P. Lovecraft into calling him "perhaps unexcelled by any other writer, dead or living” or compel Fritz Lieber to employ the worthy term sui generis. Clark Ashton Smith—autodidact, prolific poet, amateur philosopher, bizarre sculptor, and unmatched storyteller—simply wrote like no one else, before or since. This new collection of his very best tales and poems is selected and introduced by supernatural literature scholar S. T. Joshi and allows readers to encounter Smith’s visionary brand of fantastical, phantasmagorical worlds, each one filled with invention, terror, and a superlative sense of metaphysical wonder.

    In this unique collection of vampire stories you will find some of the earliest depictions of these fearful creatures as in John Polidori's 'The Vampyre' and James Malcolm Rymer's 'Varney, the Vampyre', a tale which held readers in thrall when it was first published in the mid-nineteenth century. As well as these rare stories and those featuring the more well known bloodsuckers such as Le Fanu's 'Carmilla' and Stoker's 'Dracula', there is a clutch of lesser known but equally frightening tales written by expert practitioners in the art of raising goose pimples. Children of the Night is a volume filled with the rich blood of chilling vampire fiction.

    She kisses like a movie star and knows everything about every film ever made. She's also dead and waiting in the Rosebud Theater for Alec Sheldon one afternoon in 1945.... Arthur Roth is a lonely kid with big ideas and a gift for attracting abuse. It isn't easy to make friends when you're the only inflatable boy in town.... Francis is unhappy. Francis was human once, but that was then. Now he's an eight-foot-tall locust and everyone in Calliphora will tremble when they hear him sing....John Finney is locked in a basement that's stained with the blood of half a dozen other murdered children. In the cellar with him is an antique telephone, long since disconnected, but which rings at night with calls from the dead....The past isn't dead. It isn't even past...

    Morbid, cynical, eerie, they take you to a twilight region of flesh and spirit — and into the darkest recesses of the human mind. These are unusual constructions of terror and grim irony, reminiscent of Poe, the Gothic novel, and the Romantic short story, but having the unmistakable individual stamp of a man who knew first-hand something of the fears and specters which haunt men.In this volume you will come across a number of old favorites: "An Inhabitant of Carcosa," "The Eyes of the Panther," "The Death of Halpin Frayser," "An Adventure at Brownville," and such classics as "The Middle Toe of the Right Foot," "The Damned Thing," and "Moonlit Road," a minor masterpiece in which events of the story are told from three different points of view, including that of the victim as spoken through a medium. You will also find some less familiar, but equally fascinating stories and pieces not available elsewhere, including "Visions of the Night," in which Bierce gives us a rationale for his "reverse holiness" and the surrealistic morality that permeates these writings. Bierce's characters — possessed poets, shabby aristocrats, grimy professional men, revived corpses, haunted malefactors — live in a spare, perverse world. Patricide, the revenge of the dead, inexplicable disappearances, dreadful ironies, hypnotism and second sight, and the like, form much of the substance of these unsettling tales.

    American Supernatural Tales celebrates the richness of this tradition with chilling contributions from some of the nation’s brightest literary lights, including Poe himself, H. P. Lovecraft, Shirley Jackson, Ray Bradbury, Nathaniel Hawthorne, and—of course— Stephen King. By turns phantasmagoric, spectral, and demonic, this is a frighteningly good addition to Penguin Classics.

    Represented in the anthology are such distinguished spell weavers as Edgar Allen Poe ("The Black Cat"), Wilkie Collins ("A Terribly Strange Bed"), Henry James ("Sir Edmund Orme"), Guy de Maupassant ("Was It a Dream?"), O. Henry ("The Furnished Room"), Rudyard Kipling ("They"), and H.G. Wells ("Pollock and the Porroh Man"). Included as well are such modern masters as Algernon Blackwood ("Ancient Sorceries"), Walter de la Mare ("Out of the Deep"), E.M. Forster ("The Celestial Omnibus"), Isak Dinesen ("The Sailor-Boys Tale"), H.P. Lovecraft ("The Dunwich Horror"), Dorothy L. Sayers ("Suspicion"), and Ernest Hemingway ("The Killers"). "There is not a story in this collection that does not have the breath of life, achieve the full suspension of disbelief that is so particularly important in [this] type of fiction," wrote the Saturday Review. With an introduction and notes by Phyllis Cerf Wagner and Herbert Wise.

