In doing so they took control of their lives -- and those of other people -- and made the world do their will.Extremely accomplished, well-educated, and unusually literate, courtesans exerted an incredible influence as leaders of society. They were not received at court, but inhabited their own parallel world -- the demimonde -- complete with its own hierarchies, etiquette, and protocol. They were queens of fashion, linguists, musicians, accomplished at political intrigue, and, of course, possessors of great erotic gifts. Even to be seen in public with one of the great courtesans was a much-envied achievement.

    “When I first got into the adult industry, I decided to take my photography much more seriously. I started taking a camera with me to capture my experiences on set, so it was a moment in time, a memory for myself—not the video that would be seen by thousands of people. On days where I was physically unable to capture an image, Ian, my fiancé, became my third arm. He understands my aesthetic, or lack thereof. Ian is a photographer, yet the work in this book is quite different from his usual style. When you are so close with someone, there is a shorthand and true understanding of what the other person is trying to accomplish. If there’s something I am physically unable to photograph, I can say one word and Ian can assist me with my vision. Ian can capture intimate moments with me that nobody can fabricate, because of our relationship. The strong sense of familiarity eliminates all boundaries between the subject and the photographer. “Documenting myself has almost become a necessity.  “There are so many photos of me, taken by other people, that aesthetically I have no control over. Documenting myself allows me to reflect on the day, on the feelings I am having at that second. When you work in the entertainment industry, there are always surprises; there certainly isn’t one day that is similar to the last. Personally, it’s important to embrace this and appreciate it every day. “Still images vividly capture emotion, a second in time that can be left open for interpretation by the viewer and the creator. I am inspired by the work of Cindy Sherman and Nan Goldin. Sherman’s work continues to inspire me to develop certain characters. I figured if I am on set I might as well take advantage of my surroundings, and document my life in an exciting, untraditional manner. I look back at photos, and see how much I’ve grown, how my opinions have changed, and how they will continue to change.” —Sasha Grey

    In Who Stole Feminism?, philosophy professor Christina Sommers has exposed how a group of zealots are promoting a dangerous new agenda that sets women against men in all spheres of life.In case after case, Sommers shows how these extremists have propped up their arguments with highly questionable but well-funded research, presenting inflammatory and often inaccurate information and stifling any semblance of free and open scrutiny.

    It has been revised in such a way to retain Dr Comfort's original, revelatory advice while making it appropriate for the 21st century.

    A funny, raw and empowering mid-life-crisis-with-a-difference, vlogger, mother, lover businesswoman and social media phenomenon Tova Leigh explores what the hell you are supposed to do when you find yourself living a life you don't remember signing up for.

    She tackles the reality of what we do and don't know about virginity and provides a sweeping tour of virgins in history--from virgin martyrs to Queen Elizabeth to billboards in downtown Baltimore telling young women it's not a "dirty word." Virgin proves, as well, how utterly contemporary the topic is--the butt of innumerable jokes, center of spiritual mysteries, locus of teenage angst, popular genre for pornography and nucleus around which the world's most powerful government has created an unprecedented abstinence policy. In this fascinating work, Hanne Blank shows for the first time why this is, and why everything we think we know about virginity is wrong.

    "The future of relationships is moving us toward the vaulting awareness of who we really are as human beings, something we have managed to avoid for a very long time by being so thoroughly committed to convention...This is the future of love--vast love, love beyond boundaries, love without preconceptions and judgments, love without outdated myths--love which can actually be experienced."At a time when over half of all marriages are ending in divorce, Daphne Rose Kingma, a well-known therapist and relationship expert, has recognized that our familiar ways of thinking about relationships are no longer working.  "I have written this book because it is clear that many of our previous assumptions about relationships need to be dismantled," writes Kingma.  "As we go through this process, we will discover a number of new ideas: that our relationships can have different forms than we ever imagined; that they will serve different purposes; that they will require different offerings from us.  They will also bring us new gifts."We are in the midst of a sea change, in which not only are many traditional relationships failing, but unexpected new arrangements are beginning to appear; gay marriages are surfacing, step-families abound, and many people are consciously choosing to live alone.  As Kingma explains, these transformations should not be feared; instead, they represent a real opportunity.  In the past, conventional relationships were often destroyed by an overemphasis on the nuts and bolts of psychology, on working to achieve the unattainable "perfect relationship" while ignoring our most vital selves--our souls.  The glorious message of The Future of Love is that the disturbing changes we are all experiencing are actually part of the soul's plan, as it breaks down outdated conventions to bring us a new, fuller understanding of love.From the Hardcover edition.

