These captivating stories, legends and yarns — passed orally from teacher to student — capture the vibrant wisdom of an ancient and still-living oral tradition. Magical, whimsical, witty and ribald, The Snow Lion's Turquoise Mane unfolds a luminous vision of a universe where basic goodness, harmony, and hope prevails.

    These are the most important upanisads, the classical basic documents that have been accepted as authoritative by practically all Indian religious and philosophic traditions.These remarkable mystical and philosophical treatises have not only created the later wisdom of India, they have also played an important part in Western thought. While one many be doubtful of their claimed influence upon the Neoplatonists and the medieval Christian mystics, they still have greatly influenced later developments in Western philosophy, from the time of Schlegel, Hegel, Schopenhauer, and Schelling. Probably written by various authors over several centuries before 500 B.C., they exhibit a remarkable uniformity of purpose: they strive — through parable, proverb, simile, and metaphor, and through a method similar to Socratic dialogue — to arrive at truth without erecting a formal system.Although there have been other translations of the upanisads, this edition of Max Müller has long enjoyed the reputation of being the most scholarly. Not only does the translation contain the mature reflections of the greatest Indologist and Sanskritologist of the nineteenth century (who was also a profound philosopher in his own right), it also contains his long introductions of more than 250 pages, discussing the position of the upanisads and their value for the modern world.These profound writings are necessary reading for all Indologists, philosophers, and historians of religion. They are also most valuable experiences for the modern reader who is interested in learning about a great field of thought with deep mystical and existential implications.

    Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    The Sacred Books of the East series, comprising 50 volumes, has translations of key sacred texts of Hinduism, Buddhism, Taoism, Confucianism, Zoroastrianism, Jainism & Islam. The series was edited by the famous linguist Max Muller, who also produced many of the translations & were the foundational documents for the new discipline known as the comparative science of religions. This volume contains The Laws of Manu.

    A monster seeks silence in his territory. A warrior seeks to avenge her murdered son. A dragon ends it all. These familiar components of the epic poem are seen with a novelist’s eye toward gender, genre, and history. Beowulf has always been a tale of entitlement and encroachment — of powerful men seeking to become more powerful and one woman seeking justice for her child — but this version brings new context to an old story. While crafting her contemporary adaptation, Headley unearthed significant shifts lost over centuries of translation; her Beowulf is one for the twenty-first century.

    This newly annotated, free verse translation conveys the full force of Lucan's writing and his grimly realistic view of the subject. The work is a powerful condemnation of civil war, emphasizing the stark, dark horror of the catastrophies which the Roman state inflicted upon itself. Both the introduction and glossary set the scene for readers unfamiliar with Lucan and explore his relationship with earlier writers of Latin epic, and his interest in the sensational.

    He is a young boy, full of mischief. He is a teenager, full of curiosity and adventurous zeal. He is a seeker, with certain strengths and weaknesses. Just like us, he sometimes fails to distinguish the fake gurus from genuine masters, mistaking magic for spiritual achievement.Living with the Himalayan Masters is one of those rare books that contains the seeds of transformation within its pages--sowing those seeds in the heart of the reader, and creating the potential for true spiritual upliftment. These stories record Swami Rama's personal quest for truth and enlightenment--inspiring, illuminating, entertaining, mystifying, and often droll and humorous.This life-changing book will bring you face-to-face with some great twentieth-century masters, including Mataji of Assam, a ninety-six-year-old sage who never slept; Gudari Baba, who taught Swami Rama the value of direct experience; Yogi Sri Aurobindo, who integrated meditation with action; Uria Baba, who demonstrated that every human being has the potential for healing; and Mahatma Gandhi.Read the humbling story of the man who founded the Himalayan Institute, and the great teachers who molded him into a Himalayan Master.

    A vivid narration of events in the making of a Prophet and a World Teacher.

