Thompson, American journalist and personality. Sold out in hard and trade paperback by Disney / Hyperion. Eight pages of illustrations. New Prologue, ISBN, and copy of Stipulation preventing me from delivering flowers to Hunter's Mother.

    The text also teaches students how to analyze the data they collect, and how to write an ethnography. The appendices include research questions and writing tasks.

    His short takes send us back to contemporary life refreshed and delighted.

    In Moral Panics and the Copyright Wars, William Patry lays bare how we got to where we are: a bloated, punitive legal regime that has strayed far from its modest, but important roots. Patry demonstrates how copyright is a utilitarian government program--not a property or moral right. As a government program, copyright must be regulated and held accountable to ensure it is serving its public purpose. Just as Wall Street must serve Main Street, neither can copyright be left to a Reaganite magic of the market. The way we have come to talk about copyright--metaphoric language demonizing everyone involved--has led to bad business and bad policy decisions. Unless we recognize that the debates over copyright are debates over business models, we will never be able to make the correct business and policy decisions. A centrist and believer in appropriately balanced copyright laws, Patry concludes that calls for strong copyright laws, just like calls for weak copyright laws, miss the point entirely: the only laws we need are effective laws, laws that further the purpose of encouraging the creation of new works and learning. Our current regime, unfortunately, creates too many bad incentives, leading to bad conduct. Just as President Obama has called for re-tooling and re-imagining the auto industry, Patry calls for a remaking of our copyright laws so that they may once again be respected.

    Yesterday in broadcasting. Tomorrow in book form.” —Steve Simmons, Toronto Sun After nearly 50 years behind the microphone, the voice of hockey in America opens up in a must-read memoir. Mike “Doc” Emrick has seen everything there is to see in a hockey game. Sizzling slap shots. Commitment, courage, and camaraderie. Pugnacious pugilists. Game-winning goals. To hockey fans across the country, his voice—and vocabulary—have become synonymous with the game they love.  In Off Mike, Doc takes readers back to the beginning, detailing how a Pittsburgh Pirates fan from small-town Indiana found himself in the wild world of professional hockey, calling games for the New Jersey Devils, Philadelphia Flyers, and finally NBC.    He’s covered All-Star Games, Stanley Cup Finals, the Olympics, and everything in between, rubbing shoulders with hockey’s immortals both on and off the ice. Yet Doc’s life has had its share of ups and downs, from almost leaving behind the love of his life to the passing of beloved companions to personal health scares.  After years of being welcomed into our homes, in this autobiography Doc welcomes us into his, revealing the stories, wit, and wisdom that have made him one of the most beloved figures in sports.

    Within this structure, Shlomith Rimmon-Kenan addresses key approaches to narrative fiction, including New Criticism, formlaism, structuralism and phenomenology, but also offers views of the modifications to these theroies. While presenting an analysis of the system governing all fictional narratives, whether in the form of novel, short story or narrative poem, she also suggests how individual narratives can be studied against the background of this general system. A broad range of literary examples illustrate key aspects of the study.This edition is brought fully up-to-date with an invaluable new chapter, reflecting on recent developments in narratology. Readers are also directed to key recent works in the field. These additions to a classic text ensure that Narrative Fiction will remain the ideal starting point for anyone new to narrative theory.

    Through advice, exercises and an outstanding array of examples, you'll learn to create gripping narratives powered by strong characters. You'll discover the secrets of sequencing, of weaving subplots into rich stories, of manipulating story pace to increase conflict, tension and surprise.

    Pioneers such as 1960s New Yorker columnist Ellen Willis and Jazz & Pop editor Patricia Kennealy-Morrison (better known, tellingly, for her marriage to rock icon Jim) are grouped with younger counterparts, from novelist Mary Gaitskill to cultural critic bell hooks in sections broken down loosely by topic. In "I Am the Band," female performers such as Sonic Youth bassist Kim Gordon, offer touring testimony; critic Jaan Uhelszki, meanwhile, finds herself onstage with Kiss, makeup and all, for a 1975 Creem magazine assignment. The latter instance points up one of the book's most fascinating aspects: in a rock-and-roll world where boys wear lipstick and girls increasingly get to make lots of noise, the effects of gender on both performer and listener are far from straightforward. Many of Rock She Wrote's strongest pieces? Joan Morgan's story on her love/hate relationship with Ice Cube's misogynist rap; Lori Twersky's musings on familiar images of the "female teenage audience" as screechy and sex-crazed?find their writers at the intersection of conflicting reactions to the subjects at hand. A remarkable collection, Rock She Wrote makes clear both the difference women writers have brought to music writing and the impossibility of any attempt to nail that difference down once and for all.

