The bloke can write. He rhapsodizes about heroin better than anyone since Jim Carroll. With the flick of his enviable pen, he can summarize childhood thus: ‘My very first utterance in life was not a single word, but a sentence. It was, ‘Don’t do that.’... Russell Brand has a compelling story." — New York Times Book ReviewThe gleeful and candid New York Times bestselling autobiography of addiction, recovery, and rise to fame from Russell Brand, star of Forgetting Sarah Marshall and one of the biggest personalities in comedy today.Picking up where he left off in My Booky Wook, movie star and comedian Russell Brand details his rapid climb to fame and fortune in a shockingly candid, resolutely funny, and unbelievably electrifying tell-all: Booky Wook 2. Brand’s performances in Arthur, Get Him to the Greek, and Forgetting Sarah Marshall have earned him a place in fans’ hearts; now, with a drop of Chelsea Handler’s Chelsea Chelsea Bang Bang, a dash of Tommy Lee’s Dirt, and a spoonful of Nikki Sixx’s The Heroin Diaries, Brand goes all the way—exposing the mad genius behind the audacious comic we all know (or think we know) and love (or at least, lust).

    Along the way, readers join the author in discovering: • The scary side of fishing; • Why it’s wrong when board games become blood sports; • The unexpected connection between cooking classes and true romance; • How the author's cat convinced him to take up yoga (and why that was a terrible idea); • Golfing for the ball challenged; • The thrill of jumping out of an airplane without risking your life; • The eternal appeal of Elly May Clampett; and, • How to do nothing without feeling guilty about it.

    In her work for New York, The Baffler, The New York Times Magazine, and The Atlantic, as well as in her advice column for The Cut, "Ask Polly," she dispenses a singular, cutting wisdom--an ability to inspire, provoke, and put a name to our most insidious cultural delusions.What If This Were Enough? is a mantra and a clarion call. In its chapters--many of them original to the book, others expanded from their initial publication--Havrilesky takes on those cultural forces that shape us. From the enforced cheer of American life to the celebration of survivalism, from the allure of materialism to our misunderstandings of romance and success, Havrilesky deconstructs some of the most poisonous and misleading messages we ingest today, all the while suggesting new ways we might navigate our increasingly bewildering world.Through her incisive and witty inquiries, Havrilesky emphasizes the importance of locating the miraculous within the mundane. In these timely, provocative, and often hilarious chapters, she urges readers to embrace the flawed--to connect with what already is, who we already are, what we already have. She asks us to consider: What if this were enough? Our salvation, Havrilesky asserts, can be found right here, right now, in this imperfect moment.The smile factory --The happiest place on earth --To infinity and beyond --Playing house --Delusion at the gastropub --Adults only --Stuffed --Running on empty --Lost treasure --Land of heroic villains --The popularity contest --Tag and release --Haunted --Bravado --Survival fantasies --True romance --A scourge of gurus --My mother's house --Miracle of the mundane

    uncertain of the outcome. It uses humor to de-stress infertility sufferers, their families and medical teams. It's relief for those who feel they just can't deal with infertility one minute more and that nobody truly understands. It's a fun and cheap gift for those friends and relatives who still don't "get it". It's a glimpse over the reception desk and at the other end of the examination table for medical professionals and their staffs who meet and treat infertile patients every day.It also has been widely read by those who know nothing or care nothing about infertility but enjoy the humor in life's daily angsts that we all can relate to.

    Whether denouncing the corporate world ("To Whom It May Concern"), or lustily joining it ("New Millennial Bad Ass"), to celebrating love in the face of smut ("Let's Make Out!"), Aptowicz dramatizes the hopes, humor and ambitions of young poet first steps into a very surreal 'real world.' This expanded version nearly triples the length of the original with previously unpublished works, including "Sass Manifesto," which was used to win the 2004 National Forsenics Championship in Poetry Interpretation.

    33 poems, over 70 minutes, very high quality recording on cassette or CD.

    Whether he’s hooking up with a man who dresses as a dolphin, suffering on airplanes and buses next to people with Food From Home, or hovering around an impenetrable circle of attractive people at a cocktail party, Oliver captures the messy, moving, and absurd moments of urban life as we live it today.Since moving to New York a decade ago, Oliver has pined for countless strangers on the subway, slept with half the people in his Washington Heights neighborhood, and observed the best and worst of humanity from behind the glass of a Times Square theater box office. He also rode the subway during Breastfeeding Awareness Week and lived to tell the tale. Culled from years of heartbreak, hook-ups, and more awkwardness than a virgin at prom and a whore in church (and he should know because he’s been both), Intimacy Idiot chronicles Oliver’s encounters with love, infatuation, resilience, and self-acceptance that echo our universal desire for intimacy of all kinds.