    With simplicity, warmth, and directness, he explores the four key aspects of love as described in the Buddhist tradition: lovingkindness, compassion, joy, and freedom—explaining how to experience them in our day-to-day lives. He also emphasizes that in order to love in a real way, we must first learn how to be fully present in our lives, and he offers simple techniques from the Buddhist tradition that anyone can use to establish the conditions of love. Thich Nhat Hanh, a Vietnamese Zen Buddhist monk, is an internationally known author, poet, scholar, and peace activist who was nominated for the Nobel Peace Prize by Martin Luther King Jr.

    Includes the teachings and a structural analysis.

    Over the years it has inspired leading American Zen teachers, students, and practitioners. Its popularity is as high today as ever.Zen Flesh, Zen Bones is a book that offers a collection of accessible, primary Zen sources so that readers can struggle over the meaning of Zen for themselves. It includes 101 Zen Stories, a collection of tales that recount actual experiences of Chinese and Japanese Zen teachers over a period of more than five centuries; The Gateless Gate, the famous thirteenth-century collection of Zen koans; Ten Bulls, a twelfth century commentary on the stages of awareness leading to enlightenment; and Centering, a 4,000 year-old teaching from India that some consider to be the roots of Zen.

    I shall release you -SAKUNTALA When?KING When?When, like a bee, I kiss the bud of your unbruised lipAnd flood my thirsting mouth with nectar.Kalidasa's play about the love of King Dusyanta and Sakuntala, a hermitage girl, their separation by a curse, and eventual reunion, is the supreme work of Sanskrit drama by its greatest poet and playwright (c.4th century CE). Overwhelmingly erotic in tone, in peformance The Recognition of Sakuntala aimed to produce an experience of aesthetic rapture in the audience, akin to certain types of mystical experience.The pioneering English translation of Sakuntala in 1789 caused a sensation among European composers and writers (including Goethe), and it continues to be performed around the world. This vibrant new verse translation includes the famous version of the story from the Mahabharata, a poetic and dramatic text in its own right and a likely source for Kalidasa. The introduction discusses the play in the aesthetic and cultural context of ancient India.

    Here, at the ashram of Kulapati Shaunaka, a dustry traveller arrives with sad tidings: Maharishi Krishna Dweipayana Vyasa has passed on. Yet the great collator of the Vedas has left behind a fabulous legacy, the epic narrative poem called Maha Bharata. At the urging of the ashramites, the traveller Suta begins to recite the great composition, starting with the incredible creation myths and tales of god and giants, snake-mothers and gargantuan eagles. And as the night wears on and the tale grows darker, he senses the presence of countless ghostly beings in the shadows beyond the flickering oil-lamps, the restless souls of the many millions butchered in the climactic war that ended the great tale itself, gathering now to hear the epic saga that led eventually to their destruction and the decimation of the Kuru Bharata race.

    The thirteenth-century Muslim mystic Rumi composed his work for the benefit of his disciples in the Sufi order named after him, better known as the whirling dervishes. In order to convey his message of divine love and unity he threaded together entertaining stories and penetrating homilies. Drawing from folk tales as well as sacred history, Rumi's poem is often funny as well as spiritually profound.Jawid Mojaddedi's sparkling new verse translation of Book One is consistent with the aims of the original work in presenting Rumi's most mature mystical teachings in simple and attractive rhyming couplets.

    One should not be surprised, I suppose, that it has remained vital, and immediate, for that is the nature of story. And this is particularly true of the oral tradition, which exists in a dimension of timelessness. I was first told these stories by my father when I was a child. I do not know how long they had existed before I heard them. They seem to proceed from a place of origin as old as the earth."The stories in The Way to Rainy Mountain are told in three voices. The first voice is the voice of my father, the ancestral voice, and the voice of the Kiowa oral tradition. The second is the voice of historical commentary. And the third is that of personal reminiscence, my own voice. There is a turning and returning of myth, history, and memoir throughout, a narrative wheel that is as sacred as language itself." —From the new Preface