Bonilla-Silva documented how beneath the rhetorical maze of contemporary racial discourse lies a full-blown arsenal of arguments, phrases, and stories that whites use to account for and ultimately justify racial inequities.In the new edition Bonilla-Silva has added a chapter dealing with the future of racial stratification in America that goes beyond the white / black dichotomy. He argues that the U.S. is developing a more complex and apparently "plural" racial order that will mimic Latin American patterns of racial stratification. Another new chapter addresses a variety of questions from readers of the first edition. And he has updated the book throughout with new information, data, and references where appropriate. The book ends with a new Postscript, "What is to be Done (For Real?)". As in the highly acclaimed first edition, Bonilla-Silva continues to challenge color-blind thinking.

    They never arrived at their destination. The driver made a routine error, leading to a head-on collision.In the aftermath, rumours about speed and drink-driving erupted. There was intense scrutiny from the media and police. Lech used alcohol to numb his grief and social media to show stoicism, while secretly spiralling towards depression and disgrace.This is a riveting account of family, friendship, grief and love after tragedy. In a country where class and sport dominate, and car crashes compete with floods and pandemics for headlines, our connection with others is what propels us on. Heartbreaking and darkly hilarious, Car Crash is a story for our times.

    This diverse and powerful body of literature has established a specific practice of post-colonial writing in cultures as various as India, Australia, the West Indies and Canada, and has challenged both the traditional canon and dominant ideas of literature and culture.The Empire Writes Back was the first major theoretical account of a wide range of post-colonial texts and their relation to the larger issues of post-colonial culture, and remains one of the most significant works published in this field. The authors, three leading figures in post-colonial studies, open up debates about the interrelationships of post-colonial literatures, investigate the powerful forces acting on language in the post-colonial text, and show how these texts constitute a radical critique of Eurocentric notions of literature and language.This book is brilliant not only for its incisive analysis, but for its accessibility for readers new to the field. Now with an additional chapter and an updated bibliography, The Empire Writes Back is essential for contemporary post-colonial studies.

    He can buckle down and set about his agricultural recovery, or he can heed the whispers of an earthly paradise on the far side of the mountains – a place where men are truly free – and strike out for a new life. But what chance does a ditherer such as Sparrow have of renewal, either in the brutal colony or in the forbidding wilderness?The decision he makes triggers a harrowing chain of events and draws in a cast of extraordinary characters, including Alister Mackie, the chief constable on the river; his deputy, Thaddeus Cuff; the vicious hunter, Griffin Pinney; the Romany girl, Bea Faa; and the young Aboriginal men, Caleb and Moowut’tin, caught between war and peace.Rich, raw, strangely beautiful and utterly convincing, The Making of Martin Sparrow reveals Peter Cochrane – already one of our leading historians – as one of our most compelling novelists.

    Following two centuries of broken treaties and virtual government extermination of the "savage redmen," Americans today have recast Native Americans into another, equally stereotyped role, that of eternal victims, politically powerless and weakened by poverty and alcoholism, yet whose spiritual ties with the natural world form our last, best hope of salvaging our natural environment and ennobling our souls.The truth, however, is neither as grim , nor as blindly idealistic, as many would expect. The fact is that a virtual revolution is underway in Indian Country, an upheaval of epic proportions. For the first time in generations, Indians are shaping their own destinies, largely beyond the control of whites, reinventing Indian education and justice, exploiting the principle of tribal sovereignty in ways that empower tribal governments far beyond most American's imaginations. While new found power has enriched tribal life and prospects, and has made Native Americans fuller participants in the American dream, it has brought tribal governments into direct conflict with local economics and the federal government.Based on three years of research on the Native American reservations, and written without a hidden conservative bias or politically correct agenda, Killing the White Man's Indian takes on Native American politics and policies today in all their contradictory--and controversial-guises."

    The collection will include pre-published essays that have gone viral, like “The White Industrial Savior Complex,” first published in The Atlantic.

    Twenty years on, there is still no story from the horse's mouth of how it all came about. No autobiography. No memoir. Yet he is the supreme story-teller of politics.This book of revelations fills the gap. Kerry O'Brien, the consummate interviewer who knew all the players and lived the history, has spent many long hours with Keating, teasing out the stories, testing the memories and the assertions.What emerges is a treasure trove of anecdotes, insights, reflections and occasional admissions from one of the most loved and hated political leaders we have known-a man who either led or was the driving force through thirteen years of Labor government that changed the face of Australia.This is a man who as prime minister personally negotiated the sale of a quarter of the government-owned Qantas in his own office for $665 million, then delighted in watching the buyer's hand shake so much that champagne spilt down his shirtsleeve. He tells of his grave moment of doubt after making one of the riskiest calls of his political life, and how he used an acupuncturist and a television interviewer to seize the day.There are many stories of this kind. The revealing inside stories and even glimpses of insecurities that go with the wielding of power, from a man who had no fear collecting his share of enemies and ended up with more than enough, but whose parliamentary performances from 25 years ago are watched avidly on YouTube today by a generation that was either not yet born or in knee pants when he was at his peak.We'll never get an autobiography or a memoir from Keating. This is as good as it gets-funny, sweeping, angry, imaginative, mischievous, with arrogance, a glimmer of humility and more than a touch of creative madness. Keating unplugged.

