In this impressive anthology, Natalie Baszile brings together essays, poems, photographs, quotes, conversations, and first-person stories to examine black people’s connection to the American land from Emancipation to today. In the 1920s, there were over one million black farmers; today there are just 45,000. Baszile explores this crisis, through the farmers’ personal experiences. In their own words, middle aged and elderly black farmers explain why they continue to farm despite systemic discrimination and land loss. The "Returning Generation"—young farmers, who are building upon the legacy of their ancestors, talk about the challenges they face as they seek to redress issues of food justice, food sovereignty, and reparations. These farmers are joined by other influential voices, including noted historians Analena Hope Hassberg and Pete Daniel, and award-winning author Clyde W. Ford, who considers the arrival of Africans to American shores; and James Beard Award-winning writers and Michael Twitty, reflects on black culinary tradition and its African roots. Poetry and inspirational quotes are woven into these diverse narratives, adding richness and texture, as well as stunning four-color photographs from photographers Alison Gootee and Malcom Williams, and Baszile’s personal collection. As Baszile reveals, black farming informs crucial aspects of American culture—the family, the way our national identity is bound up with the land, the pull of memory, the healing power of food, and race relations. She reminds us that the land, well-earned and fiercely protected, transcends history and signifies a home that can be tended, tilled, and passed to succeeding generations with pride. We Are Each Other’s Harvest elevates the voices and stories of black farmers and people of color, celebrating their perseverance and resilience, while spotlighting the challenges they continue to face. Luminous and eye-opening, this eclectic collection helps people and communities of color today reimagine what it means to be dedicated to the soil.

    His five-year voyage on H.M.S. Beagle, when he was in his twenties, changed his life. Afterward, he began publishing his findings and working privately on groundbreaking theories about the development of animal species, including human beings, and he made a nervous proposal to his cousin Emma.Padel’s poems sparkle with nuance and feeling as she shows us the marriage that ensued, and the rich, creative atmosphere the Darwins provided for their ten children. Charles and Emma were happy in each other, but both were painfully aware of the gulf between her deep Christian faith and his increasing religious doubt. The death of three of their children accentuated this gulf. For Darwin, death and extinction were nature’s way of developing new species: the survival of the fittest; for Emma, death was a prelude to the afterlife.These marvelous poems—enriched by helpful marginal notes and by Padel’s ability to move among multiple viewpoints, always keeping Darwin at the center—bring to life the great scientist as well as the private man and tender father. This is a biography in rare form, with an unquantifiable depth of family intimacy and warmth.

    In striking woodcut illustrations, diverse creatures glide through blue and green waters, while succinct, witty poetry examines their behavior and interactions. In this companion volume to On the Farm and In the Wild, David Elliott and Holly Meade explore the depths of the ocean in a collection of poems sure to thrill budding oceanographers and landlubbers alike.

    The collection includes:RUPERT BROOKEPEACESAFETYTHE DEADTHE DEADTHE SOLDIEREDWARD THOMASADLESTROPTEARSTHE OWLRAINTHE CHERRY TREESAS THE TEAM'S HEAD-BRASSSIEGFRIED SASSOON"THEY"THE REAR-GUARDI STOOD WITH THE DEADSUICIDE IN TRENCHESTHE GENERALHOW TO DIEGLORY OF WOMENTHEIR FRAILTYDOES IT MATTER?SURVIVORSEVERYONE SANGTO ANY DEAD OFFICERSICK LEAVEIVOR GURNEYTO HIS LOVETHE SILENT ONEISAAC ROSENBERGBREAK OF DAY IN THE TRENCHESLOUSE HUNTINGON RECEIVING NEWS OF THE WARDEAD MAN'S DUMPRETURNING, WE HEAR THE LARKSWILFRED OWENANTHEM FOR DOOMED YOUTHAPOLOGIA PRO POEMATE MEODULCE ET DECORUM ESTSTRANGE MEETINGFUTILITYDISABLEDMINERSS.I.W.

    "Mr. Tate is an elegant and anarchic clown. A lord of poetic misrule with a serious, subversive purpose."-John Ash, New York Times Book Review "Tate brings to his work an extravagantly surrealistic imagination and a willingness to let his words take him where they will. Nonchalant in the midst of radical uncertainty, he handles bizarre details as though they were commonplace facts. [Tate's poetry draws upon] so rich a fund of comic energy that is may well prove an antidote to the anxiety some readers feel with poems that refuse to lend themselves to instant analysis."-David Lehman, Washington Post Book World

    Wildly written in a sleep deprived haze, these pages contain an assortment of subject matter and styles all put together into one- which just feels so incredibly human..

     even when our days are darker than ever we hold on to hope knowing that time will heal our wounds. -time heals all things

    With the sheer brilliance of her imagination, Grealy leads us on delightful journeys with her wit, unflinching honesty and peerless intelligence. As Seen On TV breaks the mould of the essay, and is destined, like the memoir that preceded it, to become a modern classic.You are here: a map to this book --As seen on TV --Nerve --Mirrorings --What it takes --Fool in boots --The country of childhood --My God --A brief sketch of myself at fourteen --Written in four voices for the Hungry Mind Review issue on regional writing --The story so far --The right language --The present tense --Twin world --The girls --The yellow house

    The topics may vary widely, from love to mental illness to the most recent "Florida Man" headline, but it's all in the same handwriting. Welcome to The Immortal Soul Salvage Yard.

