Contents: 1 • In a Season of Calm Weather • (1957) • short story by Ray Bradbury 7 • A Medicine for Melancholy • (1959) • short story by Ray Bradbury 16 • The Wonderful Ice Cream Suit • non-genre • (1958) • short story by Ray Bradbury 39 • Fever Dream • (1948) • short story by Ray Bradbury 46 • The Marriage Mender • (1954) • short story by Ray Bradbury 51 • The Town Where No One Got Off • (1958) • short story by Ray Bradbury 59 • A Scent of Sarsaparilla • (1953) • short story by Ray Bradbury 66 • The Headpiece • (1958) • short story by Ray Bradbury 74 • The First Night of Lent • [The Irish Stories] • (1956) • short story by Ray Bradbury 81 • The Time of Going Away • (1956) • short story by Ray Bradbury 88 • All Summer in a Day • (1954) • short story by Ray Bradbury 94 • The Gift • (1952) • short story by Ray Bradbury 97 • The Great Collision of Monday Last • [The Irish Stories] • (1958) • short story by Ray Bradbury 104 • The Little Mice • (1955) • short story by Ray Bradbury 109 • The Shore Line at Sunset • (1959) • short story by Ray Bradbury (variant of The Shoreline at Sunset) 118 • The Day It Rained Forever • (1957) • short story by Ray Bradbury 129 • Chrysalis • (1946) • short story by Ray Bradbury 150 • Pillar of Fire • (1948) • novelette by Ray Bradbury 188 • Zero Hour • (1947) • short story by Ray Bradbury 198 • The Man • (1949) • short story by Ray Bradbury 210 • Time in Thy Flight • (1953) • short story by Ray Bradbury 215 • The Pedestrian • (1951) • short story by Ray Bradbury 220 • Hail and Farewell • (1953) • short story by Ray Bradbury 228 • Invisible Boy • (1945) • short story by Ray Bradbury 237 • Come Into My Cellar • (1962) • short story by Ray Bradbury (variant of Boys! Raise Giant Mushrooms in Your Cellar!) 254 • The Million-Year Picnic • [The Martian Chronicles] • (1946) • short story by Ray Bradbury (variant of The Million Year Picnic) 264 • The Screaming Woman • [Green Town] • (1951) • short story by Ray Bradbury 278 • The Smile • (1952) • short story by Ray Bradbury 284 • Dark They Were, and Golden-Eyed • (1949) • short story by Ray Bradbury 299 • The Trolley • [Dandelion Wine] • (1955) • short story by Ray Bradbury 303 • Icarus Montgolfier Wright • (1956) • short story by Ray Bradbury

    

    Get to Dexter, retrieve an external hard drive, and deliver it to the people who hired her. But there’s a vampire on her tail that wants nothing more than to suck her dry and steal her prize away from her before she can her hands on it. When she roars into Niko Garcia’s garage, she discovers more than the tracker who’s been hired to help her. She finds a wolf shifter—one who claims she’s his mate. Now she has to decide if she’s ready for the kind of forever life as a shifter’s mate entails.

    A remarkable anthology uniting twenty of today's leading thinkers, writers, and visionaries, among them Cory Doctorow, Gregory Benford, Elizabeth Bear, Bruce Sterling, and Neal Stephenson, to contribute works of "techno-optimism" that challenge us to dream boldly and do Big Stuff. Engaging, mind-bending, provocative, and imaginative, Hieroglyph offers a forward-thinking approach to the intersection of art and technology that has the power to change our world.Contents: Foreword (Hieroglyph: Stories and Visions for a Better Future) • essay by Lawrence M. Krauss Preface: Innovation Starvation (Hieroglyph: Stories and Visions for a Better Future) • essay by Neal Stephenson Introduction: A Blueprint for Better Dreams • essay by Kathryn Cramer and Ed Finn Atmosphaera Incognita (2013) / novelette by Neal Stephenson Girl in Wave: Wave in Girl (2014) / novelette by Kathleen Ann Goonan By the Time We Get to Arizona (2014) / novelette by Madeline Ashby The Man Who Sold the Moon (2014) / novella by Cory Doctorow Johnny Appledrone vs. the FAA (2014) / novelette by Lee Konstantinou Degrees of Freedom (2014) / novelette by Karl Schroeder Two Scenarios for the Future of Solar Energy (2014) / short story by Annalee Newitz A Hotel in Antarctica (2014) / novelette by Geoffrey A. Landis Periapsis (2014) / novelette by James L. Cambias The Man Who Sold the Stars (2013) / novelette by Gregory Benford Entanglement (2014) / novella by Vandana Singh Elephant Angels (2014) / novelette by Brenda Cooper Covenant (2014) / short story by Elizabeth Bear Quantum Telepathy (2014) / novelette by Rudy Rucker Transition Generation (2014) / short story by David Brin The Day It All Ended (2014) / short story by Charlie Jane Anders Tall Tower (2014) / novelette by Bruce Sterling Science and Science Fiction: An Interview with Paul Davies • interview of Paul Davies (1946-) • interview by uncredited.

