Yet Nesbit had a much darker side, which revealed itself in her tales of terror and the supernatural. Most of these tales were written before the author established herself as a writer of children's stories, and were soon overshadowed, to be nearly forgotten—with one or two exceptions—for almost one hundred years.In 1988, Hugh Lamb edited In the Dark for the Equation Chillers series, and has now added a further seven stories for this expanded edition. Included are such famous tales as 'Man-Size in Marble' and 'John Charrington's Wedding', along with less well known—but equally chilling—stories of the supernatural and the macabre. In Nesbit's twilight world, the dead return from the grave; scientists pursue knowledge to the gates of death—and beyond; souls are bartered to the Devil in exchange for one last wish; a casual wager leads to madness; and a seemingly harmless maker of models exacts a terrible price for a wrong done years before.In his introduction, Hugh Lamb examines the colourful life of Edith Nesbit, painting a portrait of a woman whose unconventional life set her apart from her Victorian and Edwardian contemporaries in the ghost story genre. He also looks at some of the events and experiences which may have inspired Nesbit's supernatural fiction—events which, in the author's words, gave her 'nights and nights of anguish and horror, long years of bitterest fear and dread'.CONTENTS: Introduction by Hugh Lamb; Man-Size in Marble; Uncle Abraham's Response; From the Dead; The Haunted Inheritance; The Three Drugs; The Letter in Brown Ink; The Violet Car; John Charrington's Wedding; No. 17; The Pavilion; The House of Silence; The Mystery of the Semi-Detached; In the Dark; The Head; The Ebony Frame; Hurst of Hurstcote; The Five Senses; The Haunted House; The Shadow; The Detective; The Power of Darkness.

    The secrets of the core of the earth. Dreams of other people’s lives. A girl who goes mad in the darkness. Monsters in Bavaria. A generational spaceship where night doesn’t exist. And other mysteries and oddities. The contributors to the enthralling collection are: Sarah Rees Brennan, Tessa Gratton, Rachel Hawkins, Christine Johnson, Valerie Kemp, Malinda Lo, Myra McEntire, Saundra Mitchell, Sarah Ockler, Jackson Pearce, Aprilynne Pike, Dia Reeves, Beth Revis, Carrie Ryan, Jon Skovron, Courtney Summers, and Kate Espy, winner of the Defy the Dark new author contest.

    Jekyll and Mr. HydeMedical school students Fettes and Macfarlane are charged with the unenviable task of receiving and paying for the institution’s research cadavers. When Fettes recognizes the dead body of a woman he saw alive and well just the day before, he suspects murder. Macfarlane, however, insists that the authorities would never believe they had nothing to do with her death. Reluctantly, Fettes agrees to keep quiet, but soon regrets his decision when another familiar corpse turns up—and takes on a life of its own.

    Where tinkerers and dreamers craft and re-craft a world of automatons, clockworks, calculating machines, and other marvels that never were. Where scientists and schoolgirls, fair folk and Romans, intergalactic bandits, utopian revolutionaries, and intrepid orphans solve crimes, escape from monstrous predicaments, consult oracles, and hover over volcanoes in steam-powered airships.

    'Red' seems to me to be a masterwork. 'Vampire' is a breathtaking work of virtuosity."—Dennis Etchison, from his Introduction"An impressive debut. These stories are all beautifully written and very, very disturbing."—Fangoria"Richard Christian Matheson's prose is elegant, yet spare. He is undoubtedly the master of the contemporary horror short story. His potent, subtle horror sneaks up on the reader and its echoes linger long after the story has ended."—Ellen Datlow, fiction editor, Omni

    He knows what magic a suit can cast, the invisibility a guitar case can provide, and the curse written on his skin that attracts the eye of wealthy white folks and their cops. But when he delivers an occult tome to a reclusive sorceress in the heart of Queens, Tom opens a door to a deeper realm of magic, and earns the attention of things best left sleeping.A storm that might swallow the world is building in Brooklyn. Will Black Tom live to see it break?

