From the shores of the Black Sea to the endless Kazakh steppe, the bus stops show the range of public art from the Soviet era and give a rare glimpse into the creative minds of the time. Herwig’s series attracted considerable media interest around the world, and now with the 12 year project complete, the full collection will be presented in Soviet Bus Stops as a deluxe, limited edition, hard cover photo book. The book represents the most comprehensive and diverse collection of Soviet bus stop design ever assembled.

    From Brazil to Venezuela, and from Mexico to Argentina, McGuirk discovers the people and ideas shaping the way cities are evolving. Ever since the mid twentieth century, when the dream of modernist utopia went to Latin America to die, the continent has been a testing ground for exciting new conceptions of the city. An architect in Chile has designed a form of social housing where only half of the house is built, allowing the owners to adapt the rest; Medellín, formerly the world’s murder capital, has been transformed with innovative public architecture; squatters in Caracas have taken over the forty-five-story Torre David skyscraper; and Rio is on a mission to incorporate its favelas into the rest of the city. Here, in the most urbanised continent on the planet, extreme cities have bred extreme conditions, from vast housing estates to sprawling slums. But after decades of social and political failure, a new generation has revitalised architecture and urban design in order to address persistent poverty and inequality. Together, these activists, pragmatists and social idealists are performing bold experiments that the rest of the world may learn from.Radical Cities is a colorful journey through Latin America—a crucible of architectural and urban innovation.

    We make our homes in them. We go to school in them. We work in them. But why and how did people start making buildings? How did they learn to make them stronger, bigger, and more comfortable? Why did they start to decorate them in different ways? From the pyramid erected so that an Egyptian pharaoh would last forever to the dramatic, machine-like Pompidou Center designed by two young architects, Patrick Dillon’s stories of remarkable buildings — and the remarkable people who made them — celebrates the ingenuity of human creation. Stephen Biesty’s extraordinarily detailed illustrations take us inside famous buildings throughout history and demonstrate just how these marvelous structures fit together.

    Widely admired for his precision and thoroughness, he creates buildings that are responsive to their location and function, and that are remarkable both for their materials and the atmospheric quality of the spaces they enclose.This five-volume overview of his work to date presents forty-three buildings and projects, including some that have never been published before. On 856 pages with over 750 photographs, plans, sketches, drawings and watercolors, and with texts written by Peter Zumthor himself specially for this monograph, it documents a wide range of projects from several world-famous buildings to some that never left the drawing board.With photographs by Hélène Binet, Hans Danuser, Ralph Feiner, Thomas Flechtner, Walter Mair, Joël Tettamanti, and others.Winner of the Filaf d'argent 2014 (Festival International du Livre d'Art & du Film).Winner of the DAM Architectural Book Award 2014.Designed by Beat Keusch Visuelle Kommunikation, Basel – Beat Keusch, Angelina Köpplin.

    Now, he drills down into specific challenges of making sketches on location, rain or shine, quickly or slowly, and the most suitable techniques for every situation, in The Urban Sketching Handbook series. It's easy to overlook that ample variety of buildings and spaces and the differences from city to city, country to country. From houses, apartments and shopping malls to public buildings and places of worship, the structures humans have created over the centuries, for shelter, commerce, industry, transportation or recreation, are fascinating subjects to study and sketch.In The Urban Sketching Handbook: Architecture and Cityscapes, Gabriel lays out keys to help make the experience of drawing architecture and cityscapes fun and rewarding. Using composition, depth, scale, contrast, line and creativity, sketching out buildings and structure has never been more inspirational. This guide will help you to develop your own creative approach, no matter what your skill level may be today. As much as The Urban Sketching Handbook: Architecture and Cityscapes may inspire you to draw more urban spaces, it can also help to increase your appreciation of the built environment. Drawing the places where we live, work and play, is a great way to show appreciation and creativity.

    Algorithms allow designers to overcome the limitations of traditional CAD software and 3D modelers, reaching a level of complexity and control which is beyond the human manual ability. Algorithms-Aided Design presents design methods based on the use of Grasshopper®, a visual algorithm editor tightly integrated with Rhinoceros®, the 3D modeling software by McNeel & Associates allowing users to explore accurate freeform shapes. The book provides computational techniques to develop and control complex geometries, covering parametric modeling, digital fabrication techniques, form-finding strategies, environmental analysis and structural optimization. It also features case studies and contributions by researchers and designers from world's most influential universities and leading architecture firms.

    Together the three books offer an introduction to the workings of architecture providing for the three aspects of learning: theory, examples and practice. Twenty-Five Buildings focusses on analysing examples using the methodology offered by Analysing Architecture, which operates primarily through the medium of drawing.In this second edition five further buildings have been added to the original twenty from an even wider geographical area, which now includes the USA, France, Italy, Mexico, Switzerland, Spain, Finland, Germany, Australia, Norway, Sweden, India and Japan.　The underlying theme of Twenty-Five Buildings Every Architect Should Understand is the relationship of architecture to the human being, how it frames our lives and orchestrates our experiences; how it can help us make sense of the world and contribute to our senses of identity and place. Exploring these dimensions through a wide range of case studies that illustrate the rich diversity of twentieth and twenty-first century architecture, this book is essential reading for every architect.

    A family in Winona has spent three decades slowly uncovering a landmark Victorian’s hidden beauty. Minneapolis graphic designers have meticulously restored a Frank Lloyd Wright gem, even fabricating never-before-built cabinets, furniture, and rugs Wright originally designed for the home.   In Lost Twin Cities and Once There Were Castles, Larry Millett retrieved Twin Cities architecture vanished in time, giving us a view into buildings and homes lost to demolition, accident, and neglect. In Minnesota’s Own, he and photographer Matt Schmitt invite us into homes from across the state that have been lovingly preserved, saved so that they can remain jewels among the state’s living architecture.   From Duluth to Bemidji, Red Wing to the Twin Cities, Millett and Schmitt travel throughout Minnesota, highlighting homes designed by architects such as Edwin Lundie, Frank Lloyd Wright, and William Purcell and Geroge Elmslie and with sumptuous ornamentation by local craftspeople including interior decorator John Bradstreet and woodcarver Johannes Kirchmayer. Homes originally owned by Daytons, Hills, and Ramseys find themselves in new hands that have taken great care in their upkeep and preservation.   Minnesota’s Own welcomes readers into twenty-two of these homes through over two hundred color photographs and Millett’s captivating stories of their construction, original owners, and restorations. Larry Millett is an architectural historian and award-winning writer whose books include Lost Twin Cities, AIA Guide to the Twin Cities, and Twin Cities Then and Now. St. Paul native Matt Schmitt has enjoyed a three-decade career in advertising, commercial, and architectural photography.  Publication of this book was made possible by a generous grant from the Jeffris Family Foundation in Janesville, Wisconsin, which is dedicated to the preservation of the Midwest's architectural heritage for future generations.

    Since the Enlightenment, it has also come to represent our political ideals, the lavish temple to the goddess Athena serving as the model for our most hallowed civic architecture. But how much do the values of those who built the Parthenon truly correspond with our own? And apart from the significance with which we have invested it, what exactly did this marvel of human hands mean to those who made it?In this revolutionary book, Joan Breton Connelly challenges our most basic assumptions about the Parthenon and the ancient Athenians. Beginning with the natural environment and its rich mythic associations, she re-creates the development of the Acropolis—the Sacred Rock at the heart of the city-state—from its prehistoric origins to its Periklean glory days as a constellation of temples among which the Parthenon stood supreme. In particular, she probes the Parthenon’s legendary frieze: the 525-foot-long relief sculpture that originally encircled the upper reaches before it was partially destroyed by Venetian cannon fire (in the seventeenth century) and most of what remained was shipped off to Britain (in the nineteenth century) among the Elgin marbles. The frieze’s vast enigmatic procession—a dazzling pageant of cavalrymen and elders, musicians and maidens—has for more than two hundred years been thought to represent a scene of annual civic celebration in the birthplace of democracy. But thanks to a once-lost play by Euripides (the discovery of which, in the wrappings of a Hellenistic Egyptian mummy, is only one of this book’s intriguing adventures), Connelly has uncovered a long-buried meaning, a story of human sacrifice set during the city’s mythic founding. In a society startlingly preoccupied with cult ritual, this story was at the core of what it meant to be Athenian. Connelly reveals a world that beggars our popular notions of Athens as a city of staid philosophers, rationalists, and rhetoricians, a world in which our modern secular conception of democracy would have been simply incomprehensible.The Parthenon’s full significance has been obscured until now owing in no small part, Connelly argues, to the frieze’s dismemberment. And so her investigation concludes with a call to reunite the pieces, in order that what is perhaps the greatest single work of art surviving from antiquity may be viewed more nearly as its makers intended. Marshalling a breathtaking range of textual and visual evidence, full of fresh insights woven into a thrilling narrative that brings the distant past to life, The Parthenon Enigma is sure to become a landmark in our understanding of the civilization from which we claim cultural descent.

