Bob Joseph’s book comes at a key time in the reconciliation process, when awareness from both Indigenous and non-Indigenous communities is at a crescendo. Joseph explains how Indigenous Peoples can step out from under the Indian Act and return to self-government, self-determination, and self-reliance—and why doing so would result in a better country for every Canadian. He dissects the complex issues around truth and reconciliation, and clearly demonstrates why learning about the Indian Act’s cruel, enduring legacy is essential for the country to move toward true reconciliation.

    From Northern Ontario to Nunavut, Norway, Brazil, Australia, and the United States, the Indigenous experience in colonized nations is startlingly similar and deeply disturbing. It is an experience marked by the violent separation of Peoples from the land, the separation of families, and the separation of individuals from traditional ways of life — all of which has culminated in a spiritual separation that has had an enduring impact on generations of Indigenous children. As a result of this colonial legacy, too many communities today lack access to the basic determinants of health — income, employment, education, a safe environment, health services — leading to a mental health and youth suicide crisis on a global scale. But, Talaga reminds us, First Peoples also share a history of resistance, resilience, and civil rights activism, from the Occupation of Alcatraz led by the Indians of All Tribes, to the Northern Ontario Stirland Lake Quiet Riot, to the Standing Rock protests against the Dakota Access Pipeline, which united Indigenous Nations from across Turtle Island in solidarity.Based on her Atkinson Fellowship in Public Policy series, All Our Relations is a powerful call for action, justice, and a better, more equitable world for all Indigenous Peoples.

    Maggie’s English-speaking father has ambitions for his daughter that don’t include marriage to the poor French boy on the next farm over. But Maggie’s heart is captured by Gabriel Phénix. When she becomes pregnant at fifteen, her parents force her to give baby Elodie up for adoption and get her life ‘back on track’.Elodie is raised in Quebec’s impoverished orphanage system. It’s a precarious enough existence that takes a tragic turn when Elodie, along with thousands of other orphans in Quebec, is declared mentally ill as the result of a new law that provides more funding to psychiatric hospitals than to orphanages. Bright and determined, Elodie withstands abysmal treatment at the nuns’ hands, finally earning her freedom at seventeen, when she is thrust into an alien, often unnerving world.Maggie, married to a businessman eager to start a family, cannot forget the daughter she was forced to abandon, and a chance reconnection with Gabriel spurs a wrenching choice. As time passes, the stories of Maggie and Elodie intertwine but never touch, until Maggie realizes she must take what she wants from life and go in search of her long-lost daughter, finally reclaiming the truth that has been denied them both.

    A profoundly moving novel about the redemptive power of love, mercy, and compassion--and the land's ability to heal us.Frank Starlight has long settled into a quiet life working his remote farm, but his contemplative existence comes to an abrupt end with the arrival of Emmy, who has committed a desperate act so she and her child can escape a harrowing life of violence. Starlight takes in Emmy and her daughter to help them get back on their feet, and this accidental family eventually grows into a real one. But Emmy's abusive ex isn't content to just let her go. He wants revenge and is determined to hunt her down. Starlight was unfinished at the time of Richard Wagamese's death, yet every page radiates with his masterful storytelling, intense humanism, and insights that are as hard-earned as they are beautiful. With astonishing scenes set in the rugged backcountry of the B.C. Interior, and characters whose scars cut deep even as their journey toward healing and forgiveness lifts us, Starlight is a last gift to readers from a writer who believed in the power of stories to save us.

    A decade later, in a newly heated era of both struggle and divisions, he writes a letter to his now thirteen-year-old daughter. David is the son of Black and South Asian migrants from Trinidad, and he draws upon his personal and ancestral past, including the legacies of slavery, indenture, and immigration, as well as the experiences of growing up a visible minority within the land of one's birth. In sharing with his daughter his own story, he hopes to help cultivate within her a sense of identity and responsibility that balances the painful truths of the past and present with hopeful possibilities for the future.

    Tima Kurdi first saw the shocking photo of her nephew in her home in Vancouver, Canada. But Tima did not need a photo to understand the truth—she and her family had already been living it.In The Boy on the Beach, Tima recounts her idyllic childhood in Syria, where she grew up with her brother Abdullah and other siblings in a tight‑knit family. A strong‑willed, independent woman, Tima studied to be a hairdresser and had dreams of seeing the world. At twenty‑two, she emigrated to Canada, but much of her family remained in Damascus. Life as a single mother and immigrant in a new country wasn’t always easy, and Tima recounts with heart‑wrenching honesty the anguish of being torn between a new home and the world she’d left behind.As Tima struggled to adapt to life in a new land, war overtook her homeland. Caught in the crosshairs of civil war, her family risked everything and fled their homes. Tima worked tirelessly to help them find safety, but their journey was far from easy. Although thwarted by politics, hounded by violence, and separated by vast distances, the Kurdis encountered setbacks at every turn, they never gave up hope. And when tragedy struck, Tima suddenly found herself thrust onto the world stage as an advocate for refugees everywhere, a role for which she had never prepared but that allowed her to give voice to those who didn’t have an opportunity to speak for themselves.From the jasmine‑scented neighbourhoods of Damascus before the war to the streets of Aleppo during it, to the refugee camps of Europe and the leafy suburbs of Vancouver, The Boy on the Beach is one family’s story of love, loss, and the persistent search for safe harbour in a devastating time of war.

    Under an alias, she becomes her nephew's nanny to observe the formidable family up close. Unexpectedly, she begins to fall for the boy's guardian, who is promised to another. Can Grace protect her nephew . . . and her heart?

    It has turned Prince Edward Island into a multimillion-dollar tourist destination visited by hundreds of thousands of people each year. In The Landscapes of Anne of Green Gables, Catherine Reid reveals how Lucy Maud Montgomery’s deep connection to the landscape inspired her to write Anne of Green Gables. From the Lake of Shining Waters and the Haunted Wood to Lover’s Lane, readers will be immersed in the real places immortalized in the novel. Using Montgomery’s journals, archives, and scrapbooks, Reid explores the many similarities between Montgomery and her unforgettable heroine, Anne Shirley. The lush package includes Montgomery’s hand-colorized photographs, the illustrations originally used in Anne of Green Gables, and contemporary and historical photography.

    McLeod was surrounded by his Cree family’s history. In shifting and unpredictable stories, his mother, Bertha, shared narratives of their culture, their family and the cruelty that she and her sisters endured in residential school. McLeod was comforted by her presence and that of his many siblings and cousins, the smells of moose stew and wild peppermint tea, and his deep love of the landscape. Bertha taught him to be fiercely proud of his heritage and to listen to the birds that would return to watch over and guide him at key junctures of his life.However, in a spiral of events, Darrel’s mother turned wild and unstable, and their home life became chaotic. Sweet and innocent by nature, Darrel struggled to maintain his grades and pursue an interest in music while changing homes many times, witnessing violence, caring for his younger siblings and suffering abuse at the hands of his surrogate father. Meanwhile, his sibling’s gender transition provoked Darrel to deeply question his own sexual identity.The fractured narrative of Mamaskatch mirrors Bertha’s attempts to reckon with the trauma and abuse she faced in her own life, and captures an intensely moving portrait of a family of strong personalities, deep ties and the shared history that both binds and haunts them.Beautifully written, honest and thought-provoking, Mamaskatch—named for the Cree word used as a response to dreams shared—is ultimately an uplifting account of overcoming personal and societal obstacles. In spite of the traumas of Darrel’s childhood, deep and mysterious forces handed down by his mother helped him survive and thrive: her love and strength stayed with him to build the foundation of what would come to be a very fulfilling and adventurous life.

    Here love is defined as a force of reclamation and repair in times of trauma, and trauma is understood to exist within all times. The poems are grounded in what feels like an eternal present, documenting moments of clarity that lift the speaker (and reader) out of the illusion of linear experience. This is what we mean when we describe a work of art as being timeless.Like the river they speak to, these poems return again and again to the same source in search of new ways to reconstruct what has been lost. Vermette suggests that it’s through language and the body ― particularly through language as it lives inside the body ― that a fragmented self might resurface as once again whole. This idea of breaking apart and coming back together is woven throughout the collection as the speaker contemplates the ongoing negotiation between the city, the land, and the water, and as she finds herself falling into trust with the ones she loves.Vermette honours the river as a woman ― her destructive power and beauty, her endurance, and her stories. These poems sing from a place where “words / transcend ceremony / into everyday” and “nothing / is inanimate.”

    The community is thrown into panic, with talk of drifters and murderous husbands. But no one can find a trace of Bette Parsons or Alice McFee. Even the egg seller, Doris Tenpenny, a woman to whom everyone tells their secrets, hears nothing.Ten-year-old Lulu Parsons discovers something, though: a milk-stained note her mother, Bette, left for her father on the kitchen table. Wally, it says, I will not live in a tarpaper shack for the rest of my life . . .Lulu tells no one, and months later she buries the note in the woods. At the age of ten, she starts running — and forgetting — lurching through her unraveled life, using the safety of solitude and detachment until, at fifty, she learns that she is not the only one who carries a secret.Hopeful, lyrical, comedic, and intriguingly and lovingly told, The Very Marrow of Our Bones explores the isolated landscapes and thorny attachments bred by childhood loss and buried secrets.

