The novel's vision of Soviet life in the 1930s is so ferociously accurate that it could not be published during its author's lifetime and appeared only in a censored edition in the 1960s. Its truths are so enduring that its language has become part of the common Russian speech.One hot spring, the devil arrives in Moscow, accompanied by a retinue that includes a beautiful naked witch and an immense talking black cat with a fondness for chess and vodka. The visitors quickly wreak havoc in a city that refuses to believe in either God or Satan. But they also bring peace to two unhappy Muscovites: one is the Master, a writer pilloried for daring to write a novel about Christ and Pontius Pilate; the other is Margarita, who loves the Master so deeply that she is willing literally to go to hell for him. What ensues is a novel of inexhaustible energy, humor, and philosophical depth, a work whose nuances emerge for the first time in Diana Burgin's and Katherine Tiernan O'Connor's splendid English version.

    One of the great allegorical masterpieces of world literature, Cancer Ward is both a deeply compassionate study of people facing terminal illness and a brilliant dissection of the “cancerous” Soviet police state.

    Phil is the bright one, George the plodder. Phil is tall and angular; George is stocky and silent. Phil is a brilliant chess player, a voracious reader, an eloquent storyteller; George learns slowly, and devotes himself to the business.Phil is a vicious sadist, with a seething contempt for weakness to match his thirst for dominance; George has a gentle, loving soul. They sleep in the room they shared as boys, and so it has been for forty years. When George unexpectedly marries a young widow and brings her to live at the ranch, Phil begins a relentless campaign to destroy his brother's new wife. But he reckons without an unlikely protector.From its visceral first paragraph to its devastating twist of an ending, The Power of the Dog will hold you in its grip.WITH AN AFTERWORD BY ANNIE PROULX

    But during his long lifetime Tolstoy also wrote enough shorter works to fill many volumes. Here reprinted in one volume are his eight finest short novels, together with "Alyosha the Pot", the little tale that Prince Mirsky described as "a masterpiece of rare perfection."The Death of Ivan IlychThe CossacksFamily HappinessThe DevilThe Kreutzer SonataMaster and ManFather SergiusHaji MuradAlyosha the Pot

    'And when the second and final colume of Williams' 'Collected Poems' is published, it should become even more apparent that he is this century's major American poet.' --Larry Kart, 'Chicago Tribune'

    The closed world of the ancient aristocracy is being breached for the first time by outsiders - rich provincial families, a new and powerful political and social elite.Kiyoaki has been raised among the elegant Ayakura family - members of the waning aristocracy - but he is not one of them. Coming of age, he is caught up in the tensions between the old and the new, and his feelings for the exquisite, spirited Satoko, observed from the sidelines by his devoted friend Honda. When Satoko is engaged to a royal prince, Kiyoaki realises the magnitude of his passion.

    Trout Fishing in America is by turns a hilarious, playful, and melancholy novel that wanders from San Francisco through America's rural waterways; In Watermelon Sugar expresses the mood of a new generation, revealing death as a place where people travel the length of their dreams, rejecting violence and hate; and The Pill Versus the Springhill Mine Disaster is a collection of nearly 100 poems, first published in 1968.

    The brilliant, bestselling, landmark novel that tells the story of the Buendia family, and chronicles the irreconcilable conflict between the desire for solitude and the need for love—in rich, imaginative prose that has come to define an entire genre known as "magical realism."

    As might be expected, the main interest of these writings is that they illuminate new facets of his usual subject matter."--The New York Times Book Review"A new single work for American readers that stands among the very finest."--The Nation

    Scarred by the senseless death of their son and baffled by the engulfing chaos of the 1960s, Allston and his wife, Ruth, have left the coast for a California retreat.

    Now, from the whole range of a lifetime's work, Ashbery has chosen his own selection of 138 poems, including short lyrics, haiku, prose poems, and many of his major long poems. Seeing these great works together in one volume, readers will be able to savor a distillation of John Ashbery's work and appreciate fully how remarkable is his achievement.

    From the publication of his first book in 1926, Langston Hughes was America's acknowledged poet of color, the first to commemorate the experience--and suffering--of African-Americans in a voice that no reader, black or white, could fail to hear.  In this, his last collection of verse, Hughes's voice is more pointed than ever before, as he explicitly addresses the racial politics of the sixties in such pieces as "Prime," "Motto," "Dream Deferred," "Frederick Douglas: 1817-1895," "Still Here," "Birmingham Sunday." " History," "Slave," "Warning," and "Daybreak in Alabama." Sometimes Ironic, sometimes bitter, always powerful, the poems in The Panther and the Lash are the last testament of a great American writer who grappled fearlessly and artfully with the most compelling issues of his time.

