Thompson on the 1970 Kentucky Derby in Louisville, Kentucky, first appearing in an issue of Scanlan's Monthly in June of that year. Though not known at the time, the article marked the first appearance of gonzo journalism, the style that Thompson came to epitomize through the 1970s.The article's focus is less on the actual race itself—indeed, Thompson and Steadman could not actually see the race from their standpoint—and more on the celebration and depravity that surrounds the event, as well as other events in Louisville (Thompson's home town) in the surrounding days.

    In a book which uniquely captures 1950's America, Brainard constructs the story of his life through a series of brief entries, each beginning with the words "I remember", and continues with observations about family, film stars, lust, and the astonishing New York culture into which he moved to from Tulsa at the age of 18.

    Set in the author's girlhood hometown of Lorain, Ohio, it tells the story of black, eleven-year-old Pecola Breedlove. Pecola prays for her eyes to turn blue so that she will be as beautiful and beloved as all the blond, blue-eyed children in America. In the autumn of 1941, the year the marigolds in the Breedloves' garden do not bloom. Pecola's life does change- in painful, devastating ways.What its vivid evocation of the fear and loneliness at the heart of a child's yearning, and the tragedy of its fulfillment. The Bluest Eye remains one of Toni Morrisons's most powerful, unforgettable novels- and a significant work of American fiction.

    Grange Copeland is a black tenant farmer who is forced to leave his land and family in search of a better future. He heads North but discovers that the racism and poverty he experienced in the South are, in fact, everywhere. When he returns to Georgia years later he finds that his son Brownfield has been imprisoned for the murder of his wife. But hope comes in the form of the third generation as the guardian of the couple's youngest daughter, Grange Copeland, who glimpses a chance of both spiritual and social freedom.

    Fresh and candid, by turns earthy, tender, defiant, and romantic, Cummings's poems celebrate the uniqueness of each individual, the need to protest the dehumanizing force of organizations, and the exuberant power of love.

    a collection of eighty-five poems, was Brautigan's sixth collection of poetry; his eighth poetry book publication. Brautigan visited Roxy and Judy Gordon in Austin, Texas, in August 1970. While there he was issued a Texas fishing license (August 14, 1970). It notes his height (6'4") and weight (165 pounds). The poem "Autobiography (Polish It like a Piece of Silver)," collected in Loading Mercury with a Pitchfork, contains a reference to Judy Gordon and Byrds, a town in central Texas, near Brownwood. Two poems, "A Study in Roads" and "Stone (real," both collected in June 30th, June 30th contain references to Bee Caves, Texas, a small town twelve miles west of Austin. Brautigan may have visited Bee Caves with the Gordons. Roxy Gordon, in turn, dedicated his book, Some Things I Did (Austin, Texas: The Encino Press, 1971) toRICHARD BRAUTIGANwhose favorite gun isthe Colt Navy .36In publicity materials associated with the publication of Gordon's book Brautigan wrote:Roxy and Judy Gordon are two very nice people with an open and perceptive way. Reading Roxy's book is to meet them.As to Gordon's reference to Brautigan's interest in the Colt Navy .36 handgun, novelist Tom McGuane said[Brautigan] had a fascination with the . . . Colt because it seemed to sum up gun owning, democratic gun manufacture, and excellence, all in one thing.

    Resourcefully, doggedly, Jacky nurtures his spirit of independence, his capacity to love, and his faith in a nation's dream in a journey that takes him from Wichita to Corpus Christi and from poverty to possibility.

    The air became black with coal dust. As the last echo of the explosion began to thin in the distance, the boy could hear the leaves from the trees settling to the ground around him...' In TO THE BRIGHT AND SHINING SUN James Lee Burke brings his brilliant feel for time and place to a stunning story of Appalachia in the early 1960s. Here Perry Woodson Hatfield James, torn between family honour and the lure of seedy "watering holes" must somehow survive the tempestuous journey from boyhood to manhood and escape the dark heritage of the Cumberland Mountains in this 'surging, bitter novel as authentic as moonshine' (New York Times)Cover by Joe Servello

    A detective story, a black comedy, a tragedy, and thirty years out of print, it's a dissertation on history/stereotypes that man/unman black Americans.