    Lily is gone and her twins, Miranda and Eliot, and her husband, the gentle Luc, mourn her absence with unspoken intensity. All is not well with the house, either, which creaks and grumbles and malignly confuses visitors in its mazy rooms, forcing winter apples in the garden when the branches should be bare. Generations of women inhabit its walls. And Miranda, with her new appetite for chalk and her keen sense for spirits, is more attuned to them than she is to her brother and father. She is leaving them slowly -Slipping away from them -And when one dark night she vanishes entirely, the survivors are left to tell her story."Miri I conjure you "This is a spine-tingling tale that has Gothic roots but an utterly modern sensibility. Told by a quartet of crystalline voices, it is electrifying in its expression of myth and memory, loss and magic, fear and love.

    She sent for a wartime secret service colleague to come and help. What they discovered was horrifying beyond anything they could have imagined.Dennis Wheatley returned in this audiobook to his black magic theme which he had made so much his own with his famous best seller The Devil Rides Out. In the cumulative shock of its revelations, the use of arcane knowledge, the mounting suspense, and acceleration to a fearful climax, he out-does even that earlier achievement. This is, by any standards, a terrific story.

    P. Lovecraft, Robert E. Howard, August Derleth, and Clark Ashton Smith, all regular contributors to the pulp magazine Weird Tales during the first half of the twentieth century, are recognizable even to casual readers of the bizarre and fantastic. And yet despite being more popular than them all during the golden era of genre pulp fiction, there is another author whose name and work have fallen into obscurity: Seabury Quinn.Quinn’s short stories were featured in well more than half of Weird Tales’s original publication run. His most famous character, the supernatural French detective Dr. Jules de Grandin, investigated cases involving monsters, devil worshippers, serial killers, and spirits from beyond the grave, often set in the small town of Harrisonville, New Jersey. In de Grandin there are familiar shades of both Arthur Conan Doyle’s Sherlock Holmes and Agatha Christie’s Hercule Poirot, and alongside his assistant, Dr. Samuel Trowbridge, de Grandin’s knack for solving mysteries—and his outbursts of peculiar French-isms (grand Dieu!)—captivated readers for nearly three decades.Collected for the first time in trade editions, The Complete Tales of Jules de Grandin, edited by George Vanderburgh, presents all ninety-three published works featuring the supernatural detective. Presented in chronological order over five volumes, and including all thirty-two original Weird Tales covers illustrated for de Grandin stories, this is the definitive collection of an iconic pulp hero.The first volume, The Horror on the Links, includes all of the Jules de Grandin stories from “The Horror on the Links” (1925) to “The Chapel of Mystic Horror” (1928), as well as an introduction by Robert Weinberg.

    She had to see the dark hole in the storage room down the hall. She had to make love to Nicholas beside it, and stare into its secretive, promising depths. Then Nakota began her experiments: First, she put an insect into the hole. Then a mouse...Now from down the hall, the black hole calls out to Nicholas every day and every night. And he will go to it. Because it has already seared his flesh, infected his soul, and started him on a journey of obsession - through its soothing, blank darkness into the blinding core of terror...

