Starting with Preface to a Twenty Volume Suicide Note and concluding with recent limited-edition chapbooks and broadsides, this selection traces the more than thirty year career of a major writer who - along with Ezra Pound - may be one of the most significant, and least understood, American poets of our century. Edited by noted poet and translator Paul Vengelisti, Transbluesency offers an ample selection of works from every period of Baraka's extraordinarily innovative, often controversial struggle as a serious and ideologically committed American artist - from Beat to Black Nationist to Maxist-Leninist. This volume reveals a writer shaping a body of poetry that is well a body of knowledge; a passionate reflection upon the cultural, political, and aesthetic questions of his time.

    This second posthumous collection from Charles Bukowski takes readers deep into the raw, wild vein of writing that extends from the early 70s to the 1990s.

    "On gray days when most modern poetry seems one dull colorless voice speaking through a hundred rival styles, one turns to Stevie Smith and enjoys her unique and cheerfully gruesome voice. She is a charming and original poet," commented Robert Lowell about the book that introduced Stevie to American readers, her Selected Poems (New Directions, 1964). The Selected won her many enthusiasts, but it was not until the release of Hugh Whitemore’s film Stevie in 1981 that her poetry found a wider audience and sent that little book repeatedly back to press. The title of Miss Smith’s first published collection (London, 1937) was A Good Time Was Had By All, and indeed that is what her poetry, embroidered by her delightful, apposite doodles, provides. It brings us too into the company of wit, irony, and, as Brendan Gill remarked, "images of joy and terror." A Newsweek reviewer wrote, "Even in the lightest of her verse, the briefest epigram, there is a resonance, the reverberation of a triangle, if not a gong."

    By turns cynical and naïve, wry and avuncular, and always amorous, he is Updike's most endearing confection-a Lothario, a curmudgeon, and a winsome literary icon all in one. A perfect forum for Updike's limber prose, The Complete Henry Bech is an arch portrait of the literary life in America from an incomparable American writer. Since tales of his exploits began appearing in The New Yorker more than thirty years ago, Henry Bech, John Updike's playfully irreverent alter-ego, has charmed readers with his aesthetic dithering and his seemingly inexhaustible libido.

    Since its publication in the early nineteenth century, this long narrative poem has stood unchallenged as the supreme masterpiece of Vietnamese literature. Thông’s new and absorbingly readable translation (on pages facing the Vietnamese text) is illuminated by notes that give comparative passages from the Chinese novel on which the poem was based, details on Chinese allusions, and literal translations with background information explaining Vietnamese proverbs and folk sayings.

    The best-selling author of "How to Read a Poem and Fall in Love with Poetry selects and introduces the work of a still-underappreciated 20th century genius.

    Including his late poems in free rhythms from the years between 1801 and 1806, the period just prior to his hospitalization for insanity.

    In her second single-poem volume, Kay takes readers along a lyrical road toward empowerment, exploring the promise and complicated reality of being a woman. During her spoken word poetry performances, audiences around the world have responded strongly to Sarah Kay's poem The Type. As Kay wrote in The Huffington Post: "Much media attention has been paid to what it means to 'be a woman,' but often the conversation focuses on what it means to be a woman in relation to others. I believe these relationships are important. I also think it is possible to define ourselves solely as individuals... We have the power to define ourselves: by telling our own stories, in our own words, with our own voices."Never-before-published in book form, The Type is illustrated throughout and perfect for gift-giving.

    Every one of us will find at least one character with whom we can identify--their dilemmas and struggles, moments of joy, and heart longings. Their dramatic songs echo in our minds and touch us afresh with belief in God's grace and love, no matter what our situations.Praise for A Cry Like a BellWhether in her prose or poetry, Madelein L'Engle brings illumination to her themes through her blend of insight and honesty. --Edmund FullerShe speaks with the awesomely stark clarity that marks the imagination of real poets. Read her poetry and be chastened and filled with joy. --Thomas HowardThese cries of pain and joy ring down the cycles of the centuries, and listening to them, we are joined to their music. --Luci Shaw

    This collection of translations of the classical Zen poets of China, Japan, and Korea includes the work of Zen practitioners and monks as well as scholars, artists, travelers, and recluses, ranging from Wang Wei, Hanshan, and Yang Wanli, to Shinkei, Basho, and Ryokan.

    Eliot Prize 2018One of Bustle's 12 Most Anticipated Poetry Collections for 2018Hannah Sullivan’s debut collection is a revelation – three long poems of fresh ambition, intensity, and substance. Though each poem stands apart, their inventive and looping encounters make for a compelling unity. "You, Very Young in New York" captures a great American city, in all its alluring detail. It is a wry and tender study of romantic possibility, disappointment, and the obduracy of innocence. "Repeat until Time" begins with a move to California and unfolds into an essay on repetition and returning home, at once personal and philosophical. "The Sandpit after Rain" explores the birth of a child and the loss of a father with exacting clarity. In Three Poems, readers will experience Sullivan's work with the same exhilaration as they might the great modernizing poems of Eliot and Pound, but with the unique perspective of a brilliant new female voice.

    Critics call him a "haiku-like imagist" and his poems have been compared to Chekov's short stories. In Delights and Shadows, Kooser draws inspiration from the overlooked details of daily life. Quotidian objects like a pegboard, creamed corn and a forgotten salesman's trophy help reveal the remarkable in what before was a merely ordinary world."Kooser documents the dignities, habits and small griefs of daily life, our hunger for connection, our struggle to find balance."-PoetryTed Kooser is the author of eight collections of poems and a prose memoir. He lives on a small farm in rural Nebraska.

    

    This edition is particulary important in that it presents the poems in order of composition and in a textual form as near as possible to their earliest completed state. This is invaluable for those interested in tracing the development of Wordsworth's art, and also gives the modern reader the opportunity to share something of the experience of Wordsworth's contemporaries such as Keats, Shelley, Hazlitt, and Lamb who would have read the poems when they were first completed.

    Everything, he points out, is indeed waiting for us, including our own demise and the demise of those we love. In less eloquent hands, this wisdom might feel burdensome, but in Whyte's language and imagery, these poems convey the beauty inherent in impermanence. Its second chapter, Thresholds, charts the experience of death of a loved one, and Friends, Marriage, Chances and Returns celebrate and explore the relationships, including the relationship with ourself, that accompany us along the journey, for however short or long we're given.