    The title, Regarding Wave,reflects "a half-buried series of word origins dating back through theIndo-European language: intersections of energy, woman, song and 'GoneBeyond Wisdom.'" Central to the work is a cycle of songs for Snyder'swife, Masa, and their first son, Kai. Probing even further than Snyder'sprevious collection of poems, The Back Country, this newvolume freshly explores "the most archaic values on earth… the fertilityof the soil, the magic of animals, the power-vision in solitude, theterrifying initiation and rebirth, the love and ecstasy of the dance,the common work of the tribe…”

    So successful were these performance lessons that they ran for over a decade on television. This book brings back into print a classic collection of the best of the best of these Emmy and Peabody Award-winning lectures. A total of 15 lectures are presented here in full. Here is the century's most unique musician and teacher, explaining beautifully and clearly the joy of music in a way that grasps the attention of all. Every aspect of music is so cleverly presented that everyone, regardless of age, culture, or educational background, will enjoy and understand it.

    Father Dennis is still hailed as one of the central figures in the early renewal movement. Nine O'Clock in the Morning is Father Dennis's testimony that God can and will release His power to His people if we allow Him to truly become the King of our lives.When, in 1960, Father Dennis Bennett announced to his congregation that he had experienced a new outpouring of God's Spirit... the renewal movement can be said to have begun. --1973 Yearbook of the Encyclopedia BritannicaToday's generation needs the power of the Holy Spirit to protect them from a secular culture which promotes life without God. Nine O'Clock in the Morning, Dennis Bennett's classic work on the Baptism in the Holy Spirit, will change the lives of young and old alike. I highly recommend it. --Paul F. Crouch, President, Trinity Broadcasting NetworkI commend Nine O'Clock in the Morning to you as a testimony to what God is doing today. --John L. Sherrill, author of They Speak With Other Tongues

    These pieces, written mostly before McCullers was nineteen, provide invaluable insight into her life and her gifts and growth as a writer. The collection also contains the working outline of “The Mute,” which became her best-selling novel The Heart Is a Lonely Hunter. As new generations of readers continue to discover her work, Carson McCullers’s celebrated place in American letters survives more surely than ever. Edited by McCullers’s sister and with a new introduction by Joyce Carol Oates, The Mortgaged Heart will be an inspiration to writers young and old.

    She falls in love with his son, Hood, and the narrative unfolds in tragedy of immense proportions. Medea is a verse adaptation of Euripides' drama and was created especially for the actress Judith Anderson. Their combined genius made the play one of the outstanding successes of the 1940s. In Medea, Jeffers relentlessly drove toward what Ralph Waldo Emerson had called "the proper tragic element" terror.

    Book by Stevens, Barry

    

    

    To give some notion of the fables, imagine Mark Twain and Leopardi collaborating on a script for the Marx Brothers to act out at the birth of the world--by no means necessarily this one!

    

    Eyes, 88 Keyes, and Breathless Mahoney.

    The narrative of a voyage by Nelson Cole Haley, Harpooner in the Ship Charles W Morgan 1948-1853.

    Makes available all the published verse written by him since 1953, in addition to the full body of his poetry written up to that time.

    Reissued in new paperback format and design.

    The title poem is a tribute to Jack Kerouac, fusing a memorial to the poet's dead friend with a bitter lament for the present state of America. Reproduced in facsimile from Corso's handwritten sheets, his marginal decorations, drawings and glyphs are included. The balance of the book is drawn from his shorter poems.

    His simple verse is easy to read, beckoning you to plow through these adventure stories. Among them are: "The Rhyme of the Restless Ones" "The Black Sheep" "Carry On!" "The Shooting of Dan McGrew" "The Cremation of Sam McGee" "The Trapper's Christmas Eve" "The Lone Trail" During the First World War, Robert Service was an ambulance driver for the Red Cross in France and a war correspondent. He was born in the United Kingdom in 1874, and went on to travel throughout Canada, the United States, Mexico and Europe. He died in 1958.You may also be interested in his Rhymes of a Red Cross Man, available in eBook format.

    

    THERE ARE MEN TOO GENTLE TO LIVE AMONG WOLVES contains poetry by James Kavanaugh who has brought hope and joy, laughter and courage to millions of loyal, enthusiastic readers with moving collections of poetic reflections about life.

