Using graphics, checklists, and sample forms, this guide readies you for each step of the process, including selecting the committee, getting acclimated to academic writing, preparing for your oral defense, and publishing your research. New features include:A chapter on ethical considerations Expanded coverage of digital data collection and the Internet More detailed information on conducting the literature review A discussion of how to develop a theoretical or conceptual framework

    Doing English:explains what 'doing English' really means introduces current ideas about literature, contexts and interpretations bridges the gap between 'traditional' and 'theoretical' approaches to literature, showing why English has had to change and what those changes mean for students of the subject. Doing English deals with the exciting new ideas and contentious debates that make up English today, covering a broad range of issues from the history of literary studies and the canon to Shakespeare, politics and the future of English. The second edition has been revised throughout and includes a new chapter on narrative. Robert Eaglestone's refreshingly clear explanations and advice make this volume essential reading for all those planning to 'do English' at advanced or degree level.

    It is at once the voicing of her exacting standards for herself and those she teaches, and an explanation of the means to the end. For those unable to avail themselves of her personal tutelage, her book is the best substitute." --Publishers Weekly "Uta Hagen's Respect for Acting is not only pitched on a high artistic level but it is full of homely, practical information by a superb craftswoman. crafts-woman. An illuminating discussion of the standards and techniques of enlightened stage acting." --Brooks Atkinson"Hagen adds to the large corpus of titles on acting with vivid dicta drawn from experience, skill, and a sense of personal and professional worth. Her principal asset in this treatment is her truly significant imagination. Her 'object exercises' display a wealth of detail with which to stimulate the student preparing a scene for presentation." --Library Journal"Respect for Acting is a simple, lucid and sympathetic statement of actors' problems in the theatre and basic tenets for their training wrought from the personal experience of a fine actress and teacher of acting." --Harold Clurman"Uta Hagen's Respect for Acting...is a relatively small book. But within it Miss Hagen tells the young actor about as much as can be conveyed in print of his craft." --Los Angeles Times"Uta Hagen is our greatest living actor; she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her." --Fritz Weaver"This is a textbook for aspiring actors, but working thespians can profit much by it. Anyone with just a casual interest in the theater should also enjoy its behind-the-scenes flavor. Respect for Acting is certainly a special book, perhaps for a limited readership, but of its "How-To" kind I'd give it four curtain calls, and two hollers of "Author, Author --King Features Syndicate

    The so-called divinities of Olympus have not a single worshipper among living men. They belong now not to the department of theology, but to those of literature and taste. There they still hold their place, and will continue to hold it, for they are too closely connected with the finest productions of poetry and art, both ancient and modern, to pass into oblivion.

    This new and expanded third edition continues to offer students and readers the best one-volume introduction to the field.The bewildering variety of approaches, theorists and technical language is lucidly and expertly unraveled. Unlike many books which assume certain positions about the critics and the theories they represent, Peter Barry allows readers to develop their own ideas once first principles and concepts have been grasped.

    College level text for art appreciation.

    Now featuring unique visual portfolios and a CD-ROM packed with activities and contextual material, the new edition brings literature to life for students as never before.

    Martin7;s Guide has an unparalleled record of proven success. From the beginning, Axelrod and Cooper have taken the best of classic and contemporary theory, filtered it through their own and their colleagues7; classroom experience, and then blended the result into a flexible classroom tool. Their step-by-step guides to writing specific kinds of essays were a groundbreaking concept and changed the way writing is taught in American colleges. The course continues to change, and Axelrod and Cooper continue to innovate: source-based writing, analysis of argument, online teaching, and visual rhetoric are some of the focuses of this latest revision. By seamlessly incorporating practical, class-tested solutions to these new challenges, Axelrod and Cooper have once again provided the best foundation for college writing.

    This user-friendly, practical book is full of real-world examples of what assessment for learning looks like in today's classrooms. Presented in a format appropriate for use by individuals or collaborative learning teams, the book has an exceptionally strong focus on integrating assessment with instruction through student involvement in the assessment process. "Classroom Assessment FOR Student Learning "comes packaged with an Activities and Resources CD and a Video Segments: Demonstrations & Presentations DVD.

    We see, hear, and feel Umberto Eco, the passionate reader who has gotten lost over and over again in the woods, loved it, and come back to tell the tale, The Tale of Tales. Eco tells us how fiction works, and he also tells us why we love fiction so much. This is no deconstructionist ripping the veil off the Wizard of Oz to reveal his paltry tricks, but the Wizard of Art himself inviting us to join him up at his level, the Sorcerer inviting us to become his apprentice.

