Alan Johnson's childhood was not so much difficult as unusual - particularly for a man who was destined to become Home Secretary. Not in respect of the poverty, which was shared with many of those living in Britain's post-war slums, but in its transition from being part of a two-parent family to having a single mother and then to no parents at all...This is essentially the story of two incredible women: Alan's mother, Lily, who battled against poor health, poverty, domestic violence and loneliness to try to ensure a better life for her children; and his sister, Linda, who had to assume an enormous amount of responsibility at a very young age and who fought to keep the family together and out of care when she herself was still only a child.This Boy is one man's story, but it is also the story of England and the West London slums which are hard to imagine in the capital today. No matter how harsh the details, Alan Johnson writes with a spirit of generous acceptance, of humour and openness which makes his book anything but a grim catalogue of miseries.________ PRAISE FOR THIS BOY: 'Moving and unforgettable' Sunday Times'Poignant' Telegraph'Eloquent' Guardian'Wonderful' Spectator'Tribute to two strong women' Daily Mail

    "Winter Journal" is a highly personal meditation on the body, time, and memory, by one of our most intellectually elegant writers."

    The volume is edited each year by an esteemed writer who brings a fresh eye to the selections. Previous editors have included Elizabeth Hardwick, Susan Sontag, Geoffrey C. Ward, Cynthia Ozick, and Stephen Jay Gould. This year’s volume is terrifically diverse, with subjects ranging from driving lessons to animal rights to citizenship in times of emergency.

     When the marines -- or "jarheads," as they call themselves -- were sent in 1990 to Saudi Arabia to fight the Iraqis, Swofford was there, with a hundred-pound pack on his shoulders and a sniper's rifle in his hands. It was one misery upon another. He lived in sand for six months, his girlfriend back home betrayed him for a scrawny hotel clerk, he was punished by boredom and fear, he considered suicide, he pulled a gun on one of his fellow marines, and he was shot at by both Iraqis and Americans. At the end of the war, Swofford hiked for miles through a landscape of incinerated Iraqi soldiers and later was nearly killed in a booby-trapped Iraqi bunker. Swofford weaves this experience of war with vivid accounts of boot camp (which included physical abuse by his drill instructor), reflections on the mythos of the marines, and remembrances of battles with lovers and family. As engagement with the Iraqis draws closer, he is forced to consider what it is to be an American, a soldier, a son of a soldier, and a man. Unlike the real-time print and television coverage of the Gulf War, which was highly scripted by the Pentagon, Swofford's account subverts the conventional wisdom that U.S. military interventions are now merely surgical insertions of superior forces that result in few American casualties. Jarhead insists we remember the Americans who are in fact wounded or killed, the fields of smoking enemy corpses left behind, and the continuing difficulty that American soldiers have reentering civilian life. A harrowing yet inspiring portrait of a tormented consciousness struggling for inner peace, Jarhead will elbow for room on that short shelf of American war classics that includes Philip Caputo's A Rumor of War and Tim O'Brien's The Things They Carried, and be admired not only for the raw beauty of its prose but also for the depth of its pained heart.

    His thousands of pages of essays, reviews, prologues, lectures, and notes on politics and culture—though revered in Latin America and Europe as among his finest work—have scarcely been translated into English.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    His range is virtuosic, encompassing Mark Twain and Richard Wright, Mahalia Jackson and Charlie Parker, The Birth of a Nation and the Dante-esque landscape of Harlem—“the scene and symbol of the Negro’s perpetual alienation in the land of his birth.” Throughout, he gives us what amounts to an episodic autobiography that traces his formation as a writer as well as the genesis of Invisible Man.On every page, Ellison reveals his idiosyncratic and often contrarian brilliance, his insistence on refuting both black and white stereotypes of what an African American writer should say or be. The result is a book that continues to instruct, delight, and occasionally outrage readers.

    For more than 2,000 years, its aphoristic insights and wisdom have been applied in a wide variety of disciplines, ranging from the business and legal professions to the martial arts and sports. The Art Other and Other Classics of Eastern Thought collects Sun Tzu's classic text and six other landmark books of Eastern philosophy and learning, including the Tao Te Ching of Lao Tzu, The Works of Mencius, and the Confucian Analects, Doctrine of the Mean, and Great Learning of Confucius. The Art Other and Other Classics of Eastern Thought is one of Barnes & Noble's leatherbound classics. Each volume features authoritative texts by the world's greatest authors in an exquisitely designed bonded-leather binding, with distinctive gilt edging and an attractive silk-ribbon bookmark. Decorative, durable, and collectible, these books offer hours of pleasure to readers young and old and are an indispensable cornerstone for every home library.

