Throughout history, some books have changed the world. They have transformed the way we see ourselves - and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives - and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.Marcel Proust (1871 - 1922) is now generally viewed as the greatest French novelist and perhaps the greatest European novelist of the 20th century. He lived much of his later life as a reclusive semi-invalid in a sound-proofed flat in Paris giving himself over entirely to writing In Search of Lost Time.

    She covered civil rights demonstrations in the 1960s, places where she lived, locations she traveled to, theater she had seen, and murder trials that gripped her. She wrote sketches for various occasions and countless essays about literature, her greatest passion. For Hardwick, the essay was an imaginative endeavor. The continuous attention to language, the structure of observations, the line of interpretation— Hardwick deserves to be read and reread for the clarity of her perceptions and her enduring assessments of literature and society, and simply for the beauty of her writing alone.Edited and with an introduction by Darryl Pinckney, The Collected Essays of Elizabeth Hardwick gathers more than fifty essays for a retrospective of this writer or moral courage, as Joan Didion called her. Hardwick’s readings define literature itself.

    In A Swim in a Pond in the Rain, he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.In his introduction, Saunders writes, “We’re going to enter seven fastidiously constructed scale models of the world, made for a specific purpose that our time maybe doesn’t fully endorse but that these writers accepted implicitly as the aim of art—namely, to ask the big questions, questions like, How are we supposed to be living down here? What were we put here to accomplish? What should we value? What is truth, anyway, and how might we recognize it?” He approaches the stories technically yet accessibly, and through them explains how narrative functions; why we stay immersed in a story and why we resist it; and the bedrock virtues a writer must foster. The process of writing, Saunders reminds us, is a technical craft, but also a way of training oneself to see the world with new openness and curiosity.A Swim in a Pond in the Rain is a deep exploration not just of how great writing works but of how the mind itself works while reading, and of how the reading and writing of stories make genuine connection possible.

    Shields evokes his deeply divided personality (his “ridiculous” ambivalence), his character flaws, his woes, his serious despairs. Books are his life raft, but when they come to feel un-lifelike and archaic, he revels in a new kind of art that is based heavily on quotation and consciousness. And he shares with us a final irony: he wants “literature to assuage human loneliness, but nothing can assuage human loneliness. Literature doesn’t lie about this––which is what makes it essential.”

    Sparrow's dream is the World Lightweight Championship. But when he finally has it in his grasp he can't deliver the finishing punch. Sparrow's life falls apart, and fifteen years later he's a bum, a loser. Then something happens that convinces him that there are still things worth fighting for ...

    It could not anticipate what was to come after, neither could it grasp what had happened in literary theory in the light of where it was to lead.

    Drawing on a wide range of  great writers, from Philip Roth to Antonin Scalia to Jane Austen, How to Write a Sentence is much more than a writing manual—it is a spirited love letter to the written word, and a key to understanding how great writing works.

    The Weird and the Eerie are closely related but distinct modes, each possessing its own distinct properties. Both have often been associated with Horror, yet this emphasis overlooks the aching fascination that such texts can exercise. The Weird and the Eerie both fundamentally concern the outside and the unknown, which are not intrinsically horrifying, even if they are always unsettling. Perhaps a proper understanding of the human condition requires examination of liminal concepts such as the weird and the eerie. These two modes will be analysed with reference to the work of authors such as H.P. Lovecraft, H.G. Wells, M.R. James, Christopher Priest, Joan Lindsay, Nigel Kneale, Daphne Du Maurier, Alan Garner and Margaret Atwood, and films by Stanley Kubrick, Jonathan Glazer and Christoper Nolan.

    Using a wealth of examples, from ancient myths and folk tales via the plays and novels of great literature to the popular movies and TV soap operas of today, it shows that there are seven archetypal themes which recur throughout every kind of storytelling. But this is only the prelude to an investigation into how and why we are 'programmed' to imagine stories in these ways, and how they relate to the inmost patterns of human psychology. Drawing on a vast array of examples, from Proust to detective stories, from the Marquis de Sade to E.T., Christopher Booker then leads us through the extraordinary changes in the nature of storytelling over the past 200 years, and why so many stories have 'lost the plot' by losing touch with their underlying archetypal purpose. Booker analyses why evolution has given us the need to tell stories and illustrates how storytelling has provided a uniquely revealing mirror to mankind's psychological development over the past 5000 years.This seminal book opens up in an entirely new way our understanding of the real purpose storytelling plays in our lives, and will be a talking point for years to come.

     The red flag was that he said he was Satan. But the deal was good: Listen to Satan’s story in exchange for some donuts. And Doug only half-fulfilled his part of the bargain. But maybe he should have listened better, because during his friend Bryce’s next scheme (theft with light to moderate treason—the usual), Doug and the rest of his friends—Lulu (the fun one) and Charlene (the not fun one)—end up with a powerful artifact, a small metal cube with world-ending power that Lulu decorated with bunnies. And now everyone wants the bunny cube, which means Doug, Bryce, Lulu, and Charlene are being pursued by an insane supermodel general, an army of sadists, a vast criminal organization, a smaller, more-in-startup-mode criminal organization, and an unstoppable killing machine—the worst kind of killing machine. Doug and his friends may be a bunch of losers who aren’t particularly smart or good at anything, but they have one thing going for them: a really cool name for their mercenary group. And now it’s up to Hellbender to save the world—well, what’s left of it. It’s pretty ruined and war-torn already. But, you know, they live there, so they kind of need it. It’s a mess, but that’s what you get for listening to Satan. Or half-listening.

