Making reference to an astonishing number of cultures & drawing on scholarship published in no less than half a dozen European languages, Eliade's "The Myth of the Eternal Return makes both intelligible & compelling the religious expressions & activities of a wide variety of archaic & "primitive" religious cultures. While acknowledging that a return to the "archaic" is no longer possible, Eliade passionately insists on the value of understanding this view in order to enrich our contemporary imagination of what it is to be human.

    The modern turn to subjectivity, with its attendant rejection of an objective order of reason, has led—it seems to many—to mere subjectivism at the mildest and to sheer nihilism at the worst. Many critics believe that the modern order has no moral backbone and has proved corrosive to all that might foster human good. Taylor rejects this view. He argues that, properly understood, our modern notion of the self provides a framework that more than compensates for the abandonment of substantive notions of rationality.The major insight of Sources of the Self is that modern subjectivity, in all its epistemological, aesthetic, and political ramifications, has its roots in ideas of human good. After first arguing that contemporary philosophers have ignored how self and good connect, the author defines the modern identity by describing its genesis. His effort to uncover and map our moral sources leads to novel interpretations of most of the figures and movements in the modern tradition. Taylor shows that the modern turn inward is not disastrous but is in fact the result of our long efforts to define and reach the good. At the heart of this definition he finds what he calls the affirmation of ordinary life, a value which has decisively if not completely replaced an older conception of reason as connected to a hierarchy based on birth and wealth. In telling the story of a revolution whose proponents have been Augustine, Montaigne, Luther, and a host of others, Taylor's goal is in part to make sure we do not lose sight of their goal and endanger all that has been achieved. Sources of the Self provides a decisive defense of the modern order and a sharp rebuff to its critics.

    She describes the depressive as one who perceives the sense of self as a crucial pursuit and a nearly unattainable goal and explains how the love of a lost identity of attachment lies at the very core of depression's dark heart.In her discussion she analyzes Holbein's controversial 1522 painting "The Body of the Dead Christ in the Tomb," and has revealing comments on the works of Marguerite Duras, Dostoyevsky and Nerval. Black Sun takes the view that depression is a discourse with a language to be learned, rather than just strictly a pathology to be treated.

    Sandel takes up one of the biggest ethical questions of our time: Isn't there something wrong with a world in which everything is for sale? If so, how can we prevent market values from reaching into spheres of life where they don't belong? What are the moral limits of markets?In recent decades, market values have crowded out nonmarket norms in almost every aspect of life. Without quite realizing it, Sandel argues, we have drifted from having a market economy to being a market society.In Justice, an international bestseller, Sandel showed himself to be a master at illuminating, with clarity and verve, the hard moral questions we confront in our everyday lives. Now, in What Money Can't Buy, he provokes a debate that's been missing in our market-driven age: What is the proper role of markets in a democratic society, and how can we protect the moral and civic goods that markets do not honor and money cannot buy?