    Wodehouse. Edward Duke brilliantly performs an entire cast of characters in these delightful stories. Adapted from Duke's stage show. Unabridged

    Now though, a quarter century after The Joke was first published, and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature, that sheds new light on the eternal themes of human existence.The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.

    This volume contains every play written by Joe Orton, who emerged in the 1960s as the most talented comic playwright in recent English history and was considered the direct successor to Wilde, Shaw, and Coward.

    Yet in this Eden of such natural beauty and richness, the old culture of totems and potlaches is under attack - slowly being replaced by a new culture of prefab houses and alcoholism. Into this world, where an entire generation of young people has become disenchanted and alienated from their heritage, Craven introduces Mark Brian, a young vicar sent to the small isolated parish by his church.This is Mark's journey of discovery - a journey that will teach him about life, death, and the transforming power of love. It is a journey that will resonate in the mind of readers long after the book is done.

    Told by a narrator who has committed a botched robbery and brutal murder, the novel follows him and his adventures in a two-dimensional police station where, through the theories of the scientist/philosopher de Selby, he is introduced to "Atomic Theory" and its relation to bicycles, the existence of eternity (which turns out to be just down the road), and de Selby's view that the earth is not round but "sausage-shaped." With the help of his newly found soul named "Joe," he grapples with the riddles andcontradictions that three eccentric policeman present to him.The last of O'Brien's novels to be published, The Third Policeman joins O'Brien's other fiction (At Swim-Two-Birds, The Poor Mouth, The Hard Life, The Best of Myles, The Dalkey Archive) to ensure his place, along with James Joyce and Samuel Beckett, as one of Ireland's great comic geniuses.

    Green’s experiences around the corrals, livery stables, and wagon yards of the West. Green was a veterinarian who took down his shingle and went into horse trading, in what he imagined would be retirement. No stranger to the saddle, Green claims to have “with these bloodshot eyes and gnarled hands measured over seventy thousand horses.” His tales range from tricks to make an old horse seem young (at least until the poor creature died from the side effects of the scam) to a recipe for making a dapple-gray mule from a bucket of paint and a chicken’s egg. So you want to go into the horse business? You can learn the knavery, skill, salesmanship, and pure con man hokum of horse trading here, in a book every westerner or horse fancier should have on hand.

    In North Toward Home, Morris vividly recalls the South of his childhood with all of its cruelty, grace, and foibles intact.  He chronicles desegregation and the rise of Lyndon Johnson in Texas in the 50s and 60s, and New York in the 1960s, where he became the controversial editor of Harper's magazine.  North Toward Home is the perceptive story of the education of an observant and intelligent young man, and a gifted writer's keen observations of a country in transition. It is, as Walker Percy wrote, "a touching, deeply felt and memorable account of one man's pilgrimage."

    Energetic, down-to-earth, and life-affirming, the twenty-five-year-old secretary was everything Kafka was not, and he was instantly smitten. Because he was living in Prague and she in Berlin, his courtship was largely an epistolary one--passionate, self-deprecating, and anxious letters sent almost daily, sometimes even two or three times a day. But soon after their engagement was announced in 1914, Kafka began to worry that marriage would interfere with his writing and his need for solitude.The more than five hundred letters Kafka wrote to Felice--through their breakup, a second engagement in 1917, and their final parting in the fall of that year, when Kafka began to feel the effects of the tuberculosis that would eventually claim his life--reveal the full measure of his inner turmoil as he tried, in vain, to balance his desire for human connection with what he felt were the solitary demands of his craft.

    Featuring popular tales such as “Jim Smiley and His Jumping Frog” and “The Man That Corrupted Hadleyburg,” as well as some delightful excerpts from The Diaries of Adam and Eve, this compilation also includes darker works written in the author’s twilight years. These selections illuminate the depth of Twain’s artistry, humor, irony, and narrative genius.From the Trade Paperback edition.Jim Smiley and his jumping frog --The story of the bad little boy who didn't come to grief --Cannibalism in the cars --Journalism in Tennessee --The story of the good little boy who did not prosper --How I edited an agricultural paper once --Political ecoonomy --A true story, repeated word for word as I heard it --The facts concerning the recent carnival of crime in Connecticut --Punch, brothers, punch! --Jim Baker's blue-jay yarn --The stolen white elephant --The McWilliamses and the burglar alarm --The private history of a campaign that failed --Extracts from Adam's diary --The man that corrupted Hadleyburg --The $30,000 bequest --Eve's diary --Captain Stormfield's visit to heaven --Letter from the recording angel --The great dark --The second advent ; Appendix War times --Private history of the "Jumping Frog" story --How to tell a story.