    Vicious beasts stalk our twisted pasts. Lost souls haunt our deepest regrets. They are the blood on our hands. They are the obsessions in our heads. They are the vengeance in our hearts. They are the chilling shadows in the night. They are Miscreations: Gods, Monstrosities & Other Horrors. Edited by Bram Stoker Award-winning editors Doug Murano and Michael Bailey. Featuring a foreword by Alma Katsu, and illustrations throughout by HagCult.Contents: * Foreword (Miscreations: Gods, Monstrosities & Other Horrors) • essay by Alma Katsu * A Heart Arrythmia Creeping Into a Dark Room / short fiction by Michael Wehunt * Matryoshka / short fiction by Joanna Parypinski * Butcher's Blend / short fiction by Brian Hodge * Operations Other Than War / short fiction by Nadia Bulkin * One Day of Inside/Out / short fiction by Linda D. Addison * One Last Transformation / short fiction by Josh Malerman * Brains / short fiction by Ramsey Campbell * You Are My Neighbor / short fiction by Max Booth, III * The Vodyanoy / short fiction by Christina Sng * Imperfect Clay / short fiction by Lisa Morton * Spectral Evidence (2017) / short story by Victor LaValle * Ode to Joad the Toad [Antiquity] / short fiction by Laird Barron * Only Bruises Are Permanent / short fiction by Scott Edelman * My Knowing Glance / short fiction by Lucy A. Snyder * Paper Doll Hyperplane / short fiction by R. B. Payne * Not Eradicated in You / short fiction by Bracken MacLeod * Resurrection Points (2014) / novelette by Usman T. Malik * The Old Gods of Light / short fiction by Christina Sng * Sounds Caught in Cobwebs / short fiction by M. E. Bronstein * Umbra Sum / short fiction by Kristi DeMeester * A Benediction of Corpses / short fiction by Stephanie M. Wytovich * The Making of Asylum Ophelia / short fiction by Mercedes M. Yardley * Frankenstein's Daughter / short fiction by Theodora Goss .

    Showcasing this cutting-edge talent, Poe’s Children now brings the best of the genre’s stories to a wider audience. Featuring tales from such writers as Neil Gaiman and Jonathan Carroll, Poe’s Children is Peter Straub’s tribute to the imaginative power of storytelling. Each previously published story has been selected by Straub to represent what he thinks is the most interesting development in our literature during the last two decades.Selections range from the early Stephen King psychological thriller “The Ballad of the Flexible Bullet,” in which an editor confronts an author’s belief that his typewriter is inhabited by supernatural creatures, to “The Man on the Ceiling,” Melanie and Steve Rasnic Tem’s award-winning surreal tale of night terrors, woven with daylight fears that haunt a family. Other selections include National Book Award finalist Dan Chaon’s “The Bees”; Peter Straub’s “Little Red’s Tango,” the legend of a music aficionado whose past is as mysterious as the ghostly visitors to his Manhattan apartment; Elizabeth Hand’s visionary and shocking “Cleopatra Brimstone”; Thomas Ligotti’s brilliant, mind-stretching “Notes on the Writing of Horror: A Story”; and “Body,” Brian Evenson’s disturbing twist on correctional facilities.Crossing boundaries and packed with imaginative chills, Poe’s Children bears all the telltale signs of fearless, addictive fiction.

    LovecraftNew Tales of Terror!What would happen if Sir Arthur Conan Doyle's peerless detective, Sherlock Holmes, and his allies were to find themselves faced with Lovecraftian mysteries whose solutions lay not only beyond the grasp of logic, but beyond sanity itself. In this collection of original tales, twenty of today's cutting-edge writers provide answers to that burning question.Contributors include Neil Gaiman, Brian Stableford, Poppy Z. Bright, Barbara Hambly, Steve Perry, and Caitlin R. Kierman. These and other masters of horror, mystery, fantasy and science fiction spin dark tales within a terrifyingly surreal universe.Includes the Hugo Award-winning story A Study in Emerald by Neil Gaiman.Cover design: David StevensonCover Illustration: John Jude Palencar