    You could say we're the #1 nation at being the best at greatness.But as perfect as America is in every single way, America is broken! And we can't exchange it because we're 236 years past the 30-day return window. Look around--we don't make anything anymore, we've mortgaged our future to China, and the Apologist-in-Chief goes on world tours just to bow before foreign leaders. Worse, the L.A. Four Seasons Hotel doesn't even have a dedicated phone button for the Spa. You have to dial an extension! Where did we lose our way?!It's high time we restored America to the greatness it never lost!Luckily, AMERICA AGAIN will singlebookedly pull this country back from the brink. It features everything from chapters, to page numbers, to fonts. Covering subject's ranging from healthcare ("I shudder to think where we'd be without the wide variety of prescription drugs to treat our maladies, such as think-shuddering") to the economy ("Life is giving us lemons, and we're shipping them to the Chinese to make our lemon-flavored leadonade") to food ("Feel free to deep fry this book—it's a rich source of fiber"), Stephen gives America the dose of truth it needs to get back on track.

    Compiled by Dave Eggers and students from his San Francisco writing center, it is "both uproarious and illuminating" (Publishers Weekly).

    In Naked, Sedaris turns the mania for memoir on its proverbial ear, mining the exceedingly rich terrain of his life, his family, and his unique worldview—a sensibility at once take-no-prisoners sharp and deeply charitable. A tart-tongued mother does dead-on imitations of her young son's nervous tics, to the great amusement of his teachers; a stint of Kerouackian wandering is undertaken (of course!) with a quadriplegic companion; a family gathers for a wedding in the face of imminent death. Through it all is Sedaris's unmistakable voice, without doubt one of the freshest in American writing.

    Standing on the engine of a train as it rushes past fields of prickly cactus; witnessing his first bullfight in Mexico while high on opium; catching up with the beat night life in New York; burying himself in the snow-capped mountains of north-west America; meditating on a sunlit roof in Tangiers; or falling in love with Montmartre and the huge white basilica of Sacré-Coeur – Kerouac reveals the endless diversity of human life and his own high-spirited philosophy of self-fulfilment.

    Here he recounts in his inimitable voice his experience trading ideas on atomic physics with Einstein and Bohr and ideas on gambling with Nick the Greek; cracking the uncrackable safes guarding the most deeply held nuclear secrets; accompanying a ballet on his bongo drums; painting a naked female toreador. In short, here is Feynman's life in all its eccentric—a combustible mixture of high intelligence, unlimited curiosity, and raging chutzpah.

    As a reporter and editor-in-chief on the journal Expo he researched the extreme right both in Sweden and at an international level. Collected here for the first time are essays and articles on right-wing extremism and racism, on violence against women and women’s rights, on homophobia and honour killings.His most important writings – perceptive, learned and committed texts – illustrate the breadth of his journalistic and political activities in connection with matters that were closest to his heart, and to which he devoted his life. Despite death threats and financial difficulties, Larsson never ceased to fight for and write about his most firmly held principles; it was his commitment to these which gave his bestselling novels their explosive force.

    It reflects Hemingway's conviction that bullfighting was more than mere sport and reveals a rich source of inspiration for his art. The unrivaled drama of bullfighting, with its rigorous combination of athleticism and artistry, and its requisite display of grace under pressure, ignited Hemingway's imagination. Here he describes and explains the technical aspects of this dangerous ritual and "the emotional and spiritual intensity and pure classic beauty that can be produced by a man, an animal, and a piece of scarlet serge draped on a stick." Seen through his eyes, bullfighting becomes a richly choreographed ballet, with performers who range from awkward amateurs to masters of great elegance and cunning.A fascinating look at the history and grandeur of bullfighting, Death in the Afternoon is also a deeper contemplation of the nature of cowardice and bravery, sport and tragedy, and is enlivened throughout by Hemingway's sharp commentary on life and literature.

    His most recent book, God Is Not Great, was on the New York Times bestseller list in 2007 for months. Like his hero, George Orwell, Hitchens is a tireless opponent of all forms of cruelty, ideological dogma, religious superstition and intellectual obfuscation. Once a socialist, he now refers to himself as an unaffiliated radical. As a thinker, Hitchens is perhaps best viewed as post-ideological, in that his intellectual sources and solidarities are strikingly various (he is an admirer of both Leon Trotsky and Kingsley Amis) and cannot be located easily at any one point on the ideological spectrum. Since leaving Britain for the United States in 1981, Hitchens thinking has moved in what some see as contradictory directions, but he remains an unapologetic and passionate defender of the Enlightenment values of secularism, democracy, free expression, and scientific inquiry.The global turmoil of the recent past has provoked intense dispute and division among intellectuals, academics, and other commentators. Hitchens writing during this time, particularly after 9/11, is an essential reference point for understanding the genesis and meaning of that turmoil#151;and the challenges that accompany it. This volume brings together Hitchens most incisive reflections on the war on terror, the war in Iraq, and the state of the contemporary Left. It also includes a selection of critical commentaries on his work from his former leftist comrades, a set of exchanges between Hitchens and various left-leaning interlocutors (such as Studs Terkel, Norman Finkelstein, and Michael Kazin), and an introductory essay by the editors on the nature and significance of Hitchens contribution to the world of ideas and public debate. In response, Hitchens provides an original afterword, written for this collection.p pWhatever readers might think about Hitchens, he remains an intellectual force to be reckoned with. And there is no better place to encounter his current thinking than in this provocative volume.