    Love is also like this creeper. Love is not just the lust or desire inevitable at the young age. I do not consider desire as valueless, actually it supports the living all over. When this very desire is combined with feelings from the base of your heart then it takes the form of love and it becomes divine and resembles the nectar.The creeper then delivers compassion, blossoms into friendship. To understand the meaning of love we will have to become one with the world outside. We will have to break the tough selfishness. We will have to overcome the "Me'.To understand the world outside we will need absolute involvement with it, then we will understand the diversity it has. The world is a combination of pleasant and dreadful nature, good and bad people, arts from literature to music and places of pilgrimages like the scientific inventions to nursing the patients suffering with leprocy. But if this love is self-centered then...? If it starts worshipping only the soul within it then...? Such person becomes the enemy of others and of himself. The vine then bears poisonous flowers.

    He is a slave, a preacher, and the leader of the only effective slave revolt in the history of 'that peculiar institution'. William Styron's ambitious and stunningly accomplished novel is Turner's confession, made to his jailers under the duress of his God. Encompasses the betrayals, cruelties and humiliations that made up slavery - and that still sear the collective psyches of both races.

    tr Rosmarie Waldrop, second of 2-vol set

    A classic anthology of short stories by Black writers including James Baldwin, Zora Neale Hurston, and Richard Wright -- edited and with an introduction by Langston Hughes. Originally published in 1967, The Best Short Stories by Black Writers offers a timeless and unforgettable portrait of the tragedy, comedy, triumph, and suffering that were part of African American life from 1899 to 1967.

    C. S. Lewis's Studies in Words explores this fascination by taking a series of words and teasing out their connotations using examples from a vast range of English literature, recovering lost meanings and analysing their functions. It doubles as an absorbing and entertaining study of verbal communication, its pleasures and problems. The issues revealed are essential to all who read and communicate thoughtfully, and are handled here by a masterful exponent and analyst of the English language.

    The central figure of the novel is Calman Jacoby, who stands between the old and the new, unable to embrace either whole-heartedly.

    At its center are the violently intertwined stories of Chilly Willy, in trouble with the law from his earliest years and now the head of the prison's flourishing black market in drugs and sex, and of Paul, wracked with guilt for the murder of his wife and desperate for some kind of redemption. At once brutal and tender, clear-eyed and rueful, On the Yard presents the penitentiary not as an exotic location, an exception to everyday reality, but as an ordinary place, one every reader will recognize, American to the core.

    While there, he launched The Eighth Day, a tale set in a mining town in southern Illinois about two families blasted apart by the apparent murder of one father by the other. The miraculous escape of the accused killer, John Ashley, on the eve of his execution and his flight to freedom triggers a powerful story tracing the fate of his and the victim’s wife and children.At once a murder mystery and a philosophical story, The Eighth Day is a “suspenseful and deeply moving” (New York Times) work of classic stature that has been hailed as a great American epic.

    Companion tales: The Thanksgiving Visitor and A Christmas Memory in one boxed edition.

    In addition to the contribution he made to American literature, O'Hara was a vital figure in the New York cultural scene and spent many years working at The Museum of Modern Art, where, having begun by taking a job selling postcards on the admissions desk, he ultimately became an associate curator in the Department of Painting and Sculpture. And when he unexpectedly died, in an accident on the beach at Fire Island, New York, he was deeply mourned by the Museum's staff and by the New York art world.In Memory of My Feelings was published by the Museum in 1967 to honor its late curator. The book was edited by the poet Bill Berkson, who had been a close friend of O'Hara's and was then a guest editor in the Museum's Department of Publications. Berkson invited 30 artists who had known O'Hara, ranging from Willem to Kooning to Claes Oldenburg, from Joan Mitchell to Jasper Johns, to produce works to accompany his poems. The book was issued in a limited edition as a set of folded sheets held loose in a cloth-and-board folio that was itself contained in a slipcase. Now, for the first time, it Museum has republished In Memory of My Feelings in a conventionally bound edition, and with a newly designed paper jacket instead of a slipcase. In every other way, however, this book is an exact facsimile of the edition of 1967.

    Through the eyes of journalist Max Reddick, and with penetrating fictional portraits of Richard Wright and James Baldwin, among other historical figures, John A Williams reveals the hope, courage, and bitter disappointment of the civil-rights era. Infused with powerful artistry, searing anger, as well as insight, humanity, and vision, The Man Who Cried I Am is a classic of postwar American literature.

    How do we evaluate the power and utility of language when it has been made to articulate falsehoods in certain totalitarian regimes or has been charged with vulgarity and imprecision in a mass-consumer democracy? How will language react to the increasingly urgent claims of more exact speech such as mathematics and symbolic notation? These are some of the questions Steiner addresses in this elegantly written book, first published in 1967 to international acclaim.