    In this single, from n+1 (Issue 12), Kent Russell gives a remarkable (and very funny) report on the festival and a sympathetic account of the situation of the white poor in the US.

    The story line follows the celebrated cinematic auteur Boris Adrian, "King B", who undertakes The Faces of Love, an episodic film with high budget production values that will explicitly depict the range of human sexual experience. The filmmaker is loosely based on Stanley Kubrick. Southern, who collaborated with Kubrick on Dr. Strangelove, dedicated the book "To the great Stanley K." It received only moderate reviews. Sales were hampered by the refusal of the NY Times to run ads for the book. A hilarious, wildly erotic & biting satire of Hollywood, Blue Movie tells the story of an Oscar-winning director who's determined to shoot the dirtiest & most expensive X-rated movie ever made; Sid Krassman, a producer who's made a fortune catering to the tastes of the American public, & Angela Sterling, a misunderstood sex symbol who'd give anything (& everything) for a chance to do something "serious." The set is fraught with monstrous egos & enormous libidos--the kind of situation that could only come from the imagination of the irrepressible Terry Southern. A film adaptation of Blue Movie is currently in production from director Michael Dowse & producer Marc Toberoff, to be released by Vertigo Films.

    Having worked with homeless prostitutes in Times Square, Albert was intimate with human devastation cause by the sex trade, and curious to see if Nevada’s brothels offered a less harmful model for a business that will always be with us. The Mustang Ranch has never before given an outsider such access, but fear of AIDS was hurting the business, and the Ranch was eager to get publicity for its rigorous standards of sexual hygiene. Albert was drawn into the lives of the women of the Mustang Ranch, and what began as a public-health project evolved into something more intimate and ambitious, a six-year study of the brothel ecosystem, its lessons and significance. The women of the Mustang Ranch poured their stories out to Albert: how they came to be there, their surprisingly deep sense of craft and vocation, how they reconciled their profession with life on the outside. Dr. Albert went as far into this world as it is possible to go — some will say too far — including sitting in on sessions with customers, and the result is a book that puts an unforgettable face on America’s maligned and caricatured subculture.From the Hardcover edition.

    Veblen's The Theory of the Leisure Class is in the tradition of Adam Smith's The Wealth of Nations and Thomas Hobbes's Leviathan, yet it provides a surprisingly contemporary look at American economics and society.Establishing such terms as "conspicuous consumption" and "pecuniary emulation," Veblen's most famous work has become an archetype not only of economic theory, but of historical and sociological thought as well. As sociologist Alan Wolfe writes in his Introduction, Veblen "skillfully . . . wrote a book that will be read so long as the rich are different from the rest of us; which, if the future is anything like the past, they always will be."

    Among the most prominent members of what became the Frankfurt School were the philosophers Walter Benjamin, Theodor Adorno, Max Horkheimer, and Herbert Marcuse. Not only would they change the way we think, but also the subjects we deem worthy of intellectual investigation. Their lives, like their ideas, profoundly, sometimes tragically, reflected and shaped the shattering events of the twentieth century.Grand Hotel Abyss combines biography, philosophy, and storytelling to reveal how the Frankfurt thinkers gathered in hopes of understanding the politics of culture during the rise of fascism. Some of them, forced to escape the horrors of Nazi Germany, later found exile in the United States. Benjamin, with his last great work—the incomplete Arcades Project—in his suitcase, was arrested in Spain and committed suicide when threatened with deportation to Nazi-occupied France. On the other side of the Atlantic, Adorno failed in his bid to become a Hollywood screenwriter, denounced jazz, and even met Charlie Chaplin in Malibu.After the war, there was a resurgence of interest in the School. From the relative comfort of sun-drenched California, Herbert Marcuse wrote the classic One Dimensional Man, which influenced the 1960s counterculture and thinkers such as Angela Davis; while in a tragic coda, Adorno died from a heart attack following confrontations with student radicals in Berlin.By taking popular culture seriously as an object of study—whether it was film, music, ideas, or consumerism—the Frankfurt School elaborated upon the nature and crisis of our mass-produced, mechanised society. Grand Hotel Abyss shows how much these ideas still tell us about our age of social media and runaway consumption.

