Around 1000 years back, anyone could go for a purgatory voyage to experience life after death for 12 days through a tunnel in Bharmaur, Himachal Pradesh. But no one could recall what happened to him during his purgatory voyage. Once, a person from Bundelkhand, named Kalidas went for a purgatory voyage. He experienced life after death and surprisingly, he was able to recall all those incidents of a different planet. After returning to his state, he embarked on a discourse about his purgatory voyage and his scary encounters with the King of Bundelkhand.Could anyone believe in his riveting account of the voyage or people smelled a foul play?• RECOMMENDATION •The novel "Purgatory Voyage" by Adarsh Kumar Khare is about a story that dates back to 925 AD of a village person, otherwise living peacefully, whose life is thrown into a turmoil consequent to an extraordinary experience of the afterlife, an outcome of his deed (karma) and sense of inquiry. The story is beautifully weaved with threads of mythology, traditional Hindu beliefs, and folklore. At the same time, there is a conscious effort to bring out the social behavior, rituals, and festivities of village life of that period along with the political order of the King with his subjects.There is a gripping narration of Kali, the protagonist of the novel, of other-worldly experience of his visits to after-life planets of hells and heavens, of torments and punitive actions meted out to sinners, and accounts of suffering the souls have to undergo for the various sins committed in their earthly lives. The author seems to have largely drawn from the “Pretkalp” part of Garud Puran for making such a vivid description of the splendors of the city of Yam, the horrors of various hells, and the excruciating journey of an ordinary soul through all this.The most interesting part of this novel is the day-by-day recount by Kali of incidents, pain, and suffering of his soul and other fellow souls in his 10-days sojourn to different types of hells and also exploring parts of Yam City and heaven. The curiosity of a reader is held on toes as the account of each day unfolds, much like the Arabian nights.I find ‘Purgatory Voyage’ by Adarsh Khare a hugely fascinating story in which one cannot leave reading halfway. It latches on to your curiosity and leads your imagination till you reach the end and sigh a sense of relief and joy of having gone through the upheavals along with the protagonist of the story. I think this is the achievement of Adarsh Khare in writing this book.Asit Kumar, Advisor in the Ministry of Petroleum, New Delhi.Purgatory Voyage is a very interesting novel based on one of the important ancient scriptures of India, specifically the Garuda Puran. Adarsh Kumar Khare has used his creative craft to bring back alive the old teachings of India in a story of fiction that should strike a chord with all age group people, particularly those who have some inclination to occultism. The author has followed a style of simple storytelling that generates curiosity in the mind ‘what next’. It was a joy to read the book describing what life after death could be like, with vivid descriptions of different hells and heaven, and punishment or reward according to committed sins or virtuous work. Most of the geographical locations including river, valleys, and forests bear names either similar or the same as those that exist in present-day India and that adds much credence and authenticity to arouse interest in the reader’s mind, even though it is a fiction. This book is a must for those who have some fascination towards Indian rich cultural heritage including ancient scriptures and those having the curiosity to peep into the future of life after death.Pradipta Kumar Das, Bestselling author of Power of the Universe lies within you.

    Board of Education was handed down in 1954, many civil rights advocates believed that the decision, which declared public school segregation unconstitutional, would become the Holy Grail of racial justice. Fifty years later, despite its legal irrelevance and the racially separate and educationally ineffective state of public schooling for most black children, Brown is still viewed by many as the perfect precedent. Here, Derrick Bell shatters the shining image of this celebrated ruling. He notes that, despite the onerous burdens of segregation, many black schools functioned well and racial bigotry had not rendered blacks a damaged race. He maintains that, given what we now know about the pervasive nature of racism, the Court should have determined instead to rigorously enforce the "equal" component of the "separate but equal" standard. Racial policy, Bell maintains, is made through silent covenants--unspoken convergences of interest and involuntary sacrifices of rights--that ensure that policies conform to priorities set by policy-makers. Blacks and whites are the fortuitous winners or losers in these unspoken agreements. The experience with Brown, Bell urges, should teach us that meaningful progress in the quest for racial justice requires more than the assertion of harms. Strategies must recognize and utilize the interest-convergence factors that strongly influence racial policy decisions. In Silent Covenants, Bell condenses more than four decades of thought and action into a powerful and eye-opening book.

    We now consider minstrelsy an embarrassing relic, but once blacks and whites alike saw it as a black art form—and embraced it as such. And, as the authors reveal, black minstrelsy remains deeply relevant to popular black entertainment, particularly in the work of contemporary artists like Dave Chappelle, Flavor Flav, Spike Lee, and Lil Wayne. Darkest America explores the origins, heyday, and present-day manifestations of this tradition, exploding the myth that it was a form of entertainment that whites foisted on blacks, and shining a sure-to-be controversial light on how these incendiary performances can be not only demeaning but also, paradoxically, liberating.