    You never mourned loudly, in the streets. You never stopped (couldn’t stop) to wonder if drowning parts ofyourself was a mistake. You never kissed them goodbye.Why didn’t you kiss them goodbye?Was it too hard?Were you ashamed?Of them, or of you?Don’t tell me to be quiet.You need to hear this. Christina Hart, bestselling author of Empty Hotel Rooms Meant for Us, Letting Go Is an Acquired Taste, and There Is Beauty In the Bleeding releases her new poetry chapbook, written in second person POV, which focuses on love, loss, and hope.

    "Alabanza" means "praise" in Spanish, and Espada praises the people Whitman called "them the others are down upon": the African slaves who brought their music to Puerto Rico; a prison inmate provoking brawls so he could write poetry in solitary confinement; a janitor and his solitary strike; Espada's own father, who was jailed in Mississippi for refusing to go to the back of the bus. The poet bears witness to death and rebirth at the ruins of a famine village in Ireland, a town plaza in México welcoming a march of Zapatista rebels, and the courtroom where he worked as a tenant lawyer. The title poem pays homage to the immigrant food-service workers who lost their lives in the attack on the World Trade Center. From the earliest out-of-print work to the seventeen new poems included here, Espada celebrates the American political imagination and the resilience of human dignity. Alabanza is the epic vision of a writer who, in the words of Russell Banks, "is one of the handful of American poets who are forging a new American language, one that tells the unwritten history of the continent, speaks truth to power, and sings songs of selves we can no longer silence." An American Library Association Notable Book of 2003 and a 2003 New York Public Library Book to Remember."To read this work is to be struck breathless, and surely, to come away changed."—Barbara Kingsolver "Martín Espada is the Pablo Neruda of North American authors. If it was up to me, I'd select him as the Poet Laureate of the United States."—Sandra Cisneros "With these new and selected poems, you can grasp how powerful a poet Espada is—his range, his compassion, his astonishing images, his sense of history, his knowledge of the lives on the underbelly of cities, his bright anger, his tenderness, his humor. "—Marge Piercy "Espada's poems are not just clarion calls to the heart and conscience, but also wonderfully crafted gems."—Julia Alvarez "A passionate, readable poetry that makes [Espada] arguably the most important 'minority' U.S. poet since Langston Hughes."—Booklist"Neruda is dead, but if Alabanza is any clue, his ghost lives through a poet named Martín Espada."—San Francisco Chronicle

    In “Bhagavad Gita for Beginners: The Song of God in Simplified Prose,” author Edward Viljoen uses contemporary, simplified language to bring this inspiring work to life. That which seems to be forcing people to act in selfish--even evil--ways is really the accumulation of desires coming together in a strong, irresistible appetite for self-satisfaction. These desires are rooted in the senses, and sense information can be misleading. More powerful than the senses, though, is the mind. And more powerful than the mind is the will (or intellect), and that which is above it all,--the Real Self, that part of us not deluded by the information of the sense world. The Bhagavad Gita For Beginners: The Song Of God In Simplified Prose will inspire uninitiated readers of the Bhagavad-Gita to delve into the original text, as well as bring a newly-found clarity and perspective to those already familiar with it.

    These lyrical poems and striking paintings celebrate the wonder of the seasons, from the Northern Cheyenne's Moon of the Popping Trees to the Big Moon of the Abenaki."This book instills a spiritual respect for our land and an appreciation for the people who were its first caring guardians." —American BooksellerA Notable Children's Trade Book in the Language ArtsAn IRA Teacher's Choice BookA Notable Children's Trade Book in the Field of Social Studies

    In the not-so-gentle hands of Dan Fante, this book of new poetry is more akin to surgery or the body shop than to the techniques of music and painting. Fante excises whole slices of life and lays them bare for us in inspect. Pain and self-mocking humor are the writer's tools here. He pries open and exposes his heart with the kindness of a hammer or crowbar. Indeed, what could be more ego-sizing than to have all pretense flattened, laying bare the raw self underneath? "Dan Fante allows us a glimpse of the Southern California demimonde that surely escaped his father's attention"--Los Angeles Times Book Review.

    TV nerds have "The Walking Dead." Fiction fans have World War Z. Now, a cross-section of some of the best contemporary poets from the stage and the page rise up and shamble their way through an anthology of post-apocalyptic zombie poetry edited by Write Bloody author and GeekWeek.com personality Rob "Ratpack Slim" Sturma. Funny, creepy, shocking, and even poignant, this collection challenges award winning authors like Scott Woods, Laura Yes Yes, and Khary Jackson to shake the dust off of old conventions, pull the triggers on their imaginations, and...Aim For The Head.