A disastrous trip including lost luggage and a body search at security sends him to the variety store to replace his toiletries. All he wants is to relieve the pounding in his head, play a little bluegrass, and find a “plus one” to ward off any matchmaking attempts by his friends. Then Holly Ferguson, the cashier from a local variety store, accuses him of theft, and his bad day gets worse.Can a stolen moment under the summer mistletoe turns everything around? Get a glimpse into the characters and world of Mistletoe Meadows in this complimentary micro-read.

    . . These poems literally vibrate with Kearney's precocious intellect and passion. They hum, they bang, they bite. What else can I say? I have never encountered poetry like this before."—Terrance Hayes

    Add a cocky billionaire. Throw in a fake engagement. Let the games begin.KayleeI have one rule. I don't date tourists. Ever. Because vacation boyfriends never last. But my life is a hot mess. So much so that my friends throw me a love-life intervention. Never heard of that? Me neither. I may have a problem. So I decide to break my rule just one time because the tourist is unbelievably sexy. Hey, it's more of a guideline than an actual rule. What's the worst that can happen?Cue Chase Covington, the relationship-averse billionaire who blows into my life like a category five hurricane.My Billionaire Fake Fiance is a full-length, standalone romantic comedy with no cheating, no cliffhanger, and a HEA.

    Each of these forty-four poems is a powerful mixture of concrete images. Each records the reality and myth of the world around us-and in us. "Short, perfectly shaped, Simic's poems float past like feathers, turning one way, then another" (Village Voice).

    In The Blue Clerk renowned poet Dionne Brand stages a conversation and an argument between the poet and the Blue Clerk, who is the keeper of the poet's pages. In their dialogues—which take shape as a series of haunting prose poems—the poet and the clerk invoke a host of writers, philosophers, and artists, from Jacob Lawrence, Lola Kiepja, and Walter Benjamin to John Coltrane, Josephine Turalba, and Jorge Luis Borges. Through these essay poems, Brand explores memory, language, culture, and time while intimately interrogating the act and difficulty of writing, the relationship between the poet and the world, and the link between author and art. Inviting the reader to engage with the resonant meanings of the withheld, Brand offers a profound and moving philosophy of writing and a wide-ranging analysis of the present world.

    The long, lavish, and utterly unpredictable sentences that Schiff has assembled contort as much to discover what can’t be contained as what can.     This is a book of extremes relentlessly contemporary in scope. And like the eighty-blade sportsman’s knife also described here, Revolver keeps opening and reopening to the daunting possibilities of transformation—“Splayed it is a bouquet of all the ways a point mutates.”from “Silverware by J. A. Henckels”Let me beas streamlined as my knife when I say this.As cold as my three-pronged fork thatcools the meat even as it steadies it.A pettiness in me was honedin this cutlers’ town, later bombed,in which Adolf Eichmann, who was born therealongside my wedding pattern, could hearthe constant sharpening of kniveslike some children hear the corn in their hometownstalking to them through the wind.The horizon is just the score they breathe throughlike a box of chickensbreathing through a slit.

    It is 1989 and Community Care is about to reboot the industry of psychiatry. In a soon-to-be-closed asylum a bruised nurse, Adam Sands, is feeling less like a purveyor of kindness and more like a concentration camp guard with every passing drink. Many years later Adam has got used to the quiet life when his past finds him. Maybe this time he can do some good. Even make a diference. But redemption, like magic, can come from the strangest of places.

    Continuing the comedic insight from I’m Too Young to be Seventy, these verses of memories and advice from eighty years of love, marriage, and grandchildren are sure to bring laughs.What does it mean to be eighty? In her wise and playful poems, Judith Viorst discusses love, friendship, grand parenthood, and all the particular marvels—and otherwise—of this extraordinary decade. She describes the wonder of seeing the world with new eyes—not because of revelation but because of a successful cataract operation. She promises not to gently fade away, and not to drive after daylight’s faded away either. She explains how she’s gotten to be a “three-desserts” grandmother (“Just don’t tell your mom!”), shares how memory failure can keep you married, and enumerates her hopes for the afterlife (which she doesn’t believe in, but if it does exist, her sister-in-law better not be there with her). As Viorst gleefully attests, eighty is not too old to dream, to flirt, to drink, and to dance. It’s also not too late to give up being cheap or to take up with a younger man of seventy-eight. Zesty, hopeful, and full of the pleasures of living, Viorst’s poems speak to her legions of readers, who recognize themselves in her knowing observations, in her touching reflections, and in her joyful affirmations. Funny, moving, inspirational, and true—the newest in Judith Viorst’s beloved “decades” series extols the virtues, victories, frustrations, and joys of life.

