Beginning amid the decadent glamour of China in the 1930s and ending in the 1980s in Hong Kong, this brilliant novel, which formed the basis for the award-winning movie, is the passionate story of an opera student who falls in love with his best friend, and the beautiful woman who comes between them.

    Ballou perfected the art of the judicious killer. His ability with his cherished Stephens target rifle is legendary, making a nearly miraculous shot that no one else – North or South – could accomplish. After the war, he disappears… Samuel Roark is a small-time rancher and part-time lawyer. One personal tragedy after another leaves Samuel gripped by periodic bouts of depression. When a hidden marksman of uncommon skill murders his son, the death leaves Samuel on the brink of total madness.Roark’s wife Sarah, a woman of strength, grace and startling beauty is now both emotionally and physically exhausted by the tragic circumstances that have beset her family. After discovering her husband’s quest for revenge, she does everything in her power to prevent what she fears will ultimately destroy him.Matthew Shaw is a known manhunter and soldier of fortune that people call on when they’re willing to pay someone else to deal with obstacles in their lives. When required, Shaw reluctantly uses his considerable marksmanship to achieve those ends. Now Shaw finds himself caught between a job he truly believes in, and a very good reason to walk away when he realizes he’s falling in love with Sarah, the wife of the man who hired him.

    In a country where patriarchal favoritism and the primacy of sons survived multiple revolutions and an ideological earthquake, this epic novel is first and foremost about women, with the female body serving as the book’s central metaphor. The protagonist, Mother, is born in 1900 and married at seventeen into the Shangguan family. She has nine children, only one of whom is a boy—the narrator of the book. A spoiled and ineffectual child, he stands in stark contrast to his eight strong and forceful female siblings.Mother, a survivor, is the quintessential strong woman who risks her life to save several of her children and grandchildren. The writing is picturesque, bawdy, shocking, and imaginative. The structure draws on the essentials of classical Chinese formalism and injects them with extraordinarily raw and surprising prose. Each of the seven chapters represents a different time period, from the end of the Qing dynasty up through the Japanese invasion in the 1930s, the civil war, the Cultural Revolution, and the post-Mao years. Now in a beautifully bound collectors edition, this stunning novel is Mo Yan’s searing vision of twentieth-century China.

    When he adopts her, naming her Aria, he has no idea how profoundly this fiery, blue-eyed orphan will shape his future.As she grows, Aria is torn between the three women fated to mother her: the wife of Behrouz, who beats her; the wealthy widow Fereshteh, who offers her refuge but cannot offer her love, and the impoverished Mehri, whose secrets will shatter everything Aria thought she knew about her life.Meanwhile, the winds of change are stirring in Tehran. Rumours are spreading of a passionate religious exile in Paris called Khomeini, who seems to offer a new future for the country. In the midst of this tumult, Aria falls in love with an Armenian boy caught on the wrong side of the revolution. And before long she will be swept up in an uprising which will change the destiny of the land - and its people - forever.

    While echoes of these stories can still be heard in the fictional works from both sides of the Taiwan Strait in the eighties and nineties, "The True Story of Ah Q" has long become an intrinsic part of the Chinese vocabulary.Like many Chinese intellectuals searching for a solution to China's problems, Lu Xun went to Japan to study medicine, a choice he later abandoned for a career in writing, which he considered to be a far more effective weapon to save China. A prolific author of pungent and "dagger-like" essays, Lu Xun is also a tireless translator of Western critical and literary works. His fictional works have been translated into more than twenty languages.

    It is a personal story that parallels the larger movement of a country from a hopeful, young democracy to troubled island society. It is also a mature, poetic novel which the British press has compared to the works of James Joyce, Graham Greene, V.S. Naipaul, and Anton Chekhov. With his collection of short stories Monkfish Moon—a New York Times Notable Book of 1993—Romesh Gunesekera quickly established himself as a leading literary voice. Reef earned universal praise from European critics and landed the young author on the short list for the 1994 Booker Prize, England's highest honor for fiction. Reef explores the entwined lives of Mr. Salgado, an aristocratic marine biologist and student of sea movements and the disappearing reef, and his houseboy, Triton, who learns to polish silver until it shines like molten sun; to mix a love cake with ten eggs, creamed butter, and fresh cadju nuts; to marinade tiger prawns; and to steam parrot fish. Through these characters and the forty years of political disintegration their country endures, Gunesekera tells the tragic, sometimes comic, story of a lost paradise and a young man coming to terms with his destiny.

    Orhan Pamuk was born in Istanbul and still lives in the family apartment building where his mother first held him in her arms. His portrait of his city is thus also a self-portrait, refracted by memory and the melancholy–or–hüzün–that all Istanbullus share: the sadness that comes of living amid the ruins of a lost empire. With cinematic fluidity, Pamuk moves from his glamorous, unhappy parents to the gorgeous, decrepit mansions overlooking the Bosphorus; from the dawning of his self-consciousness to the writers and painters–both Turkish and foreign–who would shape his consciousness of his city. Like Joyce’s Dublin and Borges’ Buenos Aires, Pamuk’s Istanbul is a triumphant encounter of place and sensibility, beautifully written and immensely moving.

