The castle was inside a museum. When children visited, they’d press against the glass globe in which the castle sat, to glimpse the tiny girl. But when they went home, the girl was lonely. Then one day, she had an idea! What if you hung a picture of yourself inside the castle inside the museum, inside this book? Then you’d able to keep the girl company. Reminiscent of “The Lady of Shalot,” here is an original fairy tale that feels like a dream—haunting, beautiful, and completely unforgettable.

    It wasn’t addressed to anyone at all, but Ben knew it was for him. It would lead him to an old, shambolic museum, full of strange and bewitching creatures. A peculiar world of hidden mysteries and curious family secrets . . . and some really dangerous magic.Filled with her own wonderful illustrations, The Hippo at the End of the Hall is Helen Cooper's debut novel.

    Since its first year in 1993, the United States Holocaust Memorial Museum has attracted more than 15 millino visitors, sometimes at the rate of 10,000 a day, each of whom has walked away with an indelible impression of awe in the face of the unimaginab

    This is essential reading for junior Egyptologists!

    Providing parents and teachers with valuable tips for making any visit to a museum with children a success, this guide offers a great primer or refresher course on art history, allowing adults to confidently answer common questions, such as why some paintings are signed and others are not, some pictures are small and others are very large, and why the Dutch paint so much fruit. Questions and answers about 30 well-known paintings provide historical background, explain genres such as still life and portrait, and demystify religious and mythological themes. Color-coded tabs let adults flip to sections appropriate to the ages of their children (5–7 years, 8–10 years, 11–13+ years).

    Carolina, a biologist,  takes her to live in her Edwardian museum. Visitors flock to see Mossy, but it is Dr. Carolina's niece, Tory, who notices how sad Mossy is living in a viewing pavilion. She misses the outdoors and her friend, Scoot. Dr. Carolina finds a way to keep the spirit of Mossy alive at the museum.... Then she and Tory take Mossy home, where Scoot is waiting for her. Jan Brett fans will pore over the colorful paintings of Lilypad Pond and lush borders displaying wildflowers, ferns, butterflies and birds in contrast to elegant spreads of the museum filled with visitors in stylish Edwardian dress and exquisite borders of shells, rocks, crystals and birds' eggs.MOSSY gives readers a fascinating look at nature in the wild and on display in a natural history museum.

    Under the singular and brilliant lens that Ulrich brings to this study, ordinary household goods--Indian baskets, spinning wheels, a chimneypiece, a cupboard, a niddy-noddy, bed coverings, silk embroidery, a pocketbook, a linen tablecloth, a coverlet and a rose blanket, and an unfinished stocking--provide the key to a transformed understanding of cultural encounter, frontier war, Revolutionary politics, international commerce, and early industrialization in America. We discover how ideas about cloth and clothing affected relations between English settlers and their Algonkian neighbors. We see how an English production system based on a clear division of labor—men doing the weaving and women the spinning--broke down in the colonial setting, becoming first marginalized, then feminized, then politicized, and how the new system both prepared the way for and was sustained by machine-powered spinning.Pulling these divergent threads together into a rich and revealing tapestry of --the age of homespun,--Ulrich demonstrates how ordinary objects reveal larger economic and social structures, and, in particular, how early Americans and their descendants made, used, sold, and saved textiles in order to assert identities, shape relationships, and create history.

    . . , The Truth About My Unbelievable Summer . . . , and A Funny Thing Happened on the Way to School . . . . Notoriously (and delightfully) unreliable narrator Henry is late to a museum where his class is spending the day. But he has a plan: He'll just catch up in one of the exhibits. That's not possible in these halls! With volcanoes erupting, dinosaurs charging, and secret stairwells lurking, reuniting with his classmates becomes a quest of outrageous proportions. Young readers will revel in this entertaining book's over-the-top antics.

     When Charlie's called away from his history books to consult on a strange box at the museum, the last thing he expects to find is a cure for the disease that's killing him.But nothing's that easy. It's 1915, the world's at war, and the same magic that can keep Charlie alive is being turned into a weapon in the wrong hands. Charlie's caught in a desperate race to survive, keep his relationship with Henry a secret, and save the world from a mad wizard who just might make the Germans look good.