    Uses rabbits, a species introduced to Australia, to represent an allegory of the arrival of Europeans in Australia and the widespread environmental destruction caused by man throughout the continent.

    In this book, he asks whether that desire is indeed limited to racists. Drawing upon the Australian experience, Hage draws conclusions that might also be applicable in France, the United States and Great Britain, each being examples of multicultural environment under the control of white culture. Hage argues that governments have promised white citizens that they would lose nothing under multiculturalism. However, migrant settlement has changed neighbourhoods, challenged white control, created new demands for non-whites, and led to white backlash. This book suggests that white racists and white mulitculturalists may share more assumptions than either group suspects.

    Mills demonstrates how this peculiar and unacknowledged "contract" has shaped a system of global European domination: how it brings into existence "whites" and "non-whites," full persons and sub-persons, how it influences white moral theory and moral psychology; and how this system is imposed on non-whites through ideological conditioning and violence.The Racial Contract argues that the society we live in is a continuing white supremacist state. Holding up a mirror to mainstream philosophy, this provocative book explains the evolving outline of the racial contract from the time of the New World conquest and subsequent colonialism to the written slavery contract, to the "separate but equal" system of segregation in the United States. According to Mills, the contract has provided the theoretical architecture justifying an entire history of European atrocity against non-whites, from David Hume's and Immanuel Kant's claims that blacks had inferior cognitive power, to the Holocaust, to the kind of imperialism in Asia that was demonstrated by the Vietnam War. Mills suggests that the ghettoization of philosophical work on race is no accident. This work challenges the assumption that mainstream theory is itself raceless. Just as feminist theory has revealed orthodox political philosophy's invisible white male bias, Mills's explication of the racial contract exposes its racial underpinnings.

    His methods are so at odds with conventional scientific wisdom that for 30 years he has been dismissed and ridiculed as a madman. He has faced bankruptcy and family break-up. But now, on the brink of ecological disaster, leading politicians, international scientists and businessmen are beating a path to his door as they grapple with how best to alleviate the affects of drought on the Australian landscape. Described as a man who reads and understands the Australian landscape better than most scientists, supporters of Peter Andrews claim he has done what no scientist ever thought to do — he has restored streams and wetlands to the way they were before European settlement interfered with them. The startling results of his natural sequence farming are said to have been achieved very cheaply, simply and quickly.

    Sitting in a New York park, an old man holds a book and tries to accept that his contribution to the future is over. Instead, he remembers a youthful yearning for open horizons, for Australia, a yearning he now knows inspired his life as a writer. Instinctively he picks up his pen and starts at the beginning...At twenty-one years, Robert Crofts leaves his broken dreams in Far North Queensland, finally stopping in Melbourne almost destitute. It's there he begins to understand how books and writing might be the saving of him. They will be how he leaves his mark on the world. He also begins to understand how many obstacles there will be to thwart his ambition.When Robert is introduced to Lena Soren, beautiful, rich and educated, his life takes a very different path. But in the intimacy of their connection lies an unknowability that both torments and tantalises as Robert and Lena long for something that neither can provide for the other.In a rich blend of thoughtful and beautifully observed writing, the lives of a husband and wife are laid bare in their passionate struggle to engage with their individual creativity.Alex Miller is magnificent in this most personal of all novels filled with rare wisdom and incisive observation.

    Through personal essays, criticism, interviews, testimonials, poetry, and visual art, the collection explores, as coeditor Cherríe Moraga writes, “the complex confluence of identities—race, class, gender, and sexuality—systemic to women of color oppression and liberation.”

    Hawke - Australia's 23rd and oldest living prime minister - has welcomed Derek Rielly into his home to share fine cigars and irreverent conversation. On a sun-soaked balcony, the maverick young writer and the charismatic old master talk life, death, love, sex, religion, politics, sport ... and everything in between.On other days, to paint his subject's enigma from the outside, Rielly interviews Hawke's Liberal MP rival John Howard, Labor allies Gareth Evans and Kim Beazley, wife and lover Blanche d'Alpuget, live-in stepson Louis Pratt, and friends - diplomat Richard Woolcott, economist Ross Garnaut, advertising guru John Singleton, and longtime mate Col Cunningham.The result is an extraordinary portrait of a beloved Australian - a strange, funny, uniquely personal study of Bob Hawke ruminating on his (and our) past, present and future.

    Lies My Teacher Told Me won the American Book Award and the Oliver Cromwell Cox Award for Distinguished Anti-Racist Scholarship.James W. Loewen, a sociology professor and distinguished critic of history education, puts 12 popular textbooks under the microscope-and what he discovers will surprise you. In his opinion, every one of these texts fails to make its subject interesting or memorable. Worse still is the proliferation of blind patriotism, mindless optimism and misinformation filling the pages.From the truth about Christopher Columbus to the harsh reality of the Vietnam War, Loewen picks apart the lies we've been told. This audiobook, narrated by Brian Keeler (The Hurricane, "All My Children") will forever change your view of the past.