    When the Egyptian journalist Mona Eltahawy published an article in Foreign Policy magazine in 2012 titled Why Do They Hate Us it provoked a firestorm of controversy. The response it generated, with more than four thousand posts on the website, broke all records for the magazine, prompted dozens of follow-up interviews on radio and television, and made it clear that misogyny in the Arab world is an explosive issue, one that engages and often enrages the public. In Headscarves and Hymens, Eltahawy takes her argument further. Drawing on her years as a campaigner and commentator on women's issues in the Middle East, she explains that since the Arab Spring began, women in the Arab world have had two revolutions to undertake one fought with men against oppressive regimes, and another fought against an entire political and economic system that treats women in countries from Yemen and Saudi Arabia to Egypt, Tunisia, and Libya as second-class citizens. Eltahawy has traveled across the Middle East and North Africa, meeting with women and listening to their stories. Her book is a plea for outrage and action on their behalf, confronting the toxic mix of culture and religion that few seem willing or able to disentangle lest they blaspheme or offend. A manifesto motivated by hope and fury in equal measure, Headscarves and Hymens is as illuminating as it is incendiary.

    Mythologized. Controversial.A Harvard evolutionary biologist debunks the myths and cultural stereotypes surrounding testosterone and reveals its far-reaching effects on gender and sexuality, sports, relationships, and many more aspects of our everyday lives.The biological source of virility and masculinity has inspired fascination, investigation, and controversy since antiquity. From the eunuchs in the royal courts of ancient China to the booming market for “elixirs” of youth in nineteenth-century Europe, humans have been obsessed with identifying and manipulating what we now know as testosterone. And the trends show no signs of slowing down—the modern market for testosterone supplements is booming. Thanks to this history and the methods of modern science, today we have a rich body of research about testosterone’s effects in both men and women.The science is clear: testosterone is a major, invisible player in our relationships, sex lives, athletic abilities, childhood play, gender transitions, parenting roles, violent crime, and so much more. But there is still a lot of pushback to the idea that it does, in fact, cause sex differences and significantly influence behavior.Carole Hooven argues in T that acknowledging testosterone as a potent force in society doesn’t reinforce stifling gender norms or patriarchal values. Testosterone and evolution work together to produce a huge variety of human behavior, and that includes a multitude of ways to be masculine or feminine. Understanding the science sheds light on how we work and relate to one another, how we express anger and love, and how we can fight bias and problematic behavior to build a more fair society.

    Lau's deft clinical inspection of the dynamics of power, sex, and money takes caustic snapshots of lives lived in stasis or, worse, caught in a downward spiral. In the title story, Monica, the queen bee of the massage parlour, is threatened by the constant influx of supple young women: "New girls, they come; new girls all the time. How am I supposed to make a living? Tell me!" In "Marriage," a nameless young woman falls heavily for an older doctor. Under his deluge of compensatory gifts and outright cash, she gasps, "I have no similar method of striking such bargains with my conscience." Plain Jane, in "The Apartments," dares to dream that "Perhaps tonight will be the night he sinks to his knees" and tells her that he loves her, "that he can't be a client anymore." Not a chance. On the sobering cab ride home, "between the waves of nausea it occurs to her that certain things, things that once seemed so possible, are becoming less and less likely with each passing night." Lau's writing is clear and relentlessly nuanced, neither jaded nor sanctimonious. A detour toward personal destruction spawned her best-selling 1989 memoir, Runaway: Diary of a Street Kid. Three years later, her first book of poetry, Oedipal Dreams, made Lau the youngest-ever Governor General's Award nominee, and she has continued to fashion poignant books of poetry, short story collections, and novels from the shards of her shattered past. --Sigcino Moyo