Now, The View from the Cheap Seats brings together for the first time ever more than sixty pieces of his outstanding nonfiction. Analytical yet playful, erudite yet accessible, this cornucopia explores a broad range of interests and topics, including (but not limited to): authors past and present; music; storytelling; comics; bookshops; travel; fairy tales; America; inspiration; libraries; ghosts; and the title piece, at turns touching and self-deprecating, which recounts the author’s experiences at the 2010 Academy Awards in Hollywood.

    

    The Descent of Air India elucidates how the airline failed to adapt and change with the times but preferred, instead, to bask in its past glory. Impractical expansion plans and thoughtless use of the airline's resources contributed to the company's financial collapse. Candidly written by Intender Bhargava, who spent more than two decades in the company, The Descent of Air India is the tragic tale of how one of the country's finest public-sector undertakings was brought down and the people and events that were responsible for its descent.

    And here, for the first time, is an anthology of poems from the show, chosen by Keillor for their wit, their frankness, their passion, their "utter clarity in the face of everything else a person has to deal with at 7 a.m." Good Poems includes verse about lovers, children, failure, everyday life, death, and transcendance. It features the work of classic poets, such as Emily Dickinson, Walt Whitman, and Robert Frost, as well as the work of contemporary greats such as Howard Nemerov, Charles Bukowski, Donald Hall, Billy Collins, Robert Bly, and Sharon Olds. It's a book of poems for anybody who loves poetry whether they know it or not.

    There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar: he is called the Lord of Waters, of all seas, lakes, and rivers under the sky. But he works in secret in Middle-earth to support the Noldor, the kindred of the Elves among whom were numbered Húrin and Túrin Turambar.   Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.   Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.   At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.   Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.

    The fourth edition introduces sophisticated approaches to tutoring students of varying cultural backgrounds and new attention to technology, activity theory, ethical dimensions of tutoring writing, and challenges to theories of the writing process.

    This new series aims to reprint the best short stories published in the previous calendar year by British writers, whether based in the UK or elsewhere. The editor’s brief is wide ranging, covering anthologies, collections, magazines, newspapers and web sites, looking for the best of the bunch to reprint all in one volume. Neither genre nor Granta shall be overlooked in the search for the very best new short fiction.The first book of the series includes stories published in 2010 by the following authors: David Rose, Hilary Mantel, Lee Rourke, Leone Ross, Claire Massey, Christopher Burns, Adam Marek, SJ Butler, Heather Leach, Alan Beard, Kirsty Logan, Philip Langeskov, Bernie McGill, John Burnside, Robert Edric, Michèle Roberts, Dai Vaughan, Alison Moore and Salley Vickers.Table of Contents:Flora – David RoseWinter Break – Hilary MantelEmergency Exit – Lee RourkeLove Silk Food – Leone RossFeather Girls – Claire MasseyForeigner – Christopher BurnsDinner of the Dead Alumni – Adam MarekThe Swimmer – SJ ButlerSo Much Time in a Life – Heather LeachStaff Development – Alan BeardThe Rental Heart – Kirsty LoganNotes on a Love Story – Philip LangeskovNo Angel – Bernie McGillSlut’s Hair – John BurnsideComma – Hilary MantelMoving Day – Robert EdricTristram and Isolde – Michèle RobertsLooted – Dai VaughanWhen the Door Closed, It Was Dark – Alison MooreEpiphany – Salley Vickers

    Three Americans, a man and two women, are living together in obvious intimacy. Their habits, strange to the Mexicans, are strangest of all to themselves.When Fern Winters’ attention is caught by movement behind a window in a run-down Greenwich Village apartment building, she can’t suspect that her encounter with the apartment’s occupant will eventually lead her to be come upon in an abandoned chapel, in a tiny mountain village—clutching the bloody machete with which one of the three has been murdered.Going Down is a rarity among novels—brilliantly and poetically written, faultlessly constructed, centered on fully realized people, and yet completely uninhibited in its depiction of startling eroticism.

    The readings include helpful background information on the psalm, a related hymn stanza, and an application thought. Biweekly “Interludes” further aid understanding by explaining things such as acrostic psalms or Hebrew poetic style. Indexes included.

