Sections group tales together by theme or juxtapose variations of individual tales, inviting comparison and analysis across cultures and genres. An accessible section of critical selections provides a foundation for readers to analyze, debate, and interpret the tales for themselves. An expanded introduction by the editors looks at the history of folk and fairy tales and distinguishes between the genres, while revised introductions to individual sections provide more detailed history of particular tellers and tales, paying increased attention to the background and cultural origin of each tale. A selection of illustrations from editions of classic tales from the 19th to the 21st centuries is also included.

    This book has a very specific purpose: to help songwriters find better rhymes and use them more effectively. Rhyme is one of the most crucial areas of lyrics writing, and this guide will provide all of the technical information necessary to develop your skills completely. The exercises and worksheets help experienced writers take a fresh look at their techniques, and prevent novices from developing bad habits. Use this book to start writing better than ever before!

    Carefully chosen selections from Frye, Benjamin, Lévi-Strauss, Lukács, Bakhtin, and other prominent theorists explore the historical significance of the novel as a genre, from its early beginnings to its modern variations in the postmodern novel and postcolonial novel.Offering a generous selection of key theoretical texts for students and scholars alike, Theory of the Novel also presents a provocative argument for studying the genre. In his introduction to the volume and in headnotes to each section, McKeon argues that genre theory and history provide the best approach to understanding the novel. All the selections in this anthology date from the twentieth century—most from the last forty years—and represent the attempts of different theorists, and different theoretical schools, to describe the historical stages of the genre's formal development.

    This collection includes: "The Glass Essay," a powerful poem about the end of a love affair, told in the context of Carson's reading of the Brontë sisters; "Book of Isaiah," a poem evoking the deeply primitive feel of ancient Judaism; and "The Fall of Rome," about her trip to "find" Rome and her struggle to overcome feelings of a terrible alienation there.

    Falling into Theory is a brief and inexpensive collection of essays that asks literature students to think about the fundamental questions of literary studies today.

    Driven. Whip-smart and wickedly funny.He gets me like no one else does, and I get him.He’s the perfect…friend.My best friend.But Kelley is also totally gorgeous. And confident.And tempting.But none of that matters, anyway.Best friends don’t care about those things.Or at least… I never used to.One chemistry-filled moment has the power to change everything, and soon old feelings I’d ignored and memories I’d tried to forget come crashing back.I never prepared for falling in love.But after that kiss… Who is this unbelievably sexy man, and what has he done with my best friend? ***Love You Better is a sweet and sexy standalone, best friends to lovers, second chance romance. It’s a steamy slow burn with heart, heat, and an HEA sure to make you swoon.

    Organized by the four genres of prose, poetry, drama, and the essay, the text provides a rich and diverse array of reading selections. Each section is accompanied by an introduction to the genre, and each reading includes a wealth of exercises that help students gain an understanding and appreciation of literature from the Spanish-speaking world.

    He enjoins educators to stop offering up literature as facile entertainment and instead teach students to read in a way that can change their lives for the better. At once controversial and inspiring, this is a groundbreaking book written with the elegance and power to change the way we teach and read. Praise for Why Read?: "Edmundson is dead on target."-Washington Post Book World "Edmundson's an engaging teacher, earnest, knowledgeable, witty."-Boston Globe "Why Read? makes passionate arguments for literature's soul-making potential."-Raleigh News and Observer "An engaging blend of social criticism, self-improvement wisdom, and appeal to fellow humanities professors...Edmundson writes with a rare combination of force and humility."-Willamette Weekly Mark Edmundson is NEH/Daniels Family Distinguished Teaching Professor at the University of Virginia. A prizewinning scholar, he is the author of Literature Against Philosophy, Plato to Derrida, and the widely praised memoir, Teacher: The One Who Made the Difference. He has written for the New Republic, the New York Times Magazine, the Nation, and Harper's, where he is a contributing editor. Featured on Brian Lamb's final Booknotes Also available: HC 1-58234-425-6 ISBN 13: 978-158234-425- $21.95

    Which wouldn't be a problem, if he wasn't such a cocky jerk.It's okay, though. My crush is based on shallowness, a simple attraction, so my heart isn't at risk of getting broken.Well, that is until my best friend decides she needs to teach her brother a lesson and take his cockiness down a notch. Her plan: I'll get Carter to fall in love with me and then break his heart. At first I'm not fully on board with her plan, not only because it seems cruel, but I also highly doubt Carter will fall in love with me.But then Carter does something that pushes me over the edge and I decide to go through with it.Not only does the plan work, but Carter ends up being different from the cocky jerk I thought he was. At least I think so.But not everything is as it seems.Carter has secrets too. Secrets that could ruin my life.Suddenly, I'm not sure who's playing who anymore.Please note: this is a romance suspense with a drop of mystery.

