be a wild teenage rebel, but I wanted to do it with my parents' blessing") to hellish houseguests and bad-news boyfriends; from the joys of breastfeeding in public to the sometimes-salvation of motherhood.Candid, passionate, and breathtakingly funny, Marion Winik maintains an unshaken belief that following one's heart is more important than following the rules -- and a conviction that the secrets we try to hide often contain the deepest truths."A born iconoclast, an aspiring artiste, a feminist vegetarian prodigal daughter, from early youth I considered myself destined to lead a startling life far outside the bounds of convention. I would be famous, dangerous, brilliant and relentlessly cool: a sort of cross between Emma Goldman, Jack Kerouac, and Georgia O'Keeffe.... So where did this station wagon come from?" -- from Telling

    Fans around the world are drawn to Her Grace’s voice, her wit, her life-affirming love for all humanity, and the fun and friendship of the community that’s sprung up around her.

    Until she ran away from home at 17, her parents and other cult members subjected her to satanic ritual abuse (SRA), a criminally inhumane and bizarre form of devil worship. In the middle of the night, Anne would be drugged and forced to endure hours of ritualistic torture as a symbolic sacrifice. The horrors she experienced, the miracles that made it possible for her to survive, and the hard choices she made as an adult to triumph over her past, are revealed in her new book, Hell Minus One: My Story of Deliverance from Satanic Ritual Abuse and My Journey to Freedom. Anne's story is different from other previously published memoirs by victims of SRA. Instead of distressing, heart-breaking accounts without collaborative or corroborative evidence, Anne's story is fully and responsibly documented. Her parents confessed their atrocities-both in writing and verbally-to clergymen, and to detectives from the Utah Attorney General's Office. Anne's suppressed memories, which erupted when she was in her mid-30s, were fully substantiated by her mother and stepfather. Hell Minus One is an unforgettable and moving story that takes the reader to the depths of human depravity, and to the heavens of human will and forgiveness. The foreword was written by Lt. Detective Matt Jacobson, who was the lead investigator with the Utah Attorney General's Office on Anne's case.