    McBride argues, lies in "the banality of evil," or the quiet way discriminatory hiring practices and racist ad campaigns seep into and reflect malevolent undertones in American culture.McBride maintains that issues of race and sexuality are often subtle and always messy, and his compelling new book does not offer simple answers. Instead, in a collection of essays about such diverse topics as biased marketing strategies, black gay media representations, the role of African American studies in higher education, gay personal ads, and pornography, he offers the evolving insights of one black gay male scholar. As adept at analyzing affirmative action as dissecting Queer Eye for the Straight Guy, McBride employs a range of academic, journalistic, and autobiographical writing styles. Each chapter speaks a version of the truth about black gay male life, African American studies, and the black community. Original and astute, Why I Hate Abercrombie & Fitch is a powerful vision of a rapidly changing social landscape.

    . . . Enthralling."—David Nicholson, Washington Post This award-winning book is the first to explore the history of a powerful category of illicit sex in America’s past: liaisons between Southern white women and black men. Martha Hodes tells a series of stories about such liaisons in the years before the Civil War, explores the complex ways in which white Southerners tolerated them in the slave South, and shows how and why these responses changed with emancipation. Hodes provides details of the wedding of a white servant-woman and a slave man in 1681, an antebellum rape accusation that uncovered a relationship between an unmarried white woman and a slave, and a divorce plea from a white farmer based on an adulterous affair between his wife and a neighborhood slave. Drawing on sources that include courtroom testimony, legislative petitions, pardon pleas, and congressional testimony, she presents the voices of the authorities, eyewitnesses, and the transgressors themselves—and these voices seem to say that in the slave South, whites were not overwhelmingly concerned about such liaisons, beyond the racial and legal status of the children that were produced. Only with the advent of black freedom did the issue move beyond neighborhood dramas and into the arena of politics, becoming a much more serious taboo than it had ever been before. Hodes gives vivid examples of the violence that followed the upheaval of war, when black men and white women were targeted by the Ku Klux Klan and unprecedented white rage and terrorism against such liaisons began to erupt. An era of terror and lynchings was inaugurated, and the legacy of these sexual politics lingered well into the twentieth century.

    To highlight the importance of the role played by Ambedkar in improving the conditions of untouchables, and the constructive and leading role he played in building modern India, this timeline of events is of great help. The book talks about the crowning achievements of the man in drafting the constitution of India, and the uplifting work he remained loyal to, all his life. The author has added a genealogical table of the Ambedkar family, Ambedkar’s educational career, a list of his basic writings and a bibliography. This chronology will serve as one of the best reference works to those who are interested in Dr. Ambedkar’s influence on the advancement of the downtrodden.

    The phrase conjures up images of dirty rural folk who are poor, ignorant, violent, and incestuous. But where did this stigmatizing phrase come from? And why do these stereotypes persist? Matt Wray answers these and other questions by delving into the long history behind this term of abuse and others like it. Ranging from the early 1700s to the early 1900s, Not Quite White documents the origins and transformations of the multiple meanings projected onto poor rural whites in the United States. Wray draws on a wide variety of primary sources—literary texts, folklore, diaries and journals, medical and scientific articles, social scientific analyses—to construct a dense archive of changing collective representations of poor whites. Of crucial importance are the ideas about poor whites that circulated through early-twentieth-century public health campaigns, such as hookworm eradication and eugenic reforms. In these crusades, impoverished whites, particularly but not exclusively in the American South, were targeted for interventions by sanitarians who viewed them as “filthy, lazy crackers” in need of racial uplift and by eugenicists who viewed them as a “feebleminded menace” to the white race, threats that needed to be confined and involuntarily sterilized.Part historical inquiry and part sociological investigation, Not Quite White demonstrates the power of social categories and boundaries to shape social relationships and institutions, to invent groups where none exist, and to influence policies and legislation that end up harming the very people they aim to help. It illuminates not only the cultural significance and consequences of poor white stereotypes but also how dominant whites exploited and expanded these stereotypes to bolster and defend their own fragile claims to whiteness.

