Rose Hemmings has just finished her general surgery residency when a haunted stranger is shot in front of her in a New York City bar, and their lives become forever intertwined. And when, having been given the blessing of her adoptive father on his deathbed, Rose travels to prerevolutionary Iran to discover the past her American family kept secret from her, she finds a true Pandora's box. It is a world both foreign and familiar, in which her primary place is as the heiress to a great tribe. In Iran, Rose will find family she never dreamed of, her own people, and a man who loves her as passionately as he does the rare black roses of his garden. She will return to the United States carrying a new secret and torn between two men: the one she loves helplessly, and the one who loves her unconditionally. Woven throughout with Persian poetry ancient and modern, On Loving is the story of one woman's lifetime of love and loss, of societal change in a nomadic people, and of overcoming personal challenges, including mental and physical health, to find true contentment. Above all, it is a story of love: its physiology, psychology and philosophy; the many forms it takes; its myths and truths; its challenges, its joys and its gifts.

    Now entering its fifth decade in power, the Iranian regime faces the paradox of any successful revolution: how to transmit the commitments of its political project to the next generation. New media ventures supported by the Islamic Republic attempt to win the hearts and minds of younger Iranians. Yet members of this new generation—whether dissidents or fundamentalists—are increasingly skeptical of these efforts.Iran Reframed offers unprecedented access to those who wield power in Iran as they debate and define the future of the Republic. Over ten years, Narges Bajoghli met with men in Iran's Revolutionary Guard, Ansar Hezbollah, and Basij paramilitary organizations to investigate how their media producers developed strategies to court Iranian youth. Readers come to know these men—what the regime means to them and their anxieties about the future of their revolutionary project. Contestation over how to define the regime underlies all their efforts to communicate with the public. This book offers a multilayered story about what it means to be pro-regime in the Islamic Republic, challenging everything we think we know about Iran and revolution.

    At eighteen she witnessed the civil unrest of the 1979 Iranian revolution and continued to live in the Islamic Republic during its most volatile times, including the Iran-Iraq War. In a deeply intimate and personal story, Saper recounts her privileged childhood in pre-revolutionary Iran and how she gradually became aware of the paradoxes in her life and community—primarily the disparate religions and cultures.In 1979 under the Ayatollah regime, Iran became increasingly unfamiliar and hostile to Saper. Seemingly overnight she went from living a carefree life of wearing miniskirts and attending high school to listening to fanatic diatribes, a Jewish girl forced to veil her body as the rest of the country, and hiding in the basement as bombs fell all over the city. She fled to the United States in 1987 with her husband and children after witnessing her six-year-old daughter’s indoctrination into radical politics at school. At the heart of Saper’s story is a harrowing and instructive tale of how extremist ideologies seized a Westernized, affluent country and transformed it into a fundamentalist society.

    In "Before Our Very Eyes," he shares the inside story of the 21st century regime change wars. He lays bare the "Arab Spring," the "revolutions" against Gaddafi and Assad, and the rapid rise of the jihadist monster ISIS, as masked operations of the US empire, "leading from behind." "Before Our Very Eyes" chronicles the onslaught against Syria and Libya from the viewpoints of three camps: the foolish ambitions of the French neocolonialists, the fanaticism of the Muslim Brotherhood, and the lust for world domination of the Anglo-Zionist-American Empire. The Anglo-American axis (the US, UK, and Israel discreetly behind the scenes) deployed their stranglehold on the world's money and media to purvey a fake narrative of human rights violations. This was the cover story for the real scheme: to utterly disable the Muslim world by bringing it under the sword of fanatics like the Brotherhood, Al-Qaeda and ISIS. Vassal regimes like Turkey, Saudi Arabia, Qatar, Jordan and the Emirates were assigned to do the heavy lifting. For public relations purposes, the US pretended to fight half-heartedly against ISIS – which in fact it had intentionally created in Iraq, to divide and conquer the insurgency. The US then covertly ferried the terrorists into Libya and Syria. It continues to prop up ISIS by devious means. Thus the wars on Libya and Syria were based on treachery and fakery from start to finish – but the suffering of millions of innocent victims is all too real. A most murderous masquerade!

    Learn more at www.luminosoa.org. Iran’s particular system of traditional Persian art music has been long treated as the product of an ever-evolving, ancient Persian culture. In Music of a Thousand Years, Ann E. Lucas argues that this music is a modern phenomenon indelibly tied to changing notions of Iran’s national history. Rather than considering a single Persian music history, Lucas demonstrates cultural dissimilarity and discontinuity over time, bringing to light two different notions of music-making in relation to premodern and modern musical norms. An important corrective to the history of Persian music, Music of a Thousand Years is the first work to align understandings of Middle Eastern music history with current understandings of the region’s political history.