    Turn on a single lamp and read it while you're alone in an otherwise dark room or while someone sleeps next to you. Say it over to yourself in a place where silence reigns and the din of culture-the constant buzzing noise that surrounds you-has momentarily stopped. This poem has come from a great distance to find you." So begins this astonishing book by one of our leading poets and critics. In an unprecedented exploration of the genre, Hirsch writes about what poetry is, why it matters, and how we can open up our imaginations so that its message-which is of vital importance in day-to-day life-can reach us and make a difference. For Hirsch, poetry is not just a part of life, it is life, and expresses like no other art our most sublime emotions. In a marvelous reading of world poetry, including verse by such poets as Wallace Stevens, Elizabeth Bishop, Pablo Neruda, William Wordsworth, Sylvia Plath, Charles Baudelaire, and many more, Hirsch discovers the meaning of their words and ideas and brings their sublime message home into our hearts. A masterful work by a master poet, this brilliant summation of poetry and human nature will speak to all readers who long to place poetry in their lives but don't know how to read it.

    W. Norton changed the way world literature is taught by introducing The Norton Anthology of World Masterpieces, Expanded Edition. Leading the field once again, Norton is proud to publish the anthology for the new century, The Norton Anthology of World Literature, Second Edition. Now published in six paperback volumes (packaged in two attractive slipcases), the new anthology boasts slimmer volumes, thicker paper, a bolder typeface, and dozens of newly included or newly translated works from around the world. The Norton Anthology of World Literature represents continuity as well as change. Like its predecessor, the anthology is a compact library of world literature, offering an astounding forty-three complete longer works, more than fifty prose works, over one hundred lyric poems, and twenty-three plays. More portable, more suitable for period courses, more pleasant to read, and more attuned to current teaching and research trends, The Norton Anthology of World Literature remains the most authoritative, comprehensive, and teachable anthology for the world literature survey.

    Volume 2B: The Victorian Age of The Longman Anthology of British Literature is a comprehensive and thoughtfully arranged text that offers a rich selection of major British authors throughout the Victorian age.

    The authors represented range from Hawthorne, Maupassant, and Poe, through Henry James, Conrad, Aldous Huxley, and James Joyce, to Hemingway, Katherine Anne Porter, Faulkner, E.B. White, Saroyan, and O'Connor. The variety in style and subject is enormous, but all these stories have one point in common—the enduring quality of the writing, which places them among the masterpieces of the world's fiction.Garden party / Katherine Mansfield --Three-day blow / Ernest Hemingway --Standard of living / Dorothy Parker --Saint / V.S. Pritchett --Other side of the hedge / E.M. Forster --Brooksmith / Henry James --Jockey / Carson McCullers --Courting of Dinah Shadd / Rudyard Kipling --Shot / Alexander Poushkin, translated by T. Keane --Graven Image / John O'Hara --Putois / Anatole France, translated by Frederic Chapman --Only the dead know Brooklyn / Thomas Wolfe --A.V. Laider / Max Beerbohm --Lottery / Shirley Jackson --Masque of the Red Death / Edgar Allan Poe --Looking back / Guy de Maupassant, translated by H.N.P. Sloman --Man higher up / O. Henry --Summer of the beautiful white horse / William Saroyan --Other two / Edith Wharton --Theft / Katherine Anne Porter --Good man is hard to find / Flannery O'Connor --Man of the house / Frank O'Connor --Man who shot snapping turtles / Edmund Wilson --Gioconda smile / Aldous Huxley --Curfew tolls / Stephen Vincent Benet --Father wakes up the village / Clarence Day --Ivy Day in the committee room / James Joyce --Chrysanthemums / John Steinbeck --Door / E.B. White --Upheaval / Anton Chekhov --How beautiful with shoes / Wilbur Daniel Steele --Haunted house / Virginia Woolf --Catbird seat / James Thurber --Schartz-Metterklume method / H.H. Munro --Death of a Bachelor / Arthur Schnitzler --Apostate / George Milburn --Phoenix / Sylvia Townsend Warner --That evening sun / William Faulkner --Law / Robert M. Coates --Tale / Joseph Conrad --Girl from Red Lion, PA / H.L. Mencken --Main currents of American thought / Irwin Shaw --Ghosts / Lord Dunsany --Minister's black veil / Nathaniel Hawthorne --String of beads / W. Somerset Maugham --Golden honeymoon / Ring Lardner --Man who could work miracles / H.G. Wells --Foreigner / Francis Steegmuller --Thrawn Janet / Robert Louis Stevenson --Chaser / John Collier

    The Classic Fairy Tales focuses on six tale types: "Little Red Riding Hood," "Beauty and the Beast," "Snow White," "Cinderella," "Bluebeard," and "Hansel and Gretel," and presents multicultural variants and sophisticated literary rescriptings. Also reprinted are tales by Hans Christian Andersen and Oscar Wilde."Criticism" gathers twelve essays that interpret aspects of fairy tales, including their social origins, historical evolution, psychological drama, gender issues, and national identities.A Selected Bibliography is included.