This is a story about a lump of coal who can think, talk, and move itself around.Is there a more charming holiday tale to behold? Probably, but Lemony Snicket has not written one.

     If there was one thing James loved to do more than anything else, it was to be in the great outdoors watching his beloved feathered friends. In the fall of 1804, he was determined to find out if the birds nesting near his Pennsylvania home would really return the following spring. Through careful observation, James laid the foundation for all that we know about migration patterns today. Capturing the early passion of this bird-obsessed young man as well as the meticulous study and scientific methods behind his research, this lively, gorgeously illustrated biography will leave young readers listening intently for the call of birds large and small near their own home.

    Home may be on the road or the sea, in the realm of myth, or in the artist's own studio. A meditation on the concept of home.

    A man of pure determination, he created the first life-size models of dinosaurs! This brilliant book is a fantastic nod to the genius of one man, and a glimpse into the beginning of an important era.As a boy in England, Benjamin Waterhouse Hawkins always wanted to be an artist. His passion led him to animals, and soon he was drawing and painting them with fervor. This eventually led to his true calling -- creating models of dinosaurs as they actually must have looked when they roamed the earth! With the help of scientist Richard Owen, he checked the fossil remains of dinosaurs against living animals and constructed a gigantic model. Among the first to witness his creation were Queen Victoria and Prince Albert, who reacted with pure amazement.In order to impress England's leading scientists with his work, Waterhouse Hawkins staged a lavish New Year's Eve dinner party and hosted the gala inside the body of his model! He also wanted the public to learn about the dinosaurs and their history, so he built smaller models, illustrated books, and lectured on the subject. His fame spread to the United States, and he was invited to New York, where he began to create model dinosaurs for a proposed Paleozoic Museum in Central Park. However, a corrupt politician put an end to the project, and vandals later broke into Waterhouse Hawkins's workshop and destroyed his models. Though distraught, he moved on to Princeton, where he built skeletons and created paintings about life on earth in the age of the dinosaurs. Eventually, Waterhouse Hawkins returned to England and continued his work, some of which can still be seen in Crystal Palace Park.Writer Barbara Kerley and illustrator Brian Selznick have weaved a spirited account of this largely forgotten man. Plenty of textual detail, research, and a good dose of wonderment make Kerley's narrative a delightful experience. And the awesome illustrations, which combine Waterhouse Hawkins's own grandeur with Selznick's talent for the bold and the beautiful, made the pages come to life. The fusion of scientific allure and sensational images is a stroke of brilliance. This phenomenal book stands as true testament to the devotion and power of an individual -- it would have made Waterhouse Hawkins proud. (Amy Barkat)

    When a powerful typhoon wrecks the ship in uncharted waters, Arthur and Will are the sole survivors. Washed ashore on a strange island called Dinotopia, they are amazed to find a breathtaking world where cities are built on waterfalls, people have found new ways to fly, and humans and dinosaurs live together in harmony. With new discoveries at every turn, Arthur and Will embark upon their own separate journeys to unearth the mysteries of Dinotopia.

    Kwame Alexander’s poetry and Melissa Sweet’s artwork come together to take readers on a journey between the pages of a book.

    Illustrated poems depict the fairies who live among the plants of autumn.

    Outside, the dark is getting darker," and here and there around the city ninety-two men and thirteen women are getting dressed to go to work. First they bathe and put on their underwear. Then they don special black-and-white apparel. Then when the one hundred and five people are completely ready, each takes a musical instrument and travels to midtown. There, at 8:30 tonight, they will work together: playing.In these pages Karla Kuskin and Marc Simont combine their talents to give us a delightful and unusual inside view of one way an orchestra prepares.Nominee, 1983 American Book AwardNotable Children's Books of 1983 (ALA)1983 Fanfare Honor List (The Horn Book)Outstanding Children's Books of 1982 (NYT)A Reading Rainbow Selection1983 Teachers' Choices (NCTE)Children's Books of 1982 (Library of Congress)

    Frizzle and her students embark on numerous entertaining scientific journeys. The books are based on the PBS television series.

    Peter Spier uses his own translation of a seventeenth-century Dutch poem about this most famous menagerie.

    . . . Offers vivid descriptions of the animal's flight, its navigational skills, andthe hunt for food." — SCHOOL LIBRARY JOURNALNight has fallen, and Bat awakens to find her evening meal. Follow her as she swoops into the shadows, shouting and flying, the echoes of her voice creating a sound picture of the world around her. When morning light creeps into the sky, Bat returns to the roost to feed her baby . . . and to rest until nighttime comes again. Bat loves the night!

    The next day - BLAM! - Pablo bursts through the canvas, paintbrush in hand, ready to paint something fresh and new."Pablo Picasso may have been one of the most famous artists of the 20th century, but that doesn't mean he painted what people wanted him to paint! In fact, some people hated his paintings, and called them "ugly!" and "terrible!" -- something many kids can relate to. But Picasso didn't listen to all those people, and kept on working the way he wanted to work, until he created something so new, so different... that people didn't know what to say!For every young artist who's drawn something other kids think is "ugly," this story of rebellion and creativity is sure to inspire.

    Fizzle's class is trying to find out. The kids try to dive down under the water, but the bus won't go! The class has to figure out how to turn their floater into a sinker so they can solve the mystery of the underwater monster. Take a dive with the Magic School Bus, and learn why things float and sink!

    Full color.

    The two of them set off for Montmartre, the art center of 1920s Paris, to seek out an artist to paint Pepette’s portrait. They encounter Pablo Picasso, Salvador Dalí, Marc Chagall, and Henri Matisse, who all try their hand at capturing the rabbit. Picasso gives Pepette two noses and three ears—which doesn’t sit well with Josette. Dalí gives Pepette very droopy eyes—so Josette says "no thank you" and moves on. Chagall paints Pepette flying through the clouds. Josette points out that Pepette doesn’t fly and is afraid of heights—so they decide to keep going through the square. When they meet Matisse, he paints Pepette pink, with lots of colorful dots and splashes covering the canvas. It’s a beautiful piece of art, but it’s not Pepette. Giving up, Josette and Pepette make their way home. Josette is upset that no one was able to no one was able to capture the true essence of Pepette. Who could capture her soft gray ears, her heart-shaped nose, and all her wonderfulness? And then it comes to her—she, Josette, is the perfect person to do this.