    Select details of their life and work, from their refined designs to their innovative experiments, and even including images depicting the everyday poetic moments of their lives, and are shared here in this exhibit within a book. Inspired by Charles's immersive and original slideshows, in which he expertly selected and grouped images together that communicated information in an aesthetic, direct, and accessible way, this book strives to visually create the Eameses' life and work by taking the viewer through a delightful journey, focusing on their ""beautiful details."" The packaging design of the "Eames: Beautiful Details" slipcase is a pattern inspired by the triangles and colors of one of their most inventive, if lesser known, designs for children, simply called, ""the toy."" It also pays homage to the patterns they used on their well loved House of Cards. The Eameses brought a sense of humor and joy to everything they created, and the design and layout of the book aims to convey that spirit in a visual feast for the eyes. It is a testament to the Eameses and the lasting value of good design that their Eames lounge chair, created in 1956, endures today as perhaps the most recognizable and coveted piece of mid century furniture design. Their experiments in technological innovations, like molded plywood and fiberglass, resulted in such classic pieces as the bent plywood LCW and DCM Chairs, the Molded Plastic Chairs, and the Aluminum Group; all of which are still in production by Herman Miller. Likewise, Charles and Ray designed and built their own home in 1949 in Pacific Palisades, and it is still revered as a landmark of modern architecture. Built as part of the Case Study program in California, sponsored by Arts & Architecture magazine, it was one of the earliest experiments in pre fab construction, using off the shelf industrial parts. But unlike the austerity of much of modern architectural design, their factory like shell was lovingly lived in along with their personal collections of folk art, treasures from their travels, and everyday objects refreshingly displayed with affection and without pretense. In exhibition design as well, ""Mathematica: A World of Numbers ... and Beyond, 1961,"" for IBM is considered groundbreaking as an interactive, educational, and experiential way to communicate the wonder and magic of math. Similarly, their seminal film, Powers of Ten, 1977, expresses the mathematical concept of multiplying to the tenth power, in a very direct, simple, and powerful way. Unlike any other book previously published on Charles and Ray Eames, this unique monograph is a visual celebration of their work and life, and was created in true collaboration with Charles's grandson, Eames Demetrios, and other members of the Eames family.

    Like a camera obscura photograph cuts through the often irrelevant embellishments of architecture to reveal the underlying skeleton of a building (i.e. its elements), this guide will allow the reader to better understand the fundamental transformations that have shaped Venice during the past ten centuries.

    

    There, he and his wife, Ise, hosted a festive reunion of Bauhaus masters and students who had recently emigrated from Europe: Marcel Breuer, Herbert Bayer, Laszlo Moholy-Nagy, Xanti Schawinsky and others. Together they feasted, swam and planned their futures on a new continent, all sensing they were on the cusp of a momentous new phase in their lives. Yet even as they moved on, the group never lost its connection to the Cape Cod coast. Several members returned, when they had the means, to travel farther up the peninsula, rent cabins, buy land and design their ideal summer homes. Thus began a chapter in the history of modern architecture that has never been told--until now. The flow of talent onto the Outer Cape continued and, within a few years, the area was a hotbed of intellectual currents from New York, Boston, Cambridge and the country's top schools of architecture and design. Avant-garde homes began to appear in the woods and on the dunes; by the 1970s, there were about 100 modern houses of interest here. In this story, we meet, among others, the Boston Brahmins Jack Phillips and Nathaniel Saltonstall; the self-taught architect, carpenter and painter Jack Hall; the Finn Olav Hammarstrom, who had worked for Alvar Aalto; and the prolific Charlie Zehnder, who brought the lessons of both Frank Lloyd Wright and Brutalism to the Cape. Initially, these designers had no clients; they built for themselves and their families, or for friends sympathetic to their ideals. Their homes were laboratories, places to work through ideas without spending much money. The result of this ferment is a body of work unlike any other, a regional modernism fusing the building traditions of Cape Cod fishing towns with Bauhaus concepts and postwar experimentation.

    Beautifully illustrated and annotated, this visual guide allows you to explore the LEGO team's creative process in building and understand how LEGO artists translated such iconic buildings into these buildable LEGO sets.Stunning images and in-depth exploration of the real buildings like the Guggenheim™ or the Empire State Building, on which the LEGO Architecture series is based, provide you with a comprehensive look at the creation of these intricate sets. Learn why the LEGO team chose certain pieces and what particular challenges they faced. Read about the inspiration behind the creative processes and what designing and building techniques were used on various sets.Featuring profiles of the LEGO artists and builders who created the series and packaged in a sleek protective slipcase, LEGO Architecture: The Visual Guide is the ultimate illustrated tour of the LEGO Architecture series in all its micro-scale detail.Reviews:"Lego enthusiasts will welcome this remarkable chronological accounting," and the Journal gives the following "VERDICT: Perfect for Lego fans and a great way to transition inquisitive young minds from toys to books." - Library Journal"[I]t is a celebration of the LEGO models as much as it is a celebration of the original buildings." - A Daily Dose of Architecture"A fascinating look into the world's iconic buildings and structures... and the LEGO sets that celebrate them." - GeekDad

    This is the complete monograph on Italian designer and architect Ettore Sottsass (1917 – 2007), showcasing his incredible body of work, which ranges from electronic and industrial design to ceramics, graphic design, architecture and photography.

    Tired of the perfectly rendered screen image, architects are making presentations that are clearly the work of the hand and the mind, not the computer.This ambitious publication, organized chronologically, is aimed at a new generation of architects who take technology for granted, but seek to further understand the principles of what makes a building meaningful and enduring. Each of the fifty works of architecture is presented through detailed consideration of its site, topology, and surroundings; natural light, volumes, and massing; program and circulation; details, fenestration, and ornamentation. Over 2,500 painstakingly hand-drawn images of the buildings of the past seven decades help readers return to the core values of understanding site and creating buildings: looking with the eyes, engaging through direct physical experience, and constructing by hand.

    Architecture is a strange mixture of persistence and flux, an amalgamation of elements -- some that have been around for over 5,000 years and others that were (re)invented yesterday.  The fact that these elements change independently of each other, according to different cycles and economies, and for different reasons, turns each building into a complex collage of the archaic and the current, the site-specific and the standard, mechanical smoothness and the spontaneous.  Only by looking at the elements under a wide lens can we recognize the cultural preferences, forgotten symbolism, technological advances, mutations triggered by intensifying global exchange, climatic adaptions, political calculations, regulatory requirements, new digital regimes, and, somewhere in the mix -- the ideas of the architect that constitute the practice of architecture today.A collection of these essential elements into 15 books in a package launched at the 2014 Venice Biennale that allows us to look through a microscope at the real fundamentals of our buildings and see again the essential design techniques used by any architect, anywhere, anytime.

    They run on commodity hardware, provide services to untrusted users, and deal with unpredictable workloads. These factors impose a range of problems that you, as a designer or developer, need to resolve. Your applications must be resilient so that they can recover from failures, secure to protect services from malicious attacks, and elastic in order to respond to an ever changing workload. This guide demonstrates design patterns that can help you to solve the problems you might encounter in many different areas of cloud application development. Each pattern discusses design considerations, and explains how you can implement it using the features of Windows Azure. The patterns are grouped into categories: availability, data management, design and implementation, messaging, performance and scalability, resilience, management and monitoring, and security. You will also see more general guidance related to these areas of concern. It explains key concepts such as data consistency and asynchronous messaging. In addition, there is useful guidance and explanation of the key considerations for designing features such as data partitioning, telemetry, and hosting in multiple datacenters. These patterns and guidance can help you to improve the quality of applications and services you create, and make the development process more efficient. Enjoy!

    Does this immense diversity reflect a lack of common purpose? In this book, acclaimed architect and theorist Farshid Moussavi argues that this diversity should not be mistaken for an eclecticism that is driven by external forces.The Function of Style presents the architectural landscape as an intricate web in which individual buildings are the product of ideas which have been appropriated from other buildings designed for the different activities of everyday life, ideas which are varied to produce singular buildings that are related to one another but also different. This network of connections is illustrated on the cover of this book (and in more detail inside).Moussavi argues that, by embracing everyday life as a raw material, architects can change the conventions of how buildings are assembled, to ground style, and the aesthetic experience of buildings, in the micro-politics of the everyday.The third volume in Moussavi's 'Function' series, The Function of Style provides an updated approach to style which can be used as an invaluable and highly productive tool by architects today.Assistant Editors: Marco Ciancarella, Jonathan A. Scelsa, Mary Crettier, Kate Kilalea

    His highly influential writings of the 1990s—included in our bestselling Recovering Landscape—together with a post-millennial series of built projects, such as New York's celebrated High Line, prove that the best way to address the problems facing our cities is to embrace their industrial past. Collecting Corner's written scholarship from the early 1990s through 2010, The Landscape Imagination addresses critical issues in landscape architecture and reflects on how his writings have informed the built work of his thriving New York– based practice, Field Operations.

    This thoroughly updated 2014 edition of the Ando monograph celebrates the completely unique aethetic of one of the world's most acclaimed architects. Spanning his entire career, including such stunning new projects as the Hansol Museum in South Korea and Teatrino in Venice, Italy, it explores his unprecedented use of concrete, wood, water, light, space, and natural forms. A testimony to the diversity and global reach of the Ando touch, featured designs include award-winning private homes, churches, museums, apartment complexes, and cultural spaces throughout Japan, as well as in France, Italy, Spain, and the USA.

