We witness scenes of passionate, even violent intensity that give rise to meditations on eros and literature, the solitariness of travel, and the poetics of place.These individual pieces, most of which first appeared in The London Review of Books and won an international cult following, are by turns "poignant, surreal, down home and lyrical, a mixture of qualities that inheres in his language with uncommon delicacy and effect" (Leonard Michaels). Together they make up an intellectual and emotional autobiography on the run. The book's final section, about Kleinzahler's adored, doomed older brother, is unforgettable, and since its appearance last year in the LRB, has already entered the literature as one of the most moving contemporary memoirs.

    Wily, witty and weird, often haunting, sometimes heartbreaking, [Frey's] poems…dive deep, for all their individual brevity.

    Invoking both the personal and the civic self, they chart uncertain new beginnings in a shattered nation. What emerges is both a poignant meditation on a daughter's relationship with her mother and a citizen's relationship to her country. from "Frontier" . . . At times, I felt sick, intoxicatedby BPA and mercury.At other times I fasted and the starsstumbled clear from the vault.Up there, the universe stands around drunk.I hope the Lord is kind to us,for we engrave our every mistake . . .

    Since his poems first began to appear in the pages of The New Yorker and Poetry, there has been a lot of excited talk about the fresh and inventive work of Michael Robbins. Equal parts hip- hop, John Berryman, and capitalism seeking death and not finding it, Robbins's poems are strange, wonderful, wild, and completely unlike anything else being written today. As allusive as the Cantos, as aggressive as a circular saw, this debut collection will offend none but the virtuous, and is certain to receive an enormous amount of attention.

    Using "The Golden Shovel" poetic method, Grimes has written a collection of poetry that is as gorgeous as it is thought-provoking.This special book also includes original artwork in full-color from some of today's most exciting African American illustrators, who have created pieces of art based on Nikki's original poems. Featuring art by: Cozbi Cabrera, R. Gregory Christie, Pat Cummings, Jan Spivey Gilchrist, Ebony Glenn, Nikki Grimes, E. B. Lewis, Frank Morrison, Christopher Myers, Brian Pinkney, Sean Qualls, James Ransome, Javaka Steptoe, Shadra Strickland, and Elizabeth Zunon.A foreword, an introduction to the history of the Harlem Renaissance, author's note, poet biographies, and index makes this not only a book to cherish, but a wonderful resource and reference as well. Awards for Planet Middle School: 2014 Garden State Teen Book Awards listNominated for the 2012 NCAAP Image Award - Outstanding Literary Work for Youth/TeensCCBC Choices 20122012 Best Children's Books of the Year, Bank StreetNominated for the 2012-13Pennsylvania Young Reader's Choice Awards Program

    In this magical book, Naomi shares the enduring wisdom of her father, Leonard Wolf, a poet and teacher who believes that every person is an artist in their own unique way, and that personal creativity is the secret of happiness. Leonard Wolf is a true eccentric. A tall, craggy, good-looking man in his early eighties, he's the kind of person who likes to use a medieval astrolabe, dress in Basque shepherd's clothing, and convince otherwise sensible people to quit their jobs and follow their passions. A gifted teacher, he's dedicated his life to honoring individualism, creativity, and the inspirational power of art. Leonard believes, and has made many others believe, that inside everyone is an artist, and success and happiness in life depend on whether or not one values and acts upon one's creative impulse. In The Treehouse, Naomi Wolf's most personal book yet, Naomi outlines her father's lessons in creating lasting happiness and offers inspiration for the artist in all of us. The book begins when Naomi asks Leonard to help build a treehouse for his granddaughter. Inspired by his dedication to her daughter's imaginative world, Naomi asks her father to walk her through the lessons of his popular poetry class and show her how he teaches people to liberate their creative selves. Drawn from Leonard's handwritten lecture notes, the chapters of The Treehouse remind us to "Be Still and Listen," "Use Your Imagination," "Do Nothing Without Passion," and that "Your Only Wage Will Be Joy," and "Mistakes Are Part of the Draft." More than an education in poetry writing, this is a journey of self-discovery in which the creative endeavor is paramount. Naomi also offers glimpses into her father's past -- from his youth during the Depression to his bohemian years as a poet in 1950s San Francisco -- and the evolution of Leonard's highly individualistic vision of the artist's way. She reconsiders her own childhood and realizes the transformative effect Leonard's philosophy has had on her own life, as well as the lives of her students and friends. The Treehouse is ultimately a stirring personal history, a meditation on fathers and daughters, an argument for honoring the creative impulse, and unique instruction in the art of personal happiness.

