From its passionate people, to its mystic wildlife, the outback becomes its own character in Elizabeth Haran's novel about learning how to thrive in the face of adversity.London 1954: When Estella is abandoned by her lawyer husband, James, her life of luxury crumbles. Not only had he left his job and frittered away their savings, James was cheating on Estella - with her cousin Davinia. But the family secrets didn't end there.Heartbroken, Estella turns her back on England. Her distant uncle Charlie beckons her to Australia, where she accepts a new position - village veterinarian. She had studied veterinary medicine, but she'd never had a real job. As Estella sets off for the outback, she carries secrets of her own: she is pregnant with James' baby.Day one in the bush brings the young Londoner to tears. Kangaroo Crossing, population thirteen, was not what Estella had expected. Sweltering. Dusty. Fly-infested. From the gruff propeller plane pilot to the perpetually drunken town doctor, the locals eye the newcomer with suspicion.After a series of harrowing events, Estella strives to prove herself capable of the job. Just as the villagers of Kangaroo Crossing start to accept Estella - and a romance starts to blossom - her past catches up with her. She's been hiding things from them.Back in England, James has gotten wind of the baby. His new wife, Davinia, can't have children - but her lavish inheritance depends on an heir. James will stop at nothing to get what is his. Can Estella save her baby - and herself - from the wild Australian bush? Will she ever learn to love again?

    One experience that would take some beating is that endured by Baxter Dury.When punk rock star Ian Dury disappeared to make films in the late 80s, he left his teenage son in the care of his roadie, in a rundown flat in Hammersmith. But this was no ordinary roadie; this was the Sulphate Strangler. The Strangler, having taken a lot of LSD in the 60s, was prone to depression, anger and hallucinations. He was also, as the name suggests, a drug dealer. What could possibly go wrong?In a period that we can now only imagine, a young Baxter ricocheted from one adventure to another, narrowly swerving one disaster only immediately to collide with another. At times, his situation was perilous in the extreme - the world is lucky to have him at all. CHAISE LONGUE is an intimate account of those escapades, evocatively illuminating a bohemian west London populated with feverishly grubby characters. Narrated in Dury's candid tone, both sad and funny, this moving story will leave an indelible imprint on its readers.

    On opposite sides of the Seven Kingdoms, Davian, a talented sculptor, and the princess Avelessa weave their separate tales of loss.

    But now suddenly that life had ended, and she found herself totally alone. Whom could she turn to? Whom could she trust? Johnny Grant, the wealthy playboy she'd known since childhood? Or Lex Carson, the mysterious, handsome stranger who asked for her love, yet remained so strangely distant? At first Lissa thought she had the whole summer to decide. But then, amid feverishly mounting intrigue and danger, she knew she would have to make the right choice soon-or else lose her chances of happiness forever.

    Gidh is the Urdu word for a vulture and Raja is a Hindi synonym for king. The name anticipates the kingdom of vultures. In fact, parallel to the main plot of the novel, an allegorical story of such a kingdom is narrated. The metaphor of the vulture as an animal feeding mostly on the carcasses of dead animals is employed to portray the trespassing of ethical limits imposed by the society or by the religion.Bano Qudsia has written this novel drawing on the religious concept of Haraam and Halaal. Many readers tend to interpret Raja Gidh as a sermon, in which Bano Qudsia puts forth her theory of hereditary transmission of Haraam genes. Naturally the plot is woven to support the thesis. In the opinion of many readers and critics she manages to convince them that the pursuance of Haraam, be it financial, moral or emotional, results in the deterioration of a person's normality in some sense. She seems to suggest that the abnormality is transferred genetically to the next generation.Apart from the above implication the novel has many social, emotional and psychological aspects. The nostalgic narration of the historical Government College Lahore and of the Lawrence Garden Lahore lights upon the days of seventies and eighties.Bano Qudsia is among those Urdu writers who would think ten times before writing a sentence. But she does not sacrifice the flow of the narrative anywhere in this novel. Her characters are not black and white ones as some of the critics would like to suggest. Every sensitive reader who has attended a college or a university in a Pakistani setting is bound to find some similarities between themselves and one of the characters.Plot: Seemin Shah, hailing from an upper middle class family, falls in love with her handsome class fellow Aftab in the MA Sociology class at Government College Lahore. Seemin is a modern and attractive urban girl and attracts most of her male class fellows, including the narrator (abdul)Qayyum and the young liberal professor Suhail. Aftab belongs to a Kashmiri business family. Though he also loves her, he can not rise above his family values and succumbs to his parent's pressure to marry someone against his wishes and leave for London to look after his family business. Now the long story of separation begins.