    This gorgeously photographed volume features the intimate and private spaces of both the icons and unknown vanguards of European midcentury architecture and design. Showcasing the functional beauty of midcentury design, Modern Originals presents the innovative homes by some of the most compelling and influential European midcentury designers, including Le Corbusier, Alvar Aalto, Finn Juhl, Robin and Lucienne Day, and Gae Aulenti, to name a few. Williamson gained exclusive access to homes that are often closed to the public, and this intimacy is reflected in her richly detailed photographs. Each chapter is dedicated to a single home where the interiors are intact as they were lived in by their designers. Examples include the iconic Studio Achille Castiglioni in Milan; the Helsinki home of Aino and Alvar Aalto with signs of functionalism preserved; Finn Juhl's Scandinavian farmhouse, with warm woods and bursts of primary colors; and Carlo Mollino's eccentric Italian lair filled with his sensually shaped designs. This rare glimpse into the personal spaces of legendary designers in the midcentury canon reveals the highest expression of their ideas created for the most demanding of clients: themselves.

    An introduction to skyscrapers around the world and the architects who designed them.

    Hide and Seek showcases the most beautiful places for satisfying this longing. More and more people are yearning to live in harmony with nature. Yet they don't want to give up their homes in the city or make radical changes to their lives Instead, they are creating their very own retreats in nature. The furniture, decor, and feel of these highly individual structures offer their owners an exceptional, yet convenient way of escaping from their urban routines. The right concept is more important than a lot of space. The architecture and interior design are rustic, bucolic, and simple --dedicated to turning a small plot of land into a sanctuary for relaxation. Hide and Seek adds inspiring examples to the range of stunning getaways in nature presented in Rock the Shack, the bestselling predecessor to this book. Whether located in the forest, on the water, or in the mountains; whether light and minimalistic or dark and cozy, the featured retreats exemplify how to create locations that offer calm and balance in our hectic lives. The cabins, hideaways, and homes showcased here meld traditional architecture with modern living in fascinating and surprising ways. Although the individual solutions are very different from each other, all of them respect nature and focus on the essentials. Hide and Seek is a contemporary survey of contextual architecture and interior design that radiates inner strength It not only has the power to bring people in tune with their surroundings, but also with themselves."

    With the advent of modernity, forensics shifted to refer exclusively to the courts of law and to the use of medicine, and today as a science in service to the law. The present use of forensics, along with its popular representations have become increasingly central to the modes by which states police and govern their subjects.By returning to forensis this book seeks to unlock forensics’ original potential as a political practice and reorient it. Inverting the direction of the forensic gaze it designates a field of action in which individuals and organizations detect and confront state violations.The condition of forensis is one in which new technologies for mediating the “testimony” of material objects—bones, ruins, toxic substances, landscapes, and the contemporary medias in which they are captured and represented—are mobilized in order to engage with struggles for justice, systemic violence, and environmental transformations across the frontiers of contemporary conflict.This book presents the work of the architects, artists, filmmakers, lawyers, and theorists who participated directly in the “Forensic Architecture” project in the Centre for Research Architecture at Goldsmiths University of London, as well as the work of associates and guests. It includes forensic investigations undertaken by the project and its collaborators aimed at producing new kinds of evidence for use by international prosecutorial teams, political organizations, NGOs, and the UN. It also brings together research and essays that situate contemporary forensic practices within broader political, historical, and aesthetic discourse.

    An excellent (and affordable) addition to any library." -- Library JournalThis new, fifth edition presents the complete and most up-to-date list of 981 World Heritage sites, including the 26 sites inscribed in 2012 and the 19 sites inscribed in 2013. Some of these newly inscripted sites are Red Basque Bay Whaling Station, Canada; Historic Centre of Agadez, Niger; Medici Villas and Gardens, Tuscany, Italy; Mount Etna, also in Italy; and the Nabib Sand Sea in Namibia.The strict listing criteria mean only the most extraordinary, important and best-managed sites make the cut. Other inscripted sites include the Statue of Liberty, the Great Barrier Reef, the Historic Center of Vienna, Bikini Atoll Nuclear Test Site, Australian Convict Sites, Prehistoric Caves of Yagul (Mexico), Robben Island, Ancient Damascus, Kremlin and Red Square and the Tower of London.Failure to maintain the criteria can result in delisting, the fate of Arab Oryx Sanctuary in 2007 and Dresden Elbe Valley in 2009.Clear text gives a brief history of the site, explaining its significance and the criteria that put it on the list. A location map gives readers an instant understanding of where it is in the world and color photographs illustrate the site. This is an ideal reference for trip planning, as a travel guide or for the armchair traveler.The World Heritage List is a roll call of the world's most important cultural, natural and mixed sites. The purpose of the list is to safeguard cultural and natural heritage considered to be of outstanding, universal value to humanity. UNESCO, the United Nations Educational, Scientific and Cultural Organization, has overseen the list since its inception in 1959.

    This book will further explore the operative in a more detailed, intentional, and perhaps functional manner. Spatially, the conditional is the result of the operative. It is not a blind result however. Both terms work together to satisfy a formal manipulation through a set of opportunities for elements such as connections and apertures.

    Between 1909 and 1959, Wright designed a total of 38 structures up and down the West Coast, from Seattle to Southern California. These include well-known structures such as the Marin County Civic Center and Hollyhock House in Los Angeles, and many lesser-known gems such as the 1909 Stewart House near Santa Barbara.

    Drawing for Architects provides what practicing architects and architectural students need - a technique-based, progression of drawing types and instructions teaching core drawing principles needed to connect drawing with architectural design. Respected architect and author Julia McMorrough outlines issues around each of the types of drawing, showing that the conversations of plan, section, elevation, axonometric, and perspective each have a relation to the kind of design information that drawing makes possible to express. Drawing for Architects explains both the technical and disciplinary importance of drawing and how to enable design creativity and application through its practiced use.

    Already it pervades political discourse and shapes our reading of the economy and the environment. But scarcity is not just the inevitable result of growth and resource exploitation – every innovation results in new scarcities. Scarcity is constructed daily through the creation of desire, it is designed. The authors of this timely essay set out to establish a more sophisticated understanding of scarcity. Moving beyond the idea that lack and inequality are simply laws of nature, they argue that scarcity can be challenged. The message for architects and designers – experts in working with constraints – is that scarcity is a process, and one that can be productive. This essay asks us to throw out our simplistic Malthusian graphs and escape the stranglehold that scarcity has on our imaginations.

    Fewer than 1,000 remain. In America's Covered Bridges, authors Terry E. Miller and Ronald G. Knapp tell the fascinating story of these bridges, how they were built, the technological breakthroughs required to construct them and above all the dedication and skill of their builders. Each wooden bridge, whether still standing or long gone, has a story to tell about the nature of America at the time—not only about its transportation needs but the availability of materials and the technological prowess of the people who built it.North American covered bridges were marvels of engineering long before modern civil engineering was invented. Early American bridge builders developed revolutionary new carpentry methods to join timbers into patterns consisting of triangles or continuous arches that resulted in structures rigid enough to span long distances. These systems, called trusses, were critical to bridge construction of the day and had to be protected from the elements by a roof and siding. Few people today realize that bridges were covered to protect the trusses—not the people using the bridge! The unprotected trusses soon degraded and the bridge would collapse.Illustrated with some 550 historical and contemporary photos, paintings, and technical drawings of nearly 400 different covered bridges, America's Covered Bridges offers five readable chapters on the history, design and fate of America's covered bridges, plus related bridges in Canada. Most of the contemporary photography is by master photographer A. Chester Ong of Hong Kong.55 photo essays on the most iconic bridges remaining, including:Cornish-Windsor Bridge between Vermont and New HampshirePorter-Parsonsfield Bridge, MaineEast Paden and West Paden (Twin Bridges), PennsylvaniaPhilippi Bridge, West VirginiaHortons Mill Bridge, AlabamaMedora Bridge, IndianaRock Mill Bridge, OhioKnight's Ferry Bridge, CaliforniaPerrault Bridge, Quebec, CanadaHartland Bridge, New Brunswick, CanadaAmong the featured bridges are two that were destroyed before the book could be published, New York's Blenheim Bridge during a storm and Ohio's Humpback Bridge by arson. The Permanent Bridge in Philadelphia, considered by most as the first covered bridge in America, figures prominently, as do the bridges of Lancaster County—heart of Pennsylvania Dutch country. This compendium of classic Americana includes many of the most astounding and iconic bridges ever built in the United States, including those by Timothy Palmer, Theodore Burr and Lewis Wernwag. Some, like the Columbia-Wrightsville Bridge over the Susquehanna River in Pennsylvania, were a mile long.Over time, wooden bridges eventually gave way to ones made of iron, steel and concrete. An American icon, many covered bridges became obsolete and were replaced—others simply decayed and collapsed. Many more were swept away by natural disasters and fires. America's Covered Bridges is absolutely packed with fascinating stories and information passionately told by two leading experts on this subject. The book will be of tremendous interest to anyone interested in American history, carpentry and technological change.

