A house cast in concrete. The London Underground map with all the station names changes - the Circle Line stations are comedians, the Northern Line stations are philosophers. A tent embroidered with the names of everyone the artist who set up the tent has ever slept with. But what does it all mean? What is Modern Art? Why do we like/hate it? Can anybody do it? Is it always modern? Who started it? In this refreshing and extremely accessible book Matthew Collings tells the story of modern art and our modern attitude to it. It combines hard information on major artists and movements - what really happened - with ordinary reflections: modern art is intimidating and unfathomable to many but Matthew Collings cuts through this barrier by asking all the kinds of questions many of us will have asked and been puzzled by. He will compare Goya to Duchamp and Picasso, Rothko to Yves Klein; he will look at the role of African tribal art in the rise of Modernism and Punk Rock in the rise of Post-Modernism. This will become a classic book of its kind, quirky, culty and great fun.

    Rescued from neglect, he has become a cultural icon in the late twentieth century, not only for his art but also because of his violent and tragic life. Catherine Puglisi's highly praised monograph, now available for the first time in paperback, supersedes all previous studies of the artist. Making full use of new research and dramatic recent discoveries, she has produced a precise, clear-headed and comprehensive work of scholarship that also provides a moving biography of the artist and a penetrating analysis of the genius with which he absorbed and transformed the artistic tradition of his time. All Caravaggio's works are discussed and illustrated in colour, and the book has an appendix of documents, full notes and bibliography, checklist of works and full indexes. This authoritative and beautifully produced monograph is the standard work on Caravaggio.

    Three years later he was in Naples, where he painted The Seven Acts of Mercy. A year later he died at the age of thirty-eight under mysterious circumstances. Exploring Caravaggio's singular masterwork, in The Guardian of Mercy Terence Ward offers an incredible narrative journey into the heart of his artistry and his metamorphosis from fugitive to visionary.Ward's guide in this journey is a contemporary artist whose own life was transformed by the painting, a simple man named Angelo who shows him where it still hangs in a small church in Naples and whose story helps him see its many layers. As Ward unfolds the structure of the painting, he explains each of the seven mercies and its influence on Caravaggio's troubled existence. Caravaggio encountered the whole range of Naples's vertical social layers, from the lowest ranks of poverty to lofty gilded aristocratic circles, and Ward reveals the old city behind today's metropolis. Fusing elements of history, biography, memoir, travelogue, and journalism, his narrative maps the movement from estrangement to grace, as we witness Caravaggio's bruised life gradually redeemed by art.

    For the next 21 years, her pivotal role in his multi-million dollar empire remained one of Tiffany's most closely guarded secrets--a secret that when revealed 118 years later sent the international art world into a tailspin.Torn between his obsession with Clara and his lust for success, Tiffany resorts to desperate measures to keep her creative genius under his command. Clara cleverly navigates both her turbulent relationship with Tiffany and the rigid rules of Victorian and Edwardian societies, in order to embrace all the adventure and romance turn-of-the-century New York City has to offer.Basing her story on a recently discovered cache of letters written between 1888 and 1944, New York Times bestselling author Echo Heron artfully blends fact with fiction to draw the reader into the remarkable life of one of America's most prolific and extraordinary women artists: Clara Wolcott Driscoll, the hidden genius behind the iconic Tiffany lamps.

    Cul de Sacis noted not only for its humour and intelligence, but also for creator Richard Thompson's fun, imaginative watercolour artwork. Cul de Sacis brought to life through manhole-dancing Alice Otterloop, a curious four-year-old who discovers life's ups and downs in suburbia. Along with her Blisshaven Preschool classmates, Alice charms fans of all ages with her escapades. From crafting projects in a cloud of glitter and glue or just trying to comprehend a completely incomprehensible world, Alice is a creature of pure and indomitable will, an irresistible force. Alice describes her father's car as a "Honda-Tonka Cuisinart" and talks to the class guinea pig, Mr. Danders. Alice is joined by her family: her older brother Petey who is intent on being the King of the Picky Eaters; her dad, who's the Assistant Director of Pamphlets at the U.S. Department of Consumption, Office of Consumer Complaints; and her mom, who is capable of doing a million things simultaneously, about five of them well. This library of cartoons and art will both delight long-time fans and provide a fantastic introduction to new readers.

