Like many women in their early thirties, she both was and was not the adult she wanted to be. At once smart, curious, and humane, Maeve in America is the story of how Maeve found herself, literally and figuratively, in New York City.Here are stories of not being able to afford a dress for the ball, of learning to live with yourself while you’re still figuring out how to love yourself, of the true significance of realizing what sort of shelter dog you would be. Self-aware and laugh-out-loud funny, this collection is also a fearless exploration of the awkward questions in life, such as: Is clapping too loudly at a gig a good enough reason to break up with somebody? Is it ever really possible to leave home?Together, the essays in Maeve in America create a startlingly funny and revealing portrait of a woman who aims for the stars but hits the ceiling, and the inimitable city that has helped shape who she is, even as she finds the words to make sense of it all.

    You renders the singular arc of a woman’s life through letters Mary-Louise Parker composes to the men, real and hypothetical, who have informed the person she is today. Beginning with the grandfather she never knew, the letters range from a missive to the beloved priest from her childhood to remembrances of former lovers to an homage to a firefighter she encountered to a heartfelt communication with the uncle of the infant daughter she adopted. Readers will be amazed by the depth and style of these letters, which reveal the complexity and power to be found in relationships both loving and fraught.

    New York Times bestselling author of Texts from Jane Eyre Daniel M. Lavery publishing as Daniel Mallory Ortberg has mastered the art of “poetic yelling,” a genre surely familiar to fans of his cult-favorite website The Toast.In this irreverent essay collection, Ortberg expands on this concept with in-depth and hilarious studies of all things pop culture, from the high to low brow. From a thoughtful analysis on the beauty of William Shatner to a sinister reimagining of HGTV’s House Hunters, Something That May Shock and Discredit You is a laugh-out-loud funny and whip-smart collection for those who don’t take anything—including themselves—much too seriously.

    THE FRIEND WHO GOT AWAY is the first book to address this near-universal experience, bringing together the brave, eloquent voices of writers like Francine Prose, Katie Roiphe, Dorothy Allison, Elizabeth Strout, Ann Hood, Diana Abu Jabar, Vivian Gornick, Helen Schulman, and many others. Some write of friends who have drifted away, others of sudden breakups that took them by surprise. Some even celebrate their liberation from unhealthy or destructive relationships. Yet at the heart of each story is the recognition of a loss that will never be forgotten. From stories about friendships that dissolved when one person revealed a hidden self or moved into a different world, to tales of relationships sabotaged by competition, personal ambition, or careless indifference, THE FRIEND WHO GOT AWAY casts new light on the meaning and nature of women’s friendships. Katie Roiphe writes with regret about the period in her life when even close friends seemed expendable compared to men and sex. Mary Morris reveals how a loan led to the unraveling of a lifelong friendship. Vivian Gornick explores how intellectual differences eroded the bond between once inseparable companions. And two contributors, once best friends, tell both sides of the story that led to their painful breakup.Written especially for this anthology and touched with humor, sadness, and sometimes anger, these extraordinary pieces simultaneously evoke the uniqueness of each situation and illuminate the universal emotions evoked by the loss of a friend.

    Scott Fitzgerald to Woody Allen to P.G. Wodehouse, and his books, as well as his abilities as a performer, have made him a favorite on the Late Show with David Letterman. Whether he's chasing deranged cockroaches around his apartment, kissing a beautiful actress on the set of an avant-garde film, finding himself stuck perilously on top of a fence in Memphis in the middle of the night, or provoking fights with huge German men, Jonathan Ames has an uncanny knack for getting himself into outlandish situations. In his latest collection, I Love You More Than You Know, Ames proves once again his immense talent for turning his own adventures, neuroses, joys, heartaches, and insights into profound and hilarious tales. Alive with love and tenderness for his son, his parents, his great-aunt -- and even strangers in bars late at night -- in I Love You More Than You Know Ames looks beneath the surface of our world to find the beauty in the perverse, the sweetness in loneliness, and the humor in pain.

    Scott Fitzgerald, Ernest Hemingway, Tennessee Williams, John Berryman, John Cheever, and Raymond Carver. All six of these writers were alcoholics, and the subject of drinking surfaces in some of their finest work, from Cat on a Hot Tin Roof to A Moveable Feast. Often they did their drinking together—Hemingway and Fitzgerald ricocheting through the cafés of 1920s Paris; Carver and Cheever speeding to the liquor store in Iowa in the icy winter of 1973.Olivia Laing grew up in an alcoholic family herself. One spring, wanting to make sense of this ferocious, entangling disease, she took a journey across America that plunged her into the heart of these overlapping lives. As she travels from Cheever's New York to Williams' New Orleans, from Hemingway's Key West to Carver's Port Angeles, she pieces together a topographical map of alcoholism, from the horrors of addiction to the miraculous possibilities of recovery. Beautiful, captivating and original, The Trip to Echo Spring strips away the myth of the alcoholic writer to reveal the terrible price creativity can exert.