    This book offers a very generous selection from authors who have traditionally held a large place in our consciousness of English Romanticism, but it also includes other figures, especially women, who have been less emphasized in the past. The intellectual discourses of the age concerning governance, politics, and the impact of the French Revolution, gender and the status of women, the nature of nature and of human psychology, and the theory of literature and art are represented in the prose and poetry of writers like Wordsworth, Coleridge, the Shelleys, and Keats. There is also an usually large selection of ancillary materials -- letters, journals, reviews, and reminiscences of the writers.

    s/t: Selected Articles & Dispatches of Four DecadesSpanning the years from 1920 to 1956, this priceless collection of pieces written by Hemingway ranges from articles for the "Toronto Star" and the Hearst newspapers to popular magazines such as "Esquire, Collier's" and "Look", and includes Hemingway's vivid eyewitness accounts of the Spanish Civil War and World War II.

    From Dr. Watson's return to Baker Street to his marriage to Mary Morstan (late December, 1887, or early January, 1888, to circa May 1, 1889): 36. The hound of the Baskervilles --37. The adventure of the copper beeches --VI. From Dr. Watson's second marriage to the disappearance of Sherlock Holmes (circa May 1, 1889, to Monday, May 4, 1891): 38. The Boscombe Valley mystery --39. The stockbroker's clerk --40. The naval treaty --41. The cardboard box --42. The adventure of the engineer's thumb --43. The crooked man --44. The adventure of Wisteria Lodge --45. Silver Blaze --46. The Adventure of the beryl coronet --47. The final problem --VII. From Holme's return to Dr. Watson;s third marriage (Thursday, April 5, 1894, to October, 1902): 48. "You may have read of the remarkable explorations of a Norwegian named Sigerson" --49. The adventure of the empty house --50. The adventure of the golden pince-nez --51. The adventure of the three students --52. The adventure of the solitary cyclist --53. The adventure of Black Peter --54. The adventure of the Norwood builder --55. The adventure of the Bruce-Partington plans --56. The adventure of the Veiled Lodger --57. The adventure of the Sussex vampire --58. The adventure of the missing three-quarter --59. The adventure of the Abbey Grange --60. The adventure of the devil's foot --61. The adventure of the dancing men --62. The adventure of the retired colourman --63. The adventure of Charles Augustus Milverton --64. The adventure of the six Napoleons --65. The problem of Thor Bridge --66. The adventure of the Priory School --67. The adventure of Shoscombe Old Place --68. The adventure of the three Garridebs --69. The disappearnce of Lady Frances Carfax --70. The adventure of the illustrious client --71. The adventure of the red circle --VIII. The partnership comes to a close (January to October, 1903): 72. The adventure of the blanched soldier --73. The adventure of the three gables --74. The adventure of the Mazarin stone --75. "It is undoubtedly queer" --76. The adventure of the creeping man --IX. Sherlock Holmes in retirement: 77. The friends of Mr. Sherlock Holmes will be glad to learn that he is still alive and well --78. The adventure of the lion's mane --X. An epilogue of Sherlock Holmes (Sunday, August 2, 1914): 79. His last bow --L'envoi.

    Gargoyles, one of his earliest novels, is a singular, surreal study of the nature of humanity.One morning a doctor and his son set out on daily rounds through the grim mountainous Austrian countryside. They observe the colorful characters they encounter—from an innkeeper whose wife has been murdered to a crippled musical prodigy kept in a cage—coping with physical misery, madness, and the brutality of the austere landscape. The parade of human grotesques culminates in a hundred-page monologue by an eccentric, paranoid prince, a relentlessly flowing cascade of words that is classic Bernhard.

    P. Donleavy's hilarious, bittersweet tale of a lost young man's existential odyssey, "a triumphant piece of writing, achieved with that total authority, total mastery which shows that a fine writer is fully extended...." In the years before and after World War II, Balthazar B is the world's last shy, elegant young man. Born to riches in Paris and raised by his governess, Balthazar is shipped off to a British boarding school, where he meets the noble but naughty Beefy. The duo matriculate to Trinity College, Dublin, where Balthazar reads zoology and Beefy prepares for holy orders, all the while sharing amorous adventures high and low, until their university careers come to an abrupt and decidedly unholy end. Written with trademark bravado and a healthy dose of sincerity, The Beastly Beatitudes of Balthazar B is vintage Donleavy.

    This was an early collection, and it was first published in a Penguin edition in 1969 --two years after first appearing.

    This is the first English translation of French writer, Pierre Guyotat's legendary novel, which was recently included in "Le Monde"'s "100 Greatest Novels of the 20th Century." A violent collision of brutal warfare and sexual ecstasy, Guyotat is said to have hallucinated the subject matter as a young soldier during the Algerian war, where the novel is set.