    There he sees his classmates, teachers, and family transformed into a menagerie of animals, from wild hyenas to stately peacocks. John Lithgow's exhilarating word play, inspired by Camille Saint-SaËns's 1886 composition, provides a narrative arc to the piece for the first time. Lithgow created the text for the New York City Ballet, where the Carnival of the Animals ballet, with his narration, debuted in 2003. Boris Kulikov's witty artistic interpretation of the story adds to the fun. A new recording of Saint-Saëns's suite, performed by Chamber Music Los Angeles under the direction of Bill Elliott, complete with John Lithgow's recitation of the text, is included on an enclosed CD.

    There will be four and each will be a vision of this great museum by a different artist. De Crécy, at the sight of the incredible richness of the museum’s collection was overwhelmed and felt small and ignorant. The result is a story set thousands of years hence in a glacial period where all human history has been forgotten and a small group of archeologists fall upon the Louvre, buried in age-old snow. They cannot begin to explain all the artifacts they see. What could they have meant? Their interpretations are nonsense, absurd, farcical.

    Barnum, the man who created the world-famous Barnum & Bailey Circus, as featured in the movie The Greatest Showman! The award-winning author of The Lincolns: A Scrapbook Look at Abraham and Mary, Amelia Lost, and Our Eleanor brings us the larger-than-life biography of showman P. T. Barnum. Known far and wide for his jumbo elephants, midgets, and three-ring circuses, here' s a complete and captivating look at the man behind the Greatest Show on Earth. Readers can visit Barnum's American Museum; meet Tom Thumb, the miniature man (only 39 inches tall) and his tinier bride (32 inches); experience the thrill Barnum must have felt when, at age 60, he joined the circus; and discover Barnum's legacy to the 19th century and beyond. Drawing on old circus posters, photographs, etchings, ticket stubs--and with incredible decorative art by Ray Fenwick--this book presents history as it's never been experienced before--a show-stopping event!

    The book includes a list of basic art materials needed and offers advice on how to change projects to make them even more amazing and to develop your artistic skills.• Screen-free fun for the whole family – boys and girls will enjoy hours of fun without a screen in sight!Be inspired by the great artists and discover what art can be, how it can be made, what it can mean for you and what it has meant for people through the ages. The emphasis of Let's Make Some Great Art is on having fun and making the creation of art a big part of the way you express yourself. So have fun with Let's Make Some Great Art and discover endless creative adventures just waiting for artists of all ages. Draw, paint, spray, splash, doodle, shade, sketch, cut, tear or stick—it's your choice!Explore more books in the Let's Make Some Great Art series:• Let's Make Some Great Fingerprint Art• Let's Make Some Great Placemat Art• Let's Make More Great Placemat Art• Let's Make Some Great Art: Patterns (coming September 2020)• Let's Make Some Great Art: Animals (coming September 2020)Author of the bestselling Let's Make Some Great Art series, Marion Deuchars has a globally recognisable illustration style. Her hand-lettering and illustrations have been used on advertising campaigns from Samsung to HP, and her books have won six awards for design and illustration. She is a member of the Alliance Graphique Internationale. She has written and illustrated a number of books, including: Bob the Artist, Bob's Blue Period, Bob Goes Pop, Art Play and Draw Paint Print Like the Great Artists.

    In this charming, funny picture book that started it all, Larry becomes a night guard at New York's Museum of Natural History. He thinks it's going to be an easy job, but is he in for a surprise. After dozing off, he wakes up to find the most amazing vanishing act in the museum's history. The museum's entire collection of dinosaur skeletons has disappeared! In a panic, Larry rushes from one room to the next--then dashes outside into Central Park, and then next door into the planetarium. Where did the skeletons go? Who is the dinosaur thief? How in the world will Larry ever get those dinosaur bones back? Originally published by Barron's in 1993, this mystery-comedy picture book features the author's original captivating, hilarious, full-color illustrations on every page.

    In The Anti-Aesthetic, preeminent critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production, from the writing of John Cage, to Cindy Sherman's film stills, to Barbara Kruger's collages. With a redesigned cover and a new afterword that situates the book in relation to contemporary criticism, The Anti-Aesthetic provides a strong introduction for newcomers and a point of reference for those already engaged in discussions of postmodern art, culture, and criticism. Includes a new afterword by Hal Foster and 12 black and white photographs.