    . . before Anne: A marvelously entertaining and moving historical novel, set in rural Prince Edward Island in the nineteenth century, that imagines the young life of spinster Marilla Cuthbert, and the choices that will open her life to the possibility of heartbreak—and unimaginable greatnessPlucky and ambitious, Marilla Cuthbert is thirteen years old when her world is turned upside down. Her beloved mother has dies in childbirth, and Marilla suddenly must bear the responsibilities of a farm wife: cooking, sewing, keeping house, and overseeing the day-to-day life of Green Gables with her brother, Matthew and father, Hugh.In Avonlea—a small, tight-knit farming town on a remote island—life holds few options for farm girls. Her one connection to the wider world is Aunt Elizabeth “Izzy” Johnson, her mother’s sister, who managed to escape from Avonlea to the bustling city of St. Catharines. An opinionated spinster, Aunt Izzy’s talent as a seamstress has allowed her to build a thriving business and make her own way in the world.Emboldened by her aunt, Marilla dares to venture beyond the safety of Green Gables and discovers new friends and new opportunities. Joining the Ladies Aid Society, she raises funds for an orphanage run by the Sisters of Charity in nearby Nova Scotia that secretly serves as a way station for runaway slaves from America. Her budding romance with John Blythe, the charming son of a neighbor, offers her a possibility of future happiness—Marilla is in no rush to trade one farm life for another. She soon finds herself caught up in the dangerous work of politics, and abolition—jeopardizing all she cherishes, including her bond with her dearest John Blythe. Now Marilla must face a reckoning between her dreams of making a difference in the wider world and the small-town reality of life at Green Gables.

    In a rant posted on social media, the great Canadian satirist announced loud and clear that the current, 15th season of the Rick Mercer Report—the nation's best-watched and best-loved comedy show—would be the last. After more than 250 episodes, 250 rants and countless miles spent travelling the length and breadth of Canada to do everything from bungee jumping with Rick Hansen to whale watching with Measha Brueggergosman, it was time to move on. What he will do next is still unknown, and Canada eagerly awaits future developments. But meanwhile, we have this book to keep us going.This volume brings together never-before-published rants from the last five seasons of the show, plus a selection of the very best rants from earlier years. And throughout the book, in a series of brilliant new essays, Rick shares his hilarious, moving and at times hair-raising memories from the past fifteen years. Remember when he and Jann Arden travelled by helicopter to a terrifying bat cave in a mountain? No—because that trip went so horribly wrong it never made it to the screen. Pierre Berton—what was really in that joint he rolled? (It wasn't oregano.) What catastrophe took place in Norman Jewison's bathroom? And can the show still go on when your director in charge is delirious from an allergic reaction? (Yes.) All this and more is revealed by Rick in some of his sharpest and funniest writing yet.

    An abandoned farmhouse. An epic battle with the northern wilderness.Broke and desperate, Molly Bannister accepts the ironclad condition laid down in her great-aunt’s will: to receive her inheritance, Molly must spend one year in an abandoned, off-the-grid farmhouse in the remote backwoods of northern Alberta. If she does, she will be able to sell the farm and fund her four-year-old daughter’s badly needed medical treatment.With grim determination, Molly teaches herself basic homesteading skills. But her greatest perils come from the brutal wilderness itself, from blizzards to grizzly bears. Will she and her child survive the savage winter? Will she outsmart the idealist young farmer who would thwart her plan to sell the farm? Not only their financial future, but their very lives are at stake. Only the journal written by Molly's courageous great-aunt, the land’s original homesteader, inspires her to struggle on.

    Critch takes us to where it all began in this tremendously funny and warm look back on his formative years. A "recovering Catholic," he recalls his many misadventures growing up on the outskirts of a small town. And when your radio-star dad is the talk of the town, and your mom can't stop talking at all, life at home is always entertaining.Best known as the "roving reporter" for CBC's This Hour Has 22 Minutes, Mark Critch has photo-bombed Justin Trudeau, interviewed Great Big Sea's Alan Doyle (while impersonating Alan Doyle), offered Pamela Anderson a million dollars to stop acting, and crashed White House briefings. But in this hilarious debut, we learn that Critch has been causing trouble his whole life. Son of a Critch will have you longing for life in Canada's most unique province--even if you've never been there--and marvelling at how one person's childhood could be so ridiculously funny.

    In this riveting examination of one of the last wild places on earth, Adam Weymouth canoes along the river's length, from Canada's Yukon Territory, through Alaska, to the Bering Sea. The result is a book that shows how even the most remote wilderness is affected by the same forces reshaping the rest of the planet.Every summer, hundreds of thousands of king salmon migrate the distance of the Yukon to their spawning grounds, where they breed and die, in what is the longest salmon run in the world. For the communities that live along the river, salmon was once the lifeblood of the economy and local culture. But climate change and a globalized economy have fundamentally altered the balance between man and nature; the health and numbers of king salmon are in question, as is the fate of the communities that depend on them.Traveling along the Yukon as the salmon migrate, a four-month journey through untrammeled landscape, Adam Weymouth traces the fundamental interconnectedness of people and fish through searing and unforgettable portraits of the individuals he encounters. He offers a powerful, nuanced glimpse into indigenous cultures, and into our ever-complicated relationship with the natural world. Weaving in the rich history of salmon across time as well as the science behind their mysterious life cycle, Kings of the Yukon is extraordinary adventure and nature writing at its most urgent and poetic.

    Morgan’s nîtisânak is woven around grief over the loss of their mother. It also explores despair and healing through community and family, and being torn apart by the same. Using cyclical narrative techniques and drawing on Morgan’s Cree, Saulteaux, and Métis ancestral teachings, this work offers a compelling perspective on the connections that must be broken and the ones that heal.

    But life happens and if you’ve got debt, life has happened to you. Whether you have a rolling balance of $2,000 on your credit card or an $80,000 line of credit you are positive you will carry to your grave, debt can be a huge cause of stress—affecting both your emotional and financial wellness.After working with thousands of financial planning clients, Shannon Lee Simmons knows that your only way out of the debt cycle is to truly understand all of your spending triggers so you can shut them down for good. In Living Debt-Free, she shows you that it is possible to have a life and pay down debt at the same time. In fact, that’s the only way your debt plan will work. You will learn to take control of your finances and pay down your debt in a realistic way that will keep you motivated long enough to see it through to the end. No shame. No blame. No scare tactics.In Living Debt-Free, Simmons focuses on creating a debt repayment plan that will motivate you for a long time, rather than an unrealistic one that’s strictly about paying the least amount of interest charges. (Collective gasp—how dare she!?) Listen, everyone knows that paying interest on debt is bad and to be avoided as much as possible, but human beings are complex. Life is complex. Debt is complex. There cannot be a one-size-fits-all plan, so Living Debt-Free will help you build your plan—the one that will help you finally put the debt behind you, start fresh and feel good about your money again.

    Everything was going so well in Kat and Philippe’s life together. Then suddenly it wasn’t. Roman ruins delayed the work on the Villa des Violettes. The Russian drug gang might be back in the neighbourhood. On top of that, Kat had worked herself into what Molly classified as a full blown “Christmas conundrum.” Kat wanted the holidays to work perfectly as she blended a Canadian Christmas with a Provençal Fête de Noêl for the first time in their new home. Now she’d lost her confidence and, with it, the holiday spirit. Philippe hoped a weekend trip to the famous Christmas markets of Strasbourg would solve everything. As it happened, things were about to get worse.

     Two years. Three magnificent horses. Ten countries. A thousand stories of drug cartels, mass migration, the glorious wilderness, the old cowboy ways, the kindness of strangers and the powerful connection between man and beast. This is a tale of grit and inspiration, of Filipe and Frenchie, Bruiser and Dude chasing a dream, one hoof at a time. Please scroll up to grab your copy today!

    Britain and France are once again at war. The conflict has spilled over into the North America of 1744.With the threat of war looming on the horizon, Marie struggles to find her place. As a young woman, her life is just beginning. Her friendship with Pierre promises of something more. But the British promise not only to defeat them but annihilate their very way of life.As empires collide, Marie and Pierre are catapulted into a world they do not understand – a world of spies, treason, and revenge.Not only must they fight to survive the war, but they must also fight to stay together despite the forces that threaten to tear them apart forever.

    Instead, the group is thrown into a detention processing center, with government officials and news headlines speculating that among the "boat people" are members of a separatist militant organization responsible for countless suicide attacks—and that these terrorists now pose a threat to Canada's national security. As the refugees become subject to heavy interrogation, Mahindan begins to fear that a desperate act taken in Sri Lanka to fund their escape may now jeopardize his and his son's chance for asylum. Told through the alternating perspectives of Mahindan; his lawyer, Priya, a second-generation Sri Lankan Canadian who reluctantly represents the refugees; and Grace, a third-generation Japanese Canadian adjudicator who must decide Mahindan's fate as evidence mounts against him, The Boat People is a spellbinding and timely novel that provokes a deeply compassionate lens through which to view the current refugee crisis.

    Aidan and Martha Connor now spend alternate months of the year working at an energy site up north to support their children, Cora and Finn. But soon the family fears they’ll have to leave Big Running for good. And as the months go on, plagued by romantic temptations new and old, the emotional distance between the once blissful Aidan and Martha only widens.Between his accordion lessons and reading up on Big Running’s local flora and fauna, eleven-year-old Finn Connor develops an obsession with solving the mystery of the missing fish. Aided by his reclusive music instructor Mrs. Callaghan, Finn thinks he may have discovered a way to find the fish, and in turn, save the only home he’s ever known. While Finn schemes, his sister Cora spends her days decorating the abandoned houses in Big Running with global flair—the baker’s home becomes Italy; the mailman’s, Britain. But it’s clear she’s desperate for a bigger life beyond the shores of her small town. As the streets of Big Running continue to empty Cora takes matters—and her family’s shared destinies—into her own hands.In Our Homesick Songs, Emma Hooper paints a gorgeous portrait of the Connor family, brilliantly weaving together four different stories and two generations of Connors, full of wonder and hope. Told in Hooper’s signature ethereal style, each page of this incandescent novel glows with mythical, musical wonder.