    Until about the fifteenth century, it was also among the world’s largest cities and, as the eastern terminus of the Silk Road, it was a place where the political, artistic, and religious currents of Asia coalesced and flourished. Despite these and many other traits that make Kyoto a place of both Japanese and world historical significance, the physical appearance of the premodern city remains largely unknown. Through a synthesis of textual, pictorial, and archeological sources, this work attempts to shed light on Kyoto’s premodern urban landscape with the aim of opening up new ways of thinking about key aspects of premodern Japanese history.The book begins with an examination of Kyoto’s highly idealized urban plan (adapted from Chinese models in the eighth century) and the reasons behind its eventual failure. The formation of the suburbs of Kamigyō and Shimogyō is compared to the creation of large exurban temple-palace complexes by retired emperors from the late eleventh century. Each, it is argued, was a material manifestation of the advancement of privatized power that inspired a medieval discourse aimed at excluding “outsiders.” By examining this discourse, a case is made that medieval power holders, despite growing autonomy, continued to see the emperor and classical state system as the ultimate sources of political legitimacy. This sentiment was shared by the leaders of the Ashikaga shogunate, who established their headquarters in Kyoto in 1336. The narrative examines how these warrior leaders interacted with the capital’s urban landscape, revealing a surprising degree of deference to classical building protocols and urban codes. Remaining chapters look at the dramatic changes that took place during the Age of Warring States (1467–1580s) and Kyoto’s postwar revitalization under the leadership of Oda Nobunaga and Toyotomi Hideyoshi. Nobunaga’s construction of Nijō Castle in 1569 transformed Kyoto’s fundamental character and, as Japan’s first castle town, it set an example soon replicated throughout the archipelago. In closing, the book explores how Hideyoshi—like so many before him, yet with much greater zeal—used monumentalism to co-opt and leverage the authority of Kyoto’s traditional institutions.Richly illustrated with original maps and diagrams, Kyoto is a panoramic examination of space and architecture spanning eight centuries. It narrates a history of Japan’s premodern capital relevant to the fields of institutional history, material culture, art and architectural history, religion, and urban planning. Students and scholars of Japan will be introduced to new ways of thinking about old historical problems while readers interested in the cities and architecture of East Asia and beyond will benefit from a novel approach that synthesizes a wide variety of sources.

    But one thing is rarely captured: the event itself. All we can read is its effect on a space, and that’s where the architectural expert is required, to fill the gap with a narrative. In this groundbreaking essay, Eyal and Ines Weizman explore the history of the before-and-after image, from its origins in 19th-century Paris to today’s satellite surveillance. State militaries monitor us and humanitarian organisations monitor them. But who can see in higher resolution? Who controls the size of the pixels? Interpreting these images is never straightforward.

    This guide book,the first ever for the badami region,ia authored by a scholar whose PhD was on early Chalukya architecture.Te text is illustrated with regional and town maps,building plans,and more than 130 splendid colour photographs.

    Besides childhood fantasies and the power of imagination, the winner of the Golden Lion at the 2010 Venice Biennale of Architecture is also inspired by nature. At the same time, his work process is strictly methodical and oriented toward expanding the existing boundaries between design, architecture, and geography. The aesthetics of concentration, the transparency, and the simplicity of his ideas, models, and buildings are based on complex creative processes. Ishigami presents his holistic search for the right proportions in an exclusive publication: How Small? How Vast? How Architecture Grows. It demonstrates what it looks like to create an environment that bases social life on organic principles.In Japanese and English.

    Rising far above the Lower Manhattan skyline, the Twin Towers-centerpieces of the original World Trade Center complex-were intended, in the words of their architect, to "become a living representation of man's belief in humanity." From the beginning, the project was not without controversy. Positioned at the confluence of several transportation routes, an entire district known as "Radio Row" would be claimed through eminent domain and demolished to make way for the new center of commerce. The abstract-arguably overpowering-design invited fierce criticism. Nevertheless, Yamasaki and associate architects Emery Roth & Sons would devote over a decade to the design and construction of the World Trade Center, which proved significant not only as an urban renewal project, but also as an architectural and engineering marvel. By the time of their destruction, the Twin Towers were one of New York City's most prominent icons. With the new World Trade Center slowly approaching completion, the importance and irreplaceability of the original becomes more evident. CLOG will therefore critically examine that which has forever been lost: the World Trade Center, Dedicated April 4, 1973.

    Portret domu Zofii i Oskara Hansenów w Szuminie, najpełniejszej architektonicznej realizacji idei Formy Otwartej. Do niedawna znany tylko wtajemniczonym, w tej książce zostaje pokazany z różnych perspektyw. Ponad sto doskonałych zdjęć Jana Smagi oraz teksty Aleksandry Kędziorek i Filipa Springera (który Hansenów przybliżył już w wydanym w 2013 roku Zaczynie) uzmysławiają, w jaki sposób można o przestrzeni myśleć, przeżywać ją, tworzyć – a raczej współtworzyć. Architektura jest tu bowiem „chłonnym tłem” wydarzeń codziennego życia. Dom w Szuminie, budowany od 1968 roku, to jeden z niewielu projektów Hansenów zrealizowanych zgodnie z ich życzeniem. Jego szczególną atmosferę współtworzą ślady działalności i pasji Hansenów – umieszczone wokół domu instrumenty dydaktyczne do nauki podstaw kompozycji; stalowa struktura z biennale w Wenecji z 1977 roku, po której pnie się winorośl i drewniany gołębnik, który, jak uważała Zofia Hansen, był najdoskonalszym dziełem jej męża.This beautifully illustrated volume offers a photographic tour of the iconic house of Polish architect couple: Oskar Hansen, member of Team 10, and his wife, Zofia. Located in Szumin in central Poland and designed in 1968, the house serves as a spatial manifesto of Hansen’s theory of Open Form, an inspiring concept aimed at opening the architecture for its users’ participation and transforming it into a passe-partout for everyday life. An essay on the house and its conceptual underpinnings by journalist Filip Springer accompanies striking photographs by Jan Smaga, and the resulting book is both a portrait of a specific dwelling and a larger analysis of the very idea of architects’ houses and their relationship to their owners’ work.

    Today, the Forum exists in a fragmentary state, having been destroyed and plundered by barbarians, aristocrats, citizens, and priests over the past two millennia. Enough remains, however, for archaeologists to reconstruct its spectacular buildings and monuments. This richly illustrated volume provides an architectural history of the central section of the Roman Forum during the Empire (31 BCE-476 CE), from the Temple of Julius Caesar to the monuments on the slope of the Capitoline hill. Bringing together state of the art technology in architectural illustration and the expertise of a prominent Roman archaeologist, this book offers a unique reconstruction of the Forum, providing architectural history, a summary of each building's excavation and research, scaled digital plans, elevations, and reconstructed aerial images that not only shed light on the Forum's history but vividly bring it to life. With this book, scholars, students, architects, and artists will be able to visualize for the first time since antiquity the character, design, and appearance of the famous heart of ancient Rome.

    With over 2,200 drawings and photographs, the Thirteenth Edition covers basic theory, preliminary building design guidelines, and detailed design procedure for buildings of all sizes, and also provides information on the latest technologies, emerging design trends, and updated codes.

         Béton brut or 'raw concrete' was a term coined by Le Corbusier and appropriated by two young British architects in the 1950s to describe a new kind of building: austere, unadorned, monolithic, confrontational and constructed almost entirely in concrete.      Brutalist architecture blossomed in Britain in the second half of the twentieth century, with planners favouring its functionality and low costs for social housing projects, government buildings and shopping centres. But as the school spread, so its reputation foundered, with Brutalism quickly becoming synonymous with crime, economic deprivation and inner-city decay.      In the twenty-first century, Brutalist buildings are just as prominent, and just as pilloried -- seen by many as 'spiky survivors of the sixties'. But there is another side to Brutalism, one of artistic vision, political idealism and painstaking attention to detail: a school of architecture to celebrate, not destroy.     Raw Concrete provides a groundbreaking history of the heavy-concrete architecture of post-war Britain, as well as a personal and illuminating guide to eight pivotal Brutalist buildings. Beginning in a tiny concrete hermitage on the remote north Scottish coast, and ending up backstage at the National Theatre, Raw Concrete takes us on a wide-ranging journey through Britain over the past sixty years, stopping to examine how these buildings were made -- from commission to construction -- why they have been so hated, and why they should be loved.

    Also discover the Paris gardens of celebrated artist Jean-Michel Othoniel and art aficionado Pierre Bergé, architect Kenzō Takada’s Japanese retreat in the Bastille, Australian couturier Martin Grant’s tiny terrace in the Marais, Mexican painter MariCarmen Hernandez’s Montmartre rooftop, and American architect Michael Herrman’s homage to Le Corbusier’s surreal Champs Élysées garden for bon vivant Charles de Beistegui.Modern masters Louis Benech, Gilles Clement, Pascal Cribier, Christian Fournet, Camille Muller, HuguesPeuvergne, and Pierre-Alexandre Risser are also featured, representing a new era of experiments, color, and asymmetry in the Paris garden.

    Lee, Abraham Lincoln, Frederick Douglass, Clara Barton, Stonewall Jackson, and others.Timed to coincide with the 150th anniversary of the Civil War and a fitting sequel to Houses of the Presidents, HOUSES OF CIVIL WAR AMERICA takes readers into the daily lives of the most important historical figures in the nation-defining conflict. From modest abolitionist homes to the plantations of the antebellum south. Howard and Straus bring the most intimate moments of the war to life. With insightful narrative and gorgeous photography, HOUSES OF CIVIL WAR AMERICA demonstrates--through these landmark homes--the nation we were and the nation we became.

    This volume on architecture features carefully selected buildings that showcase the innovative use of a particular material. The book focuses on specific categories of materials and features an extensive range of projects, from the Netherlands Institute for Sound and Vision to the Ordos Art and City Museum in Mongolia. The materials employed in each project are cross referenced to an extensive illustrated directory featured in the book, and the texts are authoritative yet accessible. Clearly structured and illustrated with carefully selected images throughout, this book will connect material to reader and will inspire both students and professionals to pursue the optimal material for each specific application.

