The book - a selection of articles, broadcasts and books extracts that revealed important and disturbing truths - ranges from across many of the critical events, scandals and struggles of the past fifty years. Along the way it bears witness to epic injustices committed against the peoples of Vietnam, Cambodia, East Timor and Palestine. John Pilger sets each piece of reporting in its context and introduces the collection with a passionate essay arguing that the kind of journalism he celebrates here is being subverted by the very forces that ought to be its enemy. Taken as a whole, the book tells an extraordinary 'secret history' of the modern era. It is also a call to arms to journalists everywhere - before it is too late.

    Their essays, organized as separate contributions that respond to one another, range over the Hegelian legacy in contemporary critical theory, the theoretical dilemmas of multiculturalism, the universalism-versus-particularism debate, the strategies of the Left in a global economy, and the relative merits of post-structuralism and Lacanian psychoanalysis for a critical social theory.

    These stories of community, displacement, and poverty in the wake of gentrification give voice to those who have long been ignored, but whose hopes and struggles exist firmly at the heart of our national identity.

    When Bolen's earlier book Goddesses in Everywoman was first published, it became a surprise bestseller and an unexpected star in the womens' spirituality movement. Bolen viewed archetypal patterns from a Jungian-feminist point of view as they affected the first two phases of a woman's life. Now she has devoted an entire book to the third phase of a woman's life, that of a "green and juicy crone." Here again, the goddesses (Demeter, Artemis, Persephone etc,) as they would age are invoked as role models as well as some non-Western goddesses. All can add perspective and wisdom to any woman's Act III.

    But Harding and Kirby, the leading bloggers in the fatosphere, the online community of the fat acceptance movement, have written a book to help readers achieve admiration for-or at least a truce with-their bodies. The authors believe in health at every size-the idea that weight does not necessarily determine well-being and that exercise and eating healthfully are beneficial, regardless of whether they cause weight loss. They point to errors in the media, misunderstood and ignored research, as well as stories from real women around the world to underscore their message. In the up-front and honest style that has become the trademark of their blogs, they share with readers twenty-seven ways to reframe notions of dieting and weight, including: accepting that diets don't work, practicing intuitive eating, finding body-positive doctors, not judging other women, and finding a hobby that has nothing to do with one's weight.

    Davis • Jennifer Egan • Carolyn Ferrell • Mary Gordon • Cristina Henríquez • Samantha Hunt •Binnie Kirshenbaum • Dika Lam • Caitlin Macy • Francine Prose • Holiday Reinhorn • Roxana Robinson • Curtis Sittenfeld • Lynne Tillman • Martha Witt Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”–Gloria Steinem“These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”–ELLE

    This claim can be made in many Mormon Sunday Schools without fear of contradiction. You are more likely to encounter opposition if you argue that the ban on the ordination of Black Mormons was a product of human racism. Like most difficult subjects in Mormon history and practice, says Joanna Brooks, the priesthood and temple ban on Blacks has been managed carefully in LDS institutional settings with a combination of avoidance, denial, selective truth-telling, and determined silence. As America begins to come to terms with the costs of white privilege to Black lives, this book urges a soul-searching examination of the role American Christianity has played in sustaining everyday white supremacy by assuring white people of their innocence. In Mormonism and White Supremacy, Joanna Brooks offers an unflinching look at her own people's history and culture and finds in them lessons that will hit home for every scholar of American religion and person of faith.

    Meena founded RAWA in 1977 as a twenty-year-old Kabul University student. She was assassinated in 1987 at age thirty but lives on in the hearts of all progressive Muslim women. Her voice, speaking for freedom, has never been silenced. The compelling story of Meena's struggle for democracy and women's rights in Afghanistan will inspire young women the world over.

    For Voices, Zinn and Arnove have selected testimonies to living history—speeches, letters, poems, songs—left by the people who make history happen but who usually are left out of history books—women, workers, nonwhites. Zinn has written short introductions to the texts, which range in length from letters or poems of less than a page to entire speeches and essays that run several pages. Voices of a People’s History is a symphony of our nation’s original voices, rich in ideas and actions, the embodiment of the power of civil disobedience and dissent wherein lies our nation’s true spirit of defiance and resilience.

