Shocked and sickened though he is, he must adapt himself to the brutal but fascinating city of extremes, and he spends the rest of his life there, through all the vicissitudes of revolution, riot, lawlessness and war. He makes, loses, and regains a fortune, dangerously crosses a powerful triad leader, enters politics, is imprisoned by the Japanese and survives to see the communists march in to mete out their own brand of cruel justice. An intricate weaving of fact with fiction, Shanghai is the story of a man at the centre of one of history's most dangerous and crucial epochs. It is also the love story of Denton and his exquisite mistress, Su-mei, who eventually becomes his wife.

    Sterling Seagrave describes for the first time the intricate and fascinating rise to power of Charlie Soong and his children: daughters Ai-ling, who married one of China's richest men, H.H. Kung; Ching-ling, who married Sun Yat-sen, leader of China's republican revolution; May-ling, who married Chiang Kai-shek, the autocratic ruler of Nationalist China whose ties to the Shanghai underworld the author has documented; and son T.V. Soong, who at various times served as Chiang's economic minister, foreign minister and premier. How all of the Soongs except Ching-ling amassed enormous wealth while millions of Chinese starved or were killed in the long fight against Japan and the equally bitter struggle with Mao are just some of the revelations in this explosive book.

    The Vermilion Bird attempts to recover the actual character of the monsoon realms of T'ang-a scattering of palisaded garrisons, isolated monasteries, and commercial towns, all surrounded by dark, haunted woods. Professor Schafer examines the thoughts, emotions, imaginations, and daily lives of the men of that era, through the medium of their literature, for evidence of the changes inspired by this new environment, and especially for signs of the transformation of the ancient symbol of the South, the sacred vermilion bird. The Journal of Asian Studies called this book: A work of immense and devoted scholarship, a mine of fascinating information, a delight to read, and an indispensable work of reference on Medieval China.

    Professor Tsien Tsuen-Hsuin, working in regular consultation with Dr Needham, has written the most comprehensive account of every aspect of paper and printing in China to be published in the West. From a close study of the vast mass of source material, Professor Tsien brings order and illumination to an area of technology which has been of profound importance in the spread of civilisation. The main body of the book is a detailed study of the invention, technology and aesthetic development of printing in China. From the growth and ultimate refinements of early woodcut printing to the spread of printing from movable type and the development of book-binding, Professor Tsien carries the story forward to the beginning of the nineteenth century when 'more printed pages existed in Chinese than in all other languages put together'.

    This first of a two-volume work on The Great Enterprise of the Manchus is the first scholarly narrative in any language relating their conquest of China during the seventeenth century.(This book was originally published as a boxed two-volume set. It is now available as separate volumes with a plain hardcover. The page numbering continues from the first volume to the second.)

    In describing the journey, Isabella provides a rich mix of observations and describes two occasions when she is almost killed by anti-foreign mobs. It many ways, Isabella created the model for travel writing today, and this one of her greatest works.

    This book explores the profound cultural impact of the civil service examinations during the period when they first became the primary means of government recruitment.

    

    

    

    The aim is to reveal what the Chinese said and wrote about the Jesuit missionaries and to ask a profound general question: to what extent do the reactions of the Chinese at the time of their first contacts with the 'doctrine of the Master of Heaven' reveal fundamental differences between Western and Chinese conceptions of the world? For the missionaries themselves, the Chinese were men like any other, but corrupted by superstition and unfortunate enough to have remained in ignorance of the Revelations. Professor Gernet shows, the missionaries, just like the Chinese literary elite, were the unconscious bearers of a whole civilisation. The problems they encountered were generated by different languages and logic and by very different visions of the world and of man.

    

    Reprinted from: Metropolitan Museum of Art bulletin, Winter 1980/81.