Shivaji Sawant's Mrityunjaya is an outstanding instance of such a literary masterpiece in which a contemporary Marathi novelist investigates the meaning of the bewildering skein that is life through the personae of the Mahabharata protagonists. For over two decades since its first publication the vast non- Marathi and non-Hindi readership remained deprived of this remarkable exploration of the human psyche till the publication of this English translation by the Writers workshop – a contribution for which there is much to be grateful for. Mrityunjaya is the autobiography of Karna, and yet it is not just that. With deceptive case, Sawant brings into play an exceptional stylistic innovation by combining six "dramatic soliloquies" to form the nine books of this novel of epic dimensions. Four books are spoken by Karna. These are interspersed with a book each from the lips of his unwed mother Kunti, Duryodhana (who considers Karna his mainstay), Shon (Shatruntapa, his foster-brother, who here-worships him), his wife Vrishali to whom he is like a god and, last of all, Krishna. Sawant depicts an uncanny similarity between Krishna and Karna and hints at a mystic link between them, investing his protagonist with a more-than-human aura to offset the un-heroic and even unmanly acts which mar this tremendously complex and utterly fascinating creating of Vyasa.

    Children meet Bragi, the god of poetry, and the famous Valkyrie maidens, among other gods, goddesses, heroes, and giants. Illustrations throughout depict the wondrous other world of Norse folklore and its fantastical Northern landscape.

    The usually venerated characters of this ancient Indian epic are here subjected to a rational enquiry that places them in context, unravels their hopes and fears, and imbues them with wholly human motives, thereby making their stories relevant and astonishing to contemporary readers. Irawati Karve, thus, presents a delightful collection of essays, scientific in spirit, yet appreciative of the literary tradition of the Mahabharata. She challenges the familiar and formulates refreshingly new interpretations, all the while refusing to judge harshly or venerate blindly.

    The result of sixteen years of research in Talmudic, gnostic, cabalistic, apocalyptic, patristic, and legendary texts, the classic reference work on angels is beautifully illustrated and its reissue coincides with the resurgence of belief in angels in America.

    Here are colorful descriptions of deities, creation myths, depictions of death and the afterlife, teachings on the relationship between humanity and the sacred, religious rituals and practices, and prayers and hymns.Mircea Eliade, a recognized pioneer in the systematic study of the history of the world's religions, includes excerpts from the Quran, the Book of the Dead, the Rig Veda, the Bhagavad Gita, the Homeric Hymns, and the Popol Vuh, to name just a few. Oral accounts from Native American, African, Maori, Australian, Aborigine, and other peoples are also included.Here is fascinating reading for anyone interested in the world's religions and myths. In an outstanding collection, Eliade demonstrates humanity's diversity as well as the universal threads that unite us all.

    Lucidly written and richly illustrated, this third edition contains new chapters on the Shekhina.

    Marcel Detienne's starting point is a simple observation: In archaic Greece, three figures -- the diviner, the bard, and the king -- all share the privilege of dispensing truth by virtue of the religious power of divine memory, which provides them with knowledge, both oracular and inspired, of the present, past, and future. Beginning with this definition of the prerational meaning of truth, Detienne proceeds to elaborate the complex conceptual and historical contexts from which emerges the philosophical notion of truth still influencing Western philosophy today.

    To some they offer tantalizing glimpses of other worlds. to others a subversive counterpoint to human arrogance and weakness. Like no other author. Katharine Briggs throughout her work communicated the thrill and delight of the world of fairies. and in this book she articulated for the first time the history of that world in tradition and literature.From every period and every country. poets and storytellers have described a magical world inhabited by elfin spirits. Capricious and vengeful. or beautiful and generous. theyve held us in thrall for generations. And on a summers morn. as the dew dries softly on the grass. if you kneel and look under a toadstool. well ...