    Off the reserve and trying to find ways to live and love in the big city, Jonny becomes a cybersex worker who fetishizes himself in order to make a living. Self-ordained as an NDN glitter princess, Jonny has one week before he must return to the "rez," and his former life, to attend the funeral of his stepfather. The next seven days are like a fevered dream: stories of love, trauma, sex, kinship, ambition, and the heartbreaking recollection of his beloved kokum (grandmother). Jonny's world is a series of breakages, appendages, and linkages--and as he goes through the motions of preparing to return home, he learns how to put together the pieces of his life. Jonny Appleseed is a unique, shattering vision of Indigenous life, full of grit, glitter, and dreams.

    Why? Because these five men were always more than just a band. They sold millions of records and defined a generation of Canadian rock music. But they were also a tabula rasa onto which fans could project their own ideas: of performance, of poetry, of history, of Canada itself.In the first print biography of the Tragically Hip, Michael Barclay talks to dozens of the band’s peers and friends about not just the Hip’s music but about the opening bands, the American albatross, the band’s role in Canadian culture, and Gord Downie’s role in reconciliation with Indigenous people. When Downie announced he had terminal cancer and decided to take the Hip on the road one more time, the tour became another Terry Fox moment; this time, Canadians got to witness an embattled hero reach the finish line. This is a book not just for fans of the band: it’s for anyone interested in how culture can spark national conversations.

    Meticulously researched and written with the full cooperation and participation of the troupe, The Kids in the Hall: One Dumb Guy features exclusive interviews with Dave Foley, Bruce McCulloch, Kevin McDonald, Mark McKinney, and Scott Thompson, as well as key players from their inner circle, including producer Lorne Michaels, the “man in the towel” Paul Bellini, and head writer Norm Hiscock. Marvel as the Kids share their intimate memories and behind-the-scenes stories of how they created their greatest sketches and most beloved characters, from the Chicken Lady and Buddy Cole to Cabbage Head and Sir Simon &Hecubus.The Kids in the Hall: One Dumb Guy spans the entirety of the Kids’ storied career, from their early club shows in Toronto and New York to their recent live reunion tours across North America. Along for the ride are a plethora of fans, peers, and luminaries to celebrate the career and legacy of Canada’s most subversively hilarious comedy troupe. You’ll read tributes from Seth Meyers, Judd Apatow, Garry Shandling, Paul Feig, Mike Myers, David Cross, Michael Ian Black, Brent Butt, Jonah Ray, Dana Gould, Bob Odenkirk, Andy Richter, and Canada’s newest comedy sensation, Baroness Von Sketch. As an added bonus, the book includes never-before-seen photographs and poster art from the personal archives of the Kids themselves.Perfect for diehard fans and new initiates alike, The Kids in the Hall: One Dumb Guy will make you laugh and make you cry … and it may even crush your head.

    In August 2014 State Security agents grabbed them, accusing them of espionage. In shock, they were unaware of a Chinese spy arrest in Canada, giving the US “some leverage over China to bring a stop to more than a decade of rampant cybertheft” or that they’d become “bargaining chips in China’s desperate countermove”. (Graff, Garrett M. “How the US Forced China to Quit Stealing—Using a China Spy”. Wired Magazine. October 11, 2018) This compelling story of a Canadian Christian couple who spent 30 years working and raising their family in China, involved in aid, education and social enterprise is a unique parallel journey. From the early days teaching English in a decade of ration coupons and collective work units, Kevin and Julia watched with admiration as China catapulted into the modern age with unprecedented speed. Well-loved in China, the Garratt’s had always been thanked for their work in education, social welfare, social enterprises and community service. In 2007, along with two of their children, they moved to the China/North Korea border, opened a popular coffee shop and provided aid and assistance for marginalized communities in Dandong, China and North Korea. Their sudden disappearance plunged them into a journey where survival took every breath. Through their harrowing ordeal and intense suffering comes life-changing insight. They find themselves part of new community of those who’ve tasted yet overcome the pain of injustice. Courage and kindness, friendship and faith, resonates through the ordeal with the heartbeat of a love journey. Artfully written, Two Tears in the Window combines Kevin’s gifted story-telling and humour with Julia’s ability to let you see through their eyes and draw readers into deeply painful yet profoundly life-changing experiences. For more information or to contact the authors, visit www.twotearsonthewindow.com

     British Columbia's political arena has always been the site of dramatic rises and falls, infighting, scandal, and come-from-behind victories. However, no one was prepared for the historic events of spring 2017, when the Liberal government of Christy Clark, one of the most polarizing premiers in recent history, was toppled.A Matter of Confidence gives readers an insider's look at the overconfidence that fuelled the rise and fall of Clark's premiership and the historic non-confidence vote that defeated her government and ended her political career. Beginning with this pivotal moment, the book goes back and chronicles the downfall of Clark's predecessor, Gordon Campbell, which led to her unlikely victory in 2013, and traces the events leading up to her defeat at the hands of her NDP and Green opponents. Told by reporters Richard Zussman and Rob Shaw, who covered every moment of the election cycle, and illustrated by candid and extensive interviews with political insiders from both sides of the aisle--including Christy Clark and John Horgan--this book is a must read for anyone who cares about BC politics and the future of the province.

    Uninterested in the convent and desperate to flee a loathsome suitor, she disguises herself as a young man to travel west by voyageurs' brigade in search of her long-absent, fur-trader father. But her inexperience and disguise don't hide her for long. René Dufour yields to the unwelcome position of shielding Brigitte, but he cannot hide her identity forever. Keeping her safe while meeting his North West Company obligations and honoring his family promises may prove to be more disquieting to his heart than he imagined. As Brigitte adjusts to the voyageur life on Lake Superior, she struggles to justify the faith she grew up in with the mysticism around her, but greater still is the conflict her heart must settle over who to trust in this rugged, unfamiliar country.

    Mona Dunn, forever frozen at thirteen when her portrait was painted by William Orpen, has just broken that rule. Luckily twelve-year-old Sargent Singer, an aspiring artist himself, is more interested in learning about the vast and intriguing world behind the frame than he is in sharing her secret.And when Mona and Sargent suspect shady dealings are happening behind the scenes at the gallery, they set out to find the culprit. They must find a way to save the gallery—and each other—before they are lost forever. With an imaginative setting, lots of intrigue, and a thoroughly engaging cast of characters, The Frame-Up will captivate readers of Jacqueline West’s The Books of Elsewhere.Includes a 16-page full-color insert showcasing the real paintings featured in the book.

    Exploring the vulnerability of the elder heart, and proving that love and sex and heartbreak are not only the domain of the young, this gorgeous linked collection of short fiction offers up a strong whiff of Jackson-esque gothic. Each character appears in at least two stories, in a greater or lesser role, the most common being a ghost who “haunts” the book throughout. Death is a constant, in both peaceful and violent forms. Together, the stories crystallize into something more than a novel, and confirm its author as one of the country’s best.

    Of course, just about any place was bigger than her tiny town of Chetwynd, nestled in the wildlands of northern Canada. So when she left to attend college in the states six years ago, she thought she’d never look back. That was until a terrifying breakdown brought her overly ambitious life crumbling down around her. Shiloh Pierce had always embraced her small town in Canada, with no intention of ever leaving. A quiet cabin and living off the land was all she really needed. Except six years ago her best friend and the love of her life moved thousands of miles away, leaving a gaping hole that she was unable to fill and throwing her entire world off of its axis.When a damaged and broken Grace finds herself back in Canada over a half decade later, she too finds herself face-to-face with a friendship and a love story that had never quite finished. As Grace begins to reacquaint herself with Chetwynd, she too begins to rebuild her tarnished relationship with Shiloh. Together, the two begin to discover what they’ve really been missing in their lives, and that maybe they can help each other overcome their complicated pasts after all.

    He came across a massive Douglas fir the height of a twenty-storey building. Instead of allowing the tree to be felled, he tied a ribbon around the trunk, bearing the words “Leave Tree.” The forest was cut but the tree was saved. The solitary Douglas fir, soon known as Big Lonely Doug, controversially became the symbol of environmental activists and their fight to protect the region’s dwindling old-growth forests.Originally featured as a long-form article in The Walrus that garnered a National Magazine Award (Silver), Big Lonely Doug weaves the ecology of old-growth forests, the legend of the West Coast’s big trees, the turbulence of the logging industry, the fight for preservation, the contention surrounding ecotourism, First Nations land and resource rights, and the fraught future of these ancient forests around the story of a logger who saved one of Canada's last great trees.

    Disruptive technologies, ideas, and politicians are challenging business models, norms, and political conventions everywhere. How we, as leaders in business and politics, choose to respond matters greatly. Some voices refuse to concede the need for any change, while others advocate for radical realignment. But neither of these positions can sustainably address the legitimate concerns of disaffected citizens.Right Here, Right Now sets out a forward-looking vision by analyzing how economic, social, and public policy trends have affected our economies, communities, and governments.Mr. Harper contends that Donald Trump's surprise election victory and governing agenda clearly signal that political, economic, and social institutions must be more responsive to legitimate concerns about market policies, trade, globalization, and immigration.Urging readers to look past questions of style and gravitas, Mr. Harper thoughtfully examines the substantive underpinnings of how and why Donald Trump was able to succeed Barack Obama as President of the United States, and how these forces are manifesting themselves in several other western democracies.Analyzing international trade, market regulation, immigration, technology, and the role of government in the digital economy, Harper lays out the case for pragmatic conservative leadership as a proven solution to the uncertainty and risk that businesses and governments face today.

