Vulcan’s Fury, as the impact event was known, had become a distant but poignant memory of how wrathful the gods can be, and it was the duty of every Roman to see that they were never angered again. Over those many years, the Roman Empire had finally brought to heel the entire known world, save the Dark Lands. Hidden behind a barrier of smoldering volcanoes and the deadly Haunted Sea, the Dark Lands were at the heart of ancient legends among the Romans of terrible beasts, and worse, that had once feasted upon the flesh of men in the earliest days of the First Spring. But ancient legends held no fear for Princess Valeria, daughter of Caesar Tiberius Claudius Augustus. Enthralled by reports of strange happenings along the coast and bored by the life of a young Roman noblewoman, she begs her father to allow her to travel to the coast of the Haunted Sea to indulge her curiosity. Tiberius grants her request, anxious to see her safely away from Rome, where the Senate is plotting against him. Together with her closest companions, including her enormous hexatiger, Hercules, Valeria sets off on her adventure, unaware that she has set in motion a series of events that will change the history of the Empire, and all Humankind, forever…

    Aided by a number of stunning illustrations, David Billington discusses leading structural engineer-artists, such as John A. Roebling, Gustave Eiffel, Fazlur Khan, and Robert Maillart.

    The McGann's passionate and insightful writing evokes the raucous cast of riders, promoters, and journalists thrusting through highs and lows worthy of opera. This volume stands out as a must-read book for anyone seeking to appreciate cycling's race of races." -Peter Joffre Nye, author of The Six-Day Bicycle Races: America's Jazz Age Sport and Hearts of Lions "There are LOTS of books on the Tour de France. An increasing number of them are actually written in English. However, of those, none educates Americans about this grand spectacle�s rich past. The Tour de France has a history as fascinating and sordid as Rome�s and it is high time someone undertook to explain this to our American sensibility. Our guide for the trip is a man with a ravenous appetite for both world history and bicycle racing, just the sort of person to paint a Tour champion with the dramatic grandiosity befitting Hannibal himself." -Pat Brady, Editor, Asphalt Magazine At the dawn of the 20th Century, French newspapers used bicycle races as promotions to build readership. Until 1903 these were one-day events. Looking to deliver a coup de grace in a vicious circulation war, Henri Desgrange�editor of the Parisian sports magazine L�Auto�took the suggestion of one of his writers to organize a race that would last several days longer than anything else, like the 6-day races on the track, but on the road. That�s exactly what happened. For almost 3 weeks the riders in the first Tour de France rode over dirt roads and cobblestones in a grand circumnavigation of France. The race was an electrifying success. Held annually (suspended only during the 2 World Wars), the Tour grew longer and more complex with an ever-changing set of rules, as Desgrange kept tinkering with the Tour, looking for the perfect formula for his race. Each year a new cast of riders would assemble to contest what has now become the greatest sporting event in the world.

    No one knows the true figure of those who lost their lives in the long years of the war and tragically too many have lost their lives in the years of peace that have followed. Life expectancy is a shadow of what it was and many diseases and ailments that science thought it had eradicated have returned. Many of those who survived the war have since died, taking with them the stories and memories of the most devastating and important struggle that mankind has ever waged. This book is the record of those stories, an attempt to remember the actions of those who lived through this devastating conflict. From the first stages of the outbreak, to the chaos of the mass panic and finally to the death of the last Infected, it is a homage to those who saved our nation.

    Carter, John Crowley, Amy Bloom, Alice Mattison, Chris Knopf, Jonathan Stone, Sarah Pemberton Strong, Karen E. Olson, Jessica Speart, Chandra Prasad, David Rich, and Hirsh Sawhney.New Haven may be best known for Yale University, but its criminal dimensions run as deep as anywhere else on the Eastern Seaboard. Whether the setting is a college campus, the waterfront, East Rock, The Hill, or Wooster Square, the stories in this volume bring the full city to life—and death.From editor Amy Bloom:New Haven in not a tourist kind of town. Yes, if you want to see the Cushing brain collection of 400 brains-in-jars (with another 150 planned for display), including artifacts like the piece of steak signed (if that’s the word)—using an electrosurgical knife—by Ivan Pavlov, and plenty of infant skulls. Also, more transcendently, you can visit beautiful Beinecke Library, a six-story tower of translucent marble, instead of mere glass, protecting the rare books, including my favorite, the Voynich manuscript, written centuries ago in what seems to be a fictional language with drawings of plants that don’t exist. Also, for the picnickers, the tomb of Midnight Mary in the eighty-five-acre Evergreen Cemetery, right off Ella T. Grasso Boulevard. On her gravestone, it reads: The people shall be troubled at midnight and pass away.It’s a noir kind of town.I love New Haven. I asked other writers who have the same odd, deep affection for the city that I do to tell me their stories. Michael Cunningham, Roxana Robinson, Stephen L. Carter, Alice Mattison, John Crowley. And more. We’ve got the darkly funny, the darker, the ineffable, and the deeply brooding. What we’ve got for you, right here . . . is New Haven.

