Penty is spirited off to the kingdom of Peradore in Arthurian England and falls in love with Princess Melicent, but he must fight the infamous Red Knight to win her hand in marriage.

    She's in for some big surprises. Funny, warm and engaging, her travel memoir introduces us to a cast of memorable Vietnamese characters as well as her fellow foreigners searching for love and adventure. From teaching English, sub-editing a propaganda news sheet, to forming a blues band, against the backdrop of a world seemingly alive with the promise of romance, this is a beguiling evocation of Hanoi and its people: pungent, earthy and sensual.

    It’s a life filled with medical work, televised soccer games, and the chill of German beer.Yet, when a former patient shows up dead by causes unknown, Hoffmann signs a death certificate that may be his own. Curiosity and sheer medical devotion propel him to investigate. However, his autopsy order goes unfulfilled as the body is cremated and hospital records vanish. Soon, Hoffmann discovers a diagnosis of conspiratorial proportions. The deeper he scans, the darker it gets, until a criminal clue emerges from Russia. Despite adversity, Hoffmann is determined to sleuth through with his own brand of logic and the aid of Celine’s powers of deduction.

    These small-format books take Tom Peters' key ideas from "Re-imagine! and revise and update them with Peters' latest ideas.

    A former Soviet army intelligence officer, the author explains that Stalin's strategy leading up to World War II grew from Vladimir Lenin's belief that if World War I did not ignite the worldwide Communist revolution, then a second world war would be needed to achieve it. Stalin saw Nazi Germany as the power that would fight and weaken capitalist countries so that Soviet armies could then sweep across Europe. Suvorov reveals how Stalin conspired with German leaders to bypass the Versailles Treaty, which forbade German rearmament, and secretly trained German engineers and officers and provided bases and factories for war. He also calls attention to the 1939 nonaggression pact between the Soviet Union and Germany that allowed Hitler to proceed with his plans to invade Poland, fomenting war in Europe.Suvorov debunks the theory that Stalin was duped by Hitler and that the Soviet Union was a victim of Nazi aggression. Instead, he makes the case that Stalin neither feared Hitler nor mistakenly trusted him. Suvorov maintains that after Germany occupied Poland, defeated France, and started to prepare for an invasion of Great Britain, Hitler's intelligence services detected the Soviet Union's preparations for a major war against Germany. This detection, he argues, led to Germany's preemptive war plan and the launch of an invasion of the USSR. Stalin emerges from the pages of this book as a diabolical genius consumed by visions of a worldwide Communist revolution at any cost--a leader who wooed Hitler and Germany in his own effort to conquer the world. In contradicting traditional theories about Soviet planning, the book is certain to provoke debate among historians throughout the world.

    She was too sweet for this world, too innocent. A starry-eyed virgin in search of a grand romance. If I were a good man, I would’ve left her alone. But I’m not a good man. I’m a hitman. So I took her. Made her mine. Marked her and claimed her. But that should have been it. One night, and one night only. I didn’t know that I’d get her pregnant. That, after a single night of passion, she’d be carrying my child. Then I find out her brother is my next target. I’m torn between conflicting loyalties – a life in my hands and an ache in my heart. Who do I sacrifice: the mother of my child or the man in my crosshairs? I have to choose wisely. One misstep could destroy us both. Bound to the Beast is a full-length, standalone romance novel with steamy hot sex, strong language, a happily every after ending, and NO CLIFFHANGERS. Contains dark and disturbing themes, and over-the-top sexiness that may be uncomfortable for some readers. Perfect for fans of Sam Crescent, Jenika Snow, L Wilder, Sabrina Paige, Lauren Landish, Vanessa Waltz, Jordan Marie, and Nicole Snow.

    In Synthetic Men of Mars, Carter is joined in his adventure by Vor Daj, one of his courageous, young, ed warriors; together they venture into new lands in search of Rav Thavas-the mastermind of Mars-and perhaps the only one who can restore the beautiful Deja Thoris to health. Thavas, however, is preoccupied with sinister and dangerous plans of his own. In Llana of Gathol, the tenth adventure, Carter fi nds himself incarcerated in the Pits of Horz, with giant rats for company-then the dead rise from their tombs and the heroic exploits really begin.

    Glory is the wryly ironic story of Martin Edelweiss, a twenty-two-year-old Russian émigré of no account, who is in love with a girl who refuses to marry him.  Convinced that his life is about to be wasted and hoping to impress his love, he embarks on a "perilous, daredevil project"--an illegal attempt to re-enter the Soviet Union, from which he and his mother had fled in 1919.  He succeeds--but at a terrible cost.