    Most of it was written between 1915 and 1962, although much of the early work was abandoned and the early cantos, as finally published, date from 1922 onwards. It is a book-length work, widely considered to be an intense and challenging read. The Cantos is generally considered one of the most significant works of modernist poetry in the 20th century. As in Pound's prose writing, the themes of economics, governance and culture are integral to the work's content.The most striking feature of the text, to a casual browser, is the inclusion of Chinese characters as well as quotations in European languages other than English. A close reader will normally require a scholarly commentary to help understand the text. The range of allusion to historical events is broad, and abrupt changes occur with little transition.There is also wide geographical reference. Pound added to his earlier interests in the classical Mediterranean culture and East Asia selective topics from medieval and early modern Italy and Provence, the beginnings of the United States, England of the 17th century, and details from Africa he had obtained from Leo Frobenius. Many references in the text lack explanation. Pound initially believed that he possessed poetic and rhetorical techniques which would themselves generate significance, but as time passed he became more concerned with the messages he wished to convey.The section he wrote at the end of World War II, begun while he was interned in American-occupied Italy, has become known as The Pisan Cantos. It was awarded the first Bollingen Prize in 1948. There were many repercussions, since this in effect honoured a poet who was under indictment for treason. :::Delmore Schwartz said about The Cantos, "They are one of the touchstones of modern poetry." William Carlos Williams said, "[Pound] discloses history by its odor, by the feel of it—in the words; fuses it with the words, present and past, to MAKE his Cantos. Make them."Since the 1969 revised edition, the Italian Cantos LXXII and LXXIII (as well as a 1966 fragment concluding the work) have been added. Now appearing for the first time is Pound's recently found English translation of Italian Canto LXXII.

    This Elibron Classics book is a facsimile reprint of a 1892 edition by Sampson Low, Marston & Company, Limited, London.

    

    This epistolary lament -- an unsent letter to a lover who was never quite a lover -- vividly depicts New York and London and a group of friends as they search, sometimes in vain, for a sustaining love in a time of strict societal constraints.

    They were the same age: forty-one. Matthiessen lived in New York City while Chavez lived in Sal Si Puedes, the San Jose barrio where his career as a union organizer took off. This book is Matthiessen's panoramic yet finely detailed account of the three years he spent traveling and working with Chavez. In it, Matthiessen provides a candid look into the many sides of this enigmatic and charismatic leader who lived by the laws of nonviolence.More than thirty years later, Sal Si Puedes is less reportage than living history. A whole era comes alive in its pages: the Chicano, Black Power, and antiwar movements; the browning of the labor movement; Chavez's series of hunger strikes; the nationwide boycott of California grapes. When Chavez died in 1993, thousands gathered at his funeral. It was a clear sign of how beloved he was, how important his life had been.A new postscript by the author brings the reader up to date as to the events that have unfolded since the writing of Sal Si Puedes. Ilan Stavans's insightful foreword considers the significance of Chavez's legacy for our time. As well as serving as an indispensable guide to the 1960s, this book rejuvenates the extraordinary vitality of Chavez's life and spirit, giving his message a renewed and much-needed urgency.

    Suzie undergoes a summer full of learning--learning to accept herself and the individualistic members of her family, especially her musician-brother.

    Translated from the Yiddish Mottke Ganef, this is a realistic novel about a Jewish village in Poland and the underworld of Warsaw in the early 20th century.

    He had begun it with the idea of creating a work that would stand on its own as a work of art and still enhance and deepen the audience’s apprehension of their indi­vidual experience of Deliverance and its special meaning to them. When he sent this screenplay to Warner Brothers it was with a sense of having accomplished that goal—“I was convinced I had put down on paper what I wanted to happen on the screen, no matter who the director was, or the actors, or any of the rest of the crew.” But while acknowledging the creativity, bravery, and dedica­tion of John Boorman and the actors and the crew who made the film version of Deliverance, Dickey also states that their real­ization is not the film as he would have had it. That film exists only in his imagination and within this screenplay. The story as filmed is presented in twenty-two production stills that speak of the undeniable strengths of the production that received nomi­nations from the Motion Picture Academy for its awards of best picture, best direction, and best editing. Arthur Knight de­scribed the film as “one of those rare films that resonates like a literary work but that—rarer still—avoids either being or sounding literary.” Dickey concludes his Afterword with an invi­tation to the reader to “show [the screenplay] in the wide­screen theater of his mind and compare it with the version he has seen in actual theaters, or on television.”

    

    

    In her wide-ranging new Afterword to this edition of a work not infrequently called a classic, the noted historian describes the way it came to be written, asks what she would do differently now, and suggests areas for further exploration.