Jeremy Best, a Manhattan-based trusts and estates lawyer, leads a second life as published poet Jinx Bell.  To his boss’s daughter, Spaulding Simonson, at 33 years old, Jeremy is already halfway to dead.  When Spaulding, an aspiring 19-year-old writer, discovers Mr. Best’s alter poetic ego, the two become bound by a devotion to poetry, and an awareness that time in this world is limited.  Their budding relationship strikes at the universality of love and loss, as Jeremy and Spaulding confront their vulnerabilities, revealing themselves to one another and the world for the very first time. A skilled satirist with a talent for biting humor, Greenland creates fully realized characters that quickly reveal themselves as complex renderings of the human condition – at its very best, and utter worst. I Regret Everything explores happiness and heartache with a healthy dose of skepticism, and an understanding that the reality of love encompasses life, death, iambic pentameter, regret, trusts and estates.

    Demetri's first literary foray features longer-form essays and conceptual pieces (such as Protagonists' Hospital, a melodrama about the clinic doctors who treat only the flesh wounds and minor head scratches of Hollywood action heroes), as well as his trademark charts, doodles, drawings, one-liners, and lists (i.e., the world views of optimists, pessimists and contortionists), Martin's material is varied, but his unique voice and brilliant mind will keep readers in stitches from beginning to end.

    Wheelchair-bound Inez Graney and her two older sons, Leon and Butch, take a bizarre road trip through the Mississippi Delta to visit the youngest Graney brother, Raymond, who's been locked away on death row for eleven years. It could well be their last visit. Mack Stafford, a hard-drinking and low-grossing run-of-the-mill divorce lawyer, gets a miracle phone call with a completely unexpected offer to settle some old, forgotten cases for more money than he has ever seen. Mack is suddenly bored with the law, fed up with his wife and his life, and makes drastic plans to finally escape. Quiet, dull Sidney, a data collector for an insurance company, perfects his blackjack skills in hopes of bringing down the casino empire of Clanton's most ambitious hustler, Bobby Carl Leach, who, among other crimes, has stolen Sidney's wife. Three good ol' boys from rural Ford County begin a journey to the big city of Memphis to give blood to a grievously injured friend. However, they are unable to drive past a beer store as the trip takes longer and longer. The journey comes to an abrupt end when they make a fateful stop at a Memphis strip club. The Quiet Haven Retirement Home is the final stop for the elderly of Clanton. It's a sad, languid place with little controversy, until Gilbert arrives. Posing as a low-paid bedpan boy, he is in reality a brilliant stalker with an uncanny ability to sniff out the assets of those "seniors" he professes to love. One of the hazards of litigating against people in a small town is that one day, long after the trial, you will probably come face-to-face with someone you've beaten in a lawsuit. Lawyer Stanley Wade bumps into an old adversary, a man with a long memory, and the encounter becomes a violent ordeal. Clanton is rocked with the rumor that the gay son of a prominent family has finally come home, to die. Of AIDS. Fear permeates the town as gossip runs unabated. But in Lowtown, the colored section of Clanton, the young man finds a soul mate in his final days. Featuring a cast of characters you'll never forget, these stories bring Ford County to vivid and colorful life. Often hilarious, frequently moving, and always entertaining, this collection makes it abundantly clear why John Grisham is our most popular storyteller.

    HartwellScenes from the film version of Destination Moon (Eagle-Lion, 1950) - interior artworkDestination Moon (1950) - noveletteShooting "Destination Moon" (1950)Facts About Destination Moon" (1979)

    Nestled in a beautiful hollow of the Appalachians, his is a tight-knit community rife with secrets and suspicious of outsiders.Becky, a park ranger, arrives in this remote patch of North Carolina hoping to ease the anguish of a harrowing past. Searching for tranquility amid the verdant stillness, she finds solace in poetry and the splendor of the land. A vicious crime will plunge both sheriff and ranger into deep and murky waters, forging an unexpected bond between them. Caught in a vortex of duplicity, lies, and betrayal, they must navigate the dangerous currents of a tragedy that turns neighbor against neighbor—and threatens to sweep them all over the edge.

    This edition contains 778 poems, 100 of them previously unpublished, and has, in addition, a context piece, author's words and CD of readings. It is a definitive (though not complete) collection.