    A sullen and arrogant graduate student, he never thought Austen would have anything to offer him. Then he read Emma—and everything changed. In this unique and lyrical book, Deresiewicz weaves the misadventures of Austen’s characters with his own youthful follies, demonstrating the power of the great novelist’s teachings—and how, for Austen, growing up and making mistakes are one and the same. Honest, erudite, and deeply moving, A Jane Austen Education is the story of one man’s discovery of the world outside himself.

    She helps when the guys drink too much before a game. She tapes them up when they're injured. And in return, they watch her back. While most students spend their time partying, Lily spends her free time working. But her job as the assistant athletic trainer for the PSU football team comes with the benefit of being friends with every player on the team. Except the entirely too cocky, reckless, and charming golden boy of the team: Vincent Bradshaw. When they aren't spouting insults at one another, Vincent and Lily are doing everything in their power to avoid each other. That is, until Vincent gets injured.

    She gets to do both as she co-hosts Riordan College’s radio program, The Truths about Dating and Mating, alongside her lifelong best friend, Ian Hollister. Being the only girl who cares to see beyond Ian’s bad boy reputation has its advantages, especially when he’s scaring off the jerks who just want to nail the campus sex-guru. It’s when he’s “protecting” her from the advances she welcomes that she wants to lob him over the head and tell him to butt out. But Ivy feels like she’s the one who’s taken a hit when Ian almost kisses her at a party. She knows she should feel relieved when he pulls away, so why is she disappointed instead?What’s worse, Ivy’s now getting aroused by Ian’s slightest touch and can’t stop entertaining thoughts of a romantic future. But Ian doesn’t do relationships, and she’s not interested in anything casual. In the end, Ivy decides it’s best to keep her growing feelings a secret and hope they’ll pass. However, when Ian begins hinting at wanting to take things to the next level, she’s forced to decide if a chance at something more is worth risking everything they’ve built.With their friendship and her heart hanging in the balance, can Ivy follow the advice she and Ian give their listeners - to communicate, be honest, and trust in themselves - or will insecurity, stubbornness, and pride ruin any chance of their relationship getting off the ground?

    Big plans that included getting the hell out of the little town she’d grown up in with her two best friends. When she decided it was time to let one of them know her true feelings for him; a change of plans resulted in a tragic turn of events. Now, Alyssa is left alone to find her way out of the darkness that an untimely death has left in its wake.Jesse Vaughn was never good at letting people in. He’d learned a long time ago that it’s easier that way because people leave, or, unfortunately, die. The one person he wanted to let in doesn’t want him anymore. The only problem is he can’t stop thinking about her. Jesse returns to the childhood home he left behind with one goal in mind… to convince her that they should be together. When Jesse finds Alyssa she’s not the same girl he left behind. She’s wild, reckless and hell-bent on not giving Jesse a second chance. Lucky for Jesse, his stubborn streak has always been a mile-wide and he’s not about to give up on her.When your life has been shattered can you really pick up all the pieces and move on?

    —New York Times Book ReviewNo writer I know of comes close to even trying to articulate the weird magic of poetry as Ruefle does. She acknowledges and celebrates in the odd mystery and mysticism of the act—the fact that poetry must both guard and reveal, hint at and pull back... Also, and maybe most crucially, Ruefle’s work is never once stuffy or overdone: she writes this stuff with a level of seriousness-as-play that’s vital and welcome, that doesn’t make writing poetry sound anything but wild, strange, life-enlargening fun. -The Kenyon ReviewProfound, unpredictable, charming, and outright funny...These informal talks have far more staying power and verve than most of their kind. Readers may come away dazzled, as well as amused... —Publishers WeeklyThis is a book not just for poets but for anyone interested in the human heart, the inner-life, the breath exhaling a completion of an idea that will make you feel changed in some way. This is a desert island book. —Matthew DickmanThe accomplished poet is humorous and self-deprecating in this collection of illuminating essays on poetry, aesthetics and literature... —San Francisco ExaminerOver the course of fifteen years, Mary Ruefle delivered a lecture every six months to a group of poetry graduate students. Collected here for the first time, these lectures include "Poetry and the Moon," "Someone Reading a Book Is a Sign of Order in the World," and "Lectures I Will Never Give." Intellectually virtuosic, instructive, and experiential, Madness, Rack, and Honey resists definition, demanding instead an utter—and utterly pleasurable—immersion. Finalist for the 2012 National Book Critics Circle Award.Mary Ruefle has published more than a dozen books of poetry, prose, and erasures. She lives in Vermont.

    The leading narrative history that students love to read, now made more relevant and accessible.