What emerges from his explorations is a revivified version of pragmatism that offers new hope for the future of philosophy.“Rorty’s dazzling tour through the history of modern philosophy, and his critical account of its present state (the best general introduction in print), is actually an argument that what we consider perennial problems--mind and body, consciousness and objects, the foundations of knowledge, the fact/value distinction--are merely the dead-ends this picture leads us into.” Los Angeles Times Book Review“It can immediately be said that Consequences of Pragmatism must be read by both those who believe that they agree and those who believe that they disagree with Richard Rorty. [He] is far and away the most provocative philosophical writer working in North America today, and Consequences of Pragmatism should make this claim even stronger.”The Review of Metaphysics“Philosophy, for Rorty, is a form of writing, a literary genre, closer to literary criticism than anything else, a criticism which takes for one of its major concerns the texts of the past recognized as philosophical: it interprets interpretations. If anyone doubts the continued vigor and continuing relevance of American pragmatism, the doubts can be laid to rest by reading this book.” Religious Studies Review

    But since its birth was announced a century ago in 1898 by William James, pragmatism has played a vital role in almost every area of American intellectual and cultural life, inspiring judges, educators, politicians, poets, and social prophets.Now the major texts of American pragmatism, from William James and John Dewey to Richard Rorty and Cornel West, have been brought together and reprinted unabridged. From the first generation of pragmatists, including the Supreme Court Justice Oliver Wendell Holmes and the founder of semiotics, Charles Sanders Peirce, to the leading figures in the contemporary pragmatist revival, including the philosopher Hilary Putnam, the jurist Richard Posner, and the literary critic Richard Poirier, all the contributors to this volume are remarkable for the wit and vigor of their prose and the mind-clearing force of their ideas. Edited and with an Introduction by Louis Menand, Pragmatism: A Reader will provide both the general reader and the student of American culture with excitement and pleasure.

    Dewey is the central figure in this pantheon of pragmatists, but he treats as well such varied mid-century representatives of the tradition as Sidney Hook, C. Wright Mills, DuBois, Niebuhr & Trilling. West’s genealogy is a personal work, for it's imbued throughout with the author’s conviction that a thoro reexamination of American pragmatism may help inspire & instruct contemporary efforts to remake & reform American society & culture. "West...may well be the pre-eminent African American intellectual of our generation."—The Nation "The American Evasion of Philosophy is a highly intelligent & provocative book. Cornel West gives us illuminating readings of the political thought of Emerson & James; provides a penetrating critical assessment of Dewey, his central figure; & offers a brilliant interpretation—appreciative yet far from uncritical—of the contemporary philosopher & neo-pragmatist Richard Rorty...What shines thru, throughout the work, is West's firm commitment to a radical vision of a philosophic discourse as inextricably linked to cultural criticism & political engagement."—Paul S. Boyer, professor emeritus of history, University of Wisconsin–MadisonAcknowledgmentsIntroduction1 The Emersonian prehistory of American pragmatism. Emerson on power & tradition; Emerson on provocation & the market; Emerson on personality & race; Emerson as organic intellectual2 The historic emergence of American pragmatism. Peirce on scientific method, community & Christian love; James on individuality, reconciliation & heroic energies3 The coming-of-age of American pragmatism: John Dewey. Dewey on historical consciousness, critical intelligence & creative democracy4 The dilemma of the mid-century pragmatic intellectual. Sidney Hook: the Deweyan political intellectual; C. Wright Mills: the neo-Deweyan radical social critic; W.E.B. Du Bois: the Jamesian organic intellectual; Reinhold Niebuhr: the Jamesian cultural critic; Lionel Trilling: the pragmatist as Arnoldian literary critic; The decline & resurgence of American pragmatism: Quine & Richard Rorty5 Prophetic pragmatism: cultural criticism & political engagement. Roberto Unger & 3rd-Wave Left romanticism; The challenge of Michel Foucault; Tragedy, tradition & political praxis; Prophetic pragmatism & postmodernityNotesIndex