    S. Merwin. Here are poems that speak of the seasons as measures of earthly time or as states of mind or as the physical expressions of the ineffable. From Robert Frost’s tribute to the evanescence of spring in “Nothing Gold Can Stay” to Langston Hughes’s moody “Summer Night” in Harlem, from the “stopped woods” in Marie Ponsot’s “End of October” to the chilling “mind of winter” in Wallace Stevens’s “The Snow Man,” the poems in this volume engage vividly with the seasons and, through them, with the ways in which we understand and engage the world outside ourselves.

    Prabhat Prakashan has a glorious history of fifty years of publishing quality books on almost all streams of literature, viz. children books, fiction, science, quiz, humanities, personality development, health, dictionaries, encyclopedias, etc. For the last fifteen years, Prabhat Prakashan has been continuously winning accolades for excellence in book publication.

    A collection of quintessentially American poems, the seminal work of one of the most influential writers of the nineteenth century.

    From the narratives of army life during World War Two to the domestic and familial scenes of his final book, this selection presents Jarrell's art at its best, comparable in power and variety to that of his contemporaries Robert Lowell and Elizabeth Bishop.

    Vincent Millay defined a generation with her passionate lyrics and intoxicating voice of liberation. Edited by Millay biographer Nancy Milford, this Modern Library Paperback Classics collection captures the poet’s unique spirit in works like Renascence and Other Poems, A Few Figs from This-tles, and Second April, as well as in “The Ballad of the Harp-Weaver” and eight sonnets from the early twenties. As Milford writes in her Introduction, “These are the poems that made Edna St. Vincent Millay’s reputation when she was young. Saucy, insolent, flip, and defiant, her little verses sting the page.”

    Whether the subject is barbershop mythology or a meditation on the circumstances of one's own conception, Fulghum makes us a little more aware of the richness, fullness, and joyousness of life.

    It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them.  “They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother’s journals were blank.” What did Williams’s mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”

     2.  Fascinating Memoir:  This book has it all: high stakes gambling, drugs, jail, psychotic episodes and debilitating depression and mental illness, plus the depths of despair and heights of victory.  3.  Very High Profile:  Mike Matusow is one of the most recognizable and followed players in poker today.  Yahoo's online search engine identifies over 1.1 million websites that provide content about Mike Matusow.  His weekly online video show "The Mouthpiece" at CardPlayer.com, averages over 2,000 viewers per day. 4.  Super Popular Subject: Poker is the third most watched sport on cable television, behind auto racing and football. 5.  Secondary Market Possibilities: The National Institute of Mental Health estimates there are 5.7 million people in the U.S. that have bipolar disorder and the CDC estimates 1.6 million elementary school children have been diagnosed ADHD.Get Ready for a Wild Ride… Hang on tight as Mike “The Mouth” Matusow, poker player extraordinaire, takes you with him on a breathtaking, true-life roller coaster ride from his humble beginnings in a trailer park to a rock and roll lifestyle full of hot women, sex, wild drug-filled parties and million-dollar wins and losses. Yet behind the glamour and glory of his high-stakes poker career lurked the flip side: a person torn between two debilitating mental illnesses?—?bipolar disorder and ADHD. To dig himself out of depression and suicidal despair, Matusow turned to dangerous street drugs to self-medicate a problem he didn’t understand, and spiraled deeper into the darker world of addiction, police narcotic stings, and jail time. In this revealing and tumultuous autobiography, the combustible Matusow holds nothing back. You’ll get a mouthful of the man behind the infamous Matusow Meltdowns seen on national TV. Riveting, exhilarating, sexy, sometimes shocking and always fascinating, this voyeur’s look into the world of high-stakes poker, mental illness, and ultimately, Matusow’s inspiring redemption, will keep you glued to your seat until the very last page!

    Circling themes of intimacy and time, they return to the urgency of conversation: that fragile bridge across the frozen attitudes that divide our world. But at the heart of the collection is a deeper preoccupation, with those blurry places where humans might walk with gods, where the body might touch the beyond, where the enchanted might intersect effortlessly with the everyday. Where one stumbles upon what the poet simply calls ‘love without a story’.