    Author Nazanin Shahrokni takes us onto gender-segregated buses, inside a women-only park, and outside the closed doors of stadiums where women are banned from attending men’s soccer matches. The Islamic character of the state, she demonstrates, has had to coexist, fuse, and compete with technocratic imperatives, pragmatic considerations regarding the viability of the state, international influences, and global trends. Through a retelling of the past four decades of state policy regulating gender boundaries, Women in Place challenges notions of the Iranian state as overly unitary, ideological, and isolated from social forces and pushes us to contemplate the changing place of women in a social order shaped by capitalism, state-sanctioned Islamism, and debates about women’s rights. Shahrokni throws into sharp relief the ways in which the state strives to constantly regulate and contain women’s bodies and movements within the boundaries of the “proper” but simultaneously invests in and claims credit for their expanded access to public spaces.

    Her uncle and his American wife leave Iran for the United States in fear for her life after she is threatened by Islamic fundamentalists. Her mother, estranged from her father, stays behind and without her brother’s support -now in America-, she returns to a bad marriage. The revolution brings new changes. They must wear Hijab outside and live a secret life inside. The war with Iraq starts and fear of missile attacks drags them in and out of Tehran. Her Marxist father burns his books to avoid arrest and possible execution. As a teenager, Shabnam is apprehended by the regime’s guardians for wearing nail polish or walking with a boy. With dreams of becoming an independent and free woman, she aims for college but land in marriage as a way to free herself from the parents' discipline and the regime’s watch. Life doesn’t wait and she moves forward through trial and error, ever seeking independence. She is determined but life throws rocks.My Persian Paradox: Memories of an Iranian Girl is a tale of resilience facing oppression and dictatorship along with fighting with narrow traditional and restrictive cultural rules. This memoir is a journey of self-discovery, mother-daughter relationship obstacles, forbidden love, and the universal desire for freedom.www.mypersianparadox.com

    Visit www.luminosoa.org to learn more. Persian is one of the great lingua francas of world history. Yet despite its recognition as a shared language across the Islamic world and beyond, its scope, impact and mechanisms remain underexplored. A world historical inquiry into pre-modern cosmopolitanism, ThePersianate World traces the reach and limits of Persian as a Eurasian language in a comprehensive survey of its geographical, literary, and social frontiers. From Siberia to Southeast Asia, and between London and Beijing, this book shows how Persian gained, maintained, and finally surrendered its status to imperial and vernacular competitors. Capturing the Persianate as process, fourteen essays trace Persian’s interactions with Bengali, Chinese, Turkic, and Punjabi, to  identifying the forces that extended ‘Persographia,’ the domain of written Persian. Spanning the ages expansion and contraction, The Persianate World offers a critical survey of both the supports and constraints of one of history’s key languages of global exchange.

    Four decades later, Darioush Bayandor draws upon heretofore untapped archival evidence to reexamine the complex domestic and international dynamics that led to the Revolution. Beginning with the socioeconomic transformation of the 1960s, this book follows the Shah's rule through the 1970s, tracing the emergence of opposition movements, the Shah's blunders and miscalculations, the influence of the post-Vietnam zeitgeist and the role of the Carter administration. The Shah, the Islamic Revolution and the United States offers new revelations about how Iran was thrown into chaos and an ailing ruler lost control, with consequences that still reverberate today.

    Legend of the East” is dedicated to the history, traditions, language and culture of a talented and brave people who have played a prominent role in the historical destinies of a number of countries in the Middle East, on the territory of which they live. Outstanding Kurdish individuals have enriched world culture, having played and continuing to play an important role in the economy, politics, government and military activities of the states where they reside, including Russia.This book was created on the initiative of Gazprom Neft as part of its support for cultural projects. Members of Institute of Oriental Studies of the Russian Academy of Sciences (Moscow) and the Institute of Oriental Manuscripts of the Russian Academy of Sciences (St. Petersburg) participated in creating this publication with the assistance of the Russian Humanitarian Mission.

    In eight chapters, the author explores the revitalisation of Persian culture under the Samanid Empire in the Tajik heartlands of historical Khorasan and Transoxiana; analyses the evolution of the politics of Tajik identity; and traces the history of the ethnic Tajik diaspora today.