    It should prove a real boon to the student of Peirce." — The Modern SchoolmanCharles S. Peirce was a thinker of great originality and power. Although unpublished in his lifetime, he was recognized as an equal by such men as William James and John Dewey and, since his death in 1914, has come to the forefront of American philosophy. This volume, prepared by the Johnsonian Professor of Philosophy at Columbia University, formerly chairman of Columbia's philosophy department, is a carefully balanced exposition of Peirce's complete philosophical system as set forth in his own writings.The 28 chapters, in which appropriate sections of Peirce's work are interwoven into a brilliant selection that reveals his essential ideas, cover epistemology, phenomenology, cosmology, and scientific method, with especially interesting material on logic as the theory of signs, pure chance vs, pure law in the universe, symbolic logic, common sense, pragmatism (of which he was the founder), and ethics.Justus Buchler is author of Charles Peirce's Empiricism (1939), Philosophy: An Introduction (with J. H. Randall, Jr., 1942), and more recently, a series of books which form an ongoing philosophic structure: Toward a General Theory of Human Judgement (1951), Nature and Judgment (1855), and The Concept of Method (1961). It has been said of these volumes, "A fresh and vital system of ideas has been introduced into the world of contemporary philosophy." (Journal of Philosophy)."It is a very signal advantage to have this collection of Peirce's most important work within the covers of a single substantial volume. We should all be very grateful to Mr. Buchler." — John Laird, Philosophy

    In Bakhtin's view, the spirit of laughter and irreverence prevailing at carnival time is the dominant quality of Rabelais's art. The work of both Rabelais and Bakhtin springs from an age of revolution, and each reflects a particularly open sense of the literary text. For both, carnival, with its emphasis on the earthly and the grotesque, signified the symbolic destruction of authority and official culture and the assertion of popular renewal. Bakhtin evokes carnival as a special, creative life form, with its own space and time.Written in the Soviet Union in the 1930s at the height of the Stalin era but published there for the first time only in 1965, Bakhtin's book is both a major contribution to the poetics of the novel and a subtle condemnation of the degeneration of the Russian revolution into Stalinist orthodoxy. One of the essential texts of a theorist who is rapidly becoming a major reference in contemporary thought, Rabelais and His World is essential reading for anyone interested in problems of language and text and in cultural interpretation.

    While liberals of all stripes have held to some very basic values-liberty, individuality, and the critical use of intelligence-earlier forms of liberalism restricted the state function to protecting its citizens while allowing free reign to socioeconomic forces. But, as society matures, so must liberalism as it reaches out to redefine itself in a world where government must play a role in creating an environment in which citizens can achieve their potential. Dewey's advocacy of a positive role for government-a new liberalism-nevertheless finds him rejecting radical Marxists and fascists who would use violence and revolution rather than democratic methods to aid the citizenry.

    Here Dewey introduces his scientific method and uses critical intelligence to reject the traditional ways of viewing philosophical discourse. Knowledge cannot be divorced from experience; it is gradually acquired through interaction with nature. Philosophy, therefore, has to be regarded as itself a method of knowledge and not as a repository of disembodied, pre-existing absolute truths.

    An impassioned proponent of reason, rational self-interest, individualism, and laissez-faire capitalism, she expressed her unique views in numerous works of fiction and non-fiction that have been brought together for the first time in this one-of-a-kind volume.Containing excerpts from all her novels--including Atlas Shrugged, Anthem, and We The Living--The Ayn Rand Reader is a perfect introduction for those who have never read Rand, and provides teachers with an excellent guide to the basics of her viewpoint.

    Politics. Critical Theory. Art. In 1957 a few European avant-garde groups came together to form the Situationist International. Picking up where the dadaists and surrealists had left off, the situationists challenged people's passive conditioning with carefully calculated scandals and the playful tactic of detournement. Seeking a more extreme social revolution than was dreamed of by most leftists, they developed an incisive critique of the global spectacle-commodity system and of its "Communist" pseudo-opposition, and their new methods of agitation helped trigger the May 1968 revolt in France. Since then although the SI itself was dissolved in 1972 situationist theories and tactics have continued to inspire radical currents all over the world. The SITUATIONIST INTERNATIONAL ANTHOLOGY, generally recognized as the most comprehensive and accurately translated collection of situationist writings in English, presents a rich variety of articles, leaflets, graffiti and internal documents, ranging from early experiments in "psychogeography" to lucid analyses of the Watts riot, the Vietnam War, the Prague Spring, the Chinese Cultural Revolution and other crises and upheavals of the sixties. For this new edition the translations have all been fine-tuned and over 100 pages of new material have been added."