    Melding supernatural horror with hardboiled noir, espionage, and a scientific backbone, Barron’s stories have garnered critical acclaim and have been reprinted in numerous year’s best anthologies and nominated for multiple awards, including the Crawford, International Horror Guild, Shirley Jackson, Theodore Sturgeon, and World Fantasy awards.Barron returns with his third collection, The Beautiful Thing That Awaits Us All. Collecting interlinking tales of sublime cosmic horror, including “Blackwood’s Baby”, “The Carrion Gods in Their Heaven”, and “The Men from Porlock”, The Beautiful Thing That Awaits Us All delivers enough spine-chilling horror to satisfy even the most jaded reader.

    These stories are explorations of the extreme in human behaviour, where the bizarre chills the spine, and few authors can match Grabinski's depiction of seething sexual frenzy. The Dark Domain will introduce to English readers one of Europe's most important authors of literary fantasy.

    He had always loved a good ghost story himself, particularly at Christmas time, and was open-minded, willing to accept, and indeed put to the test, the existence of spirits.His natural inclinations toward drama and the macabre made him a brilliant teller of ghost tales, and in the twenty stories presented here, which include his celebrated A Christmas Carol, the full range of his gothic talents can be seen.Chilling as some of these stories are, Dickens has managed to inject characteristically grotesque comedy as he writes of revenge, insanity, pre-cognition and dream visions, he indulges also in some debunking of contemporary credulity.

    In these stories of doubt, delusion, and paranoia, no belief, no claim to objectivity, is immune to the distortions of human perception. Here, self-deception is a means of justifying our most inhuman impulses--whether we know it or not.

    He was so impressed with the entries that he recommended they be published together in one book, which Cemetery Dance Publications and Hodder & Stoughton are pleased to report has become a reality. The six stories are: WILD SWIMMING by Elodie Harper EAU-DE-ERIC by Manuela Saragosa THE SPOTS by Paul Bassett Davies THE UNPICKING by Michael Button LA MORT DE L'AMANT by Stuart Johnstone THE BEAR TRAP by Neil Hudson Reader beware: the stories will make you think twice before cuddling up to your old soft toy, dipping your toe into the water or counting the spots on a leopard…

    it came straight towards the bed... its wide eyes were open and looked at me with love unspeakable' Edith Nesbit, best known as the author of The Railway Children and other children's classics, was also the mistress of the ghost story and tales of terror. She was able to create genuinely chilling narratives in which the returning dead feature strongly. Sadly, these stories have been neglected for many years, but now, at last, they are back in print. In this wonderful collection of eerie, flesh-creeping yarns, we encounter love that transcends the grave, reanimated corpses, vampiric vines, vengeful ghosts and other dark delights to make you feel fearful. These vintage spooky stories, tinged with horror, are told in a bold, forthright manner that makes them seem as fresh and unsettling as today's headlines.

    Down the road from a working-class British pub, along the brick wall of a narrow alley, if the conditions are exactly right, you’ll find the entrance to Slade House. A stranger will greet you by name and invite you inside. At first, you won’t want to leave. Later, you’ll find that you can’t. Every nine years, the house’s residents — an odd brother and sister — extend a unique invitation to someone who’s different or lonely: a precocious teenager, a recently divorced policeman, a shy college student. But what really goes on inside Slade House? For those who find out, it’s already too late... Spanning five decades, from the last days of the 1970s to the present, leaping genres, and barreling toward an astonishing conclusion, this intricately woven novel will pull you into a reality-warping new vision of the haunted house story—as only David Mitchell could imagine it.

    The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .

    The landscape of death becomes the new frontier for scientific exploration. With remarkable deftness, Rogers draws together the disturbing and the diverting in twenty-two showcase stories that will guide you through terrain at once familiar and startlingly fresh.