Responding to people's overwhelming attraction to anything frightening, this marvelous anthology of some of the very best English ghost stories combines a serious literary purpose with the simple intention of arousing a pleasurable fear of the doings of the dead. As the first volume to present the full range and vitality of the ghost fiction tradition, this selection of forty-two stories, written between 1829 and 1968, demonstrates the tradition's historical development, as well as its major themes and characteristics. Though the genre reached its peak in the nineteenth century, it enjoyed a second flowering between the two World Wars and even now still attracts dedicated practitioners and readers. The anthology includes stories by Walter Scott, M. R. James, Bram Stoker, Rudyard Kipling, Edith Wharton, Somerset Maugham, T. H. White, and many others. Stressing the important contribution women writers have made to the genre, the collection also offers eight stories by women, ranging from Amelia Edward's "The Phantom Ghost" (1864) to Elizabeth Bowen's "Hand in Glove" (1952).The tapestried chamber / Walter Scott --The phantom coach / Amelia B. Edwards --Squire Toby's will / J.S. Le Fanu --The shadow in the corner / M.E. Braddon --The upper berth / F. Marion Crawford --A wicked voice / Vernon Lee --The judge's house / Bram Stoker --Man-size in marble / E. Nesbit --The roll-call of the reef / Arthur Quiller-Couch --The friends of the friends / Henry James --The red room / H.G. Wells --The monkey's paw / W.W. Jacobs --The lost ghost / Mary E. Wilkins --"Oh, whistle, and I'll come to you, my lad" / M.R. James --The empty house / Algernon Blackwood --The cigarette case / Oliver Onions --Rose Rose / Barry Pain --The confession of Charles Linkworth / E.F. Benson --On the Brighton Road / Richard Middleton --Bone to his bone / E.G. Swain --The true history of Anthony Ffryar / Arthur Gray --The Taipan / W. Somerset Maugham --The victim / May Sinclair --A visitor from down under / L.P. Hartley --Fullcircle / John Buchan --The clock / W.F. Harvey --Old man's beard / H. Russell Wakefield --Mr Jones / Edith Wharton --Smee / A.M. Burrage --The little ghost / Hugh Walpole --Ahoy, sailor boy! / A.E. Coppard --The hollow man / Thomas Burke --Et in sempiternum pereant / Charles Williams --Bosworth summit pound / L.T.C. Rolt --An encounter in the mist / A.N.L. Munby --Hand in glove / Elizabeth Bowen --A story of Don Juan / V.S. Pritchett --Cushi / Charistopher Woodforde --Bad company / Walter de la Mare --The bottle of 1912 / Simon Raven --The Cicerones / Robert Aickman --Soft voices at Passenham / T.H. White

    Until now, however, there has been no anthology of Shelley's work. The Mary Shelley Reader is a unique new collection that fills this gap. In addition to the original and complete 1818 version of her masterpiece Frankenstein, the book offers a new text of the novella Mathilda--an extraordinary tale of incest, guilt, and atonement that was not published until 1959 and has been out of print since then. Also included are seven short stories that range from gentle satire to fantastic tales of reanimation, diabolical transformation, and immortality. Eight essays and reviews are reprinted here for the first time since their original publication, and eleven representative letters help bring to life a remarkable literary and historical figure--author, daughter of William Godwin and Mary Wollstonecraft, and wife of Percy Bysshe Shelley. An illuminating introduction, a chronology, explanatory notes, and a bibliography make The Mary Shelley Reader indispensable for readers of English Romantic literature.

    This book offers a very generous selection from authors who have traditionally held a large place in our consciousness of English Romanticism, but it also includes other figures, especially women, who have been less emphasized in the past. The intellectual discourses of the age concerning governance, politics, and the impact of the French Revolution, gender and the status of women, the nature of nature and of human psychology, and the theory of literature and art are represented in the prose and poetry of writers like Wordsworth, Coleridge, the Shelleys, and Keats. There is also an usually large selection of ancillary materials -- letters, journals, reviews, and reminiscences of the writers.

