A new reality—a "horror reality”—has taken hold. David Peak’s The Spectacle of the Void examines the boundaries of the irreal and the beyond, exploring horror’s singular ability to communicate the unknown through language and image. It is also a speculative work that gazes unflinchingly at the inevitable extinction of mankind, questioning whether or not the burden of our knowing we will someday cease to exist is a burden after all, or rather the very notion that will set us free.

    A space between spaces. When the Mara Corday, an aged freighter, enters the Graveyard of the Atlantic, nightmares become real. The crew finds themselves trapped in a realm where time doesn't exist and unimaginable horrors dwell. Lost in a becalmed sea, in a netherworld where evil manifests itself in hideous forms, the survivors of the Mara Corday have an eternity to find a way out - if they aren't killed first by the creatures stalking them.(Description from back cover of trade paperback)

    Escaping their lives in Manhattan, former college buddies Matt and Davis take off to the Netherlands and find themselves thrown into a bizarre love triangle with a beautiful young prostitute named Christina. But the romance they find in Europe is eventually overshadowed by the truth they discover at home. Written with an unflinching poetic beauty, Red Light Winter is a play of sexual intrigue that explores the myriad and misguided ways we seek to fill the empty spaces inside us.

    In his first collection, North American Lake Monsters, Nathan Ballingrud carved out a distinctly singular place in American fiction with his “piercing and merciless” (Toronto Globe and Mail) portrayals of the monsters that haunt our lives—both real and imagined: “What Nathan Ballingrud does in North American Lake Monsters is to reinvigorate the horror tradition” (Los Angeles Review of Books). Now, in Wounds, Ballingrud follows up with an even more confounding, strange, and utterly entrancing collection of six stories, including one new novella. From the eerie dread descending upon a New Orleans dive bartender after a cell phone is left behind in a rollicking bar fight in “The Visible Filth” to the search for the map of hell in “The Butcher’s Table,” Ballingrud’s beautifully crafted stories are riveting in their quietly terrifying depictions of the murky line between the known and the unknown.

    When they don't pay it back, they get a visit from Joe Hope. — But now Joe's got troubles of his own. His teenage daughter's found dead, an apparent suicide. Then the police arrest him for murder. But for once, Joe's innocent--and with help from Scotland's hardest men (and one of Scotland's hardest women), he sets out to find who's framed him and deliver his own brutal brand of justice.

     A Victorian Englishman summons a strange puppet-like being to an old Colonial Inn. A doctor returns from the Great War and discovers a mysterious naked woman at the edge of the Atlantic. A contemporary collector of arcane books retraces the steps of these other men -- adventurers who sought out the mysteries of neighboring dimensions. In THE SEA OF ASH, Scott Thomas takes us along as three men from three different centuries experience the wonders and horrors of an unknown New England. "Never had the universe felt so vast, and I so small within it. I had, through circumstance, been made aware of something, but of what? Something either too horrible or too beautiful for humans to know." —From The Sea of Ash

    Four teens in a New Hampshire mill town abuse a bizarre hallucinogen called WHORL in order to cope with a devastating suicide epidemic.

    But what happens where the human world touches the domain of races ancient and alien? Museum curators, surveyors, police officers, archaeologists, mathematicians; from derelict buildings to country houses to the London Underground, another world is just a breath away, around the corner, watching and waiting for you to step into its power. The Private Life of Elder Things is a collection of new Lovecraftian fiction about confronting, discovering and living alongside the creatures of the Mythos.

    As the flood waters slowly rose and coastal cities and towns disappeared, some people believed it was the end of the world. Maybe they were right. But the water wasn't the worst part. Even more terrifying was what the soaking rains drove up from beneath the earth — unimaginable creatures, writhing, burrowing ... and devouring all in their path. What hope does an already-devastated mankind have against ... THE CONQUEROR WORMS?

    Lovecraft. Beyond being modern updates of the pulp horror of the 1930s, these stories seamlessly intertwine the Cthulhu Mythos into modern day conspiracy theory and the myths of alien abduction and visitation.