    These "Scenes of Pagan Russia" did indeed inspire primitive reactions among their opening night audience, who were so vociferous in their protests that the dancers could scarcely hear the music.Yet this powerful work, with its novel rhythms and hitherto unheard-of chordal combinations and orchestral effects would change forever the elements of musical language and exert an enormous influence on three generations of composers. Once a scandal, it is now perhaps the most famous orchestral work of the twentieth century. It is reprinted here from the full-score Russian edition published in 1965.Like Stravinsky's scores for The Firebird and Petrushka, The Rite of Spring was commissioned by Serge Diaghilev for the Ballets Russes. Choreographed by Nijinsky, it is still a favorite of ballet audiences, and the score is one of the most performed and recorded modern works in the orchestral repertoire. Now music lovers can enjoy every note of this brilliant and stirring landmark of twentieth-century music, faithfully reproduced in this inexpensive, high-quality edition — ideal for study and for following both live and recorded performances.

    She draws on her many years of practical experience in psychotherapy, her intimate knowledge of Jung's methods and theories, and her wide-ranging interests in fields such as mythology, alchemy, science, and religion to illumine these varied topics:    •  Projection   •  Transference   •  Dream interpretation    •  Self-realization   •  Group psychology    •  Personality types    •  Active imagination    •  The therapeutic use of hallucinogenic drugs    •  The choice of psychotherapy as a profession    •  The role of religious experience in psychological healing

    These include films: The Irony of Fate, Moscow Does Not Believe in Tears, White Sun of the Desert, Sherlock Holmes and Dr Watson; a novel: The Twelve Chairs; animated cartoons: Hedgehog in the Mist and The Prostokvashino Three; the writer Mikhail Bulgakov; the singer-songwriter Vladimir Vysotsky; stand-up comedians Mikhail Zhvanestky and Mikhail Zadornov; and a character from a fairy tale, Yemelya the Simpleton. The subjects of the chapters were selected for their influence on Russian language and thinking, and also because they reflect Russian attitudes and perceptions. The author brings them to life through her own experiences of, and responses to, these modern icons. This book, though invaluable for students of Russian, is for everyone interested in Russian language and culture, and explains why certain references and attitudes continue to permeate everyday life. Olga Fedina grew up in Moscow in the turbulent late-Soviet and immediately post-Soviet years, graduating from the Department of Journalism of Moscow State University. She subsequently lived for a decade in London and is currently based in Valencia, Spain. She sometimes misses her homeland, and this book expresses some of the unique aspects of Russia and the Russians that she always carries with her.

    When the box fails to return, he constructs another and tests it the same way, but it also fails to return. Believing the entire experiment to be a failure, he discontinues his efforts and gives up on time machines. The first box arrives in the middle of the twentieth century and the second in the latter part of the nineteenth century. Both have had their time-travel circuitry irreparably damaged by the journey.Originally published in the February 1943 issue of "Astounding Science Fiction Magazine.Novelette, Classic science fiction, the basis for the film "The Last Mimsy"

    Beautiful, perfect Tranai, a perfect utopia, where wealth is distributed without governmental intervention, based on individual choice, and there is no poverty…

    Baker practices astonishing verbal magic over and over again." - Clancy Martin, Paris Review"Strikingly intimate... Free of the stilted or formal locutions that clutter up some of the more antique-sounding translations... Ms. Baker has given the play a natural but distinctly contemporary American sound." - Charles Isherwood, New York Times"Devastatingly beautiful... People are going to be talking about this one for years." - Jacob Gallagher-Ross, Village Voice"More than a modern-dress treatment of a classic work, it's a fresh rethinking of the material from the perspective of a modern mind." - Marilyn Stasio, VarietyAnnie Baker, one of the most celebrated playwrights in the United States, lends her truthful observation and elegant command of the colloquial to Anton Chekhov's despairing masterpiece Uncle Vanya. A critical hit in its sold-out Off-Broadway premiere, Baker's telling is a refreshingly intimate and modern treatment of a Chekhovian classic.Annie Baker's plays include The Flick (The Susan Smith Blackburn Prize, Obie Award), The Aliens (Obie Award), Circle Mirror Transformation (Obie Award) and Body Awareness. Her work has been produced at more than a hundred theaters in the U.S. and in more than a dozen countries internationally. Recent honors include a Guggenheim Fellowship, Steinberg Playwright Award and New York Drama Critics Circle Award. She is a resident playwright at the Signature Theatre.

    It’s Tufti. Why is it that nothing seems to work out the way you want it to, despite the fact that you act according to your own free will? You might think that the reason why nothing is working out the way you want, is because that’s just how life is. But the real reason things don‘t work out the way you want them to, is because you aren‘t acting according to your own free will —you are being directed by a script. Another reason things don‘t work out the way people want them to, is because they don‘t know how to take the right action to shape events the way they want. Rather than composing the reality of the upcoming film roll, they tend to battle with the reality they face in the current frame. Reality exists only in the here and now, and what is real is real only to the extent that it has taken place in the material world. You cannot change what has already happened. Yet when you fight with your current reality, that is exactly what you are doing, because everything that surrounds you consists of something that has already happened. If you want to change the script, you have to wake up and come alive inside the movie. Translation from the Russian language by Joanne Dobson