    Less attention has been paid to the daily lives of the combatants, how they endured the unimaginable conditions of industrial warfare: the rain of shells, bullets, and chemical agents. In The Secret History of Soldiers, Tim Cook, Canada's foremost military historian, examines how those who survived trench warfare on the Western Front found entertainment, solace, relief, and distraction from the relentless slaughter.These tales come from the soldiers themselves, mined from the letters, diaries, memoirs, and oral accounts of more than five hundred combatants. Rare examples of trench art, postcards, and even song sheets offer insight into a hidden society that was often irreverent, raunchy, and anti-authoritarian. Believing in supernatural stories was another way soldiers shielded themselves from the horror. While novels and poetry often depict the soldiers of the Great War as mere victims, this new history shows how the soldiers pushed back against the grim war, refusing to be broken in the mincing machine of the Western Front.The violence of war is always present, but Cook reveals the gallows humour the soldiers employed to get through it. Over the years, both writers and historians have overlooked this aspect of the men's lives. The fighting at the front was devastating, but behind the battle lines, another layer of life existed, one that included songs, skits, art, and soldier-produced newspapers.With his trademark narrative abilities and an unerring eye for the telling human detail, Cook has created another landmark history of Canadian military life as he reveals the secrets of how soldiers survived the carnage of the Western Front.

    It traces the emergence of a 'dominant bloc', or alliance, in Winnipeg that has imagined and installed successive regional development visions to guarantee its own wealth and power. The book gives particular attention to the ways that an ascendant post-industrial urban redevelopment vision for Winnipeg's city-centre has renewed longstanding colonial 'legacies' of dispossession and racism over the past forty years. In doing so, it moves beyond the common tendency to break apart histories of settler-colonial conquest from studies of urban history or contemporary urban processes.

    When a series of dramatic events brings a strange man to her door, Mary emerges from the comfortable isolation that she knows to follow her dreams in Boston. Those desires do not come without sacrifice and hard choices. When her past comes back to haunt her, Mary must decide whether there is room for both her aspirations and her heart—or if she must surrender one to have the other.

    He was left untreated and unattended to for thirty-four hours in the Emercency Room, where he ultimately died from an easily treatable infection. McCallum and Perry show that Sinclair’s tragically avoidable death reflects a particular structure of indifference born of and maintained by colonialism.

     Twelve-year-old Iris Sparks lives in Winteridge with her brother; her working-class Welsh mother, Llewelyna; and her blue-blooded father from England, a progressive bohemian who has brought his family to Canada for an adventure.But amid the idyllic, Edwardian setting, there are dangers lurking. A blend of Welsh and Indigenous stories of a predatory lake monster take real shape for young Iris as she begins to unravel the truth behind her mother's dark fairy tales, and watches in horror as her mother increasingly succumbs to seizures.As the First World War reaches its height, Iris must contend with the demands of a deteriorating mother and the harsh realities of a toxic love triangle. All the while, Iris's mind continues to exert its strange and awesome power, and she and her entire community must find a way to survive at the mercy of otherworldly beasts and a hungry darkness.

    The first part is: The Journey Forward, A Novella On Reconciliation: When We Play Our Drums, They Sing! by Richard Van CampThis the story of 12-year-old Dene Cho, who is angry that his people are losing their language, traditions, and ways of being. Elder Snowbird is there to answer some of Dene Cho's questions, and to share their history including the impact Residential schools continue to have on their people. It is through this conversation with Snowbird that Dene Cho begins to find himself, and begins to realize that understanding the past can ultimately change the future.Tessa Macintosh's wonderful photographs are featured on the cover and interior of this memorable story.The second part is: The Journey Forward, A Novella On Reconciliation: Lucy & Lola by Monique Gray SmithLucy and Lola are 11-year-old twins who are heading to Gabriola Island, BC, to spend the summer with their Kookum (grandmother) while their mother studies for the bar exam. During their time with Kookum, the girls begin to learn about her experiences in being sent -- and having to send their mother -- to Residential school. Ultimately, they discover what it means to be intergenerational survivors.Award-winning illustrator Julie Flett created the amazing cover illustration and interior spot art that perfectly suit this engaging novella.

    Winner of the 2017 Robert Kroetsch Award for Innovative Poetry. Voyeurism and fact go head to head in PORT OF BEING, a debut poetry collection that mines speech from the city streets and the Internet. These are poems set firmly on the threshold of the private and public, the future-haunted and the real, forging the human adrift in a terrain of space junk, drones, and addiction. PORT OF BEING speaks just in time, navigating the worlds of surveillance, migration, and money, only to carve a way into intimacy and connection."Shazia Hafiz Ramji writes with an intimacy that echoes the unspoken familiar across the ocean to map us--to 'root and hold' us--right now, right here where we live. PORT OF BEING is a collection of keen listening, where words are found, spliced, and always woven with sunshine, pain, and memory that shimmers."--Juliane Okot Bitek"PORT OF BEING by Shazia Hafiz Ramji, is a revelation: one that reveals the surface beneath the surface, and the uncertain in the overdetermined. If the city is a machine of social sublimation, then these poems are the glint of its gears. Ramji demonstrates with devastating energy how form is infrastructure. You could drown in the static of our times, or you could traverse it like an ocean. PORT OF BEING is an ingenious manual, in verse, for how to do the latter."--Wayde Compton"Like a section of ocean caught, cubed, and shot through with the light of our closest star, Shazia Hafiz Ramji's PORT OF BEING moves with and against time and borders. Her poems surveil what's witnessed and what we admit to witnessing, the secrets we tell and those we keep, and the questions: why and for whose benefit? In equal measures, this book is bioluminescent, galactic, humane. Daring and intimate, it holds worlds."--Dani Couture"Like Teju Cole, Shazia Hafiz Ramji presents a city in full intricacy: the expansive possibilities of human connection and the digital silos that separate. Like Solmaz Sharif, she teaches us to look at violence: the quotidian bedrooms, buses, and spaces in which it is experienced, the ideologies that allow for its transmission. PORT OF BEING is urgent and uncomfortable, comforting and necessary."--Benjamin Hertwig"PORT OF BEING confronts us with the global algorithms and state apparatuses docked in our consciousness, and the cyborgs of time and space that mark the shock of bodies rammed through ideologies. Here we find out how to navigate fake news, flags of convenience, and engineered personhood. A brilliant debut collection. Its politics bite back."--Meredith Quartermain"In PORT OF BEING, a desiring, witnessing body moves through Vancouver, speaking our individual human vulnerability to surveillance, technologies of war, and neo-capitalism's brutal structuring of spaces and dreams. In a world where 'Google knows more than our lovers, ' Shazia Hafiz Ramji sees us acutely as ports: as soft animal receptacles for what travels at light speed through fibre optic cables, and as jagged, welcoming horizons, where we might exchange our cargos of experience and offer fellow voyagers tender language. Plug this book directly into your cardiac rhythms."--Sonnet L'Abb�

    In the world of these poems, the past, present and future seem to overlap. Things exceed their limits, facts are not always true, borders are not always solid, and events seem to write themselves into being. An on-again off-again real estate sale nudges a quartet of millennial renters into an alternate universe of multiplying signs and wonders; an art show at Ontario Place may or may not be as strange and complex (or even as “real”) as described; the collusion of a hangover and a blizzard carry our narrator on a trancelike odyssey through Bed Bath & Beyond. “It is a thrill to be alive in a world like this, where every problem has a multiplicity of solutions, an honest light spread evenly across them.” The lived and the written seem almost contiguous in Emma Healey’s anxious, skewed, but familiar universe, the poems rife with an intense species of hyper attention John Ashbery once described as “the experience of experience.” Using the prose poem as their home base, these poems construct an inventory of ontological disturbance ― one that is fraught, honest, playful, complex, and incomplete all at once.

    When four friends set out on a canoe trip down Milligan Creek during spring runoff season, little do they realize their voyage through small town Saskatchewan is about to turn into one of the wildest experiences of their lives--if they survive!Facing raging rapids, frigid "icebergs," spinning whirlpools, roaring culverts, and their own recklessness, soon the boys find themselves in uncharted waters with no clue how they're going to get home.With night falling fast and no one to rely on but each other, the boys must figure out how to work together or risk falling victim to the merciless powers of nature--and their parents' wrath!