    Alberto Manguel has selected 72 fantastic tales from life on the edge of the twilight zone, with stories from Marguerite Yourcenar, Herman Hesse, Italo Calvino, Vladimir Nabokov, and many, many more. This is a collection of irresistible masterpieces, many of which have never before appeared in the English language.Fantastic literature Manguel writes in his introduction, makes use of our everyday world as a facade through which the undefinable appears, hinting at the half-forgotten dreams of our imagination. Unlike tales of fantasy, fantastic literature deals with what can be best defined as the impossible seeping into the possible, what Wallace Stevens calls black water breaking into reality. Fantastic literature never really explains everything, it thrives on surprise, on the unexpected logic that is born from its own rules.Contents:House taken over by Julio CortázarHow love came to Professor Guildea by Robert S. HichensClimax for a ghost story by I.A. IrelandThe mysteries of the Joy Rio by Tennessee WilliamsPomegranate seed by Edith WhartonVenetian masks by Adolfo Bioy CasaresThe wish house by Rudyard KiplingThe playground by Ray BradburyImportance by Manuel Mujica LáinezEnoch Soames by Max BeerbohmA visitor from down under by L.P. HartleyLaura by SakiAn injustice revealedA little place off the Edgware Road by Graham GreeneFrom "A School Story" by M.R. JamesThe signalman by Charles DickensThe tall woman by Pedro Antonio de AlarcónA scent of mimosa by Francis KingDeath and the gardener by Jean CocteauLord Mountdrago by W. Somerset MaughamThe sick gentleman's last visit by Giovanni PapiniInsomnia by Virgilio PiñeraThe storm by Jules VerneA dream (from The Arabian Nights Entertainments)The facts in the case of M. Valdemar by Edgar Allan PoeSplit second by Daphne du MaurierAugust 25, 1983 by Jorge Luis BorgesHow Wang-Fo was saved by Marguerite YourcenarFrom "Peter and Rosa" by Isak DinesenTattoo by Jun'ichirō TanizakiJohn Duffy's brother by Flann O'BrienLady into fox by David GarnettFather's last escape by Bruno SchulzA man by the name of Ziegler by Hermann HesseThe Argentine ant by Italo CalvinoThe lady on the grey by John CollierThe queen of spades by Alexander PushkinOf a promise kept by Lafcadio HearnThe wizard postponed by Juan ManuelThe monkey's paw by W.W. JacobsThe bottle imp by Robert Louis StevensonThe rocking-horse winner by D.H. LawrenceCertain distant suns by Joanne GreenburgThe third bank of the river by João Guimarães RosaHome by Hilaire BellocThe door in the wall by H.G. WellsThe friends by Silvina OcampoEt in sempiternum pereant by Charles WilliamsThe captives of Longjumeau by Léon BloyThe visit to the museum by Vladimir NabakovAutumn Mountain by Ryūnosuke AkutagawaThe sight by Brian MooreClorinda by André Pieyre de MandiarguesThe pagan rabbi by Cynthia OzickThe fisherman and his soul by Oscar WildeThe bureau d'echange de maux by Lord DunsanyThe ones who walk away from Omelas by Ursula K. LeGuinIn the penal colony by Franz KafkaA dog in Durer's etching "The Knight, Death and the Devil" by Marco DeneviThe large ant by Howard FastThe lemmings by Alex ComfortThe grey ones by J.B. PriestleyThe feather pillow by Horacio QuirogaSeaton's aunt by Walter de la MareThe friends of the friends by Henry JamesThe travelling companion by Hans Christian AndersenThe curfew tolls by Stephen Vincent BenetThe state of grace by Marcel AyméThe story of a panic by E.M. ForsterAn invitation to the hunt by George HitchcockFrom the "American Notebooks" by Nathaniel HawthorneThe dream by O. Henry

    But we can visit our fears at night, in the dark. We can turn them over and weigh them in our hands and maybe that will protect us from them. But maybe not.The characters in this collection find their aspirations for happy homes, happy families and happy memories dissected and imbued with shimmering menace. Alone in a remote house in Iceland a woman is unnerved by her isolation; another can only find respite from the clinging ghost that follows her by submerging herself in an overgrown pool. Couples wrestle with a lack of connection to their children; a schoolgirl becomes obsessed with the female anatomical models in a museum; and a cheery account of child’s day out is undercut by chilling footnotes.These dark tales explore women’s fears with electrifying honesty and invention and speak to one another about female bodies, domestic claustrophobia, desire and violence. From a talented writer who has been compared to Angela Carter, Things We Say in the Dark is a powerful contemporary collection of feminist stories, ranging from vicious fairy tales to disturbing horror and tender ghost stories.KIRSTY LOGAN WAS SELECTED AS ONE OF BRITAIN'S TEN MOST OUTSTANDING LGBTQ WRITERS by Val McDermid for the International Literature Showcase in 2019