    S. Forester, featuring his fictional naval hero, Horatio Hornblower. It was published together with the unfinished novel Hornblower and the Crisis and another short story, "The Last Encounter". It is titled "Hornblower's Temptation" in certain US editions.The story is set very early in Hornblower's career, in 1799 or 1800, after Mr. Midshipman Hornblower, but before Lieutenant Hornblower."The Last Encounter" is a short story by C. S. Forester, the final chapter in the life of his fictional naval hero, Horatio Hornblower.

    Barthes's essay argues against traditional literary criticism's practice of incorporating the intentions and biographical context of an author in an interpretation of a text, and instead argues that writing and creator are unrelated.

    Here, he contributes a new epilogue to his collection of classic lectures on the relationship of fiction to age-old concepts of apocalyptic chaos and crisis. Prompted by the approach of the millennium, he revisits the book which brings his highly concentrated insights to bear on some of the most unyielding philosophical and aesthetic enigmas. Examining the works of writers from Plato to William Burrows, Kermode shows how they have persistently imposed their "fictions" upon the face of eternity and how these have reflected the apocalyptic spirit. Kermode then discusses literature at a time when new fictive explanations, as used by Spenser and Shakespeare, were being devised to fit a world of uncertain beginning and end. He goes on to deal perceptively with modern literaturewith "traditionalists" such as Yeats, Eliot, and Joyce, as well as contemporary "schismatics," the French "new novelists," and such seminal figures as Jean-Paul Sartre and Samuel Beckett. Whether weighing the difference between modern and earlier modes of apocalyptic thought, considering the degeneration of fiction into myth, or commenting on the vogue of the Absurd, Kermode is distinctly lucid, persuasive, witty, and prodigal of ideas.

    

    Tsemakh Atlas, torn between his commitment to the ascetic life of the yeshiva community and his natural longings, tries to protect his students from the earthy villagers of Valkenik

    Frame hastily submitted a sheaf of poems to her American publisher Braziller in the sixties, producing the only volume of poetry published in her lifetime, "The Pocket Mirror."

    His grandmother burns his precious crosses for kindling. His cousins meet to plot their grandfather's death. Yet in the hills surrounding his home, another reality exists, a place where his mother wears flowers in her hair, and his cousin Celestino, a poet who inscribes verse on the trunks of trees, understands his visions. The first novel in Reinaldo Arenas's "secret history of Cuba," a quintet he called the Pentagonia, Singing from the Well is by turns explosively crude and breathtakingly lyrical. In the end, it is a stunning depiction of a childhood besieged by horror--and a moving defense of liberty and the imagination in a world of barbarity, persecution, and ignorance.

    Lawrence, Chekhov and Hemingway, Bukowski's writing is passionate, extreme and has attracted a cult following, while his life was as weird and wild as the tales he wrote. This collection of short stories gives an insight into the dark, dangerous lowlife of Los Angeles that Bukowski inhabited.From prostitutes to classical music, Bukowski ingeniously mixes high and low culture in his 'tales of ordinary madness'. These are angry yet tender, humorous and haunting portrayals of life in the underbelly of Los Angeles.A .45 to pay the rent --Doing time with public enemy no. 1 --Scenes from the big time --Nut ward just east of Hollywood --Would you suggest writing as a career? --The great Zen wedding --Reunion --Cunt and Kant and a happy home --Goodbye Watson --Great poets die in steaming pots of shit --My stay in the poet's cottage --The stupid Christs --Too sensitive --Rape! Rape! --An evil town --Love it or leave it. A dollar and twenty cents --No stockings --A quiet conversation piece --Beer and poets and talk --I shot a man in Reno --A rain of women --Night streets of madness --Purple as an iris --Eyes like the sky --One for Walter Lowenfels --Notes of a potential suicide --Notes on the pest --A bad trip --Animal crackers in my soup --A popular man --Flower horse --The big pot game --The blanket

    This outstanding collection now allows readers to experience their themes, styles, and characters in thirteen carefully selected short stories—tales that fully reveal the quintessential nature of the Russian writers creating under the tsars. From Pushkin at the beginning of the period, whose work contains the essence of what Russian realism would become, to Gorky, who bridged the days of the 1917 Revolution in his brilliant writings, they were artists moved by the spirit of their land, new political ideas and ideals, and the ancient, dark soul of the Slavic people. Passionate or violent, tormented, humorous, cynical, or shining with unparalleled lyricism, these are magnificent stories created by some of the greatest authors of all time.