    Architecture has long been a subject matter for photographers, who utilize the medium not just to document the built world, but also to reveal wider truths about society. This book features chapters devoted to various artists--among them, Berenice Abbott, Walker Evans, Ed Ruscha, Bernd and Hilla Becher, Andreas Gursky and Iwan Baan--and includes 220 color and duotone images. Each chapter opens with a text introducing the artists' work, followed by reproductions of their photographs. Arranged chronologically, the book documents the birth of the skyscraper against the backdrop of the Great Depression; the rise of the modernist tradition in America, post-colonial Africa, and India; the effects of industry on 1960s Europe; the increasing suburbanization of America and Europe; and the consequences of today's mass urbanization in Asia, the Middle East, and South America. Far-reaching and penetrating, this volume reflects on the ongoing dialogue between photography and architecture.

    Boyd. His Holy House features full-color photos of nearly sixty Latter-day Saint temples located throughout the United States and Canada. Each image has been crafted with a professional artistic eye, reflecting the fine quality and exquisite detail with which the temples were built.The detail shots of ornate windows, beautiful stonework, and carved wooden doors remind us to appreciate every inch of the Lord's house. Other images display the temples highlighted dramatically against gorgeous landscapes or show the changing beauty of the seasons contrasted with the unchanging beauty of the temples. Also scattered throughout the book are inspirational scriptures that speak of the blessings available to us through our temple worship.Robert A. Boyd's photography does exactly what good art should do: please the eye, uplift the heart, and inspire the soul. His work is remarkable. —James C. Christensen

    A dozen aristocratic French families invite readers to experience their elegant lifestyle, from the royal stag hunting tradition of Louis XI and Louis XIII at the Château de Champchevrier to Hubert de Givenchy’s elegant Parisian townhouse imbued with grandeur and comfort in the style of Napoleon III. The featured houses, illustrated with specially commissioned photography, represent key periods of French decoration. The exquisite Renaissance architecture of Château d’Anet and its sumptuous interiors with great fireplaces, silk upholstered sofas, and soft lighting exude the notorious ardor between Henry II and Diane de Poitiers. The hidden sanctuary of a Parisian manor reveals a dignified library and a harmonious blend of antique and contemporary fabrics and sculptures. A grand salon with Versailles parquet is illuminated by a Louis XVI crystal and amethyst chandelier. Meticulously planned gardens beckon contemplation and dining tables replete with crystal and silver are a visual feast. From the architecture, garden designs, furniture, textiles, and art collections, these exclusive private homes are a rich source of interior design inspiration.

    Fady Joudah provides a powerful translation of this contemporary Jordanian epic, which doubles as travel guide to one of the world's wonders. In Petra: the Concealed Rose, we move between love and death, history and myth, Orientalism and Feminism, representation and presence until we are face-to-face with this marvel, able to feel its textures, breathe its air, and smell its scents. This is a timeless work of art where “symmetry repeats / But dimensions vary,” and Nasser embodies the rocky desert rose to its perfect imperfection.

    

    In the past decade, as our material existence and environmental footprint has grown exponentially, architects around the globe have become particularly interested in the possibilities of the minimal, low-impact, and isolated abode. This new TASCHEN title, combining insightful text, rich photography and bright, contemporary illustrations by Marie-Laure Cruschi, explores how this particular architectural type presents special opportunities for creative thinking. In eschewing excess, the cabin limits actual spatial intrusion to the bare essentials of living requirements, while in responding to its typically rustic setting, it foregrounds eco-friendly solutions. As such, the cabin comes to showcase some of the most inventive and forward-looking practice of contemporary architecture, with Renzo Piano, Terunobu Fujimori, Tom Kundig and many fresh young professionals all embracing such distilled sanctuary spaces. The cabins selected for this publication emphasize the variety of the genre, both in terms of usage and geography. From an artist studio on the Suffolk coast in England to eco-home huts in the Western Ghats region of India, this survey is as exciting in its international reach as it is in its array of briefs, clients, and situations. Constant throughout, however, is architectural innovation, and an inspiring sense of contemplation and coexistence as people return to nature and to a less destructive model of being in the world.

    Born in 1941, Ito is one of the world's most innovative architects. The texts in this collection cover almost exactly 40 years of writing and feature famous essays as well as previously untranslated writings that shed new light on Ito’s relationship to evolving patterns of architectural thinking and design. Architecture Words is a series of texts and important essays on architecture written by architects, critics and scholars. Like many aspects of everyday life, contemporary architectural culture is dominated by an endless production and consumption of images, graphics and information. Rather than mirror this larger force, this series of small books seeks to deflect it by means of direct language, concise editing and beautiful, legible graphic design. Each volume in the series offers the reader texts that distil important larger issues and problems, and communicate architectural ideas; not only the ideas contained within each volume, but also the enduring power of written ideas more generally to challenge and change the way all architects think.

    It was the first country house built by John, Robert and James Adam - the brothers whose architectural practice was to become the most famous in Britain.Dumfries House lies within its historic landscape in rolling farmland to the west of Cumnock. Completed in 1760, the house was adapted and altered over the years - most significantly and sympathetically by Robert Weir Schultz, a leading figure in the Arts and Crafts movement. Dumfries House is not only significant architecturally, it also contains one of the most spectacular collections of eighteenth century furniture in Britain, with works by Thomas Chippendale, and pieces by three renowned Edinburgh furniture makers, Francis Brodie, Alexander Peter and William Mathie. In June 2007, HRH The Prince of Wales headed a consortium of charities and heritage bodies to buy the house, with the express aim of preserving it in its entirety and making it more accessible to the public.

    It shows where there is significant scope for design and explains design strategies that lead to better passive houses. A selection of international buildings illustrate how design, construction and building technology combine in passive houses.

    They photographed the residents and documented the building-every door, the view from every window, the image on every television screen. This remarkable body of images is presented here in counterpoint with an extensive archive of found material and historical documents. The visual story is integrated with a sustained sequence of essays and documentary texts. In the essays, some of South Africa's leading scholars and writers explore Ponte City's unique place in Johannesburg and in the imagination of its citizens. What emerges is a complex portrait of a place shaped by contending projections, a single, unavoidable building seen as refuge and monstrosity, dreamland and dystopia, a lightning rod for a society's hopes and fears, and always a beacon to navigate by. This long-term project obtained the Discovery Award at Les Rencontres d'Arles in 2011.

    Formless itself, money is a fundamental form giver. At all scales, and across the ages, architecture is a product of the financial environment in which it is conceived, for better or worse. Yet despite its ubiquity, money is often disregarded as a factor in conceptual design and is persistently avoided by architectural academia as a serious field of inquiry. It is time to break these habits. In the contemporary world, in which economies are increasingly connected, architects must creatively harness the financial logics behind architecture in order to contribute meaningfully to the development of the built environment.This issue of Perspecta—the oldest and most distinguished student-edited architectural journal in America—examines the ways in which money intersects with architectural discourse, design practice, and urban form, in order to encourage a productive relationship between money and the discipline. Contributions from a diverse group of scholars, practitioners, and artists create a dialogue about money's ambiguous position in architecture, reflecting on topics that range from the aesthetics of austerity to the underwriting of large-scale art projects to the economic implications of building information modeling.Contributors AOC, JT Bachman, Phil Bernstein, Mario Carpo, Christo, Peggy Deamer, Keller Easterling, Peter Eisenman, Mark Foster Gage, Frank Gehry, Thomas Gluck, Kevin D. Gray, Charles Holland, Hasty Johnson & Jerry Lea, Naomi R. Lamoreaux, Mira Locher, Vivian Loftness, Gregg Pasquarelli, Cesar Pelli & Fred Clarke, Nina Rappaport, Todd Reisz, Brent Ryan & Lorena Bello, Michelangelo Sabatino, David Ross Scheer, Robert Shiller, Robert A.M. Stern, Elisabetta Terragni, Kazys Varnelis, Andrew Waugh & Michael Green, Jay Wickersham & Christopher Milford, Alejandro Zaera-Polo

    This study, by contrast, examines the political histories and material culture of smaller, fortified strongholds both on the plains and atop hills, the control of which was repeatedly contested by rival primary centers. Exceptionally high levels of conflict over such secondary centers occurred between 1300 and 1600, and especially during the turbulent sixteenth century when gunpowder technology had become widespread in the region.The authors bring two principal objectives to the enquiry. One is to explore how political power, monumental architecture, and collective memory interacted with one another in the period under study. The study's authors-one trained in history, the other in art history and archaeology-argue for systematically integrating the methodologies of history, art history, and archaeology in attempts to reconstruct the past. The study's other aim is to radically rethink the usefulness of Hindu-Muslim relations as the master key by which to interpret this period of South Asian history, and to propose instead a model informed by Sanskrit and the Persian literary traditions.

    In an accessible but scientifically aware manner, architect and author Klaske Havik (born 1975) argues that literary authors most effectively portray the concept of lived and experienced space, evoking memories and imaginations in their readers. Havik offers new methods for -reading- and -writing- places, from the architectural to the urban, by engaging with three particular techniques of literature: description, transcription and prescription. This triad of interrelated concepts forms a -bridge- that connects to different literary discourses, which Havik translates into the domain of architecture and urban planning. This revised framework for architectural research, writing and reading encourages professional writing to recognize that each place is a complex and stratified phenomenon--a -lived- place. Throughout this theoretical discourse are thorough analyses of the work of Steven Holl, Bernard Tschumi and Rem Koolhaas.