    A mission that’s cut short when he refuses to see her. Discouraged, Callie drowns her sorrows in a one night encounter with a handsome hunk from the hotel bar. The next morning Callie almost faints from shock when she’s finally let in to see the owner - none other than Mr. Last Night! Somewhere between the boardroom and the bedroom a one night fling flirts with real love, and suddenly Callie stands to lose more than just her company. REVIEWS: "The characters are passionate, humorous, and true to life. (Business or Pleasure) is an enjoyable and entertaining read." - Romantic Times Book Reviews "St. James is a new author for me, but I plan to be watching for more of her work in the future." - The Road to Romance Book Reviews

    The Barnes Collection has been conservatively valued at more than $6 billion and includes some 69 Cézannes (more than in all the museums of Paris combined), 60 Matisses, 44 Picassos, 18 Rousseaus, 14 Modiglianis, and no fewer than 180 Renoirs. Yet the Barnes is in crisis. Its founder, Dr. Albert C. Barnes (1872), grew up in the slums of late-nineteenth-century Philadelphia only to become first a physician and later a pharmaceutical king. By 1920, this self-made man was already well on his way to becoming one of the great art collectors of his day. But this is also the story of Richard Glanton, who escaped poverty in rural Georgia to become a high-flying, politically powerful Philadelphia lawyer. It was Glanton who took the Barnes art on its celebrated worldwide tour, renovated the galleries-and presided over a decade of expensive litigation. The most famous of these court cases—this one in federal court—pitted the Barnes against its wealthy neighbors. The goal: A 52-car parking lot for the Barnes. The cost: more than $6 million in legal fees. Today, Glanton is no longer president of the Barnes, and the new board is seeking to move the collection into the city. Yet another court case will decide whether they can or not. The battle of the Barnes has only just begun. "Here, at long last, is the whole truth about the Dickensian legal tug-of-war—unimaginably tangled, unsparingly vicious, unprecedentedly cynical—that threatens the survival of one of the greatest private art collections of the twentieth century. From now on, anyone who seeks to understand the desperate plight of the Barnes Collection will have to start by reading this important book." —Terry Teachout, author of The Skeptic: A Life of H. L. Mencken "John Anderson has produced a riveting account of curators, trustees, and lawyers fighting for control of the world-famous Barnes Collection of French impressionist art from the 1950s to the present. Based on hundreds of revealing interviews, Art Held Hostage reads like a superb mystery novel: This gem of investigative reporting is a sure contender for the national best-seller lists." —Howard R. Lamar, Sterling Professor Emeritus of History, Yale University

    At the time he was in prison for disseminating immoral drawings. Throughout his work the note of defiance, provocation, and rebellion was sounded. Schiele's favorite subjects were female nudes and self-portraits, and he worked at his art with furious commitment, though it was not until shortly before his early death that he began to win real recognition. Today, with Oskar Kokoschka, he is seen as the most important of the Austrian artists who came after Klimt. This study examines the life and work of Egon Schiele through all the major oil paintings and many of his erotic drawings.

    Hale uses her lens, her love of dogs, and a great deal of patience to create an enchanting perspective on how puppies see the world. Whether napping or nibbling at each other's ears, these adorable pooches show a deep, easily shared affection for one another. From golden retrievers to German shepherds, bulldogs to Boston terriers, Hale captures all breeds in moments of curiosity, devotion, and delight. Her images remind us to be passionate and silly, to revel in playtime, to cherish quiet moments, and to share our love with family and friends. Warm and witty quotes, expertly paired with many of the images, provide surprising insights into our own relationships. Who better than a puppy to give us guidance on the nature and beauty of love?

