by Evan Dorkin The first-ever collection from the acclaimed humor anthology Dork, "Who's Laughing Now?" features 112 pages of densely-packed comic book craziness from Dork #1-5, all wrapped up in a sweet little package co-designed by Dorkin and his partner-in-crime, Sarah Dyer!

    Features the bonus, peel-away insert, Smell-O-Toons, the aromatic fragrance that is dabbed on more Commando pulse points than all other perfumes combined! Little, Brown.

    Whether playing the online dating game, trying couples therapy, dealing with uncooperative children, discovering the melancholy of middle age, dreaming of a better life, or finally grasping the golden (or at least bronze) ring, these chickens encounter everyday troubles and triumphs as painfully recognizable as they are hilarious. Clever, charming, and endlessly entertaining, Going for the Bronze is a brilliant follow-up to a wholly unique bestseller.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    In this FCBD edition, we present adventures from our kid-favorite titles: Owly by Andy Runton, Johnny Boo by James Kochalka, Korgi by Christian Slade, Okie Dokie Donuts by Chris Eliopoulos, Pirate Penguin Vs Ninja Chicken by Ray Friesen, and Upside Down by Jess Smart Smiley. Perfect for everyone in the family. With a great cover by Ray Friesen this time around to boot!

    With narrative mastery, Nancy Peña brings us small, hilarious sketches that appeal to cat lovers of all ages!

    Matthew Inman, Eisner Award-winning creator of The Oatmeal and #1 New York Times bestselling author of How to Tell If Your Cat Is Plotting to Kill You, presents a must-have collection of comics for cat lovers!Why My Cat Is More Impressive Than Your Baby is chockfull of comics about cats, babies, dogs, lasers, selfies, and pigeons!  This book contains a vast wealth of never-before-seen comics, including informative guides, such as:How to comfortably sleep next to your cat10 ways to befriend a misanthropic catHow to hold a baby when you are not used to holding babiesA dog’s guide to walking a human beingHow to cuddle like you mean it Includes a pull-out poster of:  How to tell if your cat thinks you’re not that big of a deal.

    Sikoryak, Michael Kupperman, and Kate Beaton.”—NPR, Best Books of 2013A new collection from the Guardian and New York Times Magazine cartoonistThe New York Times Magazine cartoonist Tom Gauld follows up his widely praised graphic novel Goliath with You’re All Just Jealous of My Jetpack, a collection of cartoons made for The Guardian. Over the past eight years, Gauld has produced a weekly cartoon for the Saturday Review section of Britain’s best-regarded newspaper. Only a handful of comics from this huge and hilarious body of work have ever been printed in North America—and these have been available exclusively within the pages of the prestigious Believer magazine.      You’re All Just Jealous of My Jetpack distills perfectly Gauld’s dark humor, impeccable timing, and distinctive style. Arrests by the fiction police and imaginary towns designed by Tom Waits intermingle hilariously with piercing observations about human behavior and whimsical imaginings of the future. Again and again, Gauld reaffirms his position as a first-rank cartoonist, creating work infused with a deep understanding of both literary and cartoon history.

    Cul de Sacis noted not only for its humour and intelligence, but also for creator Richard Thompson's fun, imaginative watercolour artwork. Cul de Sacis brought to life through manhole-dancing Alice Otterloop, a curious four-year-old who discovers life's ups and downs in suburbia. Along with her Blisshaven Preschool classmates, Alice charms fans of all ages with her escapades. From crafting projects in a cloud of glitter and glue or just trying to comprehend a completely incomprehensible world, Alice is a creature of pure and indomitable will, an irresistible force. Alice describes her father's car as a "Honda-Tonka Cuisinart" and talks to the class guinea pig, Mr. Danders. Alice is joined by her family: her older brother Petey who is intent on being the King of the Picky Eaters; her dad, who's the Assistant Director of Pamphlets at the U.S. Department of Consumption, Office of Consumer Complaints; and her mom, who is capable of doing a million things simultaneously, about five of them well. This library of cartoons and art will both delight long-time fans and provide a fantastic introduction to new readers.