    Also included are some "Mother Said, " "Father Said, " and "My Girlfriend Said" poems, providing plenty of material for the patient on the couch. My Therapist Said is full of advice, some of it sage, some of it absurd.

    This book contains the poem “Grace”, which the Poetry Society of America chose for their Poetry in Motion series to entertain public transit passengers in major metropolitan areas.

    

    It is a voice thick with the humidity and whirring cicadas of Kentucky, but the poems are dangerous, smelling of the crisp cucumber scent of a copperhead about to strike. Epistolary in nature, and with a novel's arc, Sister is a story that begins with a teen giving birth to a baby girl--the narrator--during a tornado, and in some ways, that tornado never ends. In the hands of a lesser poet, this debut collection would be a standard-issue confession, a melodramatic exercise in anger and self-pity. But melodrama requires simple villains and victims, and there is neither in this richly complex portrait. Ultimately, Sister is more about the narrator's transgressions and failures, more about her relationships to her sister and their mother than about that which divided them. With equal parts sass and sorrow, these poems etch out survival won not with tender-hearted reflections but by smoking cigarettes through fly-specked screens, by using cans of aerosol hair spray as a makeshift flamethrowers, and, most cruelly, by leaving home and trying to forget her sister entirely. From there, each poem is a letter of explanation and apology to that younger sister she never knew.Sister recounts a return to a place that Brown never truly left. It is a book of forgiveness, of seeking what is beyond mere survival, of finding your way out of a place of poverty and abuse only to realize that you must go back again, all the way back to where everything began--that warm, dark nest of mother.

    He just wanted to retire in peace. Change descended when he accidentally shot a Peeping Tom. Though he buried him on his remote Montana property, he couldn't bury the man's curse. Haunted by it, and about to be found out, he sent up a desperate prayer. That night he had a strange dream. Priscilla's interpretation of the dream was to stockpile enough food to look after seventy people for five years because perilous times were surely coming . . .

    Afterward, the doctor comes out with the results."I'm afraid I have some very bad news," the doctor says. "You're dying, and you don't have much time left.""Oh, that's terrible!" says the man. "Give it to me straight, Doc. How long have I got?""Ten," the doctor says sadly."Ten?" the man asks. "Ten what? Months? Weeks? What?!""Nine..."

    Austin's 1903Three Men and a Maid 1922Uneasy Money 1917The White Feather 1907A Wodehouse Miscellany, Articles & Stories 1916

     They say everyone has a skeleton in their closet, but why are so many of them coming to life? Tempest and Amanda work at the only paranormal detective agency in the book and business is booming. This second box set gives you over 1000 pages of pulse-pounding hilarious paranormal mayhem as they get themselves into yet more hot water solving cases no one else would be dumb enough to take. Dead Pirates of Cawsand – A ghost ship has been spotted off the coast of a quiet Cornish village where gold coins were recently found. Now skeletal pirates are wandering the streets, hiding in the mist to strike fear into the local community because they want their gold back. But they didn’t count on England’s best paranormal P.I. turning up. His well-earned break soon goes sideways as murder, kidnap, and ghost hunters ruin his vacation and threaten more than just his life. In the Doodoo with Voodoo – A client cursed by a voodoo priest is the start of a case that will push Amanda to her very limits. With Tempest away in Cornwall, Amanda has no back up, but she wants to do this for herself even though the priest is a scary character. However, when BFF Patience goes missing, it’s a race against time to solve the case before someone dies and she is about to find out just how badly she underestimated her suspect. The Witches of East Malling – There’s a storm brewing. It’s late Autumn in England, but the wet weather is hiding a dark crime – witches using lighting to kill! Hired to investigate, Tempest soon becomes a target himself when he comes face to face with a witch and she knows who and what he is. Is he closing in on the coven, or are they closing in on him? The deadly conclusion with leave you breathless. Crop Circles, Cows, and Crazy Aliens – Aliens? Really? There are lights in the sky, crop circles in the fields and the cows are producing glowing milk. It’s Amanda’s case, and seems a simple one until the first body shows up. Suddenly she has a mystery person leaving her clues, an internet star trying to help her investigation and conspiracy nuts raining from the sky. Is this the first wave of an alien invasion, or something far worse? Whispers in the Rigging – His dad reported stories of a ghost in the old Royal Dockyard, but that’s not why Tempest is going undercover. He’s there because his dad was found unconscious in a dumpster when he tried to poke around. Now Tempest must find out what is going on, but all too soon he realises there’s something beneath the dockyard that is much worse than ghosts. The paranormal? It’s all nonsense, but proving might just get them killed.