    But what do those myths represent, and why are they so enduringly fascinating? Why do they seem to be such a potent way of talking about our selves, our origins, and our desires? This imaginative and stimulating Very Short Introduction goes beyond a simple retelling of the stories to explore the rich history and diverse interpretations of classical mythology. It is a wide-ranging account, examining how classical myths are used and understood in both high art and popular culture, taking the reader from the temples of Crete to skyscrapers in New York, and finding classical myths in a variety of unexpected places: from Arabic poetry and Hollywood films, to psychoanalysis, the Bible, and New Age spiritualism.#167

    This sees human beings primarily as communicating animals. It looks at the way they use language, clothes, gestures, hair styles, visual images, shapes and colour to convey to one another their tastes, their emotions, their ideal self-image and the values of their society. Philip Thody and Ann Course elucidate Barthes' application of these ideas to literature, popular culture, clothes and fashion. They further clarify why his thinking in this area made him a key figure in the structuralist movement of the 1960s. Introducing Barthes describes how Barthes' insistence on pleasure, the delights of sexual non-conformity and the freedom of the reader to make use of existentialist, Marxist, Freudian and structuralist interpretations of literary texts continue to make him one of the most challenging of modern writers.

    Hebdige [...] is concerned with the UK's postwar, music-centred, white working-class subcultures, from teddy boys to mods and rockers to skinheads and punks.' - Rolling StoneWith enviable precision and wit Hebdige has addressed himself to a complex topic - the meanings behind the fashionable exteriors of working-class youth subcultures - approaching them with a sophisticated theoretical apparatus that combines semiotics, the sociology of devience and Marxism and come up with a very stimulating short book - Time OutThis book is an attempt to subject the various youth-protest movements of Britain in the last 15 years to the sort of Marxist, structuralist, semiotic analytical techniques propagated by, above all, Roland Barthes. The book is recommended whole-heartedly to anyone who would like fresh ideas about some of the most stimulating music of the rock era - The New York Times

    Richardson shows James struggling to achieve amid the domestic chaos and intellectual brilliance of his father, his brother Henry, and his sister Alice. There are portraits of James's early years as a student at the appallingly hidebound Harvard of the 1860s. And there are the harrowing suicidal episodes, after which James, still a young man, turns from depression to action with "a heave of will." Through impassioned scholarship, Richardson illuminates James's hugely influential works: the Varieties, Principles of Psychology, Talks to Teachers, and Pragmatism.As a longtime professor James taught courage and risk-taking. He was W.E.B. Du Bois's adviser and teacher, and he told another of his students, Gertrude Stein, to reject nothing -- that rejecting anything was the beginning of the end for an intellectual. One of the great figures in mysticism, James coined the phrase "stream of consciousness."

    In Timaeus, he gives a thorough account of the world in which we live, describing a cosmos composed of four elements earth, air, fire and water which combine to give existence to all things. An exploration of the origins of the universe, life and humanity, which outlines not just physical laws but also metaphysical and religious principles, it remained a paradigm of science for two thousand years. The mysterious preamble to Timaeus contains the first account in literature of Atlantis, while the fragmentary Critias, unfinished by its author, provides a spellbinding description of the lost continent's ideal society, which Critias asserts was created by the god-like children of Poseidon himself.

    This smart and funny book includes tales from many of these much-loved comics, and will appeal to their broad audience, while revealing the history, context and wider culture of Jewish joking.The Jewish joke is as old as Abraham, and like the Jews themselves it has wandered over the world, learned countless new languages, worked with a range of different materials, been performed in front of some pretty hostile crowds, and yet still retained its own distinctive identity. So what is it that animates the Jewish joke? Why are Jews so often thought of as ‘funny’? And how old can a joke get?The Jewish Joke is a brilliant—and laugh-out-loud funny—riff on about what marks Jewish jokes apart from other jokes, why they are important to Jewish identity and how they work. Ranging from self-deprecation to anti-Semitism, politics to sex, Devorah Baum looks at the history of Jewish joking and asks whether the Jewish joke has a future. With jokes from Lena Dunham to Woody Allen, as well as Freud and Marx (Groucho, mostly), Baum balances serious research with light-hearted humor and provides fascinating insight into this well-known and much loved cultural phenomenon.