Brené Brown bring together a dynamic group of Black writers, organizers, artists, academics, and cultural figures to discuss the topics the two have dedicated their lives to understanding and teaching: vulnerability and shame resilience.Contributions by Kiese Laymon, Imani Perry, Laverne Cox, Jason Reynolds, Austin Channing Brown, and moreIt started as a text between two friends.Tarana Burke, founder of the 'me too.' Movement, texted researcher and writer Brené Brown to see if she was free to jump on a call. Brené assumed that Tarana wanted to talk about wallpaper. They had been trading home decorating inspiration boards in their last text conversation so Brené started scrolling to find her latest Pinterest pictures when the phone rang.But it was immediately clear to Brené that the conversation wasn't going to be about wallpaper. Tarana's hello was serious and she hesitated for a bit before saying, "Brené, you know your work affected me so deeply, but as a Black woman, I've sometimes had to feel like I have to contort myself to fit into some of your words. The core of it rings so true for me, but the application has been harder."Brené replied, "I'm so glad we're talking about this. It makes sense to me. Especially in terms of vulnerability. How do you take the armor off in a country where you're not physically or emotionally safe?"Long pause."That's why I'm calling," said Tarana. "What do you think about working together on a book about the Black experience with vulnerability and shame resilience?"There was no hesitation.Burke and Brown are the perfect pair to usher in this stark, potent collection of essays on Black shame and healing. Along with the anthology contributors, they create a space to recognize and process the trauma of white supremacy, a space to be vulnerable and affirm the fullness of Black love and Black life.

    How does the spectacle of the sufferings of others (via television or newspapers) affect us? Are viewers inured--or incited--to violence by the depiction of cruelty? In Regarding the Pain of Others, Sontag takes a fresh look at the representation of atrocity--from Goya's The Disasters of War to photographs of the American Civil War, lynchings of blacks in the South, and the Nazi death camps, to contemporary horrific images of Bosnia, Sierra Leone, Rwanda, Israel and Palestine, and New York City on September 11, 2001. In Regarding the Pain of Others Susan Sontag once again changes the way we think about the uses and meanings of images in our world, and offers an important reflection about how war itself is waged (and understood) in our time.Features an analysis of our numbed response to images of horror. This title alters our thinking about the uses and meanings of images, and about the nature of war, the limits of sympathy, and the obligations of conscience.

    But what do we really know about Burma and its history? And what can Burma's past tell us about the present and even its future?In "The River of Lost Footsteps," Thant Myint-U tells the story of modern Burma, in part through a telling of his own family's history, in an interwoven narrative that is by turns lyrical, dramatic, and appalling. His maternal grandfather, U Thant, rose from being the schoolmaster of a small town in the Irrawaddy Delta to become the UN secretary-general in the 1960s. And on his father's side, the author is descended from a long line of courtiers who served at Burma's Court of Ava for nearly two centuries. Through their stories and others, he portrays Burma's rise and decline in the modern world, from the time of Portuguese pirates and renegade Mughal princes through the decades of British colonialism, the devastation of World War II, and a sixty-year civil war that continues today and is the longest-running war anywhere in the world."The River of Lost Footsteps" is a work both personal and global, a distinctive contribution that makes Burma accessible and enthralling. Thant Myint-U, educated at Harvard and Cambridge, has served on three United Nations peacekeeping operations, in Cambodia and in the former Yugoslavia, and was more recently the head of policy planning in the UN's Department of Political Affairs. He lives in New York City.

    Biographer Marlene Wagman Geller gathers them all in this enchanting look at the lives and the gilded lives of wealthy women.

    How we feel about keeping house speaks volumes about who we are, our roots, relationships, and our outlook on life.

    Their stories show just how varied the search for love can be—from singles' events and college flirtations to arranged marriages, all with a uniquely Muslim twist.These heartfelt tales are filled with passion and hope, loss and longing. One follows the quintessential single woman in the big city as she takes a chance on a Muslim speed-dating event. Another tells of a shy student from a liberal college town who falls in love online and must reveal her secret to her conservative family. A third recounts a Southern girl who surprises herself by agreeing to an arranged marriage, unexpectedly finding the love of her life.These compelling stories of love and romance create an irresistible balance of heart-warming and tantalizing, always revealing and deeply relatable.

    Shirk collects the histories of astrologers, faith healers, preachers, priestesses, mambos, and mediums who’ve had to find their own ways toward divinity outside prescribed patriarchal orders. Each woman represents a pathway for Shirk’s own spiritual inquiries. She introduces us to the New Orleans high priestess Marie Laveau, the pop New Age pioneer Linda Goodman, the prophetic vision of intersectionality as preached by Sojourner Truth, “saint” Flannery O’Connor, and so many more. Through her journey, Shirk discovers that, as the culture wars flatten religious discourse and shred institutional trust, more and more Americans are yearning for alternative, individualized, feminist routes through religion. And women, having spent so much time at the margins of religious discourse, illuminate its darkened corners. And Your Daughters Shall Prophesy is a beacon to those who are searching for a spirituality of resistance, for an unsteady truth. It draws a line from our own era of unrest to the women who came before us, those fascinating innovators, boundary crossers, paradoxes, and radical justice seekers.

