The technique is controlled, not ostentatious, and one senses here a conscious link to the work of older poets such as Larkin and Levertov. Karr's strength lies in her delicate and meticulous control of detail. Characteristically, she describes a cat's nighttime prowl with humor and precision: `` . . . he pounced and rabbit-kicked my head. / I had to disentangle from my hair / all four sets of claws, then tossed him / out into the pyramid of boxes / we'd erected in the yard.'' Such loving attention to seemingly insignificant events is reminiscent of the early work of Adrienne Rich and the use of imagery is similarly evocative (``When the moon / clicked over the sun like a black lens / over a white eye. . . ''). Karr's work generally falls into clipped stanzas, the lines flowing over for an effect of ironic tension appropriate for much of the ``devilish'' material with which she is concerned. While the poet's unflinching consciousness stands out in this text, the poetic voice is not completely developed. (Apr.)

    . . . Berryman becomes Everyman attempting, falling shortof, and often achieving greatness." Young's selection, the first newselection of Berryman's poems in over 30 years, encompasses the formalaccomplishments of his early work, epitomized in the masterful Homage toMistress Bradstreet, the explosive and mesmerizing diction of Dream Songs,and his wrenching religious poems. Kevin Young's poetry and essays haveappeared in The New Yorker, The New York Times Book Review, Paris Review,and elsewhere, and have been featured on NPR's "All Things Considered."

    Here the characters' lives are linked to each other by acts of generosity or cruelty. A critic once called Rakoff "magnificent," a word which perfectly describes this wonderful novel in verse.

    Although he published over 45 books of poetry, hundreds of his poems were kept by him and his publisher for posthumous publication, This is the first collection of these unique poems.

    each poem is incredibly impactful and beautifully written. stories of love, heartbreak, suffering, and healing come alive on the page in an incredible way. let this book of poetry touch your soul and help you feel free. join trevor capiro on this journey towards healing.

    A large and important collection by one of Eastern Europe's major contemporary poets.

    Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Wilfred Owen (1893-1918). Owen is available in Penguin Classics in Three Poets of the First World War: Ivor Gurney, Isaac Rosenberg, Wilfred Owen.

    Michelle Latiolais has given us the rarest item, a splendidly articulated masterpiece.” —William Kittredge“In this luminous collection of stories, the gifted Michelle Latiolais writes of loss in all its surprising manifestations. Widow is a devastation and a wonder.” —Christine Schutt“There is something mysterious about this book, as there always is in the writing that matters most. It eludes explanation. It illumines terrifying realities. Only because these pages seem nakedly willing to take the imprint of every emotion, no matter how ugly, do they possess this great beauty.” —Elizabeth TallentThe stories of Widow conjure the nuances of inner sensations as if hitting the notes of a song, deftly played across human memory. These meditations bravely explore the physiology of grief through a masterful interweaving of tender insight and unflinching detail—reminding us that the inner life is best understood through the medium of storytelling. Among these stories of loss are interwoven other tales, creating a bridge to the ineffable pleasures and follies of life before the catastrophe. Throughout this collection, Latiolais captures the longing, humor, and strange grace that accompany life’s most transformative chapters.Michelle Latiolais is the author of Widow: Stories, a New York Times Editor's Choice selection, and two previous novels, including A Proper Knowledge, also published by Bellevue Literary Press. She is the recipient of the Gold Medal for Fiction from the Commonwealth Club of California and an English professor and co-director of the Programs in Writing at the University of California at Irvine.

    This book also contains them all, except that each one appears by itself in its own chapter. A unique personality for each vowel soon emerges: A is courtly, E is elegiac, I is lyrical, O is jocular, U is obscene. A triumphant feat, seven years in the making, this uncanny work of avant-garde literature promises to be one of the most important books of the decade.

