Here are over 20 stories and short novels by the masters of gore, including Ramsey Campbell, Dennis Etchison, F. Paul Wilson, Brian Lumley, Tanith Lee and John Kaine. This classic Mammoth title features new and previously uncollected stories from some of the biggest and brightest names on both sides of the Atlantic, as well as classics from acknowledged masters.The contents include:Fruiting Bodies by Brian LumleyNeedle Song by Charles L. GrantTurbo-Satan by Christopher FowlerTalking In The Dark by Dennis EtchisonThe Circus by Sydney J. BoundsFoet by F. Paul WilsonThe Candle In The Skull by Basil CopperThe Chimney by Ramsey CampbellDark Wings by Phyllis EisensteinReflection Of Evil by Graham MastertonMirror Of The Night by E.C. TubbMaypole by Brian MooneyUnder The Crust by Terry LamsleyTir Nan Og by Lisa TuttleA Living Legend by R. Chetwynd-HayesWake-Up Call by David J. SchowThe Fourth Seal by Karl Edward WagnerUnlocked by Tanith Lee & John KaiineClosing Time by Neil GaimanIt Was The Heat by Pat CadiganFodder by Tim Lebbon & Brian KeeneOpen Doors by Michael Marshall SmithAndromeda Among The Stones by Caitlín R. KiernanFlowers On Their Bridles, Hooves In The Air by Glen HirshbergAmerikanski Dead At The Moscow Morgue Or: Children Of Marx And Coca–Cola by Kim NewmanAmong The Wolves by David Case

    Vollmann's growing reputation as the American writer whose books tower over the work of his contemporaries by virtue of their enormous range, huge ambition, stylistic daring, wide learning, audacious innovation, and sardonic wit (Washington Post Book World). All these qualities are in evidence in this collection in which the character of the writer and that of some of his intimates - both real and imaginary - surface and resurface in a series of extraordinary situations and encounters. Two astonishing stories frame this collection. The first, The Ghost of Magnetism, tells about a young man leaving San Francisco to become a sort of literary hobo living on his freeze-dried memories. The last, The Grave of Lost Stories, describes the death of Poe in a fungus-encrusted tomb somewhere deep in the earth. Here is the colorful and disreputable group of people familiar to us from Vollmann's earlier fiction - pimps, tramps, pornographers, witch doctors and massage-parlor girls. Within these stories, Vollmann gives us one of the most searching, bizarre, and subversive views of America today.

    Reaching for Glory exposes the inner workings of the Johnson presidency from the summer of 1964 through the summer of 1965. From behind the scenes, you will hear Johnson pulling the strings of his presidential campaign against Barry Goldwater and pursuing his feud with the new senator Robert Kennedy. He agonizes over Martin Luther King, Jr., and the bloody march on Selma, Alabama, and twists arms on Capitol Hill to pass voting rights, Medicare, and more basic laws than any American president before or since. Above all, you will hear him sending young Americans off to Vietnam while privately insisting that the war can never be won. Winding Johnson's voice and exclusive excerpts from Lady Bird Johnson's private diaries into a gripping narrative, Michael Beschloss provides context and historical insights, showing how profoundly LBJ changed the presidency and the country. Reaching for Glory allows us to live at Lyndon Johnson's side, day by day, through the dramatic, triumphant, and catastrophic year of a turbulent presidency that continues to affect us all.

    It dissects the failures of the Eisenhower Administration just as effectively as it details the blunders of Roosevelt, Truman, Kennedy and Johnson. It documents the concurrent decay in America's schools, churches, and press which has conditioned the American people to accept 20 years of retreat in the face of the communist enemy. You won't finish None Dare Call It Treason without concluding that America is in serious trouble.

    The Beast God Forgot to Invent offers stories of culture and wildness, of men and beasts and where they overlap. A wealthy man retired to the Michigan woods narrates the tale of a younger man decivilized by brain damage. A Michigan Indian wanders Los Angeles, hobnobbing with starlets and screenwriters while he tracks an ersatz Native-American activist who stole his bearskin. An aging "alpha canine," the author of three dozen throwaway biographies, eats dinner with the ex-wife of his overheated youth, and must confront the man he used to be.

    Winner of the 1989 Pulitzer Prize and the Los Angeles Times Book Award for Poetry.

    Nor are they testimonies from some distant, brutal past, but the frighteningly common experiences of Europe’s new underclass – its refugees. While those with ‘citizenship’ enjoy basic human rights (like the right not to be detained without charge for more than 14 days), people seeking asylum can be suspended for years in Kafka-esque uncertainty. Here, poets and novelists retell the stories of individuals who have direct experience of Britain’s policy of indefinite immigration detention. Presenting their accounts anonymously, as modern day counterparts to the pilgrims’ stories in Chaucer’s Canterbury Tales, this book offers rare, intimate glimpses into otherwise untold suffering.