    Ranging from the 19th to the 20th centuries, writers include James Augustine Aloysius Joyce, Francis Scott Key Fitzgerald, Richard Edward Connell, Henri Nathaniel Hawthorne, Lev Nikolayevich Tolstoy, Jack London, Henri Ringgold Wilmer Lardner, Oscar Fingal O'Flahertie Wills Wilde, Anton Pavlovich Chekhov, Henri René Albert Guy de Maupassant and Edgar Allan Poe.

    Read the short story, assemble the 1,000-piece puzzle, and discover the hidden clues. Then solve the mystery by putting together the pieces in the story and in the puzzle. Slick, book-like packaging and high quality artwork make these puzzles a standout. Beware: the 1,000-piece puzzle is different from the cover!

    It is the finest anthology of lyric poetry ever published."Truth" by Geoffrey Chaucer"Ophelia's Song" by William Shakespeare"The Canonization" by John Donne"To Heaven" by Ben Jonson"Ode on Solitude" by Alexander Pope"The Tyger" by William Blake"The Solitary Reaper" by William Wordsworth"Ode to a Nightingale" by John Keats"God's Grandeur" by Gerard Manley Hopkins"Sailing to Byzantium" by William Butler Yeatsand more than ninety additional classic poems.

    This set is no longer available.

    Under the direction of Stephen Greenblatt, General Editor, the editors have reconsidered all aspects of the anthology to make it an even better teaching tool.

    John Howard, a 70-year-old Englishman vacationing in France, cuts shorts his tour and heads for home. He agrees to take two children with him.But war closes in. Trains fail, roads clog with refugees. And if things were not difficult enough, other children join in Howard's little band. At last they reach the coast and find not deliverance but desperation. The old Englishman's greatest test lies ahead of him.

    H. Auden’s Selected Poems adds twenty poems to the hundred in the original edition, broadening its focus to better reflect the enormous wealth of form, rhetoric, tone and content in Auden’s work. Newly included are such favorites as “Funeral Blues” and other works that represent Auden’s lighter, comic side, giving a fuller picture of the range of his genius. Also new are brief notes explaining references that may have become obscure to younger generations of readers and a revised introduction that draws on recent additions to knowledge about Auden.As in the original edition, the new Selected Poems makes available the preferred original versions of some thirty poems that Auden revised later in life, making it the best source for enjoying the many facets of Auden’s art in one volume.

    Bounty Hunters, Forty Lashes Less One, and Gunsights comprise this collection of great western stories by the author of Get Shorty.

    From the tale of commitment, loneliness and hope in Of Mice and Men, to the tough yet charming portrait of people on the margins of society in Cannery Row, to The Pearl's examination of the fallacy of the American dream, Steinbeck stories of realism, that were imbued with energy and resilience.

    In Driving a Hard Bargain, PI Kate Brannigan investigates a car theft with a twist. In The Road and the Miles to Dundee, a moving father-daughter relationship is remembered through Scottish songs.

     Six days a week, Joel Beer hunts for books in Denver. He stalks them in bookstores and thrift stores, at yard sales and estate sales, his eyes scanning spines quickly and ruthlessly, searching for the $0.25 gem that he can resell for $250. If he were the only scout in town, he might be able to make a living, but there are close to a dozen full-timers now -- including his archrival, Popeye Lamonica -- and Joel is having trouble paying his rent. Facing eviction, Joel and his partner -- a slow-witted vagrant named Lacy -- go on the hunt. They are about to give up when they find an estate sale offering a $0.50 copy of Walter Behr's Something for Nothing that is worth $500. But Popeye sees it, too. To make this treasure his, Joel will do whatever it takes -- even if it means sacrificing his career.

    Setting off to discover why, she rocks her stable existence and uncovers secrets about her mother's experiences as a 5 year old in a concentration camp in WWII. What made Ma Polinski leave Rachel everything and will what she finds set her and her family free?