Not a master mason or carpenter, Filippo Brunelleschi was a goldsmith and clock maker. Over twenty-eight years, he would dedicate himself to solving puzzles of the dome's construction. In the process, he did nothing less than reinvent the field of architecture. He engineered the perfect placement of brick and stone (some among the most renowned machines of the Renaissance) to carry an estimated seventy million pounds hundreds of feet into the air, and designed the workers' platforms and routines so carefully that only one man died during the decades of construction. This drama was played out amid plagues, wars, political feuds, and the intellectual ferments of Renaissance Florence - events Ross King weaves into a story to great effect. An American Library Association Best Book of the Year Boston Globe: "An absorbing tale." Los Angeles Times: "Ross King has a knack for explaining complicated processes in a manner that is not only lucid but downright intriguing... Fascinating."

    At the Battle of Leuktra, his Thebans crushed the fearsome army of Sparta that had enslaved its neighbors for two centuries.We follow these epic historical events through the eyes of Mêlon, a farmer who has left his fields to serve with Epaminondas-swept up, against his better judgment, in the fever to spread democracy even as he yearns to return to his pastoral hillside.With a scholar's depth of knowledge and a novelist's vivid imagination, Hanson re-creates the ancient world down to its intimate details-from the weight of a spear in a soldier's hand to the peculiar camaraderie of a slave and master who go into battle side by side. The End of Sparta is a stirring drama and a rich, absorbing reading experience.Praise for Victor Davis Hanson:"I have never read another book that explains so well the truth that 'war lies in the dark hearts of us all' but that history offers hope."-William Shawcross on The Father of Us All"Few writers cover both current events and history-and none with the brilliance and erudition of Victor Davis Hanson."-Max Boot on The Father of Us All"Enthralling."-Christopher Hitchens on The Western Way of War

    For courses in Principles of Management, this title takes a traditional, balanced approach to the four functions of management.

    The arrival of an old friend of the woman brings into the open feelings and fears previously suppressed.

    

    That Wagner is in love with the world and its transactions--perceptions, superficial and otherwise; childbearing, painful and otherwise; gains, financial and otherwise--allows for a poetry that is full of song yet brazenly topical.

    In handsomely crafted prose, and with the grace and authority of his extraordinary gift for narrative history, William Manchester leads us from a civilization tottering on the brink of collapse to the grandeur of its rebirth - the dense explosion of energy that spawned some of history's greatest poets, philosophers, painters, adventurers, and reformers, as well as some of its most spectacular villains - the Renaissance.

    The Macedonian Empire is on the verge of civil war following the sudden death of Alexander the Great. As a boy Andrikos watched as Alexander's army marched through his homeland of Greek Ionia after defeating the Persians at the Granicus River. Soon he will be embroiled in their world - and forced to flee his old life. Thrust into the army, Andrikos struggles to cope with the brutal training, as Alexander's surviving generals seek to divide and conquer the spoils of Olympus. But Andrikos is not destined to be a nameless soldier. By chance he is chosen for a clandestine mission - and is immersed in a world of intrigue, violence and brotherhood. The path that lies ahead of Andrikos requires him to shed his immaturity and take on the responsibilities and emotions of a man beyond his years. ‘The Spoils of Olympus: By the Sword’ is a historical epic which follows the advancements of one soldier from boy to man during a time of increasing political and military unrest for Greece and Macedonia. Christian Kachel lives in Washington D.C. ‘Spoils of Olympus: By the Sword’ is his first novel.

    His DNA came from El Patrón, lord of a country called Opium -- a strip of poppy fields lying between the United States and what was once called Mexico. Matt's first cell split and divided inside a petri dish. Then he was placed in the womb of a cow, where he continued the miraculous journey from embryo to fetus to baby. He is a boy now, but most consider him a monster -- except for El Patrón. El Patrón loves Matt as he loves himself, because Matt is himself. As Matt struggles to understand his existence, he is threatened by a sinister cast of characters, including El Patrón's power-hungry family, and he is surrounded by a dangerous army of bodyguards. Escape is the only chance Matt has to survive. But escape from the Alacr n Estate is no guarantee of freedom, because Matt is marked by his difference in ways he doesn't even suspect.

    (Architecture)

    Suggesting a series of questions to ask when looking at a painting this will help develop a critical understanding of art.

    The sixth edition preserves the hallmark features that instructors have come to trust, and through its use of current, authentic cultural materials, Deutsch: Na klar! teaches students how to use German in real-life situations effectively and how to communicate successfully in the German-speaking world.

    In a rich weave of images and text, each chapter offers an intimate look at the artist's expression in a different medium. This volume includes beautiful photographs of Micheangelo's works but here also are never before seen details of his sculpture and architecture that invite us to linger. The black-and-white photographs printed in lush doutones that add depth, show in the marks of the chisel, the hand of Michangelo at work - the rough but deliberate strokes of a man struggling to express himself in an unyielding and unforgiving medium.

    In On Beauty and Being Just Elaine Scarry not only defends beauty from the political arguments against it but also argues that beauty does indeed press us toward a greater concern for justice. Taking inspiration from writers and thinkers as diverse as Homer, Plato, Marcel Proust, Simone Weil, and Iris Murdoch as well as her own experiences, Scarry offers up an elegant, passionate manifesto for the revival of beauty in our intellectual work as well as our homes, museums, and classrooms.Scarry argues that our responses to beauty are perceptual events of profound significance for the individual and for society. Presenting us with a rare and exceptional opportunity to witness fairness, beauty assists us in our attention to justice. The beautiful object renders fairness, an abstract concept, concrete by making it directly available to our sensory perceptions. With its direct appeal to the senses, beauty stops us, transfixes us, fills us with a surfeit of aliveness. In so doing, it takes the individual away from the center of his or her self-preoccupation and thus prompts a distribution of attention outward toward others and, ultimately, she contends, toward ethical fairness.Scarry, author of the landmark The Body in Pain and one of our bravest and most creative thinkers, offers us here philosophical critique written with clarity and conviction as well as a passionate plea that we change the way we think about beauty.