    Moore (author of The Accidental Buddhist), Neal Pollack (author of Stretch: The Making of a Yoga Dude) and many others, Going Om shares a range of observations about this popular practice. Unlike books on yoga that provide instruction on technique, Going Om is a unique collection of personal narratives from celebrated authors. This anthology of original material values the quality of writing over the authors' flexibility. Ira Sukrungruang shares his heartbreaking struggle as a 375 pound yoga student discovering self-worth on his mat; Gloria Munoz explores the practice of stillness with lyrical elegance in the midst of her busy mind; Neal Pollack's signature sarcasm leads to surprising turns at yoga class with his dad; Elizabeth Kadetsky uses yogic wisdom while coping with her mother's devastating Alzheimer's.

    That is, until she found herself dumped, suddenly single, and mystifyingly...mostly attracted to dudes. Like any good comic, she was inspired to investigate, and thus ensued her hilarious, sometimes high-stakes personal research into the world of men, culminating in a beautiful, difficult romance. Featuring insightful interviews with comics and experts like W. Kamau Bell, Margaret Cho, Pastor Nadia Bolz-Weber, and Kate’s dad and close friends, this exploration of modern masculinity delves into how to be a good guy and how to be in love with one...and when that isn’t quite enough.

    An abortion provider reinvents birth control, Sheila Bapat envisions an economy that values domestic work, a teenage rock band dreams up a new way to make music, Katherine Cross rewrites the Constitution, and Maya Dusenbery resets the standard for good sex. Combining essays, interviews, poetry, illustrations, and short stories, The Feminist Utopia Project challenges the status quo that accepts inequality and violence as a given—and inspires us to demand a radically better future.

    Ron Hubbard—begins in Brooklyn's working-class Bensonhurst neighborhood, where she was introduced to the religion by her mom. More than three decades later, Leah summoned the courage to leave the church—something few celebrities at her level of fame have ever done before and almost none have ever talked about. This People Spotlight Story explores Leah Remini and her escape from Scientology.

    She shows readers how this civil rights movement radical sought—for more than a half a century—to expose and eradicate the American racial-caste system in jobs, schools, public services, and criminal justice.

    Emma Goldman was at the forefront of the radical causes of the twentieth century, from leading hunger demonstrations during the Great Depression—"Ask for work! If they do not give you work, ask for bread! If they do not give you work or bread, take the bread!"—to organizing a cloakmakers' strike, from lecturing on how to use birth control to fighting conscription for World War I, while her soulmate, Alexander Berkman, spent fourteen years in jail for his failed attentat against industrialist Henry Clay Frick.Sharon Rudahl's lovely, energetic illustrations bring Goldman's many facets and passions to new life; her work belongs with the critically acclaimed graphic nonfiction of Alison Bechdel's Fun Home and Marjane Satrapi's Persepolis. Featuring a foreword by Alice Wexler, A Dangerous Woman is a marvelously compelling presentation of a woman devoted to revolutionizing her age.

    Only a generation ago, female adolescence as we know it in the West did not exist in the Middle East. There were only children and married women. Today, young Arab women outnumber men in universities, and a few are beginning to face down religious and social tradition in order to live independently, to delay marriage, and to pursue professional goals. Hundreds of thousands of devout girls and women are attending Qur’anic schools—and using the training to argue for greater rights and freedoms from an Islamic perspective. And, in 2011, young women helped to lead antigovernment protests in the Arab Spring. But their voices have not been heard. Their stories have not been told.In Syria, before its civil war, she documents a complex society in the midst of soul searching about its place in the world and about the role of women. In Lebanon, she documents a country that on the surface is freer than other Arab nations but whose women must balance extreme standards of self-presentation with Islamic codes of virtue. In Abu Dhabi, Zoepf reports on a generation of Arab women who’ve found freedom in work outside the home. In Saudi Arabia she chronicles driving protests and women entering the retail industry for the first time. In the aftermath of Tahrir Square, she examines the crucial role of women in Egypt's popular uprising. Deeply informed, heartfelt, and urgent, Excellent Daughters brings us a new understanding of the changing Arab societies—from 9/11 to Tahrir Square to the rise of ISIS—and gives voice to the remarkable women at the forefront of this change.

    In Pandora’s DNA, Stark uses her family’s experience to frame a larger story about the so-called breast cancer genes, exploring the morass of legal quandaries, scientific developments, medical breakthroughs, and ethical concerns that surround the BRCA mutations, from the troubling history of prophylactic surgery and the storied origins of the boob job to the landmark lawsuit against Myriad Genetics, which held patents on the BRCA genes every human carries in their body until the Supreme Court overturned them in 2013. Although a genetic test for cancer risk may sound like the height of scientific development, the treatment remains crude and barbaric. Through her own experience, Stark shows what it’s like to live in a brave new world where gazing into a crystal ball of genetics has many unintended consequences.