The role of both men and women, in her view, was to find the work for which they were suited and to do it. While Sayers did not devote a great deal of time to talking or writing about feminism, she did explicitly address the issue of women's role in society in the two penetrating essays collected here. Though she wrote several decades ago, she still offers in her piquant style a sensible and conciliatory approach to ongoing gender issues.

    This practical, insightful book is essential reading for any parent.

    Psychology is the only branch of learning in which I am particularly versed. To the psychologist the religious propensities of man must be at least as interesting as any other of the facts pertaining to his mental constitution. It would seem, therefore, as a psychologist, the natural thing for me would be to invite you to a descriptive survey of those religious propensities." When William James went to the University of Edinburgh in 1901 to deliver a series of lectures on "natural religion," he defined religion as "the feelings, acts, and experiences of individual men in their solitude, so far as they apprehend themselves to stand in relation to whatever they may consider the divine." Considering religion, then, not as it is defined by--or takes place in--the churches, but as it is felt in everyday life, he undertook a project that, upon completion, stands not only as one of the most important texts on psychology ever written, not only as a vitally serious contemplation of spirituality, but for many critics one of the best works of nonfiction written in the 20th century. Reading The Varieties of Religious Experience, it is easy to see why. Applying his analytic clarity to religious accounts from a variety of sources, James elaborates a pluralistic framework in which "the divine can mean no single quality, it must mean a group of qualities, by being champions of which in alternation, different men may all find worthy missions." It's an intellectual call for serious religious tolerance--indeed, respect--the vitality of which has not diminished through the subsequent decades.

    "A Christian should use these arts to the glory of God, not just as tracts, mind you, but as things of beauty to the praise of God." Many Christians, wary of creating graven images, have steered clear of artistic creativity. But the Bible offers a robust affirmation of the arts. The human impulse to create reflects our being created in the image of a creator God. Art and the Bible has been a foundational work for generations of Christians in the arts. In this book's classic essays, Francis Schaeffer first examines the scriptural record of the use of various art forms, and then establishes a Christian perspective on art. With clarity and vigor, Schaeffer explains why "the Christian is the one whose imagination should fly beyond the stars.

    Together they called upon the West to confront the spiritual, cultural, and political malaise that have afflicted it in the earliest years of the 21st century. In the months that ensued, before Cardinal Ratzinger's election to the papacy, they developed their ideas into the eloquent dialogue that is Without Roots - a book that quickly became an Italian bestseller and is even more timely today than ever. With Europe shaken by the war in Iraq, terrorism, security, Israel, relations with the U.S., immigration, and the rejection of the EU constitution in both France and the Netherlands, the issue of European identity has profound implications for the rest of the world. Bringing together their unique vantage points as leaders of Church and State, Pope Benedict XVI and Pera challenge us to imagine what can be the future of a civilization that has abandoned its history for a relativist secularism. They call on the West to embrace a spiritual rather than political renewal-and to accept the moral beliefs that alone can help us to make sense of changes in technology, economics, and society. Pope Benedict XVI joins the President of the Italian Senate to offer a provocative critique of the spiritual, cultural, and political crisis afflicting the West.

    Asserting that all the tools necessary for self-discovery are inherent within us, he focuses primarily on reason, not as narrowly defined by modern philosophers, but as an openness to existence, a capacity to comprehend and affirm reality in all of its dimensions. Part of the so-called new religious revival, The Religious Sense avoids any sentimental or irrational reduction of the religious experience. It is a forthright and refreshing call to reassess our lives.

    In The Friendship of Christ, first published in 1912, the Catholic convert son of an Archbishop of Canterbury shows how anyone can achieve a deeper relationship with God the Son. The book shows how Christ works in the soul of those who seek him, in his public life, and in the historical examples given in the Gospels. "There is one supreme friendship to which all human friendship points," writes Benson, "one ideal friend in whom we find, perfect and complete, that for which we look in the faces of our human lovers."

    This favorite of Percy fans continues to charm and beguile readers of all tastes and backgrounds. Lost in the Cosmos invites us to think about how we communicate with our world.