    In it, Norris gives a no-holds-barred assessment of American culture and shows how Americans can get involved and change the nation's course for the better.

    Drawing from firsthand accounts of Joseph himself and the scribes who served with him, From Darkness unto Light explores the difficulties encountered in bringing forth this book of inspired scripture. Recent insights and discoveries from the Joseph Smith Papers project have provided a fuller, richer understanding of the translation and publication of the Book of Mormon. This book helps readers understand that the coming forth of the Book of Mormon was a miracle. Faith and belief are necessary ingredients for one to come to know that Joseph Smith performed the work of a seer in bringing the sacred words of the Book of Mormon from darkness unto light.

    We are very pleased to be the first U.S. publisher to offer Ediths timeless watercolors.

    A number of poems from early, now unavailable chapbooks have also been included so that the reader can at last have an overview of Baca's remarkable literary development. The voice of Immigrants will be familiar to readers of the widely praised Martín Meditations on the South Valley and Black Mesa Poems (New Directions, 1987 and 1989), but the territory may not be. Most of the poems in this collection were written while the author was in prison, where he taught himself to read and write. All the poems are concerned with the incarcerated or the disenfranchised; they all communicate the sting from the backhand of the American promise. As Denise Levertov has noted, Baca "is far from being a naive realist," but of poverty and prejudice, of material that is truly raw, he "writes in unconcealed passion."

    Johannes Göransson's translation captures the seething instability of Berg's bizarre compound nouns and linguistic contortions.

    . . Like Frida Kahlo's painting--impossible to look away from. --Kai Maristed, Los Angeles TimesAt the age of eighteen, Frida Kahlo's life was transformed when the bus in which she was riding was hit by a trolley car. Pierced through by a steel handrail and broken in many places, she entered a long period of convalescence during which she began to paint self-portraits.A vibrant series of prose poems, Beauty Is Convulsive is a passionate meditation on Frida Kahlo, one of the twentieth century's most compelling artists. Carole Maso brings together pieces from Kahlo's biography, her letters, medical documents, and her diaries to assemble a text that is as erotic, mysterious, and colorful as one of Kahlo's paintings.

    poet laureate, joins with David Allen Sibley, America's foremost bird illustrator, to celebrate the winged creatures that have inspired so many poets to sing for centuries. From Catullus and Chaucer to Robert Browning and James Wright, poets have long treated birds as powerful metaphors for beauty, escape, transcendence, and divine expression.Here, in this substantial anthology, more than one hundred contemporary and classic poems are paired with close to sixty original, ornithologically precise illustrations. Part poetry collection, part field guide, part art book, Bright Wings presents verbal and visual interpretations of the natural world and reminds us of our intimate connection to the "bright wings" around us. Each in their own way, these poems and pictures honor the enchanting creatures that have been, and continue to be, longtime collaborators with the poet's and painter's art.Poet and bird pairings include: Wallace Stevens and the Blackbird; Emily Dickinson and the Robin; Marianne Moore and the Frigate Pelican; Thomas Hardy and the Goldfinch; Sylvia Plath and the Pheasant; John Updike and the Seagull; Walt Whitman and the Eagle; Billy Collins and the Sparrow.

    The poems range in tone from the spiritual longing of an isolated monk to the erotic ecstasy of a court princess—but share the extraordinary simplicity and luminosity of language that marks Kenneth Rexroth's verse style. An introduction by the poet and translator Sam Hamill, the editor of this collection, and short biographies of the poets are included. The Shambhala Library is a series of exquisitely designed and produced cloth editions of the world's spiritual and literary classics, both ancient and modern. Perfect for collecting or as gifts, each volume features a sewn binding, decorative endsheets, and a ribbon marker—a delightful-to-hold 4 ¼ x 6 ¾ trim size.

    Covering a wide array of artistic mediums, this fascinating collection also contains infographics about artistic movements throughout history, statistics about women's representation in museums, and notable works by women. Women in Art celebrates the success of the bold female creators who inspired the world and paved the way for the next generation of artists.