    Specifically designed to challenge the creative boundaries of some of the most famed and respected horror writers working today—such as A. S. Byatt, Christopher Priest, Hanif Kureishi, Frank Cottrell Boyce, Matthew Holness, and the indomitable Ramsey Campbell—this anatomically precise experiment encapsulates what the uncanny represents in the 21st century. Masterfully narrated with the benefit of unique perspectives on what exactly it is that goes bump in the night, this chilling modern collective is not only an essential read for fans of horror but also an insightful and intriguing introduction to the greats of the genre at their gruesome best.

    Two centuries later, pioneering musicians began to take advantage of breakthroughs in audio recording to make Bach’s music the sound of modern transcendence. The sainted organist Albert Schweitzer used wax-cylinder recordings to broadcast Bach’s organ works beyond the churches. Pablo Casals, cutting 78s at Abbey Road Studios, made Bach’s cello suites existentialism for the living room; Leopold Stokowski and Walt Disney, with Fantasia, made Bach the sound of children’s playtime and Hollywood grandeur alike. Glenn Gould’s Goldberg Variations opened and closed the LP era and made Bach the byword for postwar cool; and Yo-Yo Ma has brought Bach into the digital present, where computers and smartphones put the sound of Bach all around us. In this book we see these musicians and dozens of others searching, experimenting, and collaborating with one another in the service of Bach, who emerges as the very image of the spiritualized, technically savvy artist. Reinventing Bach is a gorgeously written story of music, invention, and human passion—and a story with special relevance in our time, for it shows that great things can happen when high art meets new technology.

    What he got was a virtual cattle prod to the crotch, in the form of an impossible assignment delivered directly from the president's heroin-addict chief of staff. It seems the Constitution of the United States has some skeletons in its closet: the Founding Fathers doubted that the document would be able to stave off human nature indefinitely, so they devised a backup Constitution to deploy at the first sign of crisis. In the government's eyes, that time is now, as America is overgrown with perverts who spend more time surfing the Web for fetish porn than they do reading a newspaper. They want to use this "Secret Constitution" to drive the country back to a time when civility, God, and mom's homemade apple pie were all that mattered.The only problem is, no one can seem to find it . . .So who better to track it down than a private dick who's so down-and-out that he's coming up the other side, a shamus whose only skill is stumbling into every depraved situation imaginable?With no lead to speak of, and no knowledge of the underground world in which the Constitution has traveled, McGill embarks on a cross-country odyssey of America's darkest, dankest underbelly. Along the way, his white-bread sensibilities are treated to a smorgasbord of depravity that runs the gamut of human imagination. The filth mounts; it is clear that this isn't the kind of life, liberty, or happiness that Thomas Jefferson thought Americans would enjoy in the twenty-first century.But what McGill learns as he closes in on the real Constitution is that freedom takes many forms, the most important of which may be the fight against the "good old days." Like Vonnegut, Orwell, and Huxley before him, Warren Ellis deftly exposes the hypocrisy of the "moral majority" by giving us a glimpse at the monstrous outcome that their overzealous policies would achieve.

    But watch out! There are more creepy facts and crazy feats than ever before.

    Here are 17 startlingly original masterpieces of the macabre—gruesome tales of madness, vengeance and heart-stopping horror in a world of Indians and aliens, of gunmen, ghouls and Elvis impersonators. Experience a modern-day dinosaur round-up, learn the shocking truth about the hideous curse that killed Doc Holliday... and ride a 40-foot rattlesnake in a bizarre post-nuclear rodeo. All this and more awaits you in a remarkable anthology of evil that gives the western a black hat and a bad name.Contents:Introduction: The Cowpunk Anthology, by Joe R. Lansdale and Pat LoBrutto.Black Boots, by Robert R. McCammon.Thirteen Days of Glory, by Scott Cupp.Gold, by Lewis Shiner.The Tenth Toe, by F. Paul Wilson,Sedalia, by David J. Schow.Trapline, by Ardath Mayhar.Trail of the Chromium Bandits, by Al Sarrantonio.Dinker's Pond, by Richard Laymon.Stampede, by Melissa Mia Hall.Empty Places, by Gary L. Raisor.Tony Red Dog, by Neal Barrett, Jr.The Passing of the Western, by Howard Waldrop.Eldon's Penitente, by Lenore Carroll.The Job, by Joe R. Lansdale.I'm Always Here, by Richard Christian Matheson."Yore Skin's Jes's Soft 'N Purty..." He Said, by Chet Williamson.Razored Saddles, by Robert Petitt.