All of the laughs, the scraps, the yarns and the characters: they all left a mark on me. And I wouldn’t change any of it."Bob Murphy has never been a typical footballer.Music buff, Age columnist and Winnebago driver, he is as comfortable in a Fitzroy café or the front bar of a grungy pub as he is in the locker room.In this unique memoir, Murphy takes the reader inside his seventeen-year career, including his three years as captain of the Western Bulldogs, exploring the people, places and events that shaped him. From playing backyard cricket in 1980s Warragul to Community Cup with Paul Kelly in the 2000s, and from the joy of marrying his high school crush to the agony of a season-ending ACL rupture: the man described as the spirit of the Bulldogs has soul, and it’s made of leather.How did the country kid with a gypsy’s heart become an All-Australian captain? What’s it like to have your club reach the AFL Grand Final for the first time in sixty-two years, and have to cheer from the sidelines? How does it feel to realise you can no longer do the things that made you great?The great Australian football bard Martin Flanagan has long insisted Bob Murphy has a book in him like no footballer has written. Leather Soul proves him right.

    Penetrating, gripping, and provocative, this book combines natural history, anthropology, and ecology on an epic scale. Illustrations.

    Dropbear interrogates the complexities of colonial and personal history with an alternately playful, tender and mournful intertextual voice, deftly navigating the responsibilities that gather from sovereign country, the spectres of memory and the debris of settler-coloniality. This innovative mix of poetry and essay offers an eloquent witness to the entangled present, an uncompromising provocation of history, and an embattled but redemptive hope for a decolonial future.

    Cutting paths through the alien harshness of the Australian frontier, McMillan became a pioneer to be forever mythologised in the statues and landmarks that bore his name. He was also Cal Flyn’s great-great-great-uncle. Inspired by this glimmer of an ancestral greatness, Flyn followed in his footsteps to Australia, where her investigations forced her to confront dark and horrifying family secrets. She discovered that McMillan and his peers were responsible for a series of assaults on indigenous peoples so ferocious that the sites would ever after be synonymous with bloodshed: Skull Creek, Boney Point, Slaughterhouse Gully. McMillan too had a new name: the Butcher of Gippsland.Driven to piece together his story and confront her own history, Flyn looks for answers: How could a man lauded for his generosity and integrity commit such terrible acts? How could a man who had witnessed the horror of Highlanders cleared from their lands then massacre and ‘clear’ indigenous people on the other side of the world? How can whole societies come to be overlooked and forgotten? Should today's generation atone for their ancestors' sins? Blending memoir, history and travel, Thicker Than Water evokes the startlingly beautiful wilderness of the Highlands, the desolate bush of Victoria and the reverberations on one from the other. A tale of blood and bloodlines, it is a powerful, personal journey into dark family history, intergenerational grief and the inherited guilt that we all carry with us.

    A pioneering work, it will overturn complacent notions of a mutual sisterhood and the common good.

    The game, the story, the riddle, hiding and seeking. Crow comes from this place; this place comes from Crow. And Crow has work for you.Sadie isn't thrilled when her mother drags her from the city to live in the country town of Boort. But soon she starts making connections—with the country, with the past, with two boys, Lachie and Walter, and, most surprisingly, with the ever-present crows. When Sadie is tumbled back in time to view a terrible crime, she is pulled into a strange mystery. Can Sadie, Walter, and Lachie figure out a way to right old wrongs, or will they be condemned to repeat them? A fantasy ground in mythology, this novel has the backing of a full consultative process on the use of indigenous lore.

    It is an intimate account of the transformation of a campsite in a beautiful cove to the town that later became Australia's largest and best-known city. From the sparkling beaches to the foothills of the Blue Mountains, Grace Karskens skillfully reveals how landscape shaped both the lives of the original Aboriginal inhabitants and newcomers alike. She traces the ways in which relationships between the colonial authorities and ordinary men and women broke with old patterns, and the ways that settler and Aboriginal histories became entwined. She uncovers the ties between the burgeoning township and its rural hinterland expanding along the river systems of the Cumberland Plain. This is a landmark account of the birthplace of modern Australia, and a fascinating and richly textured narrative of people and place.