    So what happens to the 75 percent of cartoons that don't make the cut? Some go back in a drawer, others go up on the refrigerator or into the filing cabinet...but the very best of all the rejects can be found right here in these pages. "The Rejection Collection Vol. 2: The Cream of the Crap" is the ultimate scrap heap of creative misfires -- from the lowbrow and the dirty to the politically incorrect and the weird, these rejects represent the best of the worst...in the best possible sense of the word. Handpicked by editor Matthew Diffee, these hilarious cartoons are accompanied by handwritten questionnaires and photographed self-portraits, providing a rare glimpse into the minds of the artists behind the rejection. With appendices that explore the top ten reasons why cartoons are rejected and examine the solitary nature of the job of cartooning -- plus a special bonus section of questions asked of and answered by cartoon editor Robert Mankoff -- this sequel to "The Rejection Collection" offers even deeper insight into the exercise in frustration, patience, and amusement that is being a "New Yorker" cartoonist. Warped, wicked, and wildly funny, "The Rejection Collection Vol. 2 "will appeal to every "New Yorker" fan -- and everyone with a taste for the absurd.

    In On the Prowl the best of Rupert Fawcett's brilliantly observed, touchingly true cartoons come together in book form for the first time.Featuring the secret thoughts and conversations of cats of every size, shape and breed, this gorgeous book is a celebration of our favourite feline friends.

    An unmissable must for Tank Girl fans of all hairstyles Dark and nasty, We Hate Tank Girl is a bonanza of stories, posters, prose, and extras, featuring tales from Tank Girl's past, present, and future, including the long-awaited Cut 'n' Dress Booga, and the never-before-seen bonus story, "Small Unit." Collects Tank Girl One-Shots: Dark Nuggets, Dirty Helmets, and Hairy Heroes.

    Together they break headlines on the food bowl, new plants, mysterious red dots, strange cats in the yard, and all the daily happenings in their home.

    With an ever increasing fan base, an expanding number of publications who regularly feature his work, one of the most popular and most visited web-logs (www.thismodernworld.com), the time is now for The Great Big Book of Tomorrow. This massive collection of Tomorrow's greatest hits, unseen gems and obscurities, new material and color section is the so far definitive collection of one of the most popular 'underground' cartoonists ever--a delight to long-time fans and new readers alike.

    Perfectly Clear brings back into print stories that Hornschemeier published prior to his Three Paradoxes Fantagraphics debut from a variety of sources—his own self-published Forlorn Funnies, as well as strips that originally appeared in independent magazines and papers—none of which has been available to the book trade.The book is designed as a "flip book" in the tradition of the old Ace paperbacks, with one side featuring comedic work (or as comedic as Hornschemeier's mind allows), and the other decidedly more morose. With almost every page, we see a new style, a new direction; with the resultant effect being that of an anthology by creators of vastly contrasting sensibilities.On the "funny" menu, we are treated to Dr. Rodentia (an unfortunate-looking fellow with only apathy as his weapon), a detailed artist's catalogue exploring such modern masterpieces as "Accidental Late-Night Sex With a Radiator," musings on the cancerous nature of civilization as observed by a deceased cat and a cotton-based airbus, the scatological "Feelings Check," the ever pathetic Vanderbilt Millions and his fantasies of self-worth, and the multi-narrative story that started the Forlorn Funnies comics series: "The Men and Women of the Television."Clearly, there is a fine line in the Hornschemeier lexicon between funny and morose.On our "forlorn" plate we are served the cold examination of the dyslexic narcoleptic and his bungled plans of murder, a sea creature's balancing of morality and sustenance, the Western romance "Wanted," a metal man's self-destructive search for meaning, and the story the alternative website Ain't It Cool News describes as delivering "a complicated mixture of disgust and pity."Let Us Be Perfectly Clear demonstrates Paul Hornschemeier's versatility and breadth in an elegantly produced book that will appeal to connoisseurs of contemporary, cutting-edge cartoons and graphic novels.