    Chapter 2 explores what differentiates “architecture” from “building,” focusing not only on the “great” buildings of the world but also on the whole range of architectural works from indigenous structures to contemporary buildings. The core of the book is an exploration of the role of “durability,” “utility,” and “beauty” in architecture. These three concepts (originally coined by Vitruvius during the Roman empire as Firmitas, Utilitas, and Venustas) remain at the heart of what architecture strives for and are as relevant today as they were over 2,000 years ago.

    What sets Piano apart is that he applies his coherent set of ideas in extraordinarily different ways. It takes more than a quick glance to see his touch on such individual structures as the Pompidou Center, The New York Times Building in New York, and his 72-story London Bridge Tower. Each project is a renaissance, because, as Piano himself explains: "One of the great beauties of architecture is that each time, it is like life starting all over again." This updated monograph, illustrated by photographs, sketches, and plans, spans Piano's career to date and the many existences of his singular aesthetic. It includes new photographs of the Modern Wing of the Art Institute of Chicago, and the Kimbell Art Museum Expansion in Fort Worth, Texas, as well as a sneak peek at his current project, Valletta City Gate in Valletta, Malta. Text in English, French, and German

    It introduces architecture and engineering practitioners and students to structural shells and provides computational techniques to develop complex curved structural surfaces, in the form of mathematics, computer algorithms, and design case studies.• Part I introduces the topic of shells, tracing the ancient relationship between structural form and forces, the basics of shell behaviour, and the evolution of form-finding and structural optimization techniques.• Part II familiarizes the reader with form-finding techniques to explore expressive structural geometries, covering the force density method, thrust network analysis, dynamic relaxation and particle-spring systems.• Part III focuses on shell shape and topology optimization, and provides a deeper understanding of gradient-based methods and meta-heuristic techniques.• Part IV contains precedent studies of realised shells and gridshells describing their innovative design and construction methods.

    This guide by architectural historian Jon Cannon uses high-quality photographs and diagrams to help us to analyze the leading changes in style from the Anglo-Saxon period, through the Romanesque as far as Gothic and Perpendicular. By identifying various clues left by each period, he enables us to date architectural features and styles, and explains the technical terms applied to them. If you have ever wondered how your church or cathedral developed, and want to know your triforium from your blind arcade or your vault from your hammerbeam, all the answers are here.

    Cornille introduces each engineer or architect and the main concepts of their work through charming step-by-step drawings and accessible text. Who Built That? Bridges is a fun primer for children of all ages interested in learning about these incredible structures and the engineering and design concepts behind each one.

    Challenging previous scholarship on the subject and uncovering vast amounts of new material at the boundaries between architectural and social history, Elain Harwood structures the book around building types to reveal why the architecture takes the form it does. Buildings of all budgets and styles are examined, from major universities to the modest café. The book is illustrated with stunning new photography that reveals the logic, aspirations, and beauty of hundreds of buildings throughout England, at the point where many are disappearing or are being mutilated.  Space, Hope, and Brutalism offers a convincing and lively overview of a subject and period that fascinates younger scholars and appeals to those who were witnesses to this history.

    Find out the History of Armenian Churches. An amazing book for any Christian interested to find all about Armenian Churches. Armenia (Armenian: Hayastan) is the only country remaining from 3,000 year old maps of Anatolia. It became the world’s very first Christian country more than 1,700 years ago in 301 AD, and has a large Diaspora worldwide. As a former Soviet republic lying in the Caucasus region, straddling Asia and Europe, Armenia has an ancient and rich culture. Armenia is very easy to experience, thanks to very hospitable people.

    Immerse yourself in the world of Monet, Degas, Cézanne, Renoir, Gauguin and van Gogh thanks to this comprehensive guide to the museum.

    Famous architects, theorists and prominent Indians of the era assisted him in the realization of his vision for Bombay as the country's first city. Tracing the evolution of its distinctive architectural style, Christopher London reveals the fascinating history of a developing metropolis. Lavishly illustrated with color photographs as well as rare archival material, and drawing visual comparisons with both contemporary and medieval European models, Bombay Gothic presents a comprehensive perspective of Victorian architecture in Bombay.

       The most densely populated state in the nation and one of the original thirteen, home to the largest public iris garden in the country, and the glacier-swept endpoint of the last Ice Age—for Nancy Berner and Susan Lowry, who look to gardens as an entry to the history and culture of a region, New Jersey presents an array of surprising diversity. Its temperate climate makes it possible to grow a wide range of plants, while its complex topography—ranging from mountains to rolling hills and flat basins, the scrubby Pine Barrens and the rich Coastal Plain—demands innovative approaches to design.   The twenty-eight selected gardens—from Skylands, with its specimen trees, woodland and rock gardens, and lilac collection close to the New York border, to the elegant formal gardens of Short Hills, Bernardsville, and Oldwick, to a wildlife garden filled with frogs and butterflies and a lighthouse garden near Cape May—illustrate the ways in which New Jersey’s long garden traditions are upheld to this day. Gemma and Andrew Ingalls’ stunning photographs bring out the manifold ways in which a garden might speak to us in its owner’s or designer’s voice, expressing a particular point of view.

    Applicable to both domestic and non-domestic building types, the strength of Passivhaus lies in the simplicity of the concept. As European and global energy directives move ever closer towards Zero (fossil) Energy standards, Passivhaus provides a robust 'fabric first' approach from which to make the next step.The Passivhaus Designers Manual is the most comprehensive technical guide available to those wishing to design and build Passivhaus and Zero Energy Buildings. As a technical reference for architects, engineers and construction professionals The Passivhaus Designers Manual provides:State of the art guidance for anyone designing or working on a Passivhaus project;In depth information on building services, including high performance ventilation systems and ultra-low energy heating and cooling systems;Holistic design guidance encompassing: daylight design, ecological materials, thermal comfort, indoor air quality and economics;Practical advice on procurement methods, project management and quality assurance;Renewable energy systems suitable for Passivhaus and Zero Energy Buildings;Practical case studies from the UK, USA, and Germany amongst others;Detailed worked examples to show you how it's done and what to look out for;Expert advice from 20 world renowned Passivhaus designers, architects, building physicists and engineers. Lavishly illustrated with nearly 200 full colour illustrations, and presented by two highly experienced specialists, this is your one-stop shop for comprehensive practical information on Passivhaus and Zero Energy buildings.

    With The Remittance Landscape, Sarah Lynn Lopez offers the first extended look at what is done with that money, and in particular how the building boom that it has generated has changed Mexican towns and villages. Lopez not only identifies a clear correspondence between the flow of remittances and the recent building boom in rural Mexico but also proposes that this construction boom itself motivates migration and changes social and cultural life for migrants and their families. At the same time, migrants are changing the landscapes of cities in the United States: for example, Chicago and Los Angeles are home to buildings explicitly created as headquarters for Mexican workers from several Mexican states such as Jalisco, Michoacán, and Zacatecas. Through careful ethnographic and architectural analysis, and fieldwork on both sides of the border, Lopez brings migrant hometowns to life and positions them within the larger debates about immigration.

    Modern libraries must strike a balance between housing significant amounts of printed material, providing access to digital material, and serving as a hub of activities within the community, whether that community is a neighborhood of a city, or a specific field of study at a university. Libraries provide an exciting challenge for contemporary architecture studios, and this volume details some of the most inspiring projects in recent years from around the world, with full-color photographs, plans, and insightful descriptions from the architects themselves.

    The combination of incredibly expressive illustrations and accessible technical writing make concepts of green building on paper as intuitive as they would be if you toured a space with experts in sustainable building." --Rick Fedrizzi, President, CEO, and Founding Chair of the U.S. Green Building Council "The authors of Green Building Illustrated deliver clear and intelligent text, augmented by straightforward but compelling illustrations describing green building basics. This comprehensive book covers everything from the definition of green building, to details of high performance design, to sensible applications of renewable energy. This is a book with appeal for all architects and designers, because it addresses general principles such as holistic and integrated design, along with practical realities like affordability and energy codes. Green Building Illustrated describes a pathway for reaching Architecture 2030's carbon emission reduction targets for the built environment."--Ed Mazria, founder of Architecture 2030"...a neophyte will have a very good overview of all the factors involved in green building. I see some excellent pedagogy at work!" -- Jim Gunshinan, Editor, Home Energy Magazine Francis D.K. Ching brings his signature graphic style to the topic of sustainable designIn the tradition of the classic Building Construction Illustrated, Francis D.K. Ching and Ian M. Shapiro offer a graphical presentation to the theory, practices, and complexities of sustainable design using an approach that proceeds methodically. From the outside to the inside of a building, they cover all aspects of sustainability, providing a framework and detailed strategies to design buildings that are substantively green. The book begins with an explanation of why we need to build green, the theories behind it and current rating systems before moving on to a comprehensive discussion of vital topics. These topics include site selection, passive design using building shape, water conservation, ventilation and air quality, heating and cooling, minimum-impact materials, and much more.Explains the fundamental issues of sustainable design and construction in a beautifully illustrated format Illustrated by legendary author, architect, and draftsman Francis D.K. Ching, with text by recognized engineer and researcher Ian M. Shapiro Ideal for architects, engineers, and builders, as well as students in these fields Sure to be the standard reference on the subject for students, professionals, and anyone interested in sustainable design and construction of buildings, Green Building Illustrated is an informative, practical, and graphically beautiful resource.