    The eleven novels in The Library of America’s adventurous two-volume collection taps deep roots in the American literary imagination, exploring themes of crime, guilt, deception, obsessive passion, murder, and the disintegrating psyche. With visionary and often subversive force they create a dark and violent mythology out of the most commonplace elements of modern life.James M. Cain’s pioneering novel of murder and adultery along the California highway, The Postman Always Rings Twice (1934), shocked contemporaries with its laconic toughness and fierce sexuality.Horace McCoy’s They Shoot Horses, Don’t They? (1935) uses truncated rhythms and a unique narrative structure to turn its account of a Hollywood dance marathon into an unforgettable evocation of social chaos and personal desperation.In Thieves Like Us (1937), Edward Anderson vividly brings to life the dusty roads and back-country hideouts where a fugitive band of Oklahoma outlaws plays out its destiny.The Big Clock (1946), an ingenious novel of pursuit and evasion by the poet Kenneth Fearing, is set by contrast in the dense and neurotic inner world of a giant publishing corporation under the thumb of a warped and ultimately murderous chief executive.William Lindsay Gresham’s controversial Nightmare Alley (1946), a ferocious psychological portrait of a charismatic carnival hustler, creates an unforgettable atmosphere of duplicity, corruption, and self-destruction.I Married a Dead Man (1948), a tale of switched identity set in the anxious suburbs, is perhaps the most striking novel of Cornell Woolrich, who found in the techniques of the gothic thriller the means to express an overpowering sense of personal doom.Disturbing, poetic, anarchic, punctuated by terrifying bursts of rage and paranoia and powerfully evocative of the lost and desperate sidestreets of American life, these are underground classics now made widely and permanently available.

    Led by President Dwight D. Eisenhower, they invented the U-2 and SR-71 spy planes and the first reconnaissance satellites that revolutionized spying, proved that the missile gap was a myth, and protected the United States from Soviet surprise nuclear attack. They also made possible the space-based mapping, communications, and targeting systems used in the Gulf War, Afghanistan, and Iraq. Veteran New York Times reporter and editor Philip Taubman interviewed dozens of participants and mined thousands of previously classified documents to tell this hidden, far-reaching story. He reconstructs the crucial meetings, conversations, and decisions that inspired and guided the development of the spy plane and satellite projects during one of the most perilous periods in our history, a time when, as President Eisenhower said, the world seemed to be "racing toward catastrophe." This is the story of these secret heroes, told in full for the first time.

    The critically acclaimed and award-winning tradition continues with another stunning collection, including stories by Jack Cady, Ramsey Campbell, Susanna Clarke, Jack Dann, Terry Dowling, Dennis Etchison, Greer Gilman, Nalo Hopkinson, Kelly Link, Kathe Koja, Paul J. McAuley, Delia Sherman. Rounding out the volume are the editors' invaluable overviews of the year in fantasy and horror, and a long list of Honorable Mentions, making this an indispensable reference as well as the best reading available in fantasy and horror.

    For more than four decades, Ellen Datlow has been at the center of horror. Bringing you the most frightening and terrifying stories, Datlow always has her finger on the pulse of what horror readers crave. Now, with the thirteenth volume of the series, Datlow is back again to bring you the stories that will keep you up at night. Encompassed in the pages of The Best Horror of the Year have been such illustrious writers as: Neil Gaiman, Stephen King, Stephen Graham Jones, Joyce Carol Oates, Laird Barron, Mira Grant, and many others. With each passing year, science, technology, and the march of time shine light into the craggy corners of the universe, making the fears of an earlier generation seem quaint. But this light creates its own shadows. The Best Horror of the Year chronicles these shifting shadows. It is a catalog of terror, fear, and unpleasantness as articulated by today’s most challenging and exciting writers.

    In 1970, Stephen B. Oates wrote what has come to be recognized as the definitive biography of Brown, a balanced assessment that captures the man in all his complexity. The book is now back in print in an updated edition with a new prologue by the author.

    With contributions from such favorites as Ramsey Campbell and Kim Newman, along with the talented likes of Neil Gaiman, China Mieville, Graham Joyce, Paul McCauley, Stephen Gallagher, Caitlin R. Kiernan, Jay Russell, Glen Hirshberg and many more, the hairraising tales in this edition hold nightmares for travelers in alien lands, unveil the mystery and menace lurking in our everyday reality, explore the terrors of the supernatural, and honor horror's classic tradition. As always, editor Stephen Jones provides an illuminating and engaging overview of the past year in horror fiction, as well as an affecting necrology and a guide to contacts among publishers, organizations, booksellers, and magazines in the eerier fields of fiction.Contents:AcknowledgementsIntroduction: Horror in 2002 by Stephen JonesOctober in the Chair by Neil GaimanDetails by China MiévilleThe Wretched Thicket of Thorn by Don TumasonisThe Absolute Last of the Ultra-Spooky, Super-Scary Hallowe'en Horror Nights by David J. SchowStandard Gauge by Nicholas RoyleLittle Dead Girl Singing by Stephen GallagherNesting Instincts by Brian HodgeThe Two Sams by Glen HirshbergHides by Jay RussellThe Unbeheld by Ramsey CampbellIll Met By Daylight by Basil CopperCatskin by Kelly Link20th Century Ghost by Joe HillEgyptian Avenue by Kim NewmanThe Boy Behind the Gate by James Van PeltNor the Demons Down Under the Sea by Caitlín R. KiernanThe Coventry Boy by Graham JoyceThe Prospect Cards by Don TumasonisThe Cage by Jeff VanderMeerDr. Pretorius and the Lost Temple by Paul J. McAuley (as by Paul McAuley)Necrology: 2002 (essay) by Stephen Jones and Kim NewmanUseful Addresses (essay) by Stephen Jones

    In these stories and essays Wolfe meets the question head-on -- even providing the label "The Me Decade".

    The Specter of Communism is a concise history of the origins of the Cold War and the evolution of U.S.-Soviet relations, from the Bolshevik revolution to the death of Stalin. Using not only American documents but also those from newly opened archives in Russia, China, and Eastern Europe, Leffler shows how the ideological animosity that existed from Lenin's seizure of power onward turned into dangerous confrontation. By focusing on American political culture and American anxieties about the Soviet political and economic threat, Leffler suggests new ways of understanding the global struggle staged by the two great powers of the postwar era.