    Brown. Brown is the winner of the Texas Book of The Year Prize, 2013. The New York Times calls his work a rekindling of the faith in the shocking, weird and beautiful power of words. Brown finally sold the ship, The Sea Section, upon which he lived for years in the Long Beach harbor, after which he took to hunting for a city that was affordable and had a bustling writer s community. He landed in Austin, Texas and when the progress of that town got to be intense, he moved to the nearby countryside in Elgin, Texas, and from that pastoral setting came unfurling this new collection of his most personal work to date. Brown has been known as one of the most touring, well travelled living poets in America. He has based his whole writing career on changing peoples minds about poetry and he feels a quality, unforgettable live experience can achieve that. Brown told himself he needed a 10-year hiatus from writing poetry when he felt the well of creativity had dried up. 2 years ago, he wrote a one-hour long poetic play called Strange Light, commissioned by The Noord Nederlands Dans Group in Holland. The piece was performed by 14 dancers and accompanied by a live orchestra using music composed by fellow Americans, Emily Wells and Timmy Straw. While he was working on a new libretto for Wayne State University in Detroit, he was set up in a seemingly pastoral country setting, where, as Brown says, an incredible war broke out inside and out, such bright, massive storms, snakes, guns, howling wind, hard sun: all kinds of poems gushed forth. I gave in to the process and my best work to date was born, this will be my 5th book. Our Poison Horse touches on more autobiography than the romantic and fantastical that was so present in his past work. In Derrick Brown s words: I found a poetry in the real events that shaped or broke me. Every morning, I would quiet down, stare out into the field where we were watching our neighbors horse, a horse that was poisoned with pesticide by some local boys, a horse with massive scars all down its body from it s skin peeling from the poison sprayed upon it maliciously by some bastard kids. I watched the horse heal and finally come to me, and trust me and eat carrots. Something about that horse, Lacey, about it not trusting me and then warming up pulled something out of me that I didn t know I was ready for. There is a theme that in beautiful places, you will"

    Wealthy wives pay her to trap their husbands for blackmail. It's not honest work but it pays the bills. Desperate to clear her balance with the dangerous loan shark, Shadow, she takes on another dangerous job. When a woman named Onya pays Indigo well beyond her fee to trap her husband, Indigo says yes. But once she lays eyes on Onya's husband, billionaire Hendrix, she is thrown into a world of passion and deceit. Indigo breaks her cardinal rule by falling for Hendrix. Their affair is mired in secrets, drama and passion. Are you ready to get enthralled with this African American Romance stand-alone.

    Her husband had just passed leaving her with just their family Bed and Breakfast, The Sand Dollar Inn. After the difficult recent death of her husband, she had finally thought her worst days were behind her.Her children being grown, each day she continued to stay busy running and managing her Bed and Breakfast, located near the beautiful Manatee Bay on the Gulf Coast of Florida. The beauty of the area had helped ease her mind and keep her thoughts from diving too deep.Disaster strikes when her lawyer notifies her of the massive amount of debt that her late husband had accrued during their marriage. At risk of losing the Bed and Breakfast and the only thing keeping her afloat, Nina must figure out how to repay the debt.As ideas begin to come into place, an adventure begins. Nina discovers secrets held by her late father during his world travels. Hidden treasure that could be the answer to her biggest problems.Along the way, Nina and her grown children discover the thrill of adventure as help begins to come from some of the most unexpected places.An adventure she could have never anticipated.Dive in and come visit the beautiful South Florida coast and The Sand Dollar Inn. Tag along in Nina’s adventure and meet all the new characters The Sand Dollar Inn and Manatee Bay attracts!

    

    And is also one of the best African American Urban Fiction books available. And now it’s here for your reading satisfaction. In this standalone you’ll take an unforgettable ride with the national bestselling author Yona Pearson, another great storyteller under Cole Hart Signature. Her writing is smooth and she know's how to make her characters come to life. **Warning** This is not your typical Urban romance, dope boy, thug love, or kingpin savage book. Heart pounding. Edge of your seat. Women's Fiction. Street literature. On everything I love, I hate living in this rundown Philly project. My mama doesn’t know how to handle her responsibilities. My daddy has been gone my whole life. My baby daddy stays playing games like he’s not my son’s father. He really needs to grow up though. Me personally, I want to do something with my life because I can’t continue to live like this. Seems like the more I try, the harder it seems to get. Now don't get me wrong, I'm a hood chick at heart and I don't mind the thugs and the dope boys trying to holla at me. But I’m not trying to become a product of anybody's environment. It’s like a living hell growing up in the streets of Philadelphia. And I am searching high and low for a way out. I can promise the moment I get a chance to make it, I am taking off and never looking back. Seriously, just because you're brought into this world poor don't mean you have to die poor. My love life is non-existent… that was until Ace, a old friend of mines back into it. Everything that comes with him screams to leave him alone. However, I could never do no such thing. It’s like my body grows weak every time I am close to him. The way my heart beats at the sight of him is crazy, like goose bumps crazy and butterflies in my stomach crazy. If you're a woman you know what I'm talking about. He always seems to have me feeling things I never knew existed. He gives me a high I didn’t want to come down from. I thought everything was all good until the unthinkable happens, leaving me stuck wondering what was next.