    In the past 500 years, millions of people have faced persecution, torture, and even death after being accused of practicing Witchcraft. For many people the word "Witch" still conjures up images of secret spells and diabolical midnight rituals. So what exactly is Witchcraft (also called Wica or Wicca), and how did it evolve into one of today's fastest-growing religions? "Witchcraft From the Inside "presents the history of Witchcraft—from its roots in ancient fertility religions, to the madness of the "Malleus Maleficarum" and the European Witch trials, to the growth of modern Wicca in Britain and the United States. Essays contributed by leading Wiccan authorities explore the present state of Wicca and provide a glimpse into the future of this peaceful nature religion. Author Ray Buckland studied Witchcraft under Gerald Gardner, the man largely credited for the revival of Witchcraft and the establishment of Wicca as a modern religion. Mr. Buckland was instrumental in bringing Gardnerian Witchcraft from England to the United States and is considered to be one of the leading American authorities on Witchcraft. In the following excerpt, Mr. Buckland explains the mundane truths behind the seemingly horrific ingredients of the legendary "witches' brews." We know, from Shakespeare and other sources, that the Witches threw into their pots the most gruesome ingredients, right? There were things like the tongue of a snake, bloody fingers, catgut, donkey's eyes, frog's foot, goat's beard, a Jew's ear, mouse tail, snake head, swine snout, wolf's foot, and so on. Pretty disgusting by the sound of it—if you take them at face value! In fact these were all the most innocuous of ingredients: normal plants and herbs. Today all plants have a Latin name, so that they may be distinct and positively identified. Yet years ago they were known only by common, local names. A plant or herb might be known by one name in one part of the country and a quite different name in another part of the country. And these names were colorful ones, frequently given to the plant because of its looks, color, or other attributes. In the above list, adder's tongue was a name given to the dogtooth violet ("Erythronium americanum"); bloody fingers was the foxglove ("Digitalis purpurea"); catgut was the hoary pea ("Tephrosia virginiana"); donkey's eyes were the seeds of the cowage plant ("Mucuna pruriens"); frog's foot was the bulbous buttercup ("Ranunculus bulbosus"); goat's beard was the vegetable oyster ("Tragopogon porrofolius"); Jew's ear was a fungus that grew on elder trees and elm trees ("Peziza auricula"); mouse tail was common stonecrop ("Sedum acre"); snake head was balmony ("Chelone glabra"); swine snout was the dandelion ("Taraxacum dens leonis"); and wolf's foot was bugle weed ("Lycopus virginicus"). So the seemingly fearsome concoctions that the Witches mixed up in their cauldrons were nothing more than simple herbs going into a cookpot!

    As new developments occurred, Griffin continually brought the discussion up to date in his subsequent books. Now The New Pearl Harbor Revisited synthesizes the most important points of these previous studies and updates his seminal work with a chapter-by-chapter analysis of evidence that has emerged since 2001 and his own developing thinking on the subject.

    Each in turn comes under scrutiny in this exhilarating dialogue between two of the most interesting thinkers working in philosophy and architecture today. From such singular objects, Jean Baudrillard and Jean Nouvel move on to fundamental problems of politics, identity, and aesthetics as their exchange becomes an imaginative exploration of the possibilities of modern architecture and the future of modern life. Among the topics the two speakers take up are the city of tomorrow and the ideal of transparency, the gentrification of New York City and Frank Gehry’s surprising Guggenheim Museum in Bilbao. As Nouvel prompts Baudrillard to reflect on some of his signature concepts (the virtual, transparency, fatal strategies, oblivion, and seduction, among others), the confrontation between such philosophical concerns and the specificity of architecture gives rise to novel and striking formulations—and a new way of establishing and understanding the connections between the practitioner and the philosopher, the object and the idea. This wide-ranging conversation builds a bridge between the fields of architecture and philosophy. At the same time it offers readers an intimate view of the meeting of objects and ideas in which the imagined, constructed, and inhabited environment is endlessly changing, forever evolving. Jean Baudrillard is one of the most influential thinkers of his generation and author of The Vital Illusion (2001). Jean Nouvel has designed buildings throughout the world, including the new Guthrie Theater in Minneapolis, and is a recipient of France’s Grand Prix d’Architecture. Robert Bononno, a translator and teacher, lives in New York City.