    For a single mother living paycheck to paycheck who had always been the caregiver rather than the one needing care, the catastrophic illness was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness.A twenty-first-century Illness as Metaphor, as well as a harrowing memoir of survival, The Undying explores the experience of illness as mediated by digital screens, weaving in ancient Roman dream diarists, cancer hoaxers and fetishists, cancer vloggers, corporate lies, John Donne, pro-pain ”dolorists,” the ecological costs of chemotherapy, and the many little murders of capitalism. It excoriates the pharmaceutical industry and the bland hypocrisies of ”pink ribbon culture” while also diving into the long literary line of women writing about their own illnesses and ongoing deaths: Audre Lorde, Kathy Acker, Susan Sontag, and others.A genre-bending memoir in the tradition of The Argonauts, The Undying will break your heart, make you angry enough to spit, and show you contemporary America as a thing both desperately ill and occasionally, perversely glorious.

    A fresh, young Chinese-American voice."--Adeline Yen Mah, author of Falling LeavesAs the daughter of a Chinese-American mother and a Norwegian father, Paisley Rekdal grew up wondering where she fit in. The essays in this, her shimmering nonfiction debut, tackle thorny issues--race and identity politics, interracial desire, what it means to be a "hyphenated American"--with a fresh, feisty, and very funny new perspective.Rekdal's family history is, as she describes it, "complicated and vaguely dangerous," and at the center of this strange world is her mother--a smart, stubborn, complex woman who adores her daughter. Rekdal exposes the foibles of family, friends, and lovers, but never spares herself, capturing both global and personal struggles with a critical, compassionate and humorous lens. The Night My Mother Met Bruce Lee flows effortlessly from stunning cultural observation to a recollection of an embarrassing travel anecdote. Her destinations vary widely--a classroom in South Korea, a Japanese family's living room, Main Street in Natchez, Mississippi, a Taipei shopping mall, a beach in the Philippines, and even her own bedroom. In each, she explores the vast differences between cultures, the feeling of being an outsider, the constant battle to understand and be understood.The Night My Mother Met Bruce Lee proves that shifting the frames of identity can be tricky, exhilarating--and revelatory.

    If the genesis for a book is to shut your wife up, I guess that’s as good as any.  On top of that, Olivia’s mother had burdened her with one of those Southern middle names kids love to make fun.  To see “deBelle” printed on the front of a book seemed vindication for all the childhood teasing.  With storytelling written in the finest Southern tradition from the soap operas of Chandler Street in the quaint town of Gainesville, Georgia, to a country store on the Alabama state line, Oliviade Belle Byrd delves with wit and amusement into the world of the Deep South with all its unique idiosyncrasies and colloquialisms.  The characters who dance across the pages range from Great-Aunt LottieMae, who is as “old-fashioned and opinionated as the day is long,” to Mrs. Brewton, who calls everyone “dahling” whether they are darling or not, to Isabella with her penchant for mint juleps and drama.  Humorous anecdotes from a Christmas coffee, where one can converse with a lady who has Christmas trees with blinking lights dangling from her ears, to Sunday church,where a mink coat is mistaken for possum, will delight Southerners and baffle many a non-Southerner. There is the proverbial Southern beauty pageant, where even a six-month-old can win a tiara, to a funeral faux pas of the iron clad Southern rule—one never wears white after Labor Day and, dear gussy, most certainly not to a funeral.  Miss Hildreth Wore Brown—Anecdotes of a Southern Belle is guaranteed to provide an afternoon of laugh-out-loud reading and hilarious enjoyment.

    The district attorney had boasted, "Anyone can convict a guilty person, but it takes someone really good to convict an innocent one." Did Harris apply a naked choke-hold, or did the district attorney and his forensics team set up Harris?

    There's the pure and bounteous joy of the nail varnish museum. Not to mention the very best lies to tell if you find yourself on an Arctic cruise. She has words of advice for those fast approaching fifty. And she's here to tell you the secret secret truth about writers - well, this one anyway.You'll be wincing in recognition and scratching your head in incredulity, but like Marian herself you won't be able to stop laughing at the sheer delightful absurdity that is modern life - because each and every one of us is clearly making it up as we go along.