    Vermeer left no record of his method and indeed we know almost nothing of the man nor of how he worked. But by a close and illuminating study of the paintings Steadman concludes that Vermeer did use the camera obscura and shows how the inherent defects in this primitive device enabled Vermeer to achieve some remarkable effects--the slight blurring of image, the absence of sharp lines, the peculiar illusion not of closeness but of distance in the domestic scenes. Steadman argues that the use of the camera also explains some previously unexplainable qualities of Vermeer's art, such as the absence of conventional drawing, the pattern of underpainting in areas of pure tone, the pervasive feeling of reticence that suffuses his canvases, and the almost magical sense that Vermeer is painting not objects but light itself.Drawing on a wealth of Vermeer research and displaying an extraordinary sensitivity to the subtleties of the work itself, Philip Steadman offers in Vermeer's Camera a fresh perspective on some of the most enchanting paintings ever created.

    

     Dramatically raising the bar for realism and invention, his trademark battle-weary spacecraft, dramatic alien landscapes and crumbling brutalist architecture irrevocably changed the aesthetic of science fiction art and cinema. Featuring work for books by Isaac Asimov, E. E. ‘Doc’ Smith, Arthur C. Clarke, A. E. Van Vogt and Philip K. Dick, and film design for Ridley Scott and Stanley Kubrick, this volume brings together many rare and classic images that have never been seen or reprinted before. The first comprehensive retrospective of Chris Foss’s SF career. “Chris Foss’ name has become pre-eminent among sf artists... He is in love with the monstrous, with angular momentum, with inertia-free projectiles and irresistable objects.” — Brian Aldiss “[Foss’] creations are real machines, not just an artist’s dreams. They combine the two elements so essential to science fiction: realism and a sense of wonder... A medieval goldsmith of future eons.” — Alejandro Jodorowsky

    Comparing modern art not only to pizzas but also to traditional and children's art, Heller shows us how we can refine analytical tools we already possess to understand and enjoy even the most unfamiliar paintings and sculptures.How is a painting like a pizza? Both depend on visual balance for much of their overall appeal and, though both can be judged by a set of established standards, pizzas and paintings must ultimately be evaluated in terms of individual taste. By using such commonsense examples and making unexpected connections, this book helps even the most skeptical viewers feel comfortable around contemporary art and see aspects of it they would otherwise miss. Heller discusses how nontraditional works of art are made--and thus how to talk about their composition and formal elements. She also considers why such art is made and what it means.At the same time, Heller reassures those of us who have felt uncomfortable around avant-garde art that we don't have to like all--or even any--of it. Yet, if we can relax, we can use the aesthetic awareness developed in everyday life to analyze almost any painting, sculpture, or installation. Heller also gives concise answers to the eight questions she is most frequently asked about contemporary art--from how to tell when an abstract painting is right side up to which works of art belong in a museum.This book is for anyone who agrees with art critic Clement Greenberg that All profoundly original art looks ugly at first. It's also for anyone who disagrees. It is for anyone who wants to get more out of a museum or gallery visit and would like to be able to say something more than just yes or no when asked if they like an artist's work.

    It is a truly original and absorbing approach to revisiting Jackson Pollock and his wife Lee Krasner as artists and people, as well as realigning our ideas around the cultural legacy of Whitlam’s purchase of Blue Poles in 1973.It is also the story of Alyssa, and a contemporary relationship, in which Angela O’Keeffe immerses us in the essential power of art to change our personal lives and, by turns, a nation.Moving between New York and Australia with fluid ease, Night Blue is intimate and tender, yet surprisingly dramatic. It is a glorious exploration of how art must never be undervalued.

    He has the body and the winning streak to prove it. He trains like a mad man, with more discipline than a monk. But even he can't keep his attention in the ring when a brunette distraction shows up in his boxing gym.Ava Young had it all. The fancy house on a hill, a successful businessman father, an adorably decorated dorm room, and a group of fun-loving college friends. That is, until her father's company is exposed for embezzling. She has no place to turn but her childhood best friend's couch and a new, strange life filled with underground fighters. Including the intimidatingly sexy, Rhett Jaggar.These two opposites may come to find that they have more in common than they realize...but will it be a harmless attraction or a dangerous addiction?