    Together, they create a model for anti-violence work from an Indigenous perspective. They acknowledge the destruction wrought by colonial violence, and also look at controversial topics such as lateral violence, challenges in working with 'tradition', and problematic notions involved in 'helping'. Through stories of resilience, resistance, and activism, the editors give voice to powerful personal testimony, and allow for the creation of knowledge."It's in all of our best interests to take on gender violence as a core resurgence project, a core decolonization project, a core of Indigenous nation building, and as the backbone of any Indigenous mobilization." ~~ Leanne Betasamosake SimpsonContributors: Kim Anderson, Stella August, Tracy Bear, Christi Belcourt, Robyn Bourgeois, Rita Bouvier, Maria Campbell, Maya Ode'amik Chacaby, Downtown Eastside Power of Women Group, Susan Gingell, Michelle Good, Laura Harjo, Sarah Hunt, Robert Alexander Innes, Beverly Jacobs, Tanya Kappo, Tara Kappo, Lyla Kinoshameg, Helen Knott, Sandra Lamouche, Jo-Anne Lawless, Debra Leo, Kelsey T. Leonard, Ann-Marie Livingston, Brenda Macdougall, Sylvia Maracle, Jenell Navarro, Darlene R. Okemaysim-Sicotte, Pahan Pte San Win, Ramona Reece, Kimberly Robertson, Leanne Betasamosake Simpson, Beatrice Starr, Madeleine Kétéskwew Dion Stout, Waaseyaa'sin Christine Sy, Alex Wilson

    They melt into the ocean of partial, painful, inconsistent, and funny stories that a family makes over time. Hay's eloquent memoir distills these stories into basic truths about parents and children and their efforts of understanding. With her uncommon sharpness and wit, Elizabeth Hay offers her insights into the peculiarities of her family's dynamics--her parents' marriage, sibling rivalries, miscommunications that spur decades of resentment all matched by true and genuine love and devotion. Her parents are each startling characters in their own right--her mother is a true skinflint who would rather serve up wormy soup (twice) than throw away an ancient packet of "perfectly good" mix; her father is a proud and well-mannered man with a temper that can be explosive. All Things Consoled is a startlingly beautiful memoir that addresses the exquisite agony of family, the unstoppable force of dementia, and the inevitability of aging.

    But in a Scarborough subdivision populated by newcomers from all over the world, a series of sudden catastrophic events reveals that not everyone’s dreams come true. Moving from house to house, Carrianne Leung explores the inner lives behind the tidy front gardens and picture-perfect windows, always returning to June, an irrepressible adolescent Chinese-Canadian coming of age in this shifting world. Through June and her neighbours, Leung depicts the fine line where childhood meets the realities of adult life, and examines, with insight and sharp prose, how difficult it is to be true to ourselves at any age.

    Instead of a puck, he uses a tennis ball, and his shin pads are made out of potato sacks and wooden slats. But that’s not going to stop him. He loves the game.Jacques is drafted by the Montreal Canadiens in his mid-twenties. Fans love the unstoppable goalie as he leads his team to one victory after another. But there’s a price to pay: pucks to the face result in a broken jaw, broken cheekbones, multiple stitches, and even a skull fracture. One day, Jacques has had enough. He goes on the ice wearing a fiberglass mask. The coach orders him to take it off.Finally, at a game against the Rangers, when yet another puck hits Jacques square in the face, he puts his foot down. He will not continue to play unless he’s allowed to wear a mask.Young hockey fans will enjoy this story of Jacques Plante, whose determination and love of the game brought about a revolutionary change to how it is played.

    A guide named Don Quixote. No cellphone. Louisbourg or Bust is RC Shaw's spandex-free pilgrimage up a haunted coastline. Fuelled by Hungry Man Stew and blind optimism, Shaw battles potholed hills and remote waves en route to the Fortress of Louisbourg.With a Nova Scotia road map in one hand and a fat copy of Don Quixote in the other, Shaw hatches a plan. He builds The Rig, a Frankenstein-inspired bicycle-plus-trailer to haul his camping gear and surf stuff. Then he circles Louisbourg with a black Sharpie and vows to take the fortress back from its malevolent tourist occupiers. Finally, on a clear June morning, he kisses his family goodbye and creaks off down the road in search of adventure for adventure's sake. No cellphone, no safety net. Just the restless pulse of the Atlantic Ocean as it rips and tears at the coastline of the Eastern Shore.As the lark gets real, Shaw is forever changed by the gnarly soul of Nova Scotia's fogbound, fading coastline.

    She imagines what the community was once like —the brightly painted houses nestled into the hillside, the field where boys played football, the pond where all the kids went rafting, the bountiful fishing, the huge bonfires. Coming out of her reverie, she visits the present-day park and the sundial where her great- grandmother’s name is carved in stone, and celebrates a summer day at the annual Africville Reunion/Festival.Africville was a vibrant Black community for more than 150 years. But even though its residents paid municipal taxes, they lived without running water, sewers, paved roads and police, fire-truck and ambulance services. Over time, the city located a slaughterhouse, a hospital for infectious disease, and even the city garbage dump nearby. In the 1960s, city officials decided to demolish the community, moving people out in city dump trucks and relocating them in public housing.Today, Africville has been replaced by a park, where former residents and their families gather each summer to remember their community.

    Edited collaboratively with Simpson, the book uniquely retells pivotal historical events that have been conventionally unchallenged in dominant historical narratives, while presenting a fascinating personal perspective in the singular voice of Williams, whose rare body of knowledge spans back to the 1700s. With this wealth of knowledge, wit and storytelling skill, Williams recounts key moments of his personal history, connecting them to the larger history of the Anishinaabeg and other Indigenous communities.

    Which leads him to another powerful question: Why are boomers killing themselves at a far greater rate than the Silent Generation before them or the generations that have followed? In the spring of 2006, Don Gillmor travelled to Whitehorse to reconstruct the last days of his brother, David, whose truck and cowboy hat were found at the edge of the Yukon River just outside of town the previous December. David's family, his second wife, and his friends had different theories about his disappearance. Some thought David had run away; some thought he'd met with foul play; but most believed that David, a talented musician who at the age of 48 was about to give up the night life for a day job, had intentionally walked into the water. Just as Don was about to paddle the river looking for traces, David's body was found, six months after he'd gone into the river. And Don's canoe trip turned into an act of remembrance and mourning. At least David could now be laid to rest. But there was no rest for his survivors. As his brother writes, "When people die of suicide, one of the things they leave behind is suicide itself. It becomes a country. At first I was a visitor, but eventually I became a citizen." In this tender, probing, surprising work, Don Gillmor brings back news from that country for all of us who wonder why people kill themselves. And why, for the first time, it's not the teenaged or the elderly who have the highest suicide rate, but the middle aged. Especially men.

    Adam returns to Pennington, Nova Scotia, where Terry now lives in the local rink and drives the Zamboni. Going home means drinking with old friends, revisiting neglected relationships, and dealing with lingering feelings about his father and dead mother--and discovering that his friends and family are kinder and more complicated than he ever gave them credit for. Searching for Terry Punchout is a charming and funny tale of hockey, small-town Maritime life, and how, despite our best efforts, we just can't avoid turning into our parents."Funny, quirky, sad and sweet. Searching for Terry Punchout is a story of friendship and family, of hockey heroes and small-town hangovers, of Zamboni lessons and thrift store beauty queens. Highly recommended!" -Will Ferguson, author of The Shoe on the Roof

    Ellie and Eric Nyland have moved their two sons back to Eric's childhood farmhouse, hoping for a fresh start. But there’s no denying it, their family is falling apart, each one of them isolated by private sorrows, stresses, and missed signals. With every passing day, Ellie’s hopes are buried deeper in the harsh winter snows.When Eric finds Hannah Finch, the girl across the road, wandering alone in the bitter cold, his rusty police instincts kick in and he soon discovers there are bad things happening in the girl’s house. With nowhere else to send her, the Nylands reluctantly agree to let Hannah stay with them until she can find a new home after the Christmas holidays. But Hannah proves to be more balm than burden, and the Nylands discover that the only thing harder than taking Hannah in may be letting her go.

    After Danny Dichio scored the first goal in franchise history, fans at BMO Field threw their seat cushions onto the field in ecstasy. It looked as if TFC had a bright future ahead of them, but what followed instead was eight seasons of poor results, mismanagement, and misery.Still, TFC fans never wavered, building the most unique atmosphere in Toronto sports. When it looked as if TFC were destined to become an afterthought in a city crowded with teams, the club carved out a niche by creating a winning culture unlike anything Toronto had ever seen and bringing a championship to the city in 2017. Come on You Reds takes fans behind the scenes from the inception of TFC, through the team’s lowest years, and finally, to the story of how management built arguably the best team in Major League Soccer history.

    He taught himself how to play hockey on the frozen rivers of Prince Albert, Saskatchewan, using a tree branch his father had sharpened into a stick and Eaton’s catalogues as goalie pads. He’d spend hours in the frigid air, learning to catch the puck in mittened hands, never dreaming that he would one day share the same ice as his Saturday-night idols. But share it he did, playing in the minors for more  than a decade, before joining the Maple Leafs for the team’s storied three consecutive Stanley Cup victories in the early sixties. He was known as a tough, ageless player who wanted nothing more than to be in the crease night after night. He spent eleven seasons with the Leafs, playing well into his forties.  After his retirement, Bower’s legend only grew—he became one of the most beloved Leafs alumni, an icon for his performance on the ice and his generous heart off of it. In Bower, Dan Robson shares the never-before-told stories of Johnny’s life and career, drawing on interviews with those who knew and loved him best.

    From land struggles to struggles against resource extraction, pipeline development and fracking, land and water defenders have created a national discussion about these issues and successfully slowed the rate of resource extraction.But their success has also meant an increase in the surveillance and policing of Indigenous peoples and their movements. In Policing Indigenous Movements, Crosby and Monaghan use the Access to Information Act to interrogate how policing and other security agencies have been monitoring, cataloguing and working to silence Indigenous land defenders and other opponents of extractive capitalism. Through an examination of four prominent movements -- the long-standing conflict involving the Algonquins of Barriere Lake, the struggle against the Northern Gateway Pipeline, the Idle No More movement and the anti-fracking protests surrounding the Elsipogtog First Nation -- this important book raises critical questions regarding the expansion of the security apparatus, the normalization of police surveillance targeting social movements, the relationship between police and energy corporations, the criminalization of dissent and threats to civil liberties and collective action in an era of extractive capitalism and hyper surveillance.In one of the most comprehensive accounts of contemporary government surveillance, the authors vividly demonstrate that it is the norms of settler colonialism that allow these movements to be classified as national security threats and the growing network of policing, governmental, and private agencies that comprise what they call the security state.