    In Polynesia we set sail with navigators whose ancestors settled the Pacific ten centuries before Christ. In the Amazon we meet the descendants of a true lost civilization, the Peoples of the Anaconda. In the Andes we discover that the earth really is alive, while in Australia we experience Dreamtime, the all-embracing philosophy of the first humans to walk out of Africa. We then travel to Nepal, where we encounter a wisdom hero, a Bodhisattva, who emerges from forty-five years of Buddhist retreat and solitude. And finally we settle in Borneo, where the last rain forest nomads struggle to survive. Understanding the lessons of this journey will be our mission for the next century. For at risk is the human legacy--a vast archive of knowledge and expertise, a catalog of the imagination. Rediscovering a new appreciation for the diversity of the human spirit, as expressed by culture, is among the central challenges of our time.

    Rowan’s brother Albert, the natural heir to the farm, has died and Rowan’s dad’s health is failing. Although he longs to, there is no way that Rowan can refuse his mother’s request as she prepares the farm for sale.This is the story of the final harvest – the story of a young man in a place he doesn’t want to be, being given one last chance to make peace before the past, and those he has loved, disappear.

    

    Mia is a 13-year-old girl from a remote community in the Kimberley. She is saddened by the loss of her brother as he distances himself from the family. She feels powerless to change the things she sees around her, until one day she rescues her totem animal, the dirran black cockatoo, and soon discovers her own inner strength. A wonderful small tale on the power of standing up for yourself, culture and ever-present family ties.

    When it did, the lives of everyone involved in its construction were utterly changed: some for the better, many for the worse.Helen Pitt tells the stories of the people behind the magnificent white sails of the Sydney Opera House. From the famous conductor and state premier who conceived the project; to the two architects whose lives were so tragically intertwined; to the workers and engineers; to the people of Sydney, who were alternately beguiled and horrified as the drama unfolded over two decades.With access to diaries, letters, and classified records, as well as her own interviews with people involved in the project, Helen Pitt reveals the intimate back story of the building that turned Sydney into an international city. It is a tale worthy of Shakespeare himself.'A drama-filled page turner' - Ita Buttrose AO OBE'Helen Pitt tells us so much about the building of the Sydney Opera House we've never heard before' - Bob Carr, former Premier of NSW'Australia in the seventies: mullets, platform shoes and, miraculously, the Opera House. At least we got one of them right. A great read.' - Amanda Keller, WSFM breakfast presenter

    There are things that science may never explain. Maybe some things that shouldn’t be explained.Stacey and Laney are twins – mirror images of each other – and yet they’re as different as the sun and the moon. Stacey works hard at school, determined to get out of their small town. Laney skips school and sneaks out of the house to meet her boyfriend. But when Laney disappears one night, Stacey can’t believe she’s just run off without telling her.As the days pass and Laney doesn’t return, Stacey starts dreaming of her twin. The dreams are dark and terrifying, difficult to understand and hard to shake, but at least they tell Stacey one key thing – Laney is alive. It’s hard for Stacey to know what’s real and what’s imagined and even harder to know who to trust. All she knows for sure is that Laney needs her help.Stacey is the only one who can find her sister. Will she find her in time?

    Told at first through the frank eyes of a child whose life was irretrievably changed after being “adopted” into a German Lutheran family, Too Afraid to Cry braids piercingly lyrical verse with spare prose to tell an intensely personal story of abuse and trauma. After years of suffering as a dark-skinned “outsider,” Eckermann reveals her courageous efforts to reconcile with her birth family and find acceptance within their Indigenous community. Too Afraid to Cry offers a mirror to America and Canada’s own dark history of coerced adoption of Native American children, and the violence inflicted on our continent’s Indigenous peoples.

    Unwitting witnesses to the barbaric exercise are bullock teamsters Patrick Duffy and his son Tom.