    By then, she had been the close companion and lover of the writer and philosopher, Voltaire, for thirteen years. For her time - and by today's standards - she was a woman of exceptional talents, abilities, and qualities. Tutored in maths, sciences, and the arts from a young age, she pursued these passions as an adult. At her château at Cirey, near Lorraine, she shared a deep love and passion with Voltaire, as well as a taste for the arts and sciences. Together, they conducted experiments in science and optics, and both submitted essays on the nature of fire to a competition held by the French Royal Academy of Sciences. Neither won a prize but both essays were subsequently published. She was just as fascinated by the complexity of human emotions, and in these reflections on happiness she applies her incisive, analytical mind to such passions as sexual desire, the pursuit of glory, and ambition. She has many interesting and insightful things to say. However, she is no detached or aloof intellectual but writes openly from her own experiences, sharing with us her joys, pleasures and miseries. Her human weaknesses are revealed for all to see, making her all the more endearing and sympathetic. Although not written for publication but as private musings, this essay seems, nevertheless, intended for would-be readers. She alludes frequently to those who are younger and less experienced, and who might 'save time' by listening to what she has to say. She is less than positive about what the future might hold for her, or any woman, after forty, speaking of study as compensation rather than the great voyage of discovery that she, herself, had known. She writes in a state of dejection, having no inkling that within two years she would have a passionate affair with the poet, Saint-Lambert, twelve years her junior, and that she would give birth to his child. This great passion was to be her last as, already in poor health, she would die within weeks of the birth, the child out-living her by a year and a half. In her final year, while pregnant, she completed her greatest work, a translation from Latin into French of Isaac Newton's Principia Mathematica, complete with her commentary and a few hypotheses of her own about light, inspired by Newton's great work and subsequently validated. Her translation of Newton's work was published within ten years of her death and remains, today, the standard French translation. Though writing during the French Enlightenment, and clearly influenced by such near-contemporaries as the English philosopher, John Locke, she has much to say about happiness and its attainment to interest the modern reader, of whatever age, sex, or culture. Some, of course, will be shocked by her unashamed commendation of sensual pleasures, always tempered by her rationality and her emphasis on maximizing the sum total of human happiness. She was fully aware that the rules by which women, in French and other societies, are expected to live are not the same as those applied to men. Some of her advice is thus directed specifically at women. Whether or not this advice to women remains valid and helpful today is for the individual reader to decide.

    Providing vital evidence of the views of the Greek philosophers of the Hellenistic age, Cicero also casts light on the intellectual life of first-century Rome. When these Greek beliefs are translated into the Roman context they result in a fascinating clash of ideologies.This new translation of a work whose importance is becoming increasingly recognized is complemented by an invaluable introduction to the main philosophical issues, as well as substantial and helpful annotation.

    In his earlier book, The Poetics of Space, Bachelard considered several kinds of "praiseworthy space" conducive to the flow of poetic imagery. In Poetics of Reverie he considers the absolute origins of that imagery: language, sexuality, childhood, the Cartesian ego, and the universe. Approaching the psychology of wonder from the phenomenological viewpoint, Bachelard demonstrates the aurgentative potential of all that awareness. Thus he distinguishes what is merely a phenomenon of relaxation from the kind of reverie which "poetry puts on the right track, the track of expanding consciousness"

    The remarkable best-seller -- a long-lost, 300-year-old book of wisdom on how to live successfully yet responsibly in a society governed by self-interest -- as acute as Machiavelli yet as humanistic and scrupulously moral as Marcus Aurelius.

    But it doesn't have to be this way. In City Dharma, Arthur Jeon suggests that it’s not what happens to us, but how we react to events and thoughts that causes most of our suffering.City Dharma is the essential guide for everyone living in the accelerated world most of us call home. Offering smart, practical ways to overcome daily stresses and the crazy-making reactivity of our own minds, Jeon explores the most challenging aspects of modern urban and suburban life, including:Another Day, Another DollarAvoid Working StiffnessWalking Down a Dark AlleyAwareness and Violence Sex and the City DharmaSeeking Love vs. Expressing LoveScaring Ourselves to DeathTranscending Media NegativityRoad RageDealing with Mad Max Within and WithoutDrawing wisdom from the ancient Eastern teachings of Advaita Vedanta and filled with engaging stories, City Dharma offers a new way of seeing the world--one that is based on connection rather than separation, direct experience rather than belief, and love instead of fear.From the Hardcover edition.

    It was not only extremely popular but also brought about pragmatic results, inspiring the movement for the eight-hour day and equal pay for men and women who perform equal work. It survives as one of the very few pieces of writing to come out of the international socialist movement of the nineteenth century that is not only readable-even enjoyable-but pertinent. This new translation by Len Bracken, fuller than previous versions in English, is supplemented by Lafargue's little-known talk on The Intellectuals.

