Young women live by feminism's goals, yet feminism itself is undeniably at a crossroads; "girl power" feminists appear to be obsessed with personal empowerment at the expense of politics while political institutions such as Ms. and NOW are so battle weary they've lost their ability to speak to a new generation. In Manifesta, Jennifer Baumgardner and Amy Richards show the snags in each feminist hub--from the dissolution of riot grrrls into the likes of the Spice Girls, to older women's hawking of young girls' imperiled self-esteem, to the hyped hatred of feminist thorns like Katie Roiphe and Naomi Wolf--and prove that these snags have not, in fact, torn feminism asunder. In an intelligent and incendiary argument, Baumgardner and Richards address issues instead of feelings and the political as well as the personal. They describe the seven deadly sins the media commits against feminism, provide keys to accessible and urgent activism, discuss why the ERA is still a relevant and crucial political goal, and spell out what a world with equality would look like. They apply Third Wave confidence to Second Wave consciousness, all the while maintaining that the answer to feminism's problems is still feminism.

    Judith Butler, author of influential books such as Gender Trouble, has built her international reputation as a theorist of power, gender, sexuality and identity. Organized in active collaboration between Judith Butler and Sara Salih, The Judith Butler Reader collects together writings that span Butler's impressive career as a critical philosopher, including selections from both well-known and lesser-known works. Includes an introduction and editorial material to assist students in their readings of theories that stand at the forefront of contemporary theoretical and political debates.

    But unlike his two renowned colleagues, Ryokan was a societal dropout, living mostly as a hermit and a beggar. He was never head of a monastery or temple. He liked playing with children. He had no dharma heir. Even so, people recognized the depth of his realization, and he was sought out by people of all walks of life for the teaching to be experienced in just being around him. His poetry and art were wildly popular even in his lifetime. He is now regarded as one of the greatest poets of the Edo Period, along with Basho, Buson, and Issa. He was also a master artist-calligrapher with a very distinctive style, due mostly to his unique and irrepressible spirit, but also because he was so poor he didn’t usually have materials: his distinctive thin line was due to the fact that he often used twigs rather than the brushes he couldn’t afford. He was said to practice his brushwork with his fingers in the air when he didn’t have any paper. There are hilarious stories about how people tried to trick him into doing art for them, and about how he frustrated their attempts. As an old man, he fell in love with a young Zen nun who also became his student. His affection for her colors the mature poems of his late period. This collection contains more than 140 of Ryokan’s poems, with selections of his art, and of the very funny anecdotes about him.

    The poems weave between personal narrative and pop-cultural criticism, examining and confronting modern media, consumption, feminism, and Blackness. This collection explores femininity and race in the contemporary American political climate, folding in references from jazz standards, visual art, personal family history, and Hip Hop. The voice of this book is a multifarious one: writing and rewriting bodies, stories, and histories of the past, as well as uttering and bearing witness to the truth of the present, and actively probing toward a new self, an actualized self. This is a book at the intersections of mythology and sorrow, of vulnerability and posturing, of desire and disgust, of tragedy and excellence.

    Topics include: making the right decisions; how to enhance work; and managing a meaningful business. It aims to identify key principles for business success.

    The Good Man of Nanking is a crucial document for understanding one of World War II's most horrific incidents of genocide, one which the Japanese have steadfastly refused to acknowledge.  It is also the moving and awe-inspiring record of one man's conscience, courage, and generosity in the face of appalling human brutality.Until the recent emergence of John Rabe's diaries, few people knew abouth the unassuming hero who has been called the Oskar Schindler of China.  In November 1937, as Japanese troops overran the Chinese capital of Nanking and began a campaign of torture, rape, and murder against its citizens, one man-a German who had lived in China for thirty years and who was a loyal follower of Adolph Hitler-put himself at risk and in order to save the lives of 200,000 poor Chinese, 600 of whom he sheltered in his own home.

    Features a new chapter and afterward on recent biological breakthroughs.

