For many years, Ernie Bushmiller 's Nancy, with its odd-looking, squat heroine, nearly abstract art, and often super-corny gags, was perceived as the stodgiest, squarest comic strip in the world. Popular with newspaper readers, true but definitely not a strip embraced by comic-strip connoisseurs, like Krazy Kat, Dick Tracy or Terry and the Pirates. But then those connoisseurs took a closer look, and began to realize that Bushmiller 's art approached its own kind of cartoon perfection, and those corny gags often achieved a striking zen quality. In its own way, it turned out Nancy was in fact the most iconic comic strip of all. (The American Heritage Dictionary actually uses a Nancy strip to illustrate its entry on comic strip. ) Charter members of the Nancy revival include Art Spiegelman, who published Mark Newgarden 's famous Love 's Savage Fury (featuring Nancy and Bazooka Joe) in an early issue of RAW; Fletcher Hanks anthologist Paul Karasik; Zippy the Pinhead creator Bill Griffith; underground publisher Denis Kitchen, who released several volumes of Nancy collections in the 1980s; Understanding Comics Scott McCloud, who created the Five-Card Nancy card game; Joe Brainard, who produced an entire Nancy book of paintings in 2008; and Andy Warhol, who produced a painting based on Nancy. Beginning in the Winter of 2011, fans will be dancing with joy as Fantagraphics unveils an ongoing Nancy reprint project. Each volume contain a whopping full four years of daily Nancy strips (a Sunday Nancy project looms in the future), collected in a fat, square (what else, for the squarest strip in the world?) package designed by Jacob (Popeye, Beasts , Willie and Joe) Covey. This first volume will collect every daily strip from 1943 to 1946. (Fantagraphics will eventually release Nancy 's first five years, 1938-1942, but given the scarcity of archival material for these years we are giving ourselves some extra time to collate it all.) This first Nancy volume will feature an introduction by another stellar Bushmiller fan, Daniel Clowes (from whose collection most of the strips in this volume were scanned), a biography of the artist, and much more.

    It is the hilariously observed and empathetic comic strip about childhood ever drawn - with asly humor that kids identify with and parents nod knowingly - and ruefully - at.This first volume publishes every single panel strip from 1951-1952 in one handsome, thick volume.Hank Ketcham's Complete Dennis the Menace: 1951-1952 is the inaugural volume in a series collecting for the first time every Dennis the Menace cartoon panel over the life of the strip.Join Dennis and his cast of tortured victims and comrades-in-arms - Dennis' Mom and Dad, Henry and Alice Mitchell, poor Mr Wilson, and his pals Joey and Margaret, not to mention boy's best friend Ruff - for over 600 pages of heart-warming mayhem.

    (Among other things, three major cast members—Schroeder, Lucy, and Linus—initially show up as infants and only "grow" into their final "mature" selves as the months go by. Even Snoopy debuts as a puppy!) Thus The Complete Peanuts offers a unique chance to see a master of the art form refine his skills and solidify his universe, day by day, week by week, month by month.This volume is rounded out with Garrison Keillor's introduction, a biographical essay by David Michaelis (Schulz and Peanuts) and an in-depth interview with Schulz conducted in 1987 by Gary Groth and Rick Marschall, all wrapped in a gorgeous design by award-winning cartoonist Seth.

    He was the most popular cartoonist of his day, his sense of humor coming straight out of Mark Twain, who also balanced exaggerated tall tales and a perfect ear for everyday speech with dark themes that undercut his laugh-out-loud stories. The series will consist of six volumes released annual through 2011.In this first volume, covering 1928-1930, Popeye's initial courtship of Olive Oyl takes center stage while Olive's brother Castor Oyl discovers the mysterious Whiffle Hen. Also, the entire cast meets the Sea Hag for the first time in their pursuit of the "Mystery House" (Popeye's first extended daily narrative), and Castor Oyl attempts to turn Popeye into a boxing champion in a series of hilarious Sunday strips. These strips are masterpieces of comic invention. Popeye's omnipotence pre-figures the rise of superheroes in the 1930s and 1940s, though Popeye is a much more sympathetic character, and his very name announces his vibrant personality. His mangled English pulsated with the vital spirit of immigrant America, its rhythm poetic in its own vulgar way: "I yam what I yam and tha's all I yam."2007 Eisner Award nominee: Best Archival Collection/Project: Strips; and Best Publication Design (Jacob Covey); 2007 Harvey Award nominee: Best Domestic Reprint Project; Special Award for Excellence in Presentation; Winner: HOW Magazine Design Merit Awards: Covers

    Bloom County ran from December 8th, 1980 to August 6th, 1989 and was published in an astounding 1200 newspapers on a daily basis. The huge popularity of Bloom County spawned a merchandizing bonanza, as well as two spin-off strips, Outland and Opus.The Bloom County Library Volume 1 highlights the first time the entire run of the immensely popular Bloom County strip has been collected in beautifully designed hard cover books with exceptional reproduction.The Library of American Comics is the world's #1 publisher of classic newspaper comic strips, with 14 Eisner Award nominations and three wins for best book. LOAC has become the gold standard for archival comic strip reprints...The research and articles provide insight and context, and most importantly the glorious reproduction of the material has preserved these strips for those who knew them and offers a new gateway to adventure for those discovering them for the first time." - ScoopWinner of the 2010 Eisner Award for Best Archival Collection/Project--Strips