    Now with their publication in one volume complete and unabridged, with the original illustrations, we will all once more be laughing—and shedding nostalgic tears—over the heroic exploits at Lawrenceville of Stover himself, who later went to Yale;Hungry Smeed, who achieved apotheosis in setting the Great Pancake Record;Doc Macnooder and the Tennessee Shad, whose brilliantly imaginative schemes invariably worked out to the discomfiture—and finally to the education—of that pampered millionaire’s son, the Uncooked Beefsteak;and all the rest of their irrepressible friends including Dennis de Brian de Boru Finnegan, the Waladoo Bird, the Gutter Pup, and Lovely Mead.At the time of their original publication, George Ade called these books”the only real prep school stories ever written.” And Booth Tarkington wrote: “The Varmint had given me more pleasure than anything I have ever read. It’s a wonder...and the joyful pathos of the last part of it choked me all up—it was so true and so specifically bully. The Varmint, for al its fun, is what I call really serious writing and is worth thousands of the faddy pretentious things lately present.; it’s infinitely rarer and harder to do.”It is a great joy to be able to make Owen Johnson’s Lawrenceville stories available again, both for those who have always loved them and for those who have never encountered them before.

    Schonberg, the New York Times music critic of many years, writes here one from his series of books on music history.

    Macedonio (known to everyone by his unusual first name) worked on this novel in the 1930s and early '40s, during the heyday of Argentine literary culture, and around the same time that At Swim-Two-Birds was published, a novel that has quite a bit in common with Macedonio's masterpiece. In many ways, Museum is an "anti-novel." It opens with more than fifty prologues—including ones addressed "To My Authorial Persona," "To the Critics," and "To Readers Who Will Perish If They Don’t Know What the Novel Is About"—that are by turns philosophical, outrageous, ponderous, and cryptic. These pieces cover a range of topics from how the upcoming novel will be received to how to thwart "skip-around readers" (by writing a book that’s defies linearity!). The second half of the book is the novel itself, a novel about a group of characters (some borrowed from other texts) who live on an estancia called "la novella" . . . A hilarious and often quite moving book, The Museum of Eterna's Novelredefined the limits of the genre, and has had a lasting impact on Latin American literature. Authors such as Jorge Luis Borges, Julio Cortázar, and Ricardo Piglia have all fallen under its charm and high-concepts, and, at long last, English-speaking readers can experience the book that helped build the reputation of Borges's mentor.

    Konstantin Mochulsky's critical biography is, in the words of George Gibian, the "best single work in any language about Dostoevsky's work as a whole." Joseph Frank has called it one of the "indispensable studies by Russian critics." An established classic, it is here available for the first time in paperback in English translation.

    Creating new attitudes to theatre, he is credited with being one of the first to write about ordinary people in prose, abandoning traditional theatrical effects in favour of a new style of performance. This is a biography of the founding genius of modern European theatre.

    The book attests to the fact that the nightmare of Stalin camps did not disappear, repressive machine continued to work also in the [poslestalinskoe] time: the closed law courts, the complete lawlessness of political prisoners, " [vospitanie]" by hunger and much other. Its victim became Anatoliy [Marchenko], who was killed in The [chistopolskoy] prison in 1986. On the whole he conducted in the camps and references 19 and one-half of years, about which and he told in his books. Book of " My of [pokazaniya]" it is written in 1967

    Frye describes the basis of the tragic vision as "being in time," in which death as "the essential event that gives shape and form to life ... defines the individual, and marks him off from the continuity of life that flows indefinitely between the past and the future."In Dr. Frye's view, three general types can be distinguished in Shakespearean tragedy, the tragedy of order, the tragedy of passion, and the tragedy of isolation, in all of which a pattern of "being in time" shapes the action. In the first type, of which Julius caesar, Macbeth, and Hamlet are examples, a strong ruler is killed, replaced by a rebel-figure, and avenged by a nemesis-figure; in the second, represented by Romeo and Juliet, Anthony and Cleopatra, and Troilus and Cressida, authority is split and the hero is destroyed by a conflict between social and personal loyalties; and in the third, Othello, King Lear, and Timon of Athens, the central figure is cut off from his world, largely as a result of his failure to comprehend the dynamics of that world. What all these plays show us, Dr. Frye maintains, is "the impact of heroic energy on the human situation" with the result that the "heroic is normally destroyed ... and the human situation goes on surviving."Fools of Time will be welcomed not only by many scholars who are familiar with Dr. Frye's keen critical insight but also by undergraduates, graduates, high-school and university teachers who have long valued his work as a means toward a firmer grasp and deeper understanding of English literature.