    Chosen as a Main Selection of the Military Book Club.

     Everything about U2 is huge-from their music to their tours to their influence on popular culture and politics worldwide. They are cultural icons as well as multimillion-album-selling pop stars. Underpinning the band's popularity, from the beginning, is their passion for touring. For more than twenty years, U2 has been primarily a live band-hardly ever off the road. Performing live is what they love to do best. And it is their touring that defines their creativity and reflects the direction of the band. From the first bare-bones Tick Tock Tour of 1980 through the massive, seminal Joshua Tree and ZooTV tours of the eighties and nineties to the most recent, more intimate Elevation Tour of 2001, it is their live shows that have set U2's agenda. For the first time, the band has agreed to chronicle this vital part of its creative energy. More than 500 photos from hundreds of performances have been handpicked from a twenty-five-year archive. Many of these photos are behind-the-scenes shots that have never been published before. The book includes commentary by Diana Scrimgeour, the official photographer on recent tours, as well as first-person accounts from band members, the core creative team, friends, and associates. "U2 Show" is the music publishing event of 2004.

    the quality of the connections is the key to quality per se.- Charles Eames... everything hangs on something else.- Ray EamesNothing says modernist perfection like an Eames design. Though they are best known to the general public for their furniture, the husband and wife duo of Charles and Ray Eames (1907-78 and 1912-88, respectively) were also forerunners in the fields of architecture, industrial design, photography, and film. This book covers all the aspects of their illustrious career, from the earliest furniture experiments and molded plywood designs to the Case Study Houses to their work for Herman Miller and films such as the seminal short, Powers of Ten.

     During his lifetime, the “wild west” from the storybooks still lived and breathed in one of the last places to be modernized—Arizona. Joe, as he calls himself, took various roles throughout his adventurous life, including sheep herder, cowman, courter, tracker, line rider, and, most famously, that venerated breed of law man know as the Arizona Ranger. His story leads him to encounters with cattle rustlers, gamblers, saloons, stampedes, horse thieves, Indian trackers, outlaws, and nearly every other subject that later made its way into western legend. But this story is absolutely real, told in his own voice in vivid detail.

    While the pair have always maintained a close relationship, the dynamic she shares with her mother has proven much more challenging throughout the years. Now at seventeen years old, June has found herself contemplating life beyond working at her father’s shop. Though it isn’t until she is befriended by a ritzy, older customer that June begins to come out of her shell. The woman’s kindness and infectious energy are a welcome addition to her young life the summer before her senior year of high school. However, secrets from her mother’s past begin to threaten June’s newfound happiness - calling into question all that she has ever known. Confronted with the often-perverse intentions of the human heart, the teen must uncover the truth which has been concealed by years of deceit.

    She quits her advertising job, and moves into a small coastal town, in a tiny house on wheels. Surely, the laid back country life with organic veggies will turn back the clock for her. Now, she only has to find the right guy–and it can’t be her odd, new neighbour who doesn’t want kids. No matter how hot he is. This time, Nina is determined to follow the plan, not her heart.Jay is used to solitary life. After his father’s death, he tries to keep the farm running, even if he’s more comfortable with the veggies than people. But who needs social skills? In the backside of Raglan, nothing ever happens. Until a cute, Finnish blonde moves into the neighbouring lot, in a ridiculous tiny house. Can Jay work out his issues and take a chance on the most exotic thing that’s ever walked into his life?Work, life, love and all those other big questions that vex us are are tackled in this humorous and thought-provoking book, which will stay with you long after you reach the end.

    The Daily Mail was the first newspaper to tag Evans’s team as the Spice Boys.Yet despite their flaws, this was a rare group of individuals: mavericks, playboys, goal-scorers and luckless defenders. Wearing off-white Armani suits, their confident personalities were exemplified in their pre-match walk around Wembley before the 1996 FA Cup final (a 1-0 defeat to Manchester United).In stark contrast to the media-coached, on-message interviews given by today’s top stars, the blunt, ribald and sometimes cutting recollections of the footballers featured in Men in White Suits provide a rare insight into this fascinating era in Liverpool’s long and illustrious history.