    We work on one assumption: the world of public bathrooms is problem- and politics-free. No Place To Go: Answering the Call of Nature in the Urban Jungle reveals the opposite is true.No Place To Go is a toilet tour from London to San Francisco to Toronto and beyond. From pay potties to deserted alleyways, No Place To Go is a marriage of urbanism, social narrative, and pop culture that shows the ways -- momentous and mockable -- public bathrooms just don't work. Like, for the homeless, who, faced with no place to go sometimes literally take to the streets. (Ever heard of a municipal poop map?) For people with invisible disabilities, such as Crohn's disease, who stay home rather than risk soiling themselves on public transit routes. For girls who quit sports teams because they don't want to run to the edge of the pitch to pee. Celebrities like Lady Gaga and Bruce Springsteen have protested bathroom bills that will stomp on the rights of transpeople. And where was Hillary Clinton after she arrived back to the stage late after the first commercial break of the live-televised Democratic leadership debate in December 2015? Stuck in a queue for the women's bathroom. Peel back the layers on public bathrooms and it's clear many more people want for good access than have it. Public bathroom access is about cities, society, design, movement, and equity. The real question is: Why are public toilets so crappy?

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    She's just discovered she's pregnant, her fiancé abruptly dumps her when she tells him, and her new car refuses to start as a brutal snowstorm hits Toronto.Good Samaritan Tyler Hammond offers to take her home; however, with the heavy snow falling and his patience dwindling, Laney's gold medal day isn't over yet.Storms intensify both outside and in as Laney finds herself inexplicably attracted to this tall, dark and very handsome but infuriating stranger.Can Laney fight her unwanted yet increasing desire for this man long enough to get through the relentless storm? And will Tyler let her walk out of his life as easily as she came into it?

    But what were they like as people? Being Prime Minister takes you behind the scenes to tell the story of Canada’s leaders and the job they do as it has never been told before.From John A. Macdonald to Justin Trudeau, readers get a glimpse of the prime ministers as they travelled, dealt with invasions of privacy, met with celebrities, and managed the stress of the nation’s top job. Humorous and hard working, vain and vulnerable, Canada leaders are revealed as they truly were.

    Eric Kostiuk Williams returns with a new, full-color short story collection that will replenish your crops, singe your eyebrows, and lightly tickle the back of your knees.

    G. Waldron examines the legacy of environmental racism and its health impacts in Indigenous and Black communities in Canada, using Nova Scotia as a case study, and the grassroots resistance activities by Indigenous and Black communities against the pollution and poisoning of their communities.Using settler colonialism as the overarching theory, Waldron unpacks how environmental racism operates as a mechanism of erasure enabled by the intersecting dynamics of white supremacy, power, state-sanctioned racial violence, neoliberalism and racial capitalism in white settler societies. By and large, the environmental justice narrative in Nova Scotia fails to make race explicit, obscuring it within discussions on class, and this type of strategic inadvertence mutes the specificity of Mi'kmaq and African Nova Scotian experiences with racism and environmental hazards in Nova Scotia. By redefining the parameters of critique around the environmental justice narrative and movement in Nova Scotia and Canada, Waldron opens a space for a more critical dialogue on how environmental racism manifests itself within this intersectional context.Waldron also illustrates the ways in which the effects of environmental racism are compounded by other forms of oppression to further dehumanize and harm communities already dealing with pre-existing vulnerabilities, such as long-standing social and economic inequality. Finally, Waldron documents the long history of struggle, resistance, and mobilizing in Indigenous and Black communities to address environmental racism.

    Sometimes tragedy is our teacher. Skeletons in My Closet is an unorthodox police memoir taking readers on a ride-along like no other, revealing poignant truths about life and death, and how we can all work and live together. Danger and grit pair with humour and compassion in this gripping, fresh read. Dave Sweet, a conservative, veteran homicide detective has teamed up with Sarah Graham, a liberal, optimistic author to write this unconventional universal life-lessons book.

    border! Follow along to learn tons of fun facts about the outrageous oddities and kooky charisma of the Land of Plenty: Canada!Calling all Canadians and Canada-philes: Get ready to be amazed and delighted by wacky facts, stats, tidbits, and trivia, eh? Did you know that the Royal Mint once created a coin weighing more than 90 kg and valued at over $1 million dollars? Or that Canada was the first country to build a UFO landing pad? Maybe you'd be amazed to discover that Montreal is the second largest French-speaking city in the world? It's all weird--and it's all true...Canada style! In this latest and greatest edition of Weird But True, you'll read all about the wacky wilds, bizarre bites, and strange scenes of Canada!

    The perpetrators were members of the Front de lib�ration du Qu�bec, dedicated to establishing a sovereign and socialist Quebec. Half a century on, we should have reached some clear understanding of what led to the October Crisis. Instead, too much attention has been paid to the Crisis and not enough to the years preceding it.Most of those who have written about the FLQ have been ardent nationalists, committed sovereigntists or former terrorists. They tell us that the authorities should have negotiated with the kidnappers and contend that Jean Drapeau's administration and the governments of Robert Bourassa and Pierre Trudeau created the October Crisis by invoking the War Measures Act. Using new research and interviews, D'Arcy Jenish tells for the first time the complete story--starting from the spring of 1963. This gripping narrative by a veteran journalist and master storyteller will change forever the way we view this dark chapter in Canadian history.

    

    While Europe braces for the inevitable advancement of the Nazi war machine, Hitler turns his hate-filled agenda on his own people, specifically the portion of the German population least able to defend itself—the mentally and physically disabled. Aktion T4 is enacted to disinfect mainstream Germany of this undesirable portion of its population by creating killing centres both in Germany and the surrounding annexed countries, most notably, at Hartheim Castle in Alkoven, Austria. Here the Nazis, headed by Karl Brandt and Phillip Bouhler, perfect their art of mass murder, using fake shower rooms as gas chambers nearly two full years before they are ever used in a death camp. Felix Schmidt is a Jewish former medical doctor who was stripped of his station and rights by the Nuremberg Race Laws of 1935. Since that time, Felix and his wife, Claudia, have struggled to raise their family amid the growing popularity of Aryan supremacy, a challenge further complicated by their realization that their youngest son, David, has cerebral palsy. Now, Felix must not only deal with the brutal racism that is inflicted upon him, but he must also hide David from view, lest he be swallowed up by the Aktion T4 machinery. When an unthinkable betrayal finds Felix alone and desperate, he must race against time to find, and save, David from the inevitable end that has claimed so many abandoned souls.

    Author Joanna Streetly arrived on the west coast of Vancouver Island when she was nineteen, and soon adapted to a kind of life only a few Canadians can imagine: working on boats of all sorts, guiding multi-day wilderness kayak trips along the BC coast, and coping with remote living situations often without electricity or running water. From a near-death experience while swimming at night to an enigmatic encounter with a cougar, these stories capture the isolation of living on the continental edge contrasted with the beachcomber’s delight and a sense of belonging among the ocean and the shore. Streetly's vivid storytelling evokes a sincere respect for nature, both its fragility and its power.Full of unflinching self-examination, unwavering attention to detail, and a fidelity to the landscape of Vancouver Island's outer coast, these stories paint a rich portrait not only of a remote wilderness lifestyle but also of a woman learning to cope with the unexpected pleasures and dangers of the wild life.

    Colourizing these images brings a new focus to our understanding and appreciation of the role Canada played during the First World War. It makes the soldier in the muddy trench, the nurse in the field hospital, and those who waited for them at home come to life. Immediately, their expressions, mannerisms, and feelings are familiar. They become real. They Fought in Colour is a new look at Canada’s experience during the Great War. A more accessible look. A more contemporary look.

    Yet their music and an ancient cello connect them to each other and to a man doomed to die in 1746 after the Battle of Culloden.Katharine passion is her music, but she is lost for words to complete it in 1745 Scotland.Adeena is a rebellious teenage musician in 2003. While Katharine must decide which brother she supports in the uprising against England, Adeena and her psychic grandmother glimpse the past calling out to the present.If you like time travel and historical fiction (with some fantasy and romance,) you have found what you’re looking for here.The Prequel also includes Chapter 1 of the of the Song for A Lost Kingdom series. Adeena receives an untitled musical score from her dying grandmother in Scotland. When the score is played on the oldest surviving cello ever made in the UK, the music connects her to the past as Katharine, struggling to find words to complete her symphonic tour-de-force in the midst of the Scottish uprising against Union with England. https://dl.bookfunnel.com/5mcpwxa6p0But Adeena is not a scientist or historian. What she wants more than anything is to compose music and to join the National Arts Centre Orchestra in Ottawa. Just as she is about to realize her wish, she’s lifted away, out of her control, and immersed in her ancient family history. As she is buffeted back and forth between the worlds, she grows to want more of the past, even though the promise of her most yearned for dreams are coming true. And so begins a journey of discovery between two women who share the same musical soul and love for the same man.

    Starting in 2013, journalist Sarah Cox travelled to the Peace River Valley to talk to locals about the Site C dam and BC Hydro’s claim that the clean energy project was urgently needed. She found farmers, First Nations, and scientists caught up in a modern-day David-and-Goliath battle to save the valley, their farms, and traditional lands from wholesale destruction. Told in frank and moving prose, their stories stand as a much-needed cautionary tale at a time when concerns about global warming have helped justify a renaissance of environmentally irresponsible hydro megaprojects around the world.