    Philosophy of the Boudoir follows three aristocrats as they indoctrinate the fifteen-year-old Eugénie de Mistival in “the principles of the most outrageous libertinism.” 200 years after de Sade’s death, readers will continue to find shock and delight in this most joyous of his erotic works, now with a new introduction by Francine du Plessix-Gray.

    In this fascinating collection, Rancière engages in a radical critique of some of his major contemporaries on questions of art and politics: Gilles Deleuze, Antonio Negri, Giorgio Agamben, Alain Badiou and Jacques Derrida. The essays show how Rancière's ideas can be used to analyse contemporary trends in both art and politics, including the events surrounding 9/11, war in the contemporary consensual age, and the ethical turn of aesthetics and politics. Rancière elaborates new directions for the concepts of politics and communism, as well as the notion of what a 'politics of art' might be. This important collection includes several essays that have never previously been published in English, as well as a brand new afterword. Together these essays serve as a superb introduction to the work of one of the world's most influential contemporary thinkers.

    In Happiness, Matthieu Ricard demonstrated that true happiness is not tied to fleeting moments or sensations, but is an enduring state of soul rooted in mindfulness and compassion for others. Now he turns his lens from the personal to the global, with a rousing argument that altruism -- genuine concern for the well-being of others -- could be the saving grace of the 21st century. It is, he believes, the vital thread that can answer the main challenges of our time: the economy in the short term, life satisfaction in the mid-term, and environment in the long term. Ricard's message has been taken up by major economists and thinkers, including Dennis Snower, Amartya Sen, Joseph Stiglitz, and George Soros. Matthieu Ricard makes a robust and passionate case for cultivating altruistic love and compassion as the best means for simultaneously benefitting ourselves and our society. It's a fresh outlook on an ardent struggle -- and one that just might make the world a better place.

    It is not a book of philosophy as most would understand the word: it is a collection of thoughts and sayings recorded over a period of seven years, and as such covers a wide variety of subjects, often in no particular sequence. The work represents an attitude far removed from our modern pragmatism and materialism, and possesses an intuitive rather than rational appeal in its assertion that Bushido is a Way of Dying, and that only a samurai retainer prepared and willing to die at any moment can be totally true to his lord. While Hagakure was for many years a secret text known only to the warrior vassals of the Hizen fief to which the author belonged, it later came to be recognized as a classic exposition of samurai thought and came to influence many subsequent generations, including Yukio Mishima. This translation offers 300 selections that constitute the core texts of the 1,300 present in the original. Hagakure was featured prominently in the film Ghost Dog, by Jim Jarmusch.

    In understanding the true nature of what it means to be fully human, he contends that we come face to face with the essence of Xian theology: human beings investing ordinary concepts with divine meaning & significance. The true danger to humanity occurs when theology is given the force of dogma & doctrine. Losing sight of its anthropological underpinnings & dependence upon or emergence from human nature, it then acquires an existence separate from that of humankind. He leaves nothing untouched: miracles, the Trinity, Creation, prayer, resurrection, immortality, faith & much more.The essential nature of manThe essence of religion considered generallyGod as a being of the understanding God as a moral being or law The mystery of the incarnation; or, God as love, as a being of the heartThe mystery of the suffering GodThe mystery of the Trinity & the mother of GodThe mystery of the Logos & divine imageThe mystery of the cosmogonical principle in God The mystery of mysticism, or of nature in God The mystery of providence & creation out of nothingThe significance of the creation in Judaism The omnipotence of feeling, or the mystery of prayer The mystery of faith, the mystery of miracle The mystery of the resurrection and of the miraculous conceptionThe mystery of the Christian Christ, or the personal GodThe distinction between Christianity & heathenismThe significance of voluntary celibacy & monachismThe Christian heaven, or personal immortality The essential standpoint of religion The contradiction in the existence of GodThe contradiction in the revelation of GodThe contradiction in the nature of God in generalThe contradiction in the speculative doctrine of GodThe contradiction in the Trinity The contradiction in the sacramentsThe contradiction of faith & loveConcluding application