    Khushwant Singh tells the story of the land and its people from the earliest time to the present day. In broad, vivid sweeps he encapsulates the saga of the upheavals of a sub-continent over five millennia, and how their interplay over the centuries has molded the India of today. More, Khushwant Singh offers perceptive insights into everything Indian that may catch one's eye or arouse curiosity: its ethnic diversity, religions, customs, philosophy, art and culture, political currents, and the galaxy of men and women who have helped shape its intricately inlaid mosaic. He is also an enlightening guide to much else: India's extensive and varied architectural splendors, its art and classical literature. Khushwant Singh's own fascination with the subject is contagious, showing through on every page, and in every sidelight that he recounts. India: An Introduction holds strong appeal for just about anyone who has more than a passing interest in the country, Indians as well as those who are drawn to it from farther afield. And for a traveller, it is that rare companion: erudite, intelligent, lively

    The Prisons We Broke provides a graphic insight into the oppressive caste and patriarchal tenets of the Indian society, but nowhere does the writing descend to self-pity. With verve and colour the narrative brings to life, among other things, the festivals, rituals, marriages, snot-nosed children, hard lives and hardy women of the Mahar community. The original Marathi work, Jina Amucha, re-defined autobiographical writing in Marathi in terms of form and narrative strategies adopted, and the selfhood and subjectivities that were articulated. It is the first autobiography by a Dalit woman in Marathi, probably even the first of its kind in any Indian language.

    A lifetime ago. Before the murder of her father. Before she became Kota Rani, the wise regent who rules over Kashmir with a firm hand.As invaders and immigrants disturb the tranquillity of her land, Kota must find a way to protect her people. But at what personal cost? Can she weather the political intrigues and power-play of the court? Will she succeed in preserving the splendour and diversity of her society? Will social hypocrisy and notions of what a woman should be keep Kota from being the sovereign she knows she is?Set in fourteenth-century Kashmir, The Last Queen of Kashmir is the sweeping saga of a civilization in peril. It is also the tale of one of the greatest queens of the land - one that will speak to the men and women of today.

    However, an encounter with Chanakya, the man she had planned to kill, sets her on an unexpected path…She lands the highly-coveted job of a spy, masquerading as a dancing girl. In a kingdom fraught with intrigue, Misrakesi must always remain one step ahead. With the help of her handsome but arrogant chief Pushyamitra, she must concoct the perfect blend of sweetness and seduction to vanquish the enemies of the state. But when she is sent to subtly conquer a powerful neighboring kingdom, she might be in for more than what she bargained for. Will she succeed in her mission? Or more importantly, will she even survive to tell the tale? Meticulously researched, this historical page-turner packs in romance, political intrigue, and mystery to make for a racy read.

    Highlights include lucid explanations and a pictorial key to numerous symbols associated with Shaivite ritual and festival practices, a map of India showing important Shiva temples, a list of 108 sacred names of Shiva with their meanings, a bibliography for those interested in learning more, and over 150 illustrations in color and black and white.

    Evaluates the experiences and teachings of the black leader during his final year of life.

    Growing up in Bangalore and then Madras, in a household that resolutely kept out any hint of her father's superstardom, she was a quiet, introverted child whose greatest pleasure was a visit to Marina Beach and an occasional meal out. It was not cinema but law that became a preoccupation when she started thinking about college and career - but fate, and her mother, had other plans for her.Aishwaryaa writes with disarming honesty about life as Rajinikanth's daughter, of falling in love and raising two boys with Dhanush, of fighting her own demons and finding satisfaction in a career of her choice. She reflects on the many roles a woman has to juggle at home and outside - in her case, under the watchful gaze of cameras and celebrity-watchers.Intensely personal, but also inspirational, Aishwaryaa's memoir is an unusually frank insight into growing up in cinema-land. A playful meditation on the joys and difficulties of being a woman in this age, Standing on an Apple Box is as much a celebration of individual fulfilment as it is of family.

    Reginald Horsman's book is the first study to examine the origins of racialism in America and to show that the belief in white American superiority was firmly ensconced in the nation's ideology by 1850.The author deftly chronicles the beginnings and growth of an ideology stressing race, basic stock, and attributes in the blood. He traces how this ideology shifted from the more benign views of the Founding Fathers, which embraced ideas of progress and the spread of republican institutions for all. He finds linkages between the new, racialist ideology in America and the rising European ideas of Anglo-Saxon, Teutonic, and scientific ideologies of the early nineteenth century. Most importantly, however, Horsman demonstrates that it was the merging of the Anglo-Saxon rhetoric with the experience of Americans conquering a continent that created a racialist philosophy. Two generations before the "new" immigrants began arriving in the late nineteenth century, Americans, in contact with blacks, Indians, and Mexicans, became vociferous racialists.In sum, even before the Civil War, Americans had decided that peoples of large parts of this continent were incapable of creating or sharing in efficient, prosperous, democratic governments, and that American Anglo-Saxons could achieve unprecedented prosperity and power by the outward thrust of their racialism and commercial penetration of other lands. The comparatively benevolent view of the Founders of the Republic had turned into the quite malevolent ideology that other peoples could not be "regenerated" through the spread of free institutions.