    But what really happened? What role did hatred play? What were the men involved really like, and what was going on between them when the murder occurred? American Honor Killings explores the truth behind squeamish reporting and uninformed political rants of the far right or fringe left. David McConnell, a New York based novelist, researched cases from small-town Alabama to San Quentin's death row. The book recounts some of the most notorious crimes of our era.Beginning in 1999 and lasting until the 2011 conviction of a youth in Queens, New York, the book shows how some murderers think they're cleaning up society. Surprisingly, other killings feel almost preordained, not a matter of the victim's personality or actions so much as a twisted display of a young man's will to compete or dominate. We want to think these stories involve simple sexual conflict, either the killer's internal struggle over his own identity or a fatally miscalculated proposition. They're almost never that simple.Together, the cases form a secret American history of rage and desire. McConnell cuts through cant and political special pleading to turn these cases into enduring literature. In each story, victims, murderers, friends, and relatives come breathtakingly alive. The result is more soulful, more sensitive, more artful than the sort of "true crime” writing the book was modeled on. A wealth of new detail has been woven into old cases, while new cases are plumbed for the first time. The resulting stories play out exactly as they happened, an inexorable sequence of events—grisly, touching, disturbing, sometimes even with moments of levity.It has been awarded the Stonewall Book Award-Israel Fishman Non-Fiction Award for 2014."Utilizing an empathetic narrative nonfiction approach, novelist McConnell, co-chair of the Lambda Literary Foundation, casts a humanizing eye upon monstrous deeds…a journalistic tour de force made all the more impressive by jailhouse interviews…McConnell's unquestionable skill as a writer gives both literary helot and immediacy to the narratives."-- Publishers Weekly "McConnell convincingly shows how fluid terms like 'gay' and 'straight' can actually be… The author's case studies reflect an intensive investigation into the economic and cultural backgrounds of a wide variety of extremist cultures, research that involved interviews with law enforcement officials, families of victims and the convicted criminals themselves. A shocking look at the subculture of violent crime, not for the fainthearted."-- Kirkus Reviews A masterpiece of reportage . . . Homophobia is not accepted as a mitigating circumstance in murder, but there is no doubt that men are still murdered for being gay. From Jon Schmitz ('The Jenny Jones Killer’) to John Katehis (the teenage hustler who murdered radio personality George Weber), novelist McConnell . . . has compiled a number of these cases and looks into the culture of masculinity for clues to the dynamics behind these killings . . . with no clear answers, but some very intriguing questions, these vignettes of masculine pride and rage will appeal to those interested in gender politics and gay studies as well as true crime fans.”-- Library Journal "McConnell, who is gay, is convinced he has written a book that no straight man could have written, and he's probably right. Navigating the depressing world of these horrific murders would discourage all but the most determined, passionate writers. Finding the humanity in these killers and the nuance in these most inhumane killings would challenge all but the most compassionate of writers."-- LA Weekly "American Honor Killings is a strong addition to any criminology or true crime collection with a side focus on gay issues, very much recommended."-- Midwest Book Review

    Far from being simply a tool for the preservation of music, the technology is a catalyst. This is the clear message of Capturing Sound, a wide-ranging, deeply informative, consistently entertaining history of recording's profound impact on the musical life of the past century, from Edison to the Internet.In a series of case studies, Mark Katz explores how recording technology has encouraged new ways of listening to music, led performers to change their practices, and allowed entirely new musical genres to come into existence. An accompanying CD, featuring thirteen tracks from Chopin to Public Enemy, allows readers to hear what Katz means when he discusses music as varied as King Oliver's "Dippermouth Blues," a Jascha Heifetz recording of a Brahms Hungarian Dance, and Fatboy Slim's "Praise You."

    It is literature written originally in English by authors Indian by birth, ancestry or nationality. It is no part of English literature any more than American literature or Australian literature can be said to be a branch of English literature. It is legitimately a part of Indian literature since it's differentia is the expression in it of Indian ethos. Sahitya Akademi has accepted Indian English Literature as the most suitable applellation for this body of writing. The term emphasises two significant ideas: First that this literature constitutes one of the many streams that join the great ocean called Indian literature, which though written in different languages has an unmistakable unity: Secondly, that it is an inevitable product of the nativization of the English language to express the India sensibility. Professor Naik traces the course of this history from it's beginnings to recent times, dividing it into convenient periods, in an analytical, critical and engaging style.

    * The authors provide a clear and comprehensive overview of this phenomenon. The book also includes important contributions by Henry Jenkins and John Hartley, both experts in this field. Full description

    In this groundbreaking work, Elisabeth Noelle-Neumann examines public opinion as a form of social control in which individuals, almost instinctively sensing the opinions of those around them, shape their behavior to prevailing attitudes about what is acceptable.For this second edition, Noelle-Neumann has added three new chapters: the first discusses new discoveries in the history of public opinion; the second continues the author's efforts to construct a comprehensive theory of public opinion, addressing criticisms and defenses of her "spiral of silence" theory that have appeared since 1980; the third offers a concise and updated summary of the book's arguments.

    In the name of biosecurity and health, the model of bourgeois democracy–together with its rights, parliaments, and constitutions–is everywhere surrendering to a new despotism where citizens seem to accept unprecedented limitations to their freedoms.This leads to the urgency of the volume’s title: Where Are We Now? For how long will we accept living in a constantly extended state of exception, the end of which remains impossible to see?

    Along her route - from Kenya through Uganda, Tanzania, Malawi and Zambia to Zimbabwe - Dervla Murphy observed the harrowing problems of the people among whom she traveled. She witnessed the devastating effects of AIDS, drought and economic collapse on the land, as well as the skepticism of Africans about Western "development projects" and "aid schemes" which promise so much but deliver so little. She also discovered a wide range of reactions to AIDS, which has reached epidemic proportions in Africa, and which poses a new and mysterious threat to traditional family life.