    While studying the pathology of the disease Kirihito himself becomes an unknowing guinea pig for his hospital's research into it. Under the auspices of research, Kirihito is sent to a remote village in the mountains, where he contracts the Monmow disease himself, and through a series of misfortunes, becomes estranged from his beautiful fiancee, Izumi Yoshinaga (the daughter of his hospital's Director and Chief Physician), and his close friend and rival, Urabe.  In a remote mountain village, Kirihito learns that the only way to avoid being killed with the disease is to behave humanely an not give in to the animal instincts of savagery and violence.  The disease itself has little to do with humanity and animal instincts, as research in South Africa has proven that high concentrations of mineral deposits from mining runoff has been the cause of a similar outbreak in parts of sub-Saharan Africa.  Meanwhile, Urabe becomes subsumed into the human instincts of opportunism and blackmail, forcing those he loves into compromising situations. In Kirihito's efforts to save his own life, he finds himself in different corners of the world, where he ends up caring for the diseased of all shapes and sizes.  He leaves his village to share the truth, and quickly realizes that humanity as it is percieved is often superficial at best.  With newly cemented beast-like looks, Kirihito now in a more populated city is quickly wrangled up and sold into slavery by Chinese human trafficers.  Shipped to Taiwan as a gift to a traveling human circus, Kirihito is no longer seen as human.  Instead he is treated like a bear or tiger but without fangs or claws.  He has no rights and when his new owners no longer see a need for him, he along with another performer are taken by a local village in need of a witch-doctor.  After performing his duties to save a village chiefton's life, Kirihito fights to escape to the West in hope of sharing word of the injustices of the medical community. However with his new face, no matter what is outlook in life may be, tragedy in the form of racism and bigotry will follow him and all those with Monmow's to the ends of the Earth and possibly beyond.“A thoroughly original, wonderfully bizarre, and compulsively readable masterwork.Ode to Kirihito is a vital testament to Tezuka’s range as an artist, as well as an awe-inspiring example of the possibilities of the graphic novel.” —Adrian Tomine, writer/artist of Optic Nerve and Summer Blonde“Tezuka was like a god for me. He shocked the manga world with the medical thriller genre, and the work he did it with was Ode to Kirihito—a monumental suspense masterpiece that shows off Tezuka’s two points of expertise—manga and medicine.” —Yoshihiro Tatsumi, author of The Push-Man and Abandon the Old in Tokyo

    Jacobs pinpoints five pillars of our culture that are in serious decay: community and family; higher education; the effective practice of science; taxation, and government; and the self-regulation of the learned professions. The corrosion of these pillars, Jacobs argues, is linked to societal ills such as environmental crisis, racism, and the growing gulf between rich and poor. But this is a hopeful book as well as a warning. Drawing on her vast frame of reference–from fifteenth-century Chinese shipbuilding to Ireland’s cultural rebirth–Jacobs suggests how the cycles of decay can be arrested and our way of life renewed. Invigorating and accessible, Dark Age Ahead is not only the crowning achievement of Jane Jacobs’ career, but one of the most important works of our time.

    “Xenofeminism is gender-abolitionist… Let a hundred sexes bloom! …[And, let’s] construct a society where traits currently assembled under the rubric of gender, no longer furnish a grid for the asymmetric operation of power… You’re not exploited or oppressed because you are a wage labourer or poor; you are a labourer or poor because you are exploited…”

    So why did he dream the other night--and dream that he has a son?At one time, Batou had a human love for his partner, the legendary Major, before he witnessed her transfiguration into something beyond humanity. Now he has only his job, and his beloved basset hound, Gabriel. But when Batou has a near-death experience in an arranged car "accident," he returns home to find Gabriel has gone missing--perhaps, to go look for her owner's lost soul.Batou's desperate search for Gabriel leads him down surreal streets where homeless men fight tanks and yakuza racing hounds chase rabbits downloaded into their heads. Batou fears his poor dog has made a horrible mistake out of innocence--for Batou has taken a cold look inside himself...and decided that he never truly had a soul...Innocence, After The Long Goodbye is the prequel to the Ghost In The Shell 2: Innocence film, also available as a four-volume Ani-Manga box set from VIZ Media. The Innocence novel contains a special bonus discussion between the director, Mamoru Oshii, and the author, Masaki Yamada.

    This new translation is not only far more readable than earlier ones, it is also much more faithful to the content and style of the original. Intended for the general audience as well as the specialist, this edition is highly annotated.

    Initiating and describing a theory and method of reading the metaphors and materiality of "the wake," "the ship," "the hold," and "the weather," Sharpe shows how the sign of the slave ship marks and haunts contemporary Black life in the diaspora and how the specter of the hold produces conditions of containment, regulation, and punishment, but also something in excess of them. In the weather, Sharpe situates anti-Blackness and white supremacy as the total climate that produces premature Black death as normative. Formulating the wake and "wake work" as sites of artistic production, resistance, consciousness, and possibility for living in diaspora, In the Wake offers a way forward.

    Surpassing the Love of Men throws a new light on shifting theories of female sexuality and the changing status of women over the centuries.