    

    Martin Searching for his stolen past in the Dying Earth. He calls himself Farouche, after a character from legend, but his reality is that his memories and identity were stolen from him by a secret enemy.In a far-future world of wizards and walled cities, he finds himself trailing a wealthy merchant's caravan across a dusty plain. Possessed of a soldier's skills, he hires on with the merchant and begins to build a life. But his efforts to discover his past reveal a dark prospect: was he a participant in a notorious massacre of innocents?Will Farouche come to know the truth? Will he survive the journey across a lawless land to the remote city of Olliphract, ruled by half-mad thaumaturges? And when he finally lays bare the plot in which he has been ensnared, will it be too late?Matthew Hughes delivers another dark fantastical adventure set in a decadent Dying Earth, where men and half-men and even the gods themselves contend for earthly power and unearthly prizes.A God in Chains is a Dying Earth adventure of men, half-men, and gods and is the latest Matthew Hughes' Archonate series novel."Hughes's boldness is admirable" -- New York Review of Science Fiction About the Author: Matthew Hughes writes fantasy and space opera, often in a Jack Vance mode.  Booklist has called him Vance's "heir apparent."His short fiction has appeared in Asimov's, F&SF, Postscripts, Lightspeed, and Interzone, and invitation-only anthologies including Songs of the Dying Earth, Rogues, Old Mars, Old Venus, The Book of Swords, and The Book of Magic, all edited by George R. R. Martin and/or Gardner Dozois.He has won the Arthur Ellis Award, and has been shortlisted for the Philip K. Dick, Aurora, Nebula, Endeavour (twice), A.E. Van Vogt, and Derringer Awards.He spent more than thirty years as one of Canada's leading speechwriters for political leaders and corporate executives.  Since 2007, he has been traveling the world as an itinerant housesitter, has lived in twelve countries, and has no fixed address. Praise: "Hughes's boldness is admirable" - New York Review of Science Fiction "Hughes effortlessly renders fantastic worlds and beings believable" - Publishers Weekly "Heir apparent to Jack Vance" - Booklist "Criminally underrated" - George R.R. Martin ***

    Lenz is a dispassionate account on the nervous system of a schizophrenic, perhaps the first third-person text ever written from the “inside” of insanity. At his death at the age of 23 in 1837, Georg Büchner also left behind Leonce and Lena, Woyzeck, and Danton’s Death—psychologically and politically acute plays well ahead of their time.Richard Sieburth’s translations include Hölderlin’s Hymns and Fragments, Walter Benjamin’s Moscow Diary, Gérard de Nerval’s Selected Writings and Henri Michaux’s Emergences/Resurgences. His English edition of the Nerval writings won the 2000 PEN Book-of-the-Month-Club Translation Prize.

    LeelynGrandpa Smith's pumpkin farm has always held great memories.And now it's mine and my sister's to take run and hopefully bring to the 21st Century.When the neighbor, Judson Renner, decides he's going to withhold water for our pumpkins, he's in for a fight.The scrawny boy from my youth has grown up--muscles and a cut jaw that I want to run my finger along, just to see if it cuts me.And when I get in his face about the issue, I find myself leaning in when he leans down.I can't be falling for the country boy next door, I've got too much on the line right now.JudsonI let Joe Smith use the small part of my family's land to have access to water the pumpkins.That business is long gone and I'm done with being the nice neighbor.Leelyn with her golden highlighted auburn hair, teal eyes, and pouty lips makes my boots start dancing when they should be stomping away.She might have other plans, but if she wants access to that water, she's going to have to come to my side of the fence...for dinner.I'm not that awkward boy from my youth. I'm a man.And I'm ready to show her that it's better to love than to fight...but it sure does make for some good country fun.

    Today she is considered a forerunner of the feminist authors of the 20th century. This powerful little story concerns a Southern gentleman who disowns his wife because he fears she has "negro" blood. The truth makes for a dramatic ending.

    Stories of Ourselves is a set text for the Cambridge Literature in English courses at IGCSE, O Level, AS and A Level. The anthology contains stories by writers from many different countries and cultures.

    A famous short story

    How can students with widely varied levels of literary experience learn to write poetry, fiction, creative nonfiction, and drama — over the course of only one semester? In Creative Writing: Four Genres in Brief, David Starkey offers some solutions to the challenges of teaching the introductory creative writing course: (1) concise, accessible instruction in literary basics; (2) short models of literature to analyze, admire and emulate; (3) inventive and imaginative assignments that inspire and motivate.

    My attention often drifts during readings, but Wolff’s voice has this melodious and steely combination that simultaneously coaxes and commands my focus.Among other things, Treisman and Wolff talk about the almost accidental nature of the emergence of the story. Johnson, Treisman says, “was just writing down some anecdotes and bar stories he’d told, and not necessarily constructing this as a masterwork of literature.” It was a bit of a surprise that one of the touchstones of the contemporary short story emerged. This seems appropriate when we talk about Denis Johnson, a writer whose stories seem so desperate, whose narrators exist so much in the margins, and yet who has become a writer comfortably in the accepted canon of modern literature.In a bit of ironic disclosure, I should tell you that Deborah is my boss in the fiction department. I tell you this because the podcast got me thinking about the nature of what we do, and how it coexists with what writers do. There’s a similar lack of intentionality, though it comes from different sources. We publish almost fifty stories a year, and like them all, and some of them we think are just completely awesome. But we go on to the next one, since that’s our job, and then some years go by and we look back and realize, wow, that one was a classic.Anyway, listen to the podcast.Read more: http://www.newyorker.com/online/blogs...

    Ironically, the first thing we read is Kingston's mother's warning Kingston, "You must not tell anyone . . . what I am about to tell you."

    Each book in the series has been designed with today's young reader in mind. As the words come to life, students will develop a lasting appreciation for great literature.The humor of Mark Twain...the suspense of Edgar Allan Poe...the danger of Jack London...the sensitivity of Katherine Mansfield. Creative Short Stories has it all and will prove to be a welcome addition to any library.