    The book presents a broad spectrum of work from a diverse roster of renowned and emerging artists: Annie Leibovitz captures the construction of Renzo Piano's New York Times building; James Welling revisits Philip Johnson's iconic Glass House; Walter Niedermayr shifts perspectives on SANAA's sculptural designs.The book is divided into five chapters, covering collaborations between photographer and architect, global urbanization, alterations to the natural landscape, reappraised Modernist icons, and imagined environments. Presenting a fresh study of outstanding work in contemporary architectural photography, Shooting Space not only provides an engaging display of beautiful photography, but will reward the reader with a considered survey of our built environment.

    Distinguishing between different phases of old age, the book identifies the group known as the -young old- as a remarkable petri dish for experiments in subjectivity, collectivity, and environment. In investigating this field of latent urban and architectural novelty, Young-Old asserts both the escapist and emancipatory dimensions of these practices. Richly illustrated with drawings, maps, and photographs, the volume documents phenomena ranging from the continuous, golf-cart-accessible urban landscapes of the world's largest retirement community in Florida and the mono-national urbanizaciones of -the retirement home of Europe- on Costa del Sol, to the Dutch-themed residential community at Huis Ten Bosch in southern Japan.

    Buildings of every shape and size, and from all corners of the world, populate this colorful and beautifully produced book that introduces children to history's most iconic architectural feats and the people behind them. In lively illustrated spreads, young readers will learn how Christopher Wren reconstructed an 11th-century cathedral after London's great fire of 1666 to become the St Paul's Cathedral that we know today, and how its dome survived the Blitz. They will find out how Thomas Jefferson, in building his plantation, Monticello, created a new architecture for a new nation. They will be introduced to the genius of Frank Lloyd Wright, Le Corbusier, Mies van der Rohe, and Zaha Hadid and can examine in detail the wonders of the Eiffel Tower, the Guggenheim Museum in Bilbao, Spain, and Rome's most beautiful museum. The book proceeds chronologically, accompanied by a timeline to offer helpful historical context. Each architect's entry includes a concise biography, illustrations of major works, and lively texts that speak directly to young readers. Additional information about the buildings pictured, suggestions for further reading, and online resources will satisfy the most curious minds.

    And no. Concrete is actually a name applied to a remarkably wide range of building substances, and, when properly handled, is one of the noble materials of contemporary architecture. A kind of "liquid stone" at the outset, it is malleable, durable, and capable of prodigious feats of engineering.This two-volume book highlights the best work done in concrete of recent years. It includes such stars as Zaha Hadid, Herzog & de Meuron, and Steven Holl, but also surprising new architects like the Russians SPEECH, and rising stars of the international scene like Rudy Ricciotti from France, as well as artists such as James Turrell, who turned the famous concrete spiral of Frank Lloyd Wright's Guggenheim in New York into the setting of one of his most remarkable pieces. Text in English, French, and German

    The definitive survey of one of the great treasures of the English country landscape and British architectural heritage.

    and your ambassadors use it well. It makes a big difference if you have an Embassy that is some kind of artistic expression, which therefore recalls the country’s eminence.’Dr Henry Kissinger, US Secretary of State, 1973-7    Since opening its doors in 1930, the British Ambassador’s Residence has been considered the premier diplomatic address in Washington. A neoclassical English country house with influences from American Colonial  architecture, the Residence was built when the great British architect Sir Edwin Lutyens was at the very peak of his powers. His only building in the United States, its majestic interiors, exteriors and gardens in the English style have been delighting Washington’s social and political elite for over eighty years. In this book, Anthony Seldon and Daniel Collings explore both the genius of Lutyens’ design for the Residence and the rich history of Anglo-American relations that has unfolded within its walls. The house and its extensive gardens are lavishly illustrated by specially commissioned photography, while striking images from the archives bring to life important events from its past. In 1939, the Residence bore witness to the first ever visit by a British monarch to the United States. King George VI and Queen Elizabeth hosted a garden party there, Washington’s social event of the decade, which was attended by the great and powerful of American politics, finance and high society. Through such prized events, and the skill of successive ambassadors, the building helped create and then embody the ‘special relationship’ between Great Britain and America. From Winston Churchill’s rambunctious visits during the Second World War to the dark days of Vietnam and the rejuvenation of the relationship during the Thatcher-Reagan period, the authors take the reader behind the elegant gates on Massachusetts Avenue deep into the corridors of power. This book offers an intimate and fascinating history, featuring previously untold stories of visiting royalty, presidents, prime ministers, and even the Beatles.

     By examining notions of what was extraordinary, re-evaluating medieval ideas of authorship, and restoring economic considerations to the debate, Binski sets English visual art of the early 14th century in a broad European context and also within the aesthetic discourses of the medieval period.  The author, stressing the continuum between art and architecture, challenges understandings about agency, modernity, hierarchy, and marginality.  His book makes a powerful case for the restoration of the category of the aesthetic to the understanding of medieval art. Generously illustrated with hundreds of images, Gothic Wonder traces the impact of English art in Continental Europe, ending with the Black Death and the literary uses of the architectural in works by Geoffrey Chaucer and other writers.

    The projects here combine two strands of thinking: that buildings can weigh less and have minimal impact on their environments, and that this lightness--visual, material, ecological--can create beautiful, ethereal houses that offer new, natural modes of habitation and greater communion with our surroundings. Each of the 40 houses selected by Phyllis Richardson--author of the widely successful XS series and Nano House--is presented through photographs, plans and lucid explanations. Residences that float on air or water, ingenious constructions using local materials, innovative structures, inflatable spaces, high-tech hyper-intelligent houses---superlight- takes many forms. From the desert landscape of Arizona to the urban jungle of Tokyo, from rural China to mountainous Chile, this book brings new solutions for architects and designers everywhere.

    A examination of Speer's theory of Ruin Value and the plans for a new World Capital Germania.

    With the aid of a digital collage technique, the artist creates buildings whose construction would be impossible, using photographs of existing buildings in and around Ghent.

    They have recently won competitions for two key projects in London: the Photographers Gallery and the London School of Economics Students' Centre.Sheila O'Donnell and John Tuomey, who both teach at University College Dublin and lecture internationally, are the authors of this book. They look at the way in which different geographical, social and political influences have shaped their latest works and approach to architecture generally. The book is divided into eight sections, each dealing with a different aspect of the practice's concerns: Studio, Courtyards, The World Outside, London Times, Subtraction and Addition, Venice Excursions, Building Ground and Cats Cradles. Specific photographic documentation has been produced for the purpose of inclusion in this book, so as to evoticatively capture its essence.In the chapter dedicated to their numerous Venician excursions, Sheila O'Donnell and John Tuomey explain their on-going relation to the city's (as well as to its region's) heritage and contemporary culture. Not only has the practice represented Ireland at the 2004 International Venice Architecture Biennale, but their multiple 'encounters' with the works of Aldo Rossi, Carlo Scarpa, and Andrea Palladio, amongst others, have deeply influenced their work over the years. This is seen in elements such as the responsiveness of their buildings' forms to their sites, as well as by an interest in materiality, manifest in their facades as well as in their attention to detail and fascination for craft manufacturing processes.

    Instead, it seeks to rebalance the ecological narrative and its embryonic modes of practice with the narratives of urbanism and its older, deeply embedded modes of practice. It examines the implications for cities and the designers of cities now we are required to again address their metabolic as well as social and formal dimensions, and it explores the extent to which environmental engineering and natural systems design can and should become drivers for the remaking of cities in the 21st century. Above all, it argues that sooner rather than later, urbanism needs to become environmentally literate, and environmental design needs to become culturally literate.

    The École des Beaux-Arts in Paris, renowned as one of the great art and architecture schools, is the namesake and founding location of the Beaux-Arts architectural movement. Known for demanding classwork and setting the highest standards, the École attracted students from around the world, including the United States, where students returned to design buildings that would influence the history of architecture in America, including the Boston Public Library of 1888–95 (Charles McKim of McKim, Mead & White) and the New York Public Library of 1897–1911 (John Carrère of Carrère and Hastings). This book presents a comprehensive overview of the seminal early work of a century of American architects who studied at the famous school before going on to design and build many of the nation’s most important buildings and monuments.

    The focus of this book is the evolution of the elements used by architects of every age throughout the history of architecture. Doors, windows, ceilings, floors, stairs, balconies, and other basic elements of architecture--often overlooked but universally familiar--are studied, analyzed, and cataloged by means of an endless variety of visual references, from ancient times to modern developments. By looking at the evolution of architectural elements that are common to all cultures, this exploration avoids the classical Eurocentrism that often still characterizes architectural discourse. National identity has seemingly been sacrificed to modernity. Nevertheless, unique national features and mentalities continue to exist and flourish just as international collaboration and exchange intensifies.

    Recently, it has also become increasingly popular among Western architects, designers, and engineers. Apart from a fantastic carbon-footprint, the material s amazing technical performance is responsible for this popularity. Because it is extremely light yet very hard at the same time it can compete with timber, concrete and steel. This volume presents contemporary projects that show the impressive versatility of its usage. It includes works that are entirely made of bamboo as well as projects that show how bamboo functions in combination with other construction materials."