    Not only does this volume reprint the first two years of the strip in which King’s friendly and nostalgic imagination took shape but each book in the series features an eighty-page color introduction by Jeet Heer of Canada’s National Post. Each introduction will also feature never-before-seen archival photos and ephemera from the personal collection of King’s granddaughter. Walt & Skeezix is not just a collection of a classic comic strip—it is the story of a great American cartoonist. Few cartoon strips have this kind of longevity and quality; Gasoline Alley has been with us since 1919 and is a gentle mirror held up to ordinary American life in the early twentieth century. It started as a mild satire on the post-WWI “craze” for cars, but it wasn’t long before it developed into a quirky family story attracting an audience of more than thirty million readers in four hundred–plus newspapers. Gasoline Alley, an affectionate portrait of modern living, is remembered for being the first strip to set itself in contemporary American history. The characters of Gasoline Alley grow up, go to war, and have grandchildren. The strip always reflects the kind, sweet pace of life.

    Filled with Watterson’s full-page Sunday strips, this collection is sure to please fans and newcomers alike.

    Also included are loads of entertaining behind-the-scenes anecdotes about the comics, their creators, and Archie's unique impact on America's pop culture!Designed for young and old alike, this is both a must-have companion for anyone who has grown up with Archie and a perfect introduction for new readers.

    All Rights Reserved.The Far Side and the Larson signature are registered trademarks of FarWorks, Inc.The Far Side Gallery is an anthology of Gary Larson's The Far Side comic strips, which were printed from 1982–1984.

    With over 500 daily strips and 80 full-color Sunday pages, this is satire, and Doonesbury, at its best.

    Times“Stunning Volume” - Garry TrudeauBeginning with the first page, a collection of Nemo Adventures, 1905-1910.128 pages, 16 x 21 inchesHere are the dreams of all children, worlds of fantasy, humor, terror, and grand adventure. It was the greatest comic strip of its day, perhaps the greatest of all time, acclaimed the world over for its artistic majesty, unbounded imagination, and ground-breaking techniques that helped define a new art form. But since its debut 100 years ago, it has been all but impossible to view these masterpieces in their original size and colors.LITTLE NEMO IN SLUMBERLAND...can now be seen as creator Winsor McCay intended: full broadsheet-sized and with glorious colors. The digitally-restored prints presented in incredible detail displaying the superb draftsmanship of the prolific McCay. Enjoy the Sunday morning experience shared by millions a century ago. Again, for the first time.

    These newspaper comics were stand-alone funny in their time and, almost always, topical and thought provoking. The world of these lovable characters carried the flavor of the times in which they were penned and offered commentary on many of the political happenings - greed, political faux pas, scandals, sloth, feminism, racism and the pitfalls of love and having a tender heart were all fair game for this artist.

    In 2002, Fantagraphics embarked on a publishing plan to reintroduce the greatest strip of the first-half of the 20th Century (the Peanuts of its era) to a public that has largely never seen it: this volume is the fourth in a long-term plan to chronologically reprint strips from the prime of Herriman's career, most of which have not seen print since originally running in newspapers 75 years ago. Each volume is edited by the San Francisco Cartoon Art Museum's Bill Blackbeard, the world's foremost authority on early 20th Century American comic strips, and designed by Jimmy Corrigan author Chris Ware, who may well go down as the best cartoonist of the 21st Century. Krazy & Ignatz 1931-1932 is a hot-baked brickbat of a volume, a dance with nearly two full years of the Sunday Krazy Kat (Herriman did not use color until 1935), snug between multiple pages of Herriman extras, including an extensive essay by series editor Bill Blackbeard on pre-Kat Herriman work (with reproductions from rare "Baron Mooch" and "Gooseberry Sprig" strips, and a rarely-seen 1923 full-page drawing of the Kat done for Circulation magazine), and, best of all, a 30-page sequence of over two straight months' worth of 1931 dailies! Plus a new "Debaffler" page decoding Krazy arcana, and a stunning layout front and back and throughout by the inimitable Chris Ware! Krazy Kat is a love story, focusing on the relationships of its three main characters. Krazy Kat adored Ignatz Mouse. Ignatz Mouse just tolerated Krazy Kat, except for recurrent onsets of targeting tumescence, which found expression in the fast delivery of bricks to Krazy's cranium. Offisa Pup loved Krazy and sought to protect "her" (Herriman always maintained that Krazy was gender-less) by throwing Ignatz in jail. Each of the characters was ignorant of the others' true motivations, and this simple structure allowed Herriman to build entire worlds of meaning into the actions, building thematic depth and sweeping his readers up by the looping verbal rhythms of Krazy & Co.'s unique dialogue.

    These full-color graphic novels broke new ground when they were first released and became the inspiration for countless modern-day comic artists.This repackaged hardcover volume contains 3 classic Tintin stories, including: Tintin in America, Cigars of the Pharaoh, and The Blue Lotus.

    He weighed five pounds, six ounces at birth—that's big for a kitten!—and right from the start showed a passion for Italian food. The restaurant owner, forced to choose between Garfield and closing his doors for lack of pasta, sold Garfield to a pet store. Garfield thought he was a goner until Jon Arbuckle walked in the door. The rest is history.