    

    But just as the Bohemian life is wearing painfully thin, their fortunes change, catapulting them out of the world of practical problems and into the world of ethical ones.

    Like the women in Jane Bowles’s work, Cain’s narrators seem always slightly displaced in the midst of their own experiences, carefully observing the effects of themselves on their surroundings and of their surroundings on themselves. Other literary precursors might include Raymond Carver and John Cage, some unlikely concoction of the two, with Carver’s lucid prose and instinct for the potency of small gestures and Cage’s ability to return the modern world to elementary principles. These stories offer not just a unique voice but a unique narrative space, a distinct and dramatic rendering of being-in-the-world.A threadless way --Attached to a self --I will force this --The beak of a bird --The sleeve of my coat --They've been bringing them here for decades --Words come to me --Queen --Tramps everywhere --The beating of my heart --Gentle nights --There's an excess --Furniture, table, chair, shelves --Delicately feeling

    Or that she'll fall head over heels for the man.Jonathan isn't happy to discover a drop-dead gorgeous redhead has invaded his island. But his anger soon turns to attraction. After one failed marriage, he has guarded his heart, but Rhianna's sudden appearance makes him yearn to throw caution to the wind.To live fully in the present, Rhianna must resolve her own murky past, unravel the secret that haunts JT, foil the plans of a sleazy, blackmailing private investigator and help Jonathan find his muse. Only then can Rhianna find the love she's been searching for, and finally become...Lancelot's Lady.By bestselling author Cheryl Kaye Tardif, writing as Cherish D'Angelo*Winner of the 2010 Textnovel Editor's Choice Award. 2009 Semi-finalist in the Dorchester Publishing "Next Best Celler" contest, hosted by Textnovel. Voted #1 Most Popular for first 3 months of contest; #3 Most Popular for last 2 months.“From the cold rocky shores of Maine to the extravagant mansions of Miami to a lush tropical island in the Bahamas, Cherish D'Angelo takes her heroine through a series of breathtaking romantic adventures that mirror the settings, often in surprisingly ironic ways. A page turner in the best possible sense.” ―Gail Bowen, author of the award-winning Joanne Kilbourn series“Romance, mystery, danger, black-mail, and twists and surprises, this tale contains them all… Despicable intentions threaten every character in this finely crafted tale of sweet tension…Lancelot’s Lady is a non-stop adventure combined with the agonizing struggle to not give in to the magnetism between them. Enticing. Fun.” ―Midwest Book Review“Cherish D'Angelo has got that mythical “voice” down to a fine art.” ―Jennifer L. Hart, author of River Rats“Lancelot's Lady is riveting. It holds on and won't let you go! Cherish D’Angelo’s descriptive powers are amazing. She summons up scenes like genies from bottles!” ―Susan J. McLeod, author of Soul and Shadow"Tardif, already a big hit in Canada...a name to reckon with south of the border." ―BOOKLIST

    It observes the living architecture of the comb, the range and locality of the colony; its flights, flowers, water sources, parasites, lives and deaths.These poems were written at the hive wearing a veil and gloves, and the journal is an intrinsic part of the kinetic activity of keeping bees: making 'tiny, regular checks' in the turn around the central figure of the sun, and minute exploratory interventions through the round of the year. The book is full of moments of revelation - particularly of the relationship between the domestic and the wild. In attempting to record and invoke something of the complexity of the relationship between 'keeper' and 'kept' it tunes ear and speech towards the ecstasy of bees, between the known and the unknown. Because of its genesis as a working journal, there is here an unusual intimacy and deep scrutiny of life and death in nature. The language itself is dense and clotted, the imagery thrillingly fresh, and the observing eye close, scrupulous and full of wonder. Bee Journal is one of the most unusual and exciting poetry debuts in years.

    Organized in the format of an encyclopedia, each letter of the alphabet includes several poems on the theme of the word that begins with that letter. Emotional and inspiring, Encyclopedia of a Broken Heart will appeal to every modern poetry lover.

    The result is a poetry that upends the deeply and dangerously assumed concepts of such a culture—that new knowledge is always better knowledge, that history is a steady progress, that humans are in control of the natural order. Nick Lantz’s poems hurtle through time from ancient theories of physics to the CIA training manual for the practice of torture, from the history of the question mark to the would-be masterpieces left incomplete by the deaths of Leonardo da Vinci, Nikolai Gogol, Bruce Lee, and Jimi Hendrix. Selected by Linda Gregerson for the esteemed Bakeless Prize for Poetry, We Don’t Know We Don’t