    Axis of Hope recounts activists’ struggles through critical analysis of their narratives, including the One Million Signatures Campaign to End Discriminatory Law, the memoirs of human rights lawyer and Nobel Prize–winner Shirin Ebadi, and the life story of feminist Mahboubeh Abbasgholizadeh and her activist project ZananTV. Catherine Sameh examines how Iranian women’s rights activists have cultivated ways of thinking of and being with each other that rupture the relentless difference-making and violence of coloniality through local and transnational networks along axes of feminist solidarity, friendship, and love.Crucial to countering despair and cynicism about Iran as well as the dangerous interventions by Western powers “on behalf of” Iranians, activists’ experiences speak to the possibilities and challenges of transnational alliances in confronting oppressive regimes. These stories are particularly germane in such precarious times, marked by war, isolation, sanctions, and the intense demonization of Iranians and Muslims, as well as authoritarianism, militarism, and patriarchal nationalisms around the world. Situating postreform women’s rights activism within the unfolding, decades-long project to democratize Iran from within, Axis of Hope makes a timely contribution to studies of feminist movements, women’s human rights in Muslim contexts, activism and new media, and the relationship between activism, civil society, and the state.

    It explores the involvement of outside powers and the events' impact both on regional and international level.Syria was widely perceived to be essential to the regional power balance, hence it was a valued prize to be fought over. The book examines the impact of global and regional powers in propelling the conflict in Syria; looks at the motives and strategies of the key regional and international actors (Hizbollah, Palestinians, Iran, Qatar, Saudi Arabia, US, Russia, EU); and analyses the impact of the Syrian conflict on key relations between regional states (Turkey-Syria, Turkey-Iran, Iraq-Syria). Finally, several chapters treat the impact on Syria of international sanctions and the "Responsibility to Protect" doctrine. This book follows on to The Syrian Uprising: Domestic Origins and Early Trajectory, edited by Raymond Hinnebusch and Omar Imady (2018). Subsequent volumes will examine the later evolution of the conflict.Taking an innovative and interdisciplinary approach that seeks to capture the full complexity of the phenomenon, this book contributes significantly to our understanding of the Syrian conflict and will therefore be a valuable resource for anyone studying Middle Eastern Politics.

    Iranian cultural identities were reinstated within the lands that make up today's Iran, including the area of greater Khorasan. The Persian language gained unprecedented currency over Arabic and new buildings and manuscripts were produced for princely patrons with aspirations to don the Iranian crown of kingship. This new volume in “The Idea of Iran” series follows the complexities surrounding the cultural reinvention of Iran after the Mongol invasions, but the book is unique capturing not only the effects of Mongol rule but also the period following the collapse of Mongol-based Ilkhanid rule. By the mid-1330s the Ilkhanate in Iran was succeeded by alternative models of authority and local Iranian dynasties. This led to the proliferation of diverse and competing cultural, religious and political practices but so far scholarship has neglected to produce an analysis of this multifaceted history in any depth. Iran After the Mongols offers new and cutting-edge perspectives on what happened. Analysing the fourteenth century in its own right, Sussan Babaie and her fellow contributors capture the cultural complexity of an era that produced some of the most luminous masterpieces in Persian literature and the most significant new building work in Tabriz, Yazd, Herat and Shiraz. Featuring contributions by leading scholars, this is a wide-ranging treatment of an under-researched period and the volume will be essential reading for scholars of Iranian Studies and Middle Eastern History.

    She arrived just weeks after the Iranian Revolution, to join Iranian women in marking International Women's Day. Intended as a day of celebration, the event turned into a week of protests. Millett, armed with film equipment and a cassette deck to record everything around her, found herself in the middle of demonstrations for women's rights and against the mandatory veil.Listening to the revolutionary soundscape of Millett's audio tapes, Negar Mottahedeh offers a new interpretive guide to Revolutionary Iran, its slogans, habits, and women's movement―a movement that, many claim, Millett never came to understand. Published with the fortieth anniversary of the Iranian Revolution and the women's protests that followed on its heels, Whisper Tapes re-introduces Millett's historic visit to Iran and lays out the nature of her encounter with the Iranian women's movement.

    But Christopher Thornton here tells a different story: one of good food, liberal-minded people, beautiful architecture, and a country with a history spanning over seven thousand years that’s been influenced not only by the myriad cultures spanning Central Asia but also by Europe and the West.Descendants of Cyrus introduces readers to ordinary Iranians living lives far different from what is shown on Western television. Thornton takes us through the cities of Iran, where he encounters robust, barely hidden black markets filled with American movies and music; sees the women of Shiraz explore modern fashion and beauty products with no fear of reprisal from a weakened regime; and meets the students populating the university town of Hamadan, where a generation of activists is finding its voice. Thornton draws from the past and present alike on each stop of this fascinating travelogue, using history to inform his conversations with citizens from all walks of life. Unexpected variety comes to light, embodying surprising religious and ethnic diversity, intellectual curiosity, a thirst for Western culture, and the desire to live a modern, secular life.  A firsthand look at one of the least understood and yet most politically significant countries on earth, Descendants of Cyrus taps into the hidden pulse of a culture and a generation that promises to reshape Iran in a way few Westerners can anticipate.