    What they discovered was the rich buried history of an enclave that was part of The Ward -- that dense, poor, but vibrant 'arrival city' that took shape between the 1840s and the 1950s. Home to waves of immigrants and refugees -- Irish, African-Americans, Italians, eastern European Jews, and Chinese -- The Ward was stigmatized for decades by Toronto's politicians and residents, and eventually razed to make way for New City Hall. The archaeologists who excavated the lot, led by co-editor Holly Martelle, discovered almost half a million artifacts -- a spectacular collection of household items, tools, toys, shoes, musical instruments, bottles, industrial objects, food scraps, luxury items, and even a pre-contact Indigenous projectile point. Martelle's team also unearthed the foundations of a nineteenth-century Black church, a Russian synagogue, early-twentieth-century factories, cisterns, privies, wooden drains, and even row houses built by formerly enslaved African Americans.Following on the heels of the immensely popular The Ward: The Life and Loss of Toronto's First Immigrant Neighbourhood, which told the stories of some of the people who lived there, The Ward Uncovered digs up the tales of things, using these well-preserved artifacts to tell a different set of stories about life in this long-forgotten and much-maligned neighbourhood.

    He is distinguished from everyone else by a full head of red hair. And to single him out further, Jake has a pronounced speech impediment. Scorned, abused physically and mentally by his father for his stuttering tongue and especially for his questionable parentage, Jake endures. Then still a boy, Jake is found alone in a punt upon an empty sea, on the fishing grounds without his father, whose fate is suspect.Jake lies about his age and secures a berth aboard the SS Stephano, captained by the famous Old Man of the seal hunt, where he witnesses the SS Newfoundland disaster of 1914. On the ice, Jake comes face to face with one of the Newfoundland’s sealers known as the Culler. He is a mirror image of Jake—complete with red hair. With the other sealers, the Culler is ordered to leave the Stephano despite the brewing storm. Jake doesn’t know if he survived the ensuing disaster or was among the many victims.Returning from the seal hunt with fewer dollars than he expected, Jake learns that evidence has been hauled from the sea which could incriminate him in his father’s death. Again he lies about his age, this time to earn real money by fighting overseas in the First World War. In the diseased filth and terror of a Gallipoli trench, he learns that sometimes a salary can come the hard way. Thoughts of a girl back home keep him motivated to push on through the horrors of war.On returning home, Jake learns the Culler had not only survived the Newfoundland disaster but is now living on his island, where the two are destined to meet again in a dramatic conclusion.

    Since 1786, when John Molson founded his first brewery in Montreal, it has become synonymous with beer, hockey, and philanthropy. Few realize, however, how close the family came in recent years to losing control of the enterprise. Back to Beer...and Hockey offers intimate details of the life and work of Eric Molson, who not only saved the company, but positioned it to thrive as a global brewery into the twenty-first century. With unprecedented access to the Molson family, Helen Antoniou traces Eric Molson's evolution from a young brewmaster captivated by the chemistry of beer-making to chairman of Molson. Quiet by nature, he had to confront big egos, navigate complex boardroom politics, and even battle a disruptive cousin who tried to push him out of the way. Antoniou's carefully researched account details how the introverted Eric overcame his aversion to conflict to take the company from a failing conglomerate back to its core business of beer, eventually turning it into one of the world's leading brewers. Today, he has passed the torch to his sons, the seventh generation, but his steadfast vision prevails. An absorbing account of one man's struggle at the helm of an international brewing giant, Back to Beer...and Hockey shows how Eric Molson's guiding principles influenced the future of Molson – both the enterprise and the family.

    The Creator's Game focuses on the history of lacrosse in Indigenous communities from the 1860s to the 1990s, exploring Indigenous-non-Indigenous relations and Indigenous identity formation. While the game was being appropriated in the process of constructing a new identity for the nation-state of Canada, it was also being used by Indigenous peoples to resist residential school experiences, initiate pan-Indigenous political mobilization, and articulate Indigenous sovereignty. This engaging and innovative book provides a unique view of Indigenous self-determination and nationhood in the face of settler-colonialism.

    She loves her gigantic new house, especially her room. But then she begins to meet the house's other residents. Mrs. Murray was murdered in Mary's new house. At first she tries to scare the new residents away, but there seems to be a force connecting the ghost to Mary. Even the stranded Brownies, the little people who live between the walls, feel that connection. When Mary becomes deathly ill, the Brownies and the ghost team up to try to rescue her, only to encounter a witch and her evil minions. Time is running out. They must rescue Mary from a fever-induced dream world before she is trapped there forever.

    Rachel, an avid traveller, had one wish: to keep exploring the world.So, for twenty-six months Livingston travels — untethered and alone — to Italy, Spain, Switzerland, Australia, India, England, Ireland and North America, coast to coast. In her suitcase: Rachel’s ashes, heavy but compact. As she gradually merges her daughter’s remains with the elements, Livingston learns how to forge a new sense of belonging in an unfamiliar world.Is it reckless for a fifty-three-year-old mother to quit her job and set off overseas with no agenda or timeline? Is such a journey squandering a life, or saving it?THE SUITCASE AND THE JAR is a profoundly moving story of a mother’s courage and resilience. It explores an intensely personal yet universal experience: how one finds the strength to reconfigure a new life by necessity. A poignant memoir, THE SUITCASE AND THE JAR is the story of a mother’s transformative journey of surrender and belonging.

    In the last forty years, however, the labour market has fundamentally changed. Good, full-time jobs have been replaced by part-time or temporary work that pays lower wages, offers fewer benefits and rarely comes with union support. Economic insecurity is now a feature of the lives for large numbers of people. Even advanced degrees do not guarantee young workers stable, well-paying jobs.This new situation has given new life to an old idea -- basic income. This book explores this idea from a Canadian perspective. Basic income was tested in Manitoba in the 1970s. This and other experiments with basic income have shown that it improves family and community health and well-being, leads to a healthier attachment to the labour market, improves financial resilience and encourages education and training.Author Evelyn L. Forget discusses how Canada would set a basic income, what it would accomplish, how it could be implemented, whether Canadians can afford it and how it would fit into the overall social policy landscape.

    The town’s well-to-do doctors, merchants, and lawyers try to impress her, but it’s the humble log driver—with his style, grace, and joie de vivre—who captures her attention. When she and the log driver finally meet on the dance floor, their joy leaps off the page. With homages to the original film, and celebrating the flora, fauna, and folk art of this great land, The Log Driver’s Waltz brings a hallmark of Canadian childhood to life.

    Focusing on five major urban centres, Winnipeg, Saskatoon, Regina, Edmonton, and Calgary, Prairie Fairies explores the regional experiences and activism of queer men and women by looking at the community centres, newsletters, magazines, and organizations that they created from 1930 to 1985.　Challenging the preconceived narratives of queer history, Valerie J. Korinek argues that the LGBTTQ community has a long history in the prairie west, and that its history, previously marginalized or omitted, deserves attention. Korinek pays tribute to the prairie activists and actors who were responsible for creating spaces for socializing, politicizing, and organizing this community, both in cities and rural areas. Far from the stereotype of the isolated, insular Canadian prairies of small towns and farming communities populated by faithful farm families, Prairie Fairies historicizes the transformation of prairie cities, and ultimately the region itself, into a predominantly urban and diverse place.

    Her mother is a tanning-salon manager who believes she can channel her karaoke habit into a professional singing career. Jolene's dad, a failed bass player, has gone back to the family demolition business and lives by the company motto: "We do not build things; we only tear them down." But Jolene and her big brother, Matt, are true musicians, writing songs together that make everything Jo hates about their lives matter less.When Matt up and leaves in the middle of the night, Jo loses her only friend, her support system and the one person who made her feel cool. As it becomes clear that Matt is never coming back, Jo must use music to navigate her loss.

    Gabriella Falcone is a peasant girl who works for Don Simone, the parish priest. She is forced to flee her hamlet of Camini in Calabria in 1862 after stabbing Alfonso Fantin, a wealthy landowner who sexually assaulted her. Devastated to leave her fianc� Tonino, and knowing her fate will be life imprisonment at best if apprehended, she allows the priest to lead her through the harsh Aspromonte mountain range to seek refuge in an isolated monastery. They soon discover that Fantin has survived and is employing the forces of law to pursue Gabriella and bring her to justice. Gabriella and Don Simone continue their journey to seek yet another safe haven but soon fall into the hands of brigands. Gabriella is catapulted into a world she has only ever heard about in nervous whispers, a world where right and wrong, justice and vengeance take on new meanings, and where the boundaries between good and evil are blurred. Gabriella is drawn into the role of brigantessa and discovers that the convictions she once held dear no longer have a place in this wild, unlawful territory.

    

    At 34, Heather Gauthier lost everything but her sense of humor. Stripped of her home, job, hair and divorcing during chemotherapy; she meets a pilgrim who pulls her out of darkness with the gift of a stone. For years, the stone continues to reappear until she heeds its call and vows to walk the 800 km trail of the Compostela de Santiago, in search of balance for her body mind and soul. Without a map or a compass to guide her, she endures countless misadventures including dinner with her pseudo ex-husband, haunting dreams, and a plane collision with a flock of Canadian Geese. Despite each disaster that occurs, valuable lessons about life are inadvertently learned; while deep spiritual experiences motivate her to continue walking. Step by step, she begins to heal her past with a gritty sense of humor, moving steadily towards Santiago with only the humble purpose of gratitude for the divine forces that have spared her life.