    The foremost Jewish family of Russia, the single voice of their people to the Tsar, the Gunzburgs stand on the threshold of cataclysmic change as their proud by fragile world is threatened, then crushed by the surging forces of the Great War and the Revolution.

    Losing her heart to her boss at the radio station where she works leads directly to losing her job, and with no money in the bank she's forced to swallow her pride and return home to her parents. As if that wasn't bad enough, her mother finds her work at the local care home for the elderly, and it's there that Lizzie meets Mrs Dallimore. In her nineties, Mrs Dallimore also finds herself in a situation which she's reluctantly coming to terms with. Old age has finally caught up with her, and with her life drawing to a close she gives in to the temptation to relive the past by sharing it with Lizzie.She tells Lizzie of the day when, as a young girl, and shortly before the outbreak of World War II, she left her home in America to cross the Atlantic to England where she hoped to meet her English grandparents for the first time. At best she hoped for a family reconciliation, but before long her visit turned into so much more. As Lizzie listens to Mrs Dallimore's story, she begins to realise that she's not the only person to attract bad luck, or make mistakes, and maybe things aren't so bad for her after all . . .

     He who cultivates both immortal techniques and martial arts is invincible! Xiao Chen is a shut-in who purchased a ‘Compendium of Cultivation’. Soon after, he crossed over into the Tianwu World, a world ruled by martial arts. He then refined pills, drew talismans, practiced formations, crafted weapons and cultivated the Azure Dragon Martial Soul that had not been seen for thousands of years.

    From Brazil to Venezuela, and from Mexico to Argentina, McGuirk discovers the people and ideas shaping the way cities are evolving. Ever since the mid twentieth century, when the dream of modernist utopia went to Latin America to die, the continent has been a testing ground for exciting new conceptions of the city. An architect in Chile has designed a form of social housing where only half of the house is built, allowing the owners to adapt the rest; Medellín, formerly the world’s murder capital, has been transformed with innovative public architecture; squatters in Caracas have taken over the forty-five-story Torre David skyscraper; and Rio is on a mission to incorporate its favelas into the rest of the city. Here, in the most urbanised continent on the planet, extreme cities have bred extreme conditions, from vast housing estates to sprawling slums. But after decades of social and political failure, a new generation has revitalised architecture and urban design in order to address persistent poverty and inequality. Together, these activists, pragmatists and social idealists are performing bold experiments that the rest of the world may learn from.Radical Cities is a colorful journey through Latin America—a crucible of architectural and urban innovation.

    His structural thinking differs from that of others in his field, in its completely innovative conception of the engineer's contribution to architecture. The plasticity of architectural plans is enhanced through a decisive promotion of their structural designs. The borderline between structure and architecture thus becomes increasingly blurred. This process is explained in detail in "Informal" by reference to eight seminal projects. Balmond elucidates the theoretical basis of his engineering and architectural solutions, and his sketches transcend purely technical illustration - they are key to his approach. "Informal" invites readers to rethink their understanding of the relationships between architecture, design and engineering.

    When he was just five years old, Prince Charles was reunited with his mother, who had been away for months touring the Empire and Commonwealth. Newsreels show him waiting for her at Victoria station. Immaculately dressed, as a trophy child should be, he was expected not to act his age. When his mother gets off the train, she does not rush towards him, kiss him or hug him. Instead, she shakes her son's hand. In a nice display of 'spurious maturity', he shakes her hand back. Achingly formal, it is an almost perfect example of protocol taking precedence over love.When Princess Diana became a mother, many were surprised by her parenting style – warm and nurturing. She stood in stark contrast to the generations of aloof, insensitive royal parents who had gone before her. Stories abound of Prince Philip reducing a young Charles to tears with his bullying – yet by royal standards he was a model of parental indulgence.As a new generation of princes and princesses comes of age, Bringing Them Up Royal reveals the truth about what it's like to be raised as a member of the royal family. Tracing hundreds of years of British history, David Cohen weaves a compelling and sometimes shocking tale, full of arresting psychoanalytic insights and twists. Intertwining history with child psychology, this unique study maps the changing face of royal parenting from 1066 to the present day – and suggests how it might develop in the twenty-first century.Bringing Them Up Royal is the first case study of its kind, and with it comes an unexpected story of violence, sex, betrayal, cruelty – and the occasional gem of kindness and wisdom.