    A woman’s slightest infractions were met with brutal public beatings. That is why it is both appropriate and incredible that the sole effective civil resistance to Taliban rule was made by women. Veiled Courage reveals the remarkable bravery and spirit of the women of the Revolutionary Association of the Women of Afghanistan (RAWA), whose daring clandestine activities defied the forces of the Taliban and earned the world’s fierce admiration. The complete subordination of women was one of the first acts of the Taliban. But the women of RAWA refused to cower. They used the burqa to their advantage, secretly photographing Taliban beatings and executions, and posting the gruesome pictures on their multi-language website, rawa.org, which is read around the world. They organized to educate girls and women in underground schools and to run small businesses in the border towns of Pakistan that allowed widows to support their families.If caught, any RAWA activist would have faced sure death. Yet they persisted. With the overthrow of the Taliban now a reality, RAWA faces a new challenge: defeating the powers of Islamic fundamentalism of which the Taliban are only one face and helping build a society in which women are guaranteed full human rights. Cheryl Benard, an American sociologist and an important advisor to RAWA, uses her inside access to write the first behind-the-scenes story of RAWA and its remarkably brave women. Veiled Courage will change the way Americans think of Afghanistan, casting its people and its future in a new, more hopeful light.From the Hardcover edition.

    methodologically innovative... precise and perceptive and conscious... " --Text and Performance QuarterlyWoman, Native, Other is located at the juncture of a number of different fields and disciplines, and it genuinely succeeds in pushing the boundaries of these disciplines further. It is one of the very few theoretical attempts to grapple with the writings of women of color." --Chandra Talpade MohantyThe idea of Trinh T. Minh-ha is as powerful as her films... formidable... " --Village Voice... its very forms invite the reader to participate in the effort to understand how language structures lived possibilities." --ArtpaperHighly recommended for anyone struggling to understand voices and experiences of those 'we' label 'other'." --Religious Studies Review

    Each chapter examines a topic that offers call-to-action exercises incorporated into each lesson. Together, the chapters take a look at history and current events through the lens of feminist theory and introduce an inclusive and wide range of feminist thoughts and perspectives. Includes an introduction to readers on how to use the book and an alphabetical list of ways to take feminist action.

     When novelist Jewel Allen's earnings tapered to a buck per month for each of her 11 books on her back list, she knew she had to change her self-publishing model. Applying the principles of rapid release, where an author publishes fast to keep readers’ interest before the dreaded 30-day cliff, she started a to-market series and recouped five times her investment in 30 days. She repeated it, not just once, but six times on her way to energizing her publishing career. In this book, learn how Jewel: *spotted a hot publishing trend for a series *wrote and published quality 50k-word novels monthly *overcame the mind games that shut down productivity *launched a series with a bang despite a small fan base *earned a profit from a series immediately With special guest commentary: Q&A with bestselling author Bree Livingston Rapid Releasing a Regency Series by Sally Britton Rapid Releasing a Multi-Author Series by Jo Noelle Rapid Releasing by stockpiling manuscripts by Eliza Boyd Rapid Releasing a Sports Romance Series by Brittney Mulliner

    Mal porque tengo miedo. Miedo porque yo era como t�, llena de ideas y verdad, y por mi sabidur�a lo perd� todo. T� no eres Malcriada. Lo que pasa es que tu sabes demasiado." __In the middle of the Caribbean Sea, aboard an illegal voyage from the Dominican Republic to Puerto Rico, a twelve year old learns her name; a former cacao farmer finds a constellation on his lover's thighs; best friends become strangers and find the essence of themselves in the face of deception; an old man exchanges his homeland for a New York City bodega storefront; preteen boys grapple with authority; female cousins come to terms with their first shared sexual experience; an alcoholic woman finds serenity at the bottom of the sea; feminism is deconstructed by opposing views; on the back of a motorcycle, self-awareness is found; and a woman discovers that healing is a series of choices.__ "My mother didn't teach me dependency, I want to yell and enunciate. I cannot force myself to need you. Mami taught me to use my tongue like a sword, and I haven't sharpened it in years. Too afraid, I find myself, to pain him, to say things that might strike him the wrong way. Some feelings just don't translate. " __ " You know that Malcriadas can love the world awake."

    This exciting new book explores that transformation by bringing together three leading figures in conversation. Jenkins, Ito and boyd examine the ways in which our personal and professional lives are shaped by experiences interacting with and around emerging media.Stressing the social and cultural contexts of participation, the authors describe the process of diversification and mainstreaming that has transformed participatory culture. They advocate a move beyond individualized personal expression and argue for an ethos of "doing it together" in addition to "doing it yourself."Participatory Culture in a Networked Era will interest students and scholars of digital media and their impact on society and will engage readers in a broader dialogue and conversation about their own participatory practices in this digital age.