    Arnold's major poems, "Stanzas from the Grande Chartreuse," the love poems in the "Switzerland" and "Faded Leaves" sequences, several narrative poems, and his major elegies are found in part one of this volume. The prose selections in part two, arranged in chronological order of composition, span Arnold's entire writing career, beginning with several lively letters from his early correspondence with Arthur Hugh Clough, to his very last essay, "Civilization in the United States." Throughout both the poetry and prose is heard the unmistakable voice of a man whom E.M. Forster aptly described as "a great poet, a civilized citizen, and a prophet."

    It later became known all over Japan, and during the Second World War Jōchō’s precept ‘I found that the Way of the Samurai is death’, became a slogan to spur on Kamikaze pilots. But the Hagakure is not only about death. In this, his adaptation and interpretation of it, Yukio Mishima deals with its teachings on action, subjectivity, strength of character, passion and love, and delights in giving prolific examples of Jōchō’s practical advice from proper behavior at a drinking party to child rearing. In the Hagakure, the most important influence on his life – and his death – Mishima saw striking similarities between his criticisms of materialistic post-war Japan and Jōchō’s criticisms of the sumptuous decadence of his contemporaries; and it is this emphasis which gives it its immediacy.

    The artists Walter Crane, Randolph Caldecott and Kate Greenaway were noteworthy because their books were designed for children. Though Crane and Caldecott are still remembered, the illustrations of Kate Greenaway have endured the test of time and still have a place in today s nursery.The essence of Victorian childhood is exhibited in the idealized children of Greenaway s work. Her dreamy little figures seem almost melancholy as they prance through the English countryside unaware of time or place. Their outfits of frilly smocks, mob caps and sunbonnets seem Regency in appearance but are none-the-less the figments of Miss Greenaway s girlish imagination. They are an outcome of her unwillingness to leave childhood behind.In "A Treasury of Kate Greenaway Stories" her wonderful illustrations are brought back to life with such children's favorites as: Apple Pie Book of Games Mother Goose The Pied Piper of Hamelin Under the Window Birthday Book (with records section) Book of Tunes

    He is hilariously awful and a great creation.” The Atlantic Monthly“The real target of [the authors’] often uproarious gibes is modernism--or the part of it that zealously pursues theories of ‘pure’ form into Cloud-Cuckoo-Land. The result, which Domecq never perceives, is invariably monstrous: novels and poems that cannot be read, art that cannot be seen, architecture--freed from ‘the demands of responsibility’--that cannot be used....With donnish humor and unfailing intelligence, Chronicles of Bustos Domecq thrusts a rapier into such gargantuan posturing.” Time

    The results of his efforts--revealed in five volumes published between 1967 and 1977--constitute one of the most searching and vigorous social studies ever undertaken by one person in the United States. Here, heard often in their own voices, are America's "children of crisis": African American children caught in the throes of the South's racial integration; The children of impoverished migrant workers in Appalachia; Children whose families were transformed by the migration from South to North, from rural to urban communities; Latino, Native American, and Eskimo children in the poorest communities of the American West; The children of America's wealthiest families confronting the burden of their own privilege. This volume restores to print a masterwork of psychological and sociological inquiry--a book that, in its focus on how children learn and develop in the face of rapid change and social upheaval, speaks directly and pointedly to our own times. Robert Coles is a professor of psychiatry and medical humanities at the Harvard Medical School, a research psychiatrist for the Harvard University Health Services, and the James Agee Professor of Social Ethics at Harvard College. ________________________________________In the 1950s Robert Coles began studying, living among, and, above all, listening to American children & their parents.

    Father Ong contends that sound is essentially an event manifesting power and personal presence, and his descriptive analysis of the development of the media of verbal expression, from their oral sources through the laborious transfer to the visual world and then to contemporary means of electronic communication, shows that the predicament of the human word is the predicament of man himself. Examining the close alliance of the spoken word with the sense of the sacred, particularly in the Hebreo-Christian tradition, he reveals that in a world where presence has penetrated time and space as never before, modern man must find the God who has given himself in the Word which brings man more into the world of sound than of sight.

    Cultural criticism has been too obsessed with the rage for order to be able to grasp the import of Peckham's search for "some human activity, which serves to break up orientations, to weaken and frustrate the tyrannous drive to order, to prepare the individual to observe what the orientation tells him is irrelevant, but what may very well be relevant." This book is destined to force a sharp turn in critical cultural studies because it addresses the rage for chaos in traditional "high culture, " not just in popular culture.

    Appropriate for third- and fourth-semester college classes, the main textbook of the Third Edition contains sixteen chapters, each covering a specific grammar topic. Most of these chapters are sub-divided into levels, beginning with the most basic principles, then proceeding to more advanced material. Each level concludes with a series of exercises, usually moving from strictly controlled exercises on a single aspect of the topic, to combination exercises (Mixed Exercises), and finally to English-to-German translation activities (Express in German). A new Student Manual, closely tied to the main text, provides a greater variety of activities that allow students to use the targeted structures in meaningful situations and contexts. The Student Manual is intended for in-class use, although students can also do the activities at home.