    Through archaeological remains, ancient texts, and work by a new generation of historians, a picture can today be built of this remarkable civilization and their capital city. Although the city had been destroyed, the legacy of the Persians survived, even as they mostly remain an enigma to the West and are not nearly as well understood as the Greeks, Romans, or Egyptians. In a sense, the Achaemenid Persian Empire holds some of the most enduring mysteries of ancient civilization. When considering this empire’s rulers, the two most often referenced are Xerxes, the leader of the Persian invasion of Greece which caused the heroic sacrifice of the Spartans and their allies at Thermopylae, or Cyrus the Great, the man who created the Persian Empire. But the Persians had another critical ruler sandwiched between them, and Cyrus’s accomplishments and Xerxes’s defeats would not have been possible without him. That king was Xerxes’s own father, Darius I, best known as Darius the Great. Darius I took the throne after the death of Cyrus’s son, Cambyses II, and though his reign would not have been possible without the construction of the empire and the administrative groundwork laid by Cyrus the Great before him, Darius proved himself just as worthy of the epithet. Reigning for over 35 years, Darius kept control of the massive Persian Empire despite numerous rebellions and uprisings, and he also managed to implement reforms and improvements that established the empire’s golden age. He followed the example of Cyrus before him in his foreign policy and mode of kingship as well, offering tolerance and patience to various cultures and religions, and even treating his enemies fairly in most cases. Perhaps his ultimate success can be seen most clearly in the passage of power at the end of his life. By that time, his reign had been long and stable, and though he died of illness somewhat unexpectedly, his kingdom was still so firmly established that the kingship passed to his son Xerxes without any question or upheaval. Under Darius the Great’s rule, the empire reached its greatest extent, stretching from the Indus Valley and Central Asia in the east to Libya and the Danube River in the west. Xerxes remains one of the most famous rulers in history because he led the Second Persian War against the Greeks. That war was a veritable clash of civilizations, and had the Persians triumphed, Classical Athens would have been snuffed out and Greece would never have formed the backbone of Roman and Western culture. Simply put, the West as it is today might never have existed. Not surprisingly, the majority of surviving sources regarding Xerxes are the product of Greek writers, so it was inevitable that the Persian king has been depicted in unflattering terms for thousands of years. The details of his invasion of Greece cast him as the villain in the dramatic Greek retelling of the tragic 300 Spartans holding the pass at Thermopylae, and focus on the loss at Salamis solidified his reputation as a failure despite another 15 years of successful rule after withdrawing from the Greek mainland. Although Herodotus’s Histories offer a less biased account than some later sources, he still depicted Xerxes as a figure of tragic failings, listening too often to the wrong councilors and eventually collapsing on the weight of his own hubris.

    It was these events which created the conditions for the emergence of Iran's post-revolutionary reform movement, as its intellectuals and political leaders sought to re-evaluate the foundations of the Islamic state's political legitimacy and religious authority. In this monograph, Sadeghi-Boroujerdi, examines the rise and evolution of reformist political thought in Iran and analyses the complex network of publications, study circles, and think-tanks that encompassed a range of prominent politicians and intellectuals in the 1990s. In his meticulous account of the relationships between the post-revolutionary political class and intelligentsia, he explores a panoply of political and ideological issues still vital to understanding Iran's revolutionary state, such as the ruling political theology of the 'Guardianship of the Jurist', the political elite's engagement with questions of Islamic statehood, democracy and constitutionalism, and their critiques of revolutionary agency and social transformation.

    Despite the surge in Iranian memoirs, their contributions to debunking an abstract idea of terror and their role in encouraging democratic thinking remain understudied. In examining creative work by women of Iranian descent, Ebrahimi argues that Shirin Neshat, Marjane Satrapi, and Parsua Bashi make the Other familiar and break a cycle of reactionary xenophobia. These authors, instead of relying on indignation, build imaginative bridges in their work that make it impossible to blame one evil, external enemy. Ebrahimi explores both classic and hybrid art forms, including graphic novels and photo-poetry, to advocate for the importance of aesthetics to inform and influence a global community. Drawing on the theories of Ranci�re, Butler, Arendt, and Levinas, Ebrahimi identifies the ways in which these works give a human face to the Other, creating the space and language to imagine a new political and ethical landscape.