     In the words of Shakespeare, a retrograde is one of God’s spies. The retrograde has the unique capacity for understanding the stark chasm between the degenerate, socialist-infiltrated world of decay on one side and the well-meaning, good-hearted, but clueless Christian world on the other. In a time of such profound decay, being one of God’s spies is a last resort and a pure necessity: it involves not “deep cover,”—i.e., acting like the enemy—but rather “half cover”: acting as a “contra” in the secular arena, a crypto-Christian counterinsurgent willing to fight like a Navy Seal and to think like a counterintel officer. Retrogrades . . . to the streets: our aim is to reverse the deliberate, deuced machinations of “radicals” like Saul Alinsky who, by penning the rulebook of radicalism, threw down a challenge that has, until now, gone unanswered. Rules for Retrogrades is the handbook men of good will need to win the culture war! Here is a sampling from the call to action found within these pages: No truth is “off-limits”; we must never be ashamed to be candid. It is a damnable lie that humility disallows Christians from standing up (for what they believe) in the cultural and political forum! Control of language is control of thought; don’t let radicals control the language. Never trust a man who is unwilling to have enemies. Radicals form coalitions but retrogrades form fellowships. The root of cultural decay is feminism: end feminism to end radicalism.

    The issues that John Henry Newman raised—the place of religion and moral values in the university setting, the competing claims of liberal and professional education, the character of the academic community, the cultural role of literature, the relation of religion and science--have provoked discussion from Newman's time to our own.

    At her death in 1964, O'Connor left behind a body of unpublished essays and lectures as well as a number of critical articles that had appeared in scattered publications during her too-short lifetime. The keen writings comprising Mystery and Manners, selected and edited by O'Connor's lifelong friends Sally and Robert Fitzgerald, are characterized by the directness and simplicity of the author's style, a fine-tuned wit, understated perspicacity, and profound faith.The book opens with "The King of the Birds," her famous account of raising peacocks at her home in Milledgeville, Georgia. Also included are: three essays on regional writing, including "The Fiction Writer and His Country" and "Some Aspects of the Grotesque in Southern Fiction"; two pieces on teaching literature, including "Total Effect and the 8th Grade"; and four articles concerning the writer and religion, including "The Catholic Novel in the Protestant South." Essays such as "The Nature and Aim of Fiction" and "Writing Short Stories" are widely seen as gems.This bold and brilliant essay-collection is a must for all readers, writers, and students of contemporary American literature.

    In its scope and itnerest it can be compared with Freud's Totem and Taboo, the subtext Girard refutes with polemic daring, vast erudition, and a persuasiveness that leaves the reader compelled to respond, one way or another.This is the single fullest summation of Girard's ideas to date, the book by which they will stand or fall. In a dialogue with two psychiatrists (Jean-Michel Oughourlian and Guy Lefort), Girard probes an encyclopedic array of topics, ranging across the entire spectrum of anthropology, psychoanalysis, and cultural production.Girard's point of departure is what he calles "mimesis," the conflict that arises when human rivals compete to differentiate themselves from each other, yet succeed only in becoming more and more alike. At certain points in the life of a society, according to Girard, this mimetic conflict erupts into a crisis in which all difference dissolves in indiscriminate violence. In primitive societies, such crises were resolved by the "scapegoating mechanism," in which the community, en masse, turned on an unpremeditated victim. The repression of this collective murder and its repetition in ritual sacrifice then formed the foundations of both religion and the restored social order.How does Christianity, at once the most "sacrificial" of religions and a faith with a non-violent ideology, fit into this scheme? Girard grants Freud's point, in Totem and Taboo, that Christianity is similar to primitive religion, but only to refute Freud—if Christ is sacrificed, Girard argues, it is not becuase God willed it, but because human beings wanted it.The book is not merely, or perhaps not mainly, biblical exegesis, for within its scope fall some of the most vexing problems of social history—the paradox that violence has social efficacy, the function of the scapegoat, the mechanism of anti-semitism.

    

    It is both witness and tribute to the late theory of mind—the so-called structural theory, with its stress on aggression, indeed the death drive, as the pitiless adversary of eros.Civilization and Its Discontents is one of the last of Freud's books, written in the decade before his death and first published in German in 1929. In it he states his views on the broad question of man's place in the world, a place Freud defines in terms of ceaseless conflict between the individual's quest for freedom and society's demand for conformity.Freud's theme is that what works for civilization doesn't necessarily work for man. Man, by nature aggressive and egotistical, seeks self-satisfaction. But culture inhibits his instinctual drives. The result is a pervasive and familiar guilt.Of the various English translations of Freud's major works to appear in his lifetime, only one was authorized by Freud himself: The Standard Edition of the Complete Psychological Works of Sigmund Freud under the general editorship of James Strachey.Freud approved the overall editorial plan, specific renderings of key words and phrases, and the addition of valuable notes, from bibliographical and explanatory. Many of the translations were done by Strachey himself; the rest were prepared under his supervision. The result was to place the Standard Edition in a position of unquestioned supremacy over all other existing versions.

    Mere Humanity digs into the treasured writings of Chesterton, Lewis, and Tolkien for the answers.