    

    Watson, M.D., and Mr. Sherlock Holmes of Baker Street. 2. The early Holmes. 3. The partnership, to Dr. Watson's first marriage. 4. From Dr. Watson's first marriage to the death of the first Mrs. Watson. 5. From Dr. Watson's return to Baker Street to his marriage to Mary Morstan --The Gloria ScottThe Musgrave RitualA Study in ScarletThe Resident PatientThe Adventure of the Noble BachelorThe Adventure of the Second StainThe Reigate SquiresA Scandal in BohemiaThe Five Orange PipsA Case of IdentityThe Red-Headed LeagueThe Adventure of the Blue CarbuncleThe Valley of FearThe Yellow FaceThe Greek InterpreterThe Sign of the Four

    S. Lewis at his death. It is Lewis longest piece of literary criticism, as distinct from literary history. It approaches The Faerie Queene as a majestic pageant of the universe and nature, celebrating God as 'the glad creator', and argues that conventional views of epic and allegory must be modified if the poem is to be fully enjoyed and understood.

    'Suddenly Last Summer' is the starkly told story of Catherine, who seemingly goes insane after her cousin Sebastian dies in grisly circumstances on a trip to Europe. 'The Milk Train Doesn't Stop Here Anymore' is a passionate examination of a wealthy old woman as she recounts her memories in the face of death, while in 'Small Craft Warnings' a motley group of people - including a blowsy beautician, a discredited alcoholic doctor, a vulnerable waif and two gay men - sit around a seedy bar on the Californian coast, each contemplating their own desperate fate.

    In the present work, based on lectures read at Brandeis University in 1965, Mr. Barfield sets out "to consider what light the three subjects of history, language, and literature can be made to shed on each other." These topics have been among his central interests for four decades of study and writing; and as his readers have come to expect, his consideration of them is wonderfully subtle, far-ranging, and buttressed by impressive erudition. That his conclusions are as startling as they are logical goes without saying. Owen Barfield was for many years a practicing solicitor in London and a regular contributor to such journals as The New Statesman and The London Mercury. He is the author of highly original and stimulating books, including Worlds Apart, Unancestral Voice, and Romanticism Comes of Age. Since his retirement in 1959, Mr. Barfield has lived in Dartford in Kent, though in recent years he has spent periods in the United States in residence at Drew University, Brandeis University, and Hamilton College. Owen Barfield, who died in 1997 shortly after entering his hundredth year, was one of the seminal minds of the twentieth century, of whom C. S. Lewis wrote "he towers above us all." His books have won respect from many writers other than Lewis, among them T. S. Eliot, J. R. R. Tolkein, and Saul Bellows, and John Lukacs. He was born in North London in 1898 and received his B.A. with first-class honors from Wadham College, Oxford, in 1921. He also earned B.C.L., M.A., and B.Litt. degrees from Oxford and was a fellow of the Royal Society of Literature. He served as a solicitor for twenty-eight years until his retirement from legal practice in 1959. Barfield was a visiting professor at Brandeis and Drew Universities, Hamilton College, the University of Missouri at Columbia, UCLA, SUNY-Stony Brook, and the University of British Columbia, Vancouver. His books include seven others published by The Barfield Press: Romanticism Comes of Age, Worlds Apart: A Dialogue of the 1960s, Unancestral Voice, Speaker's Meaning, What Coleridge Thought, The Rediscovery of Meaning, and History, Guilt and Habit.

    

    

    Through the eyes of a despairing artist, Hans Schnier, who recreates in his pantomimes incidents in people's lives with honesty and compassion, Boll draws a revealing portrait of German society under Hitler and in the postwar years.

    

    Told with a heightened naturalism in which our thought and speech processes are reproduced with an amazing fidelity, the book may baffle and even infuriate, Yet it makes its presence felt, forcing us, almost as if against our will, to conclude we have here something very important to the heritage of modern literature.There are two essential themes running concurrently through this monumental work, both related to the protagonist, Lee Emanuel. On the one hand we have his passion for the fifteen-year-old Rena Goldstein, and the subtle oppositions to this passion by both families. On the other hand we have the story of the death-in-progress of Lee's father, Levi Emanuel.With Lee's second marriage, the strands of the parallel themes convulse, separate, re-form, and intertwine. In the relating of the several events and themes that spring from the fusion of the two central threads, time and characters seem to merge so that "all time is eternally present" and the people are alike, one unto the other. The physical scene is Philadelphia, with constant shuttling to New York and Los Angeles.