    When he found himself alone with his infant daughter, Sabrina, he was determined to bring her up to run the biggest mining business in California. Nothing would stop her from taking over his dynasty -- not the San Francisco earthquake, the deadly schemes of a cunning rival, the Great depression, or her own needs and determination as she carries on the traditions established by her father.

    Most Christians want change in some area of their lives. They try and try to make those changes but soon find themselves falling back into the same habits and behaviors. Self-discipline and self-control have once again failed them.So how does lasting change take place? A worm doesn't struggle to become a butterfly in the cocoon. A seed doesn't strive to become a tree and produce fruit. They simply do what they were designed to do by god and the change takes place, effortlessly.The Word of God is like a seed and your heart is the soil. When it's planted and nurtured in the soil of your heart, it begins to grow. The result is transformation; and the fruit becomes evident to all. If you want real change in your life, this book is for you.

    All her life she kept herself pure for her faith and her future husband. Although having never had experienced love, and occasionally doubting whether she will, Safia feels herself growing impatient being single. She then sends her family to search for 'the one.' Trusting her family, she decides to say yes to the first person her family finds for her. She believes she will get married and face all her problems with her husband by her side. Is it really as simple as that?Yusuf feels a void in his heart. He tries to deny it, but he knows his mother's not proud of him. He knows she wishes he could be a little more modern like his brother. He wanted his family to find him a wife while he could focus on his deen (faith), but his idea of a wife clashes with his mother's. Seeing that his family were struggling to find him someone he likes, he decides to take matters into his own hands. But is he rushing into decisions without thinking?

    It it impossible is to resist quoting passages from this novel, given the author’s brilliant insights into character, wonderful literary flourishes and stunning demonstration of what is meant by inspired writing." - Humber School for Writers. A savage, brilliant, hilarious attack on modern hypocrisy, "The God of Atheists" follows the downfall of three men who wake up one morning and decide to take what they have not earned. Al, a down-and-out music producer, bullies his handsome son into forming a boy-band. Alder, an obscure academic, steals a brilliant idea from a grad student. As they exploit the talents of the naïve youths around them, their fame and wealth increase – but they become more and more terrified of exposure and destruction...

    Nazi skinheads are cruising the streets and a millionaire tycoon and a weather girl have been kidnapped. It falls to Barry Osgathorpe to discover who is responsible.

    

    These epic novels brilliantly interweave history and adventure, and expose the ambition and rivalry, bravery and betrayal, all told from one of the most vivid voices in historical fiction today.

    Rabindranath cannot shake off the disquiet in his heart after the death of his wife Mrinalini. Happiness and well-being elude him. His daughters and daughter-in-law struggle hard to cope with incompatible marriages, ill health and the stigma of childlessness. The extended family of Jorasanko is steeped in debt and there is talk of mortgaging one of the houses. Even as Rabindranath deals with his own financial problems and strives hard to keep his dream of Santiniketan alive, news reaches him that he has been awarded the Nobel Prize for literature. Will this be a turning point for the man, his family and their much-celebrated home?Daughters of Jorasanko sequel to the bestselling novel Jorasanko explores Rabindranath Tagore’s engagement with the freedom movement and his vision for holistic education, brings alive his latter-day muses Ranu Adhikari and Victoria Ocampo and maps the histories of the Tagore women, even as it describes the twilight years in the life of one of the greatest luminaries of our times and the end of an epoch in the history of Bengal.

    Once again this bilingual volume, translated in this edition for the first time in English, reveals the importance of the great Romanian-German poet, who lived for most of his life in France. Translator Pierre Joris has achieved a great feat in bringing these three volumes into the English language.

    Phased out. Home had never appealed. All his life he had dreamed about a plush flat somewhere in the West End of London. So now he would make the leap from poverty street into the affluent society. In one gigantic jump. Fresh out of stir after kicking a police sergeant’s head in, former skinhead Joe Hawkins is heading for the big time – a job in a firm of stockbrokers, a swanky flat and (hopefully) plenty of money. A whole new style is called for – so Joe becomes a Suedehead. The hair is a few millimetres longer, the uniform a velvet-collared crombie coat, bowler hat and neatly-furled umbrella – with razor sharp tip. For while Joe might be playing the establishment pet, he remains the unrepentently vicious, cunning hooligan from Skinhead, intent on pulling women, stealing and putting the boot in. It’s not long before he finds some other Suedes willing to commit mayhem under cover of respectability... but can Joe and respectability ever really get along? Suedehead is the second of Richard Allen’s era-defining cult novels featuring anti-hero Joe Hawkins. First published in 1971, this new edition features an introduction by Andrew Stevens.