By grasping the symbolic language of dreams, Fromm explains, we can then also understand the deeper wisdom of myths, art, and literature. This also gives us access to what we, and our society, usually repress. Fromm shares the history of dream interpretations, and demonstrates his analysis of many types of dreams.

    Employing examples of world literature from ancient times to the present, he provides a conceptual framework for the examination of literature. In four brilliant essays on historical, ethical, archetypical, and rhetorical criticism, he applies "scientific" method in an effort to change the character of criticism from the casual to the causal, from the random and intuitive to the systematic.Harold Bloom contributes a fascinating and highly personal preface that examines Frye's mode of criticism and thought (as opposed to Frye's criticism itself) as being indispensable in the modern literary world.

    Pearson gives us a unique vocabulary to explore the link between ancient archetypes and our contemporary lives.Works like Joseph Campbell's The Hero With a Thousand Faces have introduced readers to the significance of myth and archetype in our lives. Carol Pearson's bestselling The Hero Within takes us further by combining literature, anthropology, and psychology to clearly define, with insight and understanding, the six heroic archetypes that exist in all of us: the Innocent, the Orphan, the Wanderer, the Warrior, the Martyr, and the Magician. This substantially revised edition features new chapters that illuminate these archetypes, showing how to reach our fullest potential by achieving a balance between work, family, and the self."An excellent and useful book about the course our psychological and development can take.... {Pearson's} is an evolutionary archetypal psychology". -- Jean Shinoda Bolen, M.D., author of Goddess in Everywoman and Gods in Everyman

    They even became friends over the years, but they parted ways when it came to psychology. While Freud's approach was clinical and scientific in the Western sense, Jung started to draw his inspiration from Eastern philosophies and religions. Because of Carl Jung we have today a bridge between the mythological and mysterious world and the world of psychology. His research into dreams and sub-conscious parts of the minds offers riveting insights into human psychology that none before him have been able to. While Freudian psychology is still the branch most taught within universities, there is a large undercurrent of Jungian psychology seeping into our society. Especially the spiritualists and the New Age movement have embraced Jung as a teacher to better understand their own "Shadows" and dark aspects of the psyche. In this short read you will be given a concise and insightful introduction into the world and psychology of Carl Jung.

    This concise guide offers a modern interpretation of the doctrine, distilling its teachings with seven compelling principles that can be applied to self-development in daily life.

    Instead of regarding Egyptian mythology and legend as unique, "classic" and inviolate, as did many Egyptologists, Spence saw Egyptian religious thought as part of world mythology, rooted in primitive conceptions common to mankind as a whole and related to those of many other cultures. In supporting this thesis, Spence offers an immensely erudite in-depth survey of the broad spectrum of Egyptian gods and goddesses, cults, and beliefs, as well as a concise review of Egyptian history, manners, customs, and archaeology.Animism, totemism, fetishism, creation myths, and other aspects of early religious beliefs are explored in an introductory chapter. The author then goes on to discuss the Egyptian priesthood, mysteries and temples, the cult of Osiris; Ra the Sun-God, Anubis, Horus, Thoth, and numerous other deities; the Book of the Dead, the birth of Hatshepsut, sacred trees, alchemy, the festival of Bast, Egyptian art, magic, and amulets, legends; and a host of other topics.Enhanced with over 50 photographs and illustrations, this book belongs in the library of any student of ancient Egypt or of early man's attempts, through mythology and legend, to give order, meaning, and purpose to his world.

    From the revelation of fire to mediaeval quests for the legendary Philosopher’s Stone, the alchemical path has attracted many great minds.Packed with recipes for herbal elixirs, soothing balms, heady scents, rich pigments, and potent solvents, The Alchemist’s Kitchen will appeal to anyone fascinated by the past and the occult world.From the legendary Emerald Tablet of Hermes Trismegistus and Paracelsus’s spagyric medicine, to the ancient science of the four elements and the symbolic associations of mediaeval pigment recipes, this book—illustrated with old engravings and original art—takes you inside mediaeval laboratories and kitchens to explore the sacred secrets of matter.

    Originating in Voltaire's campaign to exonerate Jean Calas, they are works of polemical brilliance, informed by his deism and humanism and by Enlightenment values and ideals more generally. The issues that they raise, concerning questions of tolerance and human dignity, are still highly relevant to our own times.

    In this tapestry of poetic and religious scholarship, Graves explores the stories behind the earliest of European deities—the White Goddess of Birth, Love, and Death—who was worshipped under countless titles. He also uncovers the obscure and mysterious power of "pure poetry" and its peculiar and mythic language.

    In other words, the normal critic will at once dismiss them as too frivolous and dislike them as too serious. The rather one-sided truce of good taste, touching all religious matters, which prevailed until a short time ago, has now given place to a rather one-sided war. But the truce can still be invoked, as such terrorism of taste generally is invoked, against the minority. We all know the dear old Conservative colonel who swears himself red in the face that he is not going to talk politics, but that damning to hell all those bloody blasted Socialists is not politics. We all have a kindly feeling for the dear old lady, living at Bath or Cheltenham, who would not dream of talking uncharitably about anybody, but who does certainly think the Dissenters are too dreadful or that Irish servants are really impossible. It is in the spirit of these two very admirable persons that the controversy is now conducted in the Press on behalf of a Progressive Faith and a Broad and Brotherly Religion. So long as the writer employs vast and universal gestures of fellowship and hospitality to all those who are ready to abandon their religious beliefs, he is allowed to be as rude as he likes to all those who venture to retain them. The Dean of St. Paul's permits himself genially to call the Catholic Church a treacherous and bloody corporation; Mr. H. G. Wells is allowed to compare the Blessed Trinity to an undignified dance; the Bishop of Birmingham to compare the Blessed Sacrament to a barbarous blood-feast. It is felt that phrases like these cannot ruffle that human peace and harmony which all such humanitarians desire; there is nothing in THESE expressions that could possibly interfere with brotherhood and the sympathy that is the bond of society. We may be sure of this, for we have the word of the writers themselves that their whole aim is to generate an atmosphere of liberality and love. If, therefore, any unlucky interruption mars the harmony of the occasion, if it is really impossible for these fraternal festivities to pass off without some silly disturbance, or somebody making a scene, it is obvious that the blame must lie with a few irritable and irritating individuals, who cannot accept these descriptions of the Trinity and the Sacrament and the Church as soothing their feelings or satisfying their ideas.

    Otto recreates the theological world of ancient Greek religion. Otto's provocative starting point is to accept the immanent reality of the gods. To understand the cult of Dionysus, it is necessary to reimagine the original vision of the god. Otto challenges us to understand the power of this vision not as a bloodless abstraction but as a force animating belief, to see the myth and art of Dionysus as a passionate search to regain the power of the lost god.

    Why are storytellers so often women, and how does that affect the status of fairy tales? Are they a source of wisdom or a misleading temptation to indulge in romancing?

    The lively and highly readable narrative is complemented by an appendix of detailed references to all the original texts and a fine selection of illustrations taken from vase paintings.

    These culminated in What is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered & rejected the idea that art reveals & reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire & even his own novels are condemned in the course of Tolstoy's impassioned & iconoclastic redefinition of art as a force for good, for the improvement of humankind.

    A probing account of the honored place of older women in ancient matriarchal societies restores to contemporary women an energizing symbol of self-value, power, and respect.