     Design is only part of an interior designer's job--you're also responsible for scheduling client meetings, conducting design surveys, creating drawings and specs, and overseeing installation. Multiply by the number of projects on your plate, and you have a recipe for overwhelming disorganization. The Interior Design Productivity Toolbox helps you juggle multiple projects with ease, with a comprehensive self-management system tailored to the needs of interior designers and decorators. Features include:Detailed checklists that highlight weak spots and warn against common pitfalls Covers residential design, contract design, specifications, and renovations Best practices for meetings, design surveys, drawings, specifications, and renovations Customizable online checklists for tracking every phase of your project Exclusive online budgeting tool for tracking product costs and associated expenses to share with your team and your clients If you need to get organized and get back to work, you need The Interior Design Productivity Toolbox.

    The wealth of these rulers derived from the lucrative trade routes that traversed the Deccan plateau, while the splendour of their courts owed much to an open immigration policy by which gifted individuals from other parts of India, as well as from the Middle East and Central Asia, were encouraged to settle. Though the Bahmanis were supplanted partly by the Adil Shahis at the turn of the 16th century and the latter were annihilated by the Mughal invasion of the Deccan in the 1680s, their capital cities preserve many splendid buildings. These include the imposing fortresses of Gulbarga and Bidar, the grand audience halls and ornate residential apartments in Bidar and Bijapur, the mosques and Sufi shrines in Gulbarga and the beautifully decorated royal tombs on the outskirts of Bidar and Bijapur. For more adventurous travellers there are the abandoned ruins of Firuzabad and the decaying pleasure resort at Kumatgi. All these monuments and sites are described and profusely illustrated in this guidebook, the first ever to be published for this region.

    Robert Couturier’s aesthetic is a dialogue between Old World elegance and contemporary design. His masterful approach effortlessly brings eras together, for example a Louis XVI commode with a 1960s lamp. Couturier’s name has become synonymous with continental and international style, and he is known for composing adventurous rooms that have a witty flair. All his interiors extol the importance of how a home should stimulate the five senses, from the tactile feel of upholstery to the visual presentation of objects that leads a person through a space. The book opens with a tour of Couturier’s country retreat in bucolic Kent, Connecticut. Composed of neoclassical-style pavilions, early American guesthouses, and beautiful gardens, the house features imaginative rooms that are filled with his collections of European art, furniture, and decorative objects. A selection of the designer’s other projects—from smart contemporary apartments to romantic Mexican villas to a stately English manor—provides further inspiration.

    For over 30 years, he has explored his desire to imagine new worlds, to tell stories and to engage with others. This interest is rooted in his sense of play and possibility--an endless curiosity that continually drives him to ask, "What if?" What if you could step inside a crystal goblet? What if your environment transformed with every step? What if a restaurant could vanish at a moment's notice? What if your ultimate escapist fantasy was real? What If...? presents a wide array of Rockwell's brilliant explorations of the rich intersection between architecture and theater. Through immersive imagery and behind-the-scenes details, Rockwell introduces readers to 35 projects, from initial driving idea through physical realization. Works include the famed Nobu Fifty Seven and the newcomer TAO Downtown in New York, the W Paris Op�ra, the West Lobby at The Cosmopolitan in Las Vegas and the newly opened TED Theater in Vancouver; set designs for the Academy Awards, Kinky Boots and Hairspray; the Hall of Fragments at the 2008 Venice Architecture Biennale and Jamie Oliver's traveling teaching kitchen, the Food Revolution truck. Engaging texts by Tony Award-winning playwright and screenplay writer John Guare, Tony Award-winning director and producer Jack O'Brien and Pulitzer Prize-winning critic Justin Davidson--written specially for this publication--and a conversation between Rockwell and acclaimed architect Elizabeth Diller round out this spectacular, celebratory volume.David Rockwell (born 1956) is an American architect and designer. He is founder and president of Rockwell Group, an award-winning, cross-disciplinary architecture and design practice based in New York City, with satellite offices in Madrid and Shanghai, that has been named as one of Fast Company's most innovative design practices.

    

    Materials for Architectural Design 2 is a survey that bridges the gap between construction materials and design sensibility. Authors Victoria Ballard Bell and Patrick Rand have revisited the format of their award-winning first volume and present sixty new case studies of materials put to imaginative use by todays brightest architects. Bell and Rand introduce each material type - glass. concrete. wood. metal. plastic and masonry units -. with new text describing its history and significance Accessible case studies highlight recent advances in design and construction around the world - from a wooden church in Finland (JKMM Architects) and hand-crafted bamboo hut...

    

    It details how Andrew Carnegie's grand but functional Fifth Avenue mansion--which was pioneering in its design, with an electric elevator and modern steel-frame construction--was constructed. The book features the rooms in which Carnegie conducted his business and philanthropic endeavors, and where the family and staff lived and entertained throughout the mid-twentieth century. It also surveys plans for the 1976 renovation by Hardy Holzman Pfeiffer (when Cooper Hewitt first opened as a public museum) and the building's latest extraordinary renovation by Gluckman Mayner Architects, executive architect Beyer Blinder Belle and world-renowned Diller, Scofidio + Renfro, which has positioned Cooper Hewitt as a truly twenty-first-century design museum. Upon completion of three years of intense work, the new building has been LEED certified, and has gained an additional 6,000 square feet of gallery space. With an engaging narrative illustrated by 200 photographs, maps, floor plans and letters, Life of a Mansion chronicles the 110-year history of the National Landmark building, as well as the evolution of the museum from its establishment by the Hewitt Sisters in 1897 to its status post-renovation in 2014 as the site of the nation's design authority.

    

    This book brings all aspects of tensegrity/biotensegrity together for the first time, from its discovery, the basic geometry, significance and anatomy to its assimilation into current biomechanical theory.

    And as we witness the development of the city, we learn about the gradual metamorphosis of the new typologies that were developed here (for chawls, for apartments, for houses) and of the architects (Claude Batley, G B Mhatre and others) who helped create them.And perhaps reading through this book will help us understand what is going wrong with our city - and provide us with clues on how to reverse the grave (perhaps terminal) blunders we are currently making.

    Designers, trendscouts, scientists, and companies all agree --the golden age of 3D prin

    Since its inception, the society has safeguarded structures of all types and styles, from neo-Georgian to Art Deco, Modern Movement to pre-fab, and now brutalist and high-tech. These are the 100 finest, one for each year from 1914, representing the Society's full range and quality of work. Each photograph is accompanied by information on the building's history, including why it's a standout, while essays by the likes of Gavin Stamp, Elain Harwood, and Timonthy Brittain-Catlin provide a remarkable overview of modern architecture. The featured buildings include the De La Warr Pavilion, Royal Festival Hall, Barbican housing, Bracken House, Cenotaph, the Firestone Factory, and BT Tower.

    With intelligence and a sense of fun, Knight reframes Disney World as a pilgrimage center, a Garden of Eden, and a World’s Fair. A great read and a real contribution to Disney literature and the Disney World experience.”—Harriet F. Senie, author of The “Tilted Arc” Controversy: Dangerous Precedent? “Approaching Disney and his ‘magic lands’ from the vantage point of scholar and enthusiast, Knight interweaves astute observations about globalized cultural production and the built environment while her crisp writing makes for a lively and engaging read.”—Sarah Schrank, author of Art and the City “Knight’s insights on Disney as an intrepid planner, inventor, innovator, and iconoclast—and his fascination and deployment of technology that bridges private desire with the public realm—has pressing relevance for contemporary culture.”—Patricia Phillips, Rhode Island School of Design In this fascinating analysis, Cher Krause Knight peels back the actual and contextual layers of Walt Disney’s inspiration and vision for Disney World in central Florida, exploring the reasons why the resort has emerged as such a prominent sociocultural force.Knight investigates every detail, from the scale and design of the buildings to the sidewalk infrastructure to which items could and could not be sold in the shops, discussing how each was carefully configured to shape the experience of every visitor. Expertly weaving themes of pilgrimage, paradise, fantasy, and urbanism, she delves into the unexpected nuances and contradictions of this elaborately conceived playland of the imagination.

    This is water to which people are increasingly turning to find innovative solutions to water scarcity, pollution, aquifer depletion and other problems that are assuming center stage in local and global politics, dynamics, and fears. It is also water that is celebrated and ritualized in ordinary and everyday practices across many cultures. The book brings together the work of eminent professionals, designers, artists, scientists and theorists, who respond to the challenges that this water poses, its visualization, its infrastructure, its politics and its science. At a moment when design disciplines are beginning to embrace measures such as flexibility, agility and resilience, this book makes an important and timely contribution. These are measures that we associate more closely with water and watery imagination than the terra firma that grounds aspirations of prediction and control that have proved elusive, perhaps even detrimental. The book asks if in this time of uncertainty and ambiguity brought on by increasing openness of economies, cultures, and ecologies, we need to re-invent our relationship with water. Should we look to the past, present and future and ask if in seeing water somewhere rather than everywhere we miss opportunities, practices and lessons that could inform and transform the design project? What role has representation and visualization played in confining water to a place on land? Can we look at projects in history and projects emerging today - cities, infrastructures, buildings, landscapes, artworks - with a cultivated eye for waters everywhere? What is it to see water as not within, adjoining, serving or threatening settlement, but the ground of settlement? Design in the Terrain of Water is a collection of visual and textual essays that present a way, a direction, and perhaps even a paradigm shift in how professionals imagine, build, and advocate in a terrain of water.