    With Mark Colgate’s FAME model―standing for Framework, Accountability, Moments, and Endurance―companies and organizations will be able to differentiate themselves, and create a unique approach that will communicate their service brand to their customers in a compelling, clear, and memorable manner.Colgate’s model demands effort, innovation, practice, and endurance, but it will also empower readers to distinguish their businesses among competitors, win over customers even when they’re proving difficult, and help companies achieve service fame. Backed by case studies and scientific research, this book will help readers to understand the science, tools, and frameworks needed to create their own consistently high-calibre customer service for their organizations, boosting annual returns as a result.

    Jon Lien is a risk-taker and respected researcher, working for over twenty years in the dangerous waters off Newfoundland to rescue massive humpback whales and save the fishing gear in which they’re trapped. With his head down in freezing waters and armed only with a snorkel and knife, Lien saves the lives of over five hundred animals and earns the hard-won respect of Newfoundland’s fishermen. But his toughest battle comes at the end, as his body is slowly conquered by a relentlessly progressing paralysis and dementia.Between Breaths moves backward in time, from Lien’s final moments to his very first whale intervention. As his life becomes further and further confined, his mind stretches back in memories of release and salvation. Based on a true story, Robert Chafe crafts a raw portrayal Newfoundland’s “Whale Man” in this beautiful and poignant play about the parts of ourselves we hold on to after everything else has gone.

    She sings alone in their desultory kitchen; he sneaks out of the house to sing for spare change in front of city bars and nightclubs, his vast repertoire learned from his mother's lyrical midnight music. His six older brothers run wild, and the sensitive and musically gifted Frederick and his struggling mother are very sure he is not like them at all.In mid-life, Frederick is deliverer of Canada Post mail; teacher of Voice; keeper of even bigger secrets; caretaker of his demented mother; lousy with dates. Still, it appears that everything is more or less satisfactory and under control...until it becomes obvious that he can't get away from his past after all. The Madrigal explores the experience of solitude, the deep longing for elusive connection, the meaning of extraordinary talent, and the role of memories--either involuntarily forgotten or intentionally suppressed--throughout our lives. As each week Frederick steadfastly visits his mother in her nursing home, he brings a unique twist to a timeless journey of self-forgiveness.

    These masterfully crafted poems challenge perpetuating colonial and class relations, as well as the hedonistic lifestyle attributed to the employees of these floating resorts. Kayla Geitzler's debut collection interprets isolation, alienation, racism and assimilation into the margins as inevitable consequences for the seafaring workforce of the most profitable sector of the tourism industry.Exploring the liminal space between labour and leisure, the poems in That Light Feeling Under Your Feet are at once buoyant and weighty, with language that cuts like a keel through the sea.

    When an artefact from the Titanic is stolen before her town’s 150th anniversary celebration, it’s up to Lois Stone to catch the thief. Middle-aged widow Lois has moved from bustling Toronto to tranquil Fenwater and is settling into her new life away from the dangers of the city. Then two events happen that shatter her serenity: her house is burgled and an antique watch belonging to a Titanic survivor is stolen from the local museum. Her best friend, Marge, was responsible for the watch’s safekeeping until its official presentation to the museum at the town’s 150th anniversary party, and its disappearance will jeopardise her job and the museum’s future. Lois won’t let her friend take the blame and the consequences for the theft. She’s determined to find the watch in time to save her best friend’s job, the museum’s future and the town’s 150th anniversary celebration. And so begins a week of new friends, apple and cinnamon muffins, calico cats, midnight intruders, shadowy caprine companions and more than one person with a reason to steal the watch, set against the backdrop of century houses on leafy residential streets, the swirling melodies of bagpipes, a shimmering heat haze and the burble of cool water. A tale for fans of Cindy Bell, Leighann Dobbs, Dianne Harman and Kathi Daley.

    But the bright lights of the big city beckon to everyone, even our mysterious furry friend! Sharpen your search and find skills by locating him at his favorite metropolis. It won't be easy. BigFoot is visiting ten major cosmopolitan destinations, from the Big Apple and London to Paris, Athens, Tokyo, Toronto, and more. This handsome hardcover book presents each urban oasis as an immense two-page visual puzzle, full of teeming people and creatures. Your task is not only to find BigFoot and his legendary footprint, but also more than 500 other unusual and sometimes unexpected personalities and objects. Fun facts and pictures accompany each scene to help you learn more about the world's most popular cities.

    Through a combination of prolonged stays at artist residencies and short side-trips, they experienced six circumpolar countries: Greenland, Iceland, Norway, Sweden, Finland and Russia. This book contains Alison's original postcards, which she created daily, exploring not only the "Idea of North," but also illustrating, both through sketches and words, how her family dealt with the uniquely northern issues that they encountered in their circumpolar adventure. Alison's astute and often hilarious insights give an intimate glance into the trials and tribulations of travelling, parenting, working and living in the north. McCreesh's previous book Ramshackle won the NorthWords Best Book Award. (From Conundrum Press)

     Whether worrying about the end of the world coming "Any day now", his budding love affair with shrubbery or building bunkers before leaving school to become a full time Minister at 16 you'll find something to cringe about. He also talks about nearly losing and then actually losing his sister to the cult before discovering her all over again, Neil takes you on a funny and awkward jouney with a pretty happy ending! Neil's first book on the subject of the Jehovah's Witnesses "How To Leave A Cult" is available on Amazon and has sold literally dozens of copies.

    Since Watergate, press gallery coverage has become more confrontational — a fact, Lewis argues, that fails Canadian democracy.

    The poems feature four voices: an oil sands developer (in public and in private), his plant mechanic, an archeologist excavating the remains of the operation years later, and a mythical swan. David Martin's debut collection is comprised of expansive and richly written poems, built on a lore-laden language, which explore the human and environmental cost of drawing too much from the land. As the three humans come into contact with the otherworldly swan, the voices bubble and churn together, and what is distilled is the human psychological breakdown paralleling the violence done to the earth.

    Her achievement sparked critical discussion around contemporary art as well as the absence, and growing presence, of Inuit art: an important conversation that continues to this day.The life and death of Annie Pootoogook is a story of national significance. The complex narratives weaving through her short life speak to possibility and heartbreak, truth and reconciliation, the richness of community, and the depths of tragedy. These complexities are recorded in her arresting pencil crayon compositions. Her frank, sometimes challenging, sometimes amusing images of everyday life, acutely observed and marked by a linear control as taut as a wire, declare her as a major contributor to the landscape of contemporary Inuit art.Annie Pootoogook: Cutting Ice accompanies an exhibition organized by the McMichael Canadian Art Collection, the gallery of record for works on paper from Annie Pootoogook's Inuit community of Kinngait (Cape Dorset). Under the direction of Nancy Campbell, this publication and the exhibition serve to commemorate the life and work of a remarkable artist a year after her tragically early death.

    What's it like working with a homicide detective? Sarah will tell you. What were some of the obstacles of writing real life? Read on. How did the unlikely duo team up? It involved years of fiction writing.Skeletons in my Closet is Dave's distilled wisdom from a distinguished career that has taken him from the Drug Unit to Organized Crime to Homicide and now he's sharing his hard-earned life lessons with those on the other side of the crime scene tape. Behind the Scenes takes you there.

    Filled with pictures, graphics, and advice from Frankie himself, this book has everything you need to Be Prepared!

    Walker, an ex-RCMP financial-crimes specialist, has out-fought warring bikers and put Mafia dons behind bars. Now he’s forced to work with Carole Lisgar, a high-powered political operator he once arrested for corruption. As more bodies drop and the stakes ramp up, Walker uncovers a conspiracy that stretches from Parliament Hill in Ottawa to a beach-front estate outside New York City and the devastated villages of earthquake-shattered Haiti. Fans of Robert B Parker’s Spenser and Robert Crais’s Elvis Cole won’t want to miss this riveting tale of high finance, low morals and international secrets.-Bill Prentice is a crime fiction author and freelance writer specializing in international trade and investment marketing, economic development and public-private sector partnerships.Why Was Rachel Murdered? featuring former RCMP financial crimes investigator Neil Walker was released in 2018.Afghan Silk, a thriller set in the global medical marijuana industry, was shortlisted by the Crime Writers of Canada for the Arthur Ellis Unhanged Arthur Award as one of the best unpublished crime novels of 2015.Bill lives in Toronto, Canada.

    Readers already know Gray as an award-winning biographer, a writer who has brilliantly captured significant individuals and dramatic moments in our history. Now, in The Promise of Canada, she weaves together masterful portraits of nine influential Canadians, creating a unique history of our country. What do these people—from George-Étienne Cartier and Emily Carr to Tommy Douglas, Margaret Atwood, and Elijah Harper—have in common? Each, according to Charlotte Gray, has left an indelible mark on Canada. Deliberately avoiding a top-down approach to history, Gray has chosen Canadians—some well-known, others less so—whose ideas, she argues, have become part of our collective conversation about who we are as a people. She also highlights many other Canadians from all walks of life who have added to the ongoing debate, showing how our country has reinvented itself in every generation since Confederation, while at the same time holding to certain central beliefs. Beautifully illustrated with evocative black-and-white historical images and colorful artistic visions, and written in an engaging style, The Promise of Canada is a fresh, thoughtful, and inspiring view of our historical journey. Opening doors into our past, present, and future with this masterful work, Charlotte Gray makes Canada’s history come alive and challenges us to envision the country we want to live in.