    One thing is for sure, though, you’re in for a wild ride! The Atlantis Ship - by A.C. Hadfield Carson Mach, a former war hero turned freelancer, seeks the biggest payday of his life when he’s tasked to hunt down a ghost ship that has echoed through the centuries. The legendary Atlantis ship has become a reality, appearing at the Commonwealth frontier, and obliterating an orbital station. Failure to stop it is not an option! Prelude to Resistance - by Nick Webb Fighter Pilot Lieutenant Jacob Mercer learns the leader of the Resistance, Admiral Pritchard, has a secret that could change the course of the war. The question is, will he live long enough to find out what it is. The Terran Gambit - by Nick Webb Lieutenant Jacob Mercer likes fast motorcycles, faster women, and screaming space fighters. When Jake is put in the captain's chair of the most advanced warship in the galaxy, he has to face down a psychopathic Imperial Admiral bent on utterly destroying the Resistance and Earth itself. Hollow Space: Venture - by T.F. Grant & C.F. Barnes Forced to hyperjump during a brutal ambush, Sara Lorelle, navigator of the last human colony ship, discovers they’ve jumped to somewhere that shouldn’t exist. Trapped inside a pocket universe known only as Hollow Space, where technology inexplicably fails, Sara and her crew have to defy all odds to survive. Attack on Phoenix - by Megg Jensen Two hundred years ago, an interplanetary expedition crashed on a deserted planet. They caught the attention of the dragzhi, an aggressive alien species, and found themselves in the midst of a war they were doomed to lose. Unless Torsten Vikker, a soldier who’d rather read than fight, can find a way to stop them. Icarus - by Matt Verish Cole Musgrave’s dream of interstellar travel is about to become a nightmare. When a high-profile delivery is compromised aboard a state-of-the-art cargo vessel, the newly appointed captain finds himself embroiled in a deadly assignment far above his pay grade. But this unorthodox cargo pilot won’t go down without a fight—even after he is faced with a choice that will alter the course of his life forever. Containment - by Susan Kaye Quinn The Mining Master of Thebe is all alone… not counting the scavenger drones, foundry nanites, and magtread tractors. So when a spindly tower of rocks mysteriously appears at the pole, reporting it could mean reassignment to the Outer Belt… but probing the mystery further threatens to unlock something that might have been better left... contained. Light of the Earth - by Annie Bellet Ian and Jack Talley and the Prometheus Space Program set a record for the fastest manned flight to Jupiter. But the journey ended in disaster, crippling Jack and killing the rest of the team. Ten years later, an eccentric multi-billionaire offers them all his money, and a second chance, if they'll fly him to Pluto, which asks the question: are they making history? Or repeating it? The Hunted - by Melissa Lason On the dusty streets of Sentos thugs and thieves abound. One man who used to call those same streets home is sent into clean them up. Kyro is a bounty hunter of great reputation but when he returns to Sentos, his skills are truly tested.

    Examining heroic myths in the light of modern psychology, it considers not only the patterns and stages of mythology but also its relevance to our lives today--and to the life of any person seeking a fully realized existence.Myth, according to Campbell, is the projection of a culture's dreams onto a large screen; Campbell's book, like Star Wars, the film it helped inspire, is an exploration of the big-picture moments from the stage that is our world. It is a must-have resource for both experienced students of mythology and the explorer just beginning to approach myth as a source of knowledge.

    The guide presents the major debates that surround these works as they develop, from Martin Esslin's early appropriation of the plays as examples of the Theatre of the Absurd, to recent poststructuralist and postcolonial readings by critics such as Steven Connor, Mary Bryden and Declan Kiberd. Throughout, Boxall clarifies and contextualizes critical responses to the plays, and considers the difficult relationship between Beckett and his critics.

    The Curtain is a seven-part essay by Milan Kundera, along with The Art of the Novel and Testaments Betrayed composing a type of trilogy of book-length essays on the European novel.

    Now, the story continues… Thomas Travis had always thought the toughest streets in the ghettos of Atlanta were next door to hell. But he didn’t know just how close they were until the threat of racial violence sent him fleeing down the stairs of an abandoned building…only to fall headlong into a tortured realm of fire and ice, the place of the damned. The only chance of escape was to trust the strange elderly woman who met him there and insisted on being his guide. She claimed to know the way out, but it would lead through all the terrifying circles of divine judgment, each one deeper and more tormenting than the last. In the lowest pit, the Lord of Darkness himself lay in wait. Thomas had lived a godless life, and now there was hell to pay. If his soul could be purged on the journey, he just might make it. But the odds were against him. In hell, the only guarantee is justice…and the only way out is down. About the AuthorPAUL THIGPEN, PhD, is an award-winning journalist and the best-selling author of more than twenty-five books, including A Dictionary of Quotes from the Saints, Blood of the Martyrs, and Seed of the Church. He is a summa cum laude graduate of Yale University and also holds a doctorate in historical theology from Emory University.