    Despite being in a loving and sexually satisfying relationship, they are relentlessly hounded by the taunts and insinuations of the people around them. Ultimately, all their hopes and apprehensions come to converge on the chariot festival in the temple of the half-female god Ardhanareeswara and the revelry surrounding it. Everything hinges on the one night when rules are relaxed and consensual union between any man and woman is sanctioned. This night could end the couple’s suffering and humiliation. But it will also put their marriage to the ultimate test. Acutely observed, One Part Woman lays bare with unsparing clarity a relationship caught between the dictates of social convention and the tug of personal anxieties, vividly conjuring an intimate and unsettling portrait of marriage, love and sex.

    Her children are almost grown, the city is buzzing with excitement after recent elections. Change is in the air. But no one can foresee what will happen in the days and months that follow. For this is East Pakistan in 1971, a country on the brink of war. And this family's life is about to change forever. Set against the backdrop of the Bangladesh War of Independence, 'A Golden Age' is a story of passion and revolution, of hope, faith, and unexpected heroism. In the chaos of this era, everyone must make choices. And as she struggles to keep her family safe, Rehana will be forced to face a heartbreaking dilemma.

    Her home on the border with China gave her some exposure to the world beyond the confines of the Hermit Kingdom and, as the famine of the 1990s struck, she began to wonder, question and to realise that she had been brainwashed her entire life. Given the repression, poverty and starvation she witnessed surely her country could not be, as she had been told “the best on the planet”?Aged seventeen, she decided to escape North Korea. She could not have imagined that it would be twelve years before she was reunited with her family.She could not return, since rumours of her escape were spreading, and she and her family could incur the punishments of the government authorities – involving imprisonment, torture, and possible public execution. Hyeonseo instead remained in China and rapidly learned Chinese in an effort to adapt and survive. Twelve years and two lifetimes later, she would return to the North Korean border in a daring mission to spirit her mother and brother to South Korea, on one of the most arduous, costly and dangerous journeys imaginable.This is the unique story not only of Hyeonseo’s escape from the darkness into the light, but also of her coming of age, education and the resolve she found to rebuild her life – not once, but twice – first in China, then in South Korea. Strong, brave and eloquent, this memoir is a triumph of her remarkable spirit.

    To survive, he must find a deep strength greater than all the events that surround him.Shanghai, 1941 — a city aflame from the fateful torch of Pearl Harbor. In streets full of chaos and corpses, a young British boy searches in vain for his parents. Imprisoned in a Japanese concentration camp, he is witness to the fierce white flash of Nagasaki, as the bomb bellows the end of the war...and the dawn of a blighted world.Ballard's enduring novel of war and deprivation, internment camps and death marches, and starvation and survival is an honest coming-of-age tale set in a world thrown utterly out of joint.

    By asking challenging questions with respect and empathy, Liao Yiwu managed to get his subjects to talk openly and sometimes hilariously about their lives, desires, and vulnerabilities, creating a book that is an instance par excellence of what was once upon a time called “The New Journalism.” The Corpse Walker reveals a fascinating aspect of modern China, describing the lives of normal Chinese citizens in ways that constantly provoke and surprise.From the Trade Paperback edition.

    Li Po, a legendary carouser, was an itinerant poet whose writing, often dream poems or spirit-journeys, soars to sublime heights in its descriptions of natural scenes and powerful emotions. His sheer escapism and joy is balanced by Tu Fu, who expresses the Confucian virtues of humanity and humility in more autobiographical works that are imbued with great compassion and earthy reality, and shot through with humour. Together these two poets of the T'ang dynasty complement each other so well that they often came to be spoken of as one - 'Li-Tu' - who covers the whole spectrum of human life, experience and feeling.

    The Plum in the Golden Vase or, Chin P'ing Mei is an anonymous sixteenth-century work that focuses on the domestic life of Hsi-men Ch'ing, a corrupt, upwardly mobile merchant in a provincial town, who maintains a harem of six wives and concubines. The novel, known primarily for its erotic realism, is also a landmark in the development of the narrative art form--not only from a specifically Chinese perspective but in a world-historical context.With the possible exception of The Tale of Genji (1010) and Don Quixote (1615), there is no earlier work of prose fiction of equal sophistication in world literature. Although its importance in the history of Chinese narrative has long been recognized, the technical virtuosity of the author, which is more reminiscent of the Dickens of Bleak House, the Joyce of Ulysses, or the Nabokov of Lolita than anything in the earlier Chinese fiction tradition, has not yet received adequate recognition. This is partly because all of the existing European translations are either abridged or based on an inferior recension of the text. This translation and its annotation aim to faithfully represent and elucidate all the rhetorical features of the original in its most authentic form and thereby enable the Western reader to appreciate this Chinese masterpiece at its true worth.

    But the biggest bully in its history was the United States which, starting in 1964, carried on a "secret war" against Laos. By the time of the ceasefire in February 1973, Laos had become the most heavily bombed nation in the history of the world.When renowned travel writer Dervla Murphy went to Laos in 1997, she discovered a country that had only just opened its borders to the West. What she found was a country where the people-kind, gentle, welcoming-more than compensate for everything that can go wrong. But she also discovered that the persisting problems bequeathed by its recent past are tragic and other problems threaten its immediate future. A series of chance meetings left her with a profound